Text Only Catalogue

Antiques & Works of Art Sale
on Thursday 30th April & Friday 1st May 2009

1.      A DERBY GROUP OF A SPORTSMAN AND GIRL, as Autumn and Summer from a pair of groups of The Seasons, the man with rifle in his right hand and wearing a lilac coat, floretted waistcoat and blue breeches, his companion in a yellow bodice, gilt apron and spotted skirt, a basket of flowers over her arm on a rocky base before an oak tree surmounted by a partridge, painted in bright enamels and heightened in gilt, 24cm h, William Duesbury & Co, incised triangle of the 'repairer' Joseph Hill, TTL and No 68, c1780 Literature: The rare and unexplained mark 'TTL' is found on another example of the model in the British Museum; see Bradshaw (P) Derby Porcelain Figures 1750-1848, 1990, p59. Estimate: 300-500
2.      A DERBY FIGURE OF A LADY WITH A CAT, in a pink open robe with lace ruff and flowered turquoise skirt, seated on a rocky green mound, 13.5cm h, William Duesbury & Co, patch marks, incised G and No 51, c1785 Estimate: 150-200
3.      A PAIR OF DERBY FIGURES OF A SPORTSMAN AND COMPANION, with guns and a hound or partridge, in plumed hat, turquoise coat or spotted puce costume, flowered breeches or underskirt, black boots or red shoes on sprigged rocky green mound, 14.5cm h, William Duesbury & Co, patch marks, incised No 50, one also incised T x T, c1780 The incised mark 'T x T' is found on another pair of figures of a Sportsman and Companion in the British Museum, see Bradshaw, op cit, p59. Estimate: 250-350
4.      A DERBY GROUP OF A DANCING COUPLE, the young woman in a pale blue bodice and striped puce and gilt skirt with black apron, on scrolling turquoise and gilt edged base, 18cm h, William Duesbury & Co, patch marks, incised No17, c1780 Estimate: 300-500
5.      A DERBY FIGURE OF A GALLANT attired as a shepherd and carrying a lamb under his right arm, a basket of fruit to one side, in black hat, billowing puce jerkin and puce flowered lemon breeches before a green-leaved stump, on sprigged turquoise and gilt rococo base, 26cm h, William Duesbury & Co, patch marks, incised NW, c1765 Estimate: 250-350
6.      A DERBY FIGURE OF A GARLAND SHEPHERD, with a hound and holding a letter in his outstretched left hand, wearing a black hat, pink coat and flowered puce waistcoat with light blue breeches standing before a boçage, on turquoise and gilt rococo base, 18cm h, William Duesbury & Co, patch marks, c1765 Estimate: 250-350
7.      A DERBY FIGURE OF A HAYMAKER, carrying a costrel over his shoulder and dressed in a black hat, lilac and gilt coat, peacock feather patterned breeches and striding beside a flowered boçage stump on turquoise and gilt rococo base, 17.5cm h, William Duesbury & Co, patch marks, c1765 Estimate: 250-350
8.      A DERBY GROUP OF GRAPE HARVESTERS, the youth in a black hat and turquoise coat with puce chequer waistcoat and yellow breeches standing with his back to a girl, grapes in her upraised left hand and wearing a pink bodice and purple flowered yellow skirt, a barrel and grape basket at their feet, on turquoise and gilt scroll edged rocky base, 19cm h, William Duesbury & Co, patch marks, c1780 Literature: The present group was probably intended as a pair to the Group of Gardeners, since the placing of the male and female figures is reversed. See Barrett (F A) and A L Thorpe, Derby Porcelain, 1971, plt 100. Estimate: 500-700
9.      A DERBY FIGURE OF A SHEPHERDESS OR COLUMBINE, a posy in her upraised left hand and wearing a yellow bonnet, puce bodice and puce flowered turquoise skirt, a lamb at her feet on the sprigged turquoise and gilt base, 15cm h, William Duesbury & Co, patch marks, c1760 Estimate: 250-350
10.     A DERBY FIGURE OF A SKATER, emblematic of Winter from a set of The Seasons, in black hat, turquoise lined coat, striped waistcoat and pale yellow breeches before a green stump, on mossy mound, 16.5cm h, William Duesbury & Co, patch marks, incised 35, c1780 Estimate: 250-350
11.     A DERBY FIGURE OF A GALLANT, carrying flowers in his upturned hat and holding a posy, in pink coat and yellow breeches on sprigged mound, 15cm h, William Duesbury & Co, patch marks, c1785 Estimate: 150-200
12.     A DERBY FIGURE OF A GRAPE HARVESTER, possibly emblematic of Autumn from a set of The Seasons, holding a bunch of grapes and beaker, in black hat and finely painted, flowered coat with peacock feather patterned breeches before white and black grapes, on scrolling pink and gilt rococo base, 18cm h, William Duesbury & Co, patch marks, painted F in purple enamel, c1780 Estimate: 250-350
13.     A PAIR OF DERBY SHEEP, the recumbent ewe and lamb on oval mound with four blue flowers each with a yellow 'eye'; a Derby recumbent ram, on green mound before boçage, 4 and 6.5cm h, both William Duesbury & Co, patch marks, c1775 (3) Estimate: 100-200
14.     A DERBY CANDLESTICK-FIGURE OF A LADY, attired as a shepherdess gathering flowers in her apron, in orange brimmed bonnet, pink bodice and finely painted, flowered skirt with gilt stars, her left arm around a boçage, on pierced turquoise and gilt rococo base, 28cm h, William Duesbury & Co, patch marks, c1765 Estimate: 400-600
15.     A PAIR OF DERBY FIGURES OF DRESDEN SHEPHERDS, the gallant carrying a basket and proffering a fruit with his right hand, his companion gathering flowers in her apron, in plumed hat or yellow bonnet, puce lined turquoise coat and floretted breeches or yellow skirt, a hound or lamb at their feet, on scrolling shell bordered turquoise and gilt rococo mounds, 21cm h, William Duesbury & Co, patch marks, c1765 Literature: Bradshaw, op cit, plt 55. Estimate: 500-700
16.     A PAIR OF DERBY LIBERTY AND MATRIMONY FIGURAL CANDELABRA, as a shepherd reclining on a balustrade with a bird on his knee, a hound at his feet, his companion with a birdcage and attended by a lamb, finely painted in puce, turquoise and other enamels in the manner of the 'Cotton Stem painter' and gilt before a boçage of puce and other flowers and clusters of florets, flanked by pierced sconces, on gilt rococo base, 27cm h, William Duesbury & Co, patch marks, c1765 Estimate: 2000-3000
17.     A RARE DERBY GROUP OF EUROPA AND THE BULL, Europa placing a garland around the head of her abductor Zeus in the form of a white bull and with a billowing puce and turquoise drapery tied at the left shoulder, her loosely hanging chiton finely painted in the manner of the 'Cotton Stem painter' with numerous flowers, on swirling rococo base heightened in puce and gilt, 28cm h, William Duesbury & Co, patch marks, c1765-70 Provenance: Spink & Son Ltd, London, from which bought by Charles Lumb & Sons Ltd, Harrogate on 1 February 1967 for £220 on behalf of the late owner. Literature: Rice (D G), Derby Porcelain The Golden Years 1750-1770, Newton Abbott 1983, plt 78 [the example in The Victoria & Albert Museum]; Bradshaw, op cit, plt 92. Estimate: 1000-1500
18.     AN EARLY DERBY SALT AND COVER, of compressed circular form with satyr mask handles and puce flower knop, painted with two birds in the branches of a tree, a loose bouquet to the reverse with prominent rose and scattered sprigs, 7.5cm h, William Duesbury & Co, c1758-60 Provenance: Winifred Williams, Eastbourne, from whom bought by the late owner on 31 October 1962 for £65. A slightly later example painted with a landscape illustrated, Rice (DG) Derby Porcelain The Golden Years, Newton Abbot, 1983plt 131. Estimate: 200-300
19.     A CHELSEA-DERBY TWO HANDLED CUP, painted en puce camaieu by Richard Askew with two panels of Putto in clouds in cisélé gilt frames reserved on a Sèvres style bright turquoise ground with gilt vermicular gilding, dentil rims and handles, 7.5cm h, William Duesbury & Co, gilt conjoined anchor and D, c1782 Provenance: Foden Collection; B & T Thorn & Son, Budleigh Salterton, from who bought by the late owner on 17 September 1968 for £30. Estimate: 200-300
20.     A CHELSEA-DERBY LOZENGE SHAPED DISH, painted in bright carmine pink by Richard Askew with Putto seated on a cloud, his arm resting on his quiver and bow, in gilt looped frame and entwined border of polychrome swags and single roses in beaded medallions, gilt dentil rim, the footrim also gilt, 22.5cm w, William Duesbury & Co, c1775 Provenance: Charles Lumb & Son Ltd, Harrogate, from which bought at The Grosvenor House Antiques Fair, London by the late owner on 6 July 1962 for £32. Estimate: 100-200
21.     A CHELSEA-DERBY OVAL TUREEN AND COVER FROM THE NORTHUMBERLAND SERVICE, painted probably by Edward Withers with roses beneath a panelled light blue and gilt oeil de perdix band with tooled gilt ribbon border, 13cm h, William Duesbury & Co, painted crown over D and N in blue, c1780 Illustrated: John (W D), William Billingsley, Newport 1968, plt 38C. Estimate: 250-350
22.     A CHELSEA-DERBY SOUP PLATE FROM THE NORTHUMBERLAND SERVICE, painted by William Billingsley with roses in light blue and gilt oeil de perdix border and shaped gilt rim, the footrim also gilt, 25cm diam, William Duesbury & Co, painted crown, crossed batons, D and gilder's numeral 1 of Thomas Soare in puce, c1785 Estimate: 400-600
23.     A CHELSEA-DERBY COFFEE CAN AND SAUCER, painted by Richard Askew in bright carmine pink with Putto in clouds, the reverse of the can with a trophy beneath green and gilt swags threaded through loops and the gilt dentil rim, the footrim also gilt, saucer 11.5cm diam, William Duesbury & Co, gilt conjoined anchor and D, collector's label, c1770-75 Provenance: L F Smeathman Collection, No 11. A pair to the present example is illustrated Mitchell (S), The Marks on Chelsea-Derby and Early Crossed-Batons are Useful Wares 1770-c1790, 2007, plt 119 M1 & M2. Both that and the present examples are by gilder 'N' in the author's nomenclature.
Estimate: 200-300
24.     A CHELSEA-DERBY TWO HANDLED OGEE CUP, with fluted border, freely painted with floral sprays including a prominent rose or tulip in gilt dentil rim, 8.5cm h, William Duesbury & Co, gilt conjoined anchor and D, c1785 Estimate: 150-200
25.     A CHELSEA-DERBY PLATE, painted by Edward Withers with a central rose and three loose bouquets in gilt stiff leaf cavetto and cobalt border with six lightly moulded panels each with a single rose and joined by raised gilt grapevines, in shaped gilt rim, the footrim also gilt, 23cm diam, William Duesbury & Co, painted crown over D ["Longfoot" - see footnote to lot 28] in blue, c1780-84 For another example see Mitchell, op cit, plt 19ii. Estimate: 150-250
26.     A CHELSEA-DERBY DISH, PLATE AND COFFEE CUP AND SAUCER, similarly painted with loose bouquets and scattered sprigs in a blue and gilt border, the cup and saucer with dentil rim, plate 23cm diam, William Duesbury & Co, incised N and/or painted crown over D in blue, c1775 Estimate: 150-200
27.     A CHELSEA-DERBY JUG, of globular form with widely flared neck and lip, painted probably by Edward Withers with two principal floral sprays and scattered flowers and sprigs in blue and gilt grapevine or other border, the rims and handles gilt, 17.5cm h, William Duesbury & Co, painted crown over D in blue, c1775 Estimate: 300-400
28.     A VERY RARE CHELSEA-DERBY COMMEMORATIVE MASK JUG, of baluster form with the head of Admiral Rodney forming the lip above the gilt inscription April the 12th 1782 and painted by Edward Withers with a large spray of flowers, a subsidiary spray to the reverse, between blue and gilt trailing borders, the rims and handle outlined in gilt, 18.5cm h, William Duesbury & Co, painted crown over D in puce, 1782 Provenance: (possibly) William Bemrose, his executors' sale T Neale & Son of Nottingham, 1-5 March 1909, lot 320 (£63). The basic form of this jug, derived from a Meissen model, was made in three sizes and with various decoration. Only a very small number, judging by their rarity, perhaps less than 5 or 10 at the most are commemorative. These are similarly inscribed and boldly painted by Withers. The recently rediscovered or 'prototype' Rodney Jug was sold in these 'rooms on 16 June 2005, lot 122 (£42,345). The present jug bears the characteristic crown over D mark of the gilder known as 'Longfoot' (who may have been Withers himself) as do the examples in the Victoria & Albert Museum and Derby Museum and Art Gallery. A third example of intermediate size is in the British Museum, another of the largest size was the preceding lot in the Bemrose sale and an extensively damaged example was sold, Phillips, Son & Neale, June 1996, lot 737. The jugs are full discussed and illustrated Mitchell, op cit, pp77-79 , plt 55 and chapter VIII. The jug commemorates the victory of Admiral Rodney (1719-1792) against a much superior fleet at the Battle of Saintes off Dominica, thereby saving Jamaica from the French. Rodney's emphatic victory caused him to observe "within two little years I have taken two Spanish, one French and one Dutch admiral." Edward Withers worked first at the Chelsea factory before moving to Derby when Duesbury took it over in 1770. He left, and returned at least once. During his absence he worked in London, Staffordshire and for a japanner in Birmingham. He died at Derby. Estimate: 2000-3000
29.     A CHELSEA-DERBY CUP AND SAUCER, with entwined handle, painted in sepia monochrome with musical trophies in raised gilt medallions suspended from laurels hanging from ribbons reserved on a Smith's blue and gilt oeil de perdix ground and with gilt dentil rim, saucer 13.5cm diam, William Duesbury & Co, gilt conjoined anchor and D Provenance: Major Guy Dawnay, from whom bought by the late owner on 19 October 1962 for £30. Estimate: 300-500
30.     A DERBY BOTANICAL PLATE, painted with a ranunculus in fluted border of gilt harebells and gilt rim, 23cm diam, William Duesbury & Co, painted crown, crossed batons, D, 115, numeral 8 of the gilder William Longdon and title Ranunculus Gramineus Grass Leaved Crowfoot in blue script, c1795 Estimate: 300-500
31.     A DERBY BOWL, painted to the interior by Zachariah Boreman with a mounted traveller in a lake landscape encircled by a blue and gilt ring, the exterior with roses alternating with purple flowers entwined around coloured poles and gilt, 15cm diam, William Duesbury & Co, painted crown, crossed batons and D in puce, c1785 A tea cup and saucer of this pattern painted with landscapes by Boreman, the poles of roses attributed to William Billingsley, from the Dawnay Collection, is illustrated Twitchett (J), Derby Porcelain, 1980, col plt 27 and John, op cit, plt 40. Estimate: 300-500
32.     A DERBY SAUCER-DISH, finely painted en grisaille by Zachariah Boreman with travellers in a lake landscape in scalloped gilt frame encircled by trailing sprigs and gilt 'pearls' beneath a finely gilt and iron red scrolling border and rim, 19cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, ii (?11) in red, 1785, exhibition label Exhibited: English Ceramic Circle, 1948, No 323. A rare example of the early tea pattern 85. It was surely one of the most costly made at Derby at this period and seems invariably to have been painted by Boreman. Another saucer-dish and a tea bowl and saucer are illustrated Mitchell, op cit, plt 72 xi and 73 iii. Estimate: 300-500
33.     A DERBY SAUCER, en suite with the preceding lot, also painted by Zachariah Boreman, 13.5cm diam, William Duesbury Co, painted crown, crossed batons, D and gilder's numeral 3 of William Cooper in puce, c1785, collector's label Provenance: L F Smeathman Collection, No 14; C B Sheppard, Alfreton, Derbyshire, from whom bought by the late owner [with the following lot] on 10 April 1971 for £160. See footnote to lot 32. Estimate: 100-200
34.     A DERBY SUGAR BOX, similar to the two preceding lots, also painted by Zachariah Boreman with two scalloped oval landscapes with travellers encircled by trailing sprigs and gilt, 6cm h, William Duesbury & Co, painted crown, crossed batons, D and gilder's numeral 1 of Thomas Soare in puce, c1785, collector's label Provenance: T G Cannon Collection; C B Sheppard, Alfreton, Derbyshire, from whom bought by the late owner [with the preceding lot] on 10 April 1971 for £160.
Estimate: 100-200
35.     A DERBY PORTER MUG, painted probably by Thomas 'Jockey' Hill with a picturesque landscape in oval frame encircled by trailing leaves in blue or pink borders and with gilt handle and dentil rim, 13cm h, William Duesbury & Co, painted crown, crossed batons, D and title in Shenston's Walks Worcestershire, c1795 Provenance: John Twitchett, from whom bought by the late owner on 1 May 1971 for £475. Estimate: 600-800
36.     A DERBY ICE CUP, of bell shape, painted by William Billingsley with roses and a ribbon of roses beneath a Smith's blue and gilt border of swags, tassels and the dentil rim, 6.5cm h, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce and 7 in red, c1790 Provenance: John Twitchett, from whom bought by the late owner [with the following lot] on 15 July 1971 for £550. Literature: Twitchett, op cit, col plt 26. Estimate: 400-600
37.     A DERBY ICE CUP en suite with the preceding lot, also painted by William Billingsley, 6.5cm h, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, 5 in blue and 7 in red, c1790 Provenance: John Twitchett, from whom bought by the late owner [with the preceding lot] on 15 July 1971 for £550. Literature: Twitchett, op cit, col plt 26. Estimate: 400-600
38.     A DERBY PLATE, painted by Cuthbert Lawton with a brightly plumaged bird perched on a tree in a hilly landscape in a finely gilt garland border of grasses and gilt rim, 24cm diam, Duesbury & Kean, painted crown, crossed batons and D in red, c1797 Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 23 May 1967 for £100. Illustrated: Twitchett, op cit, col plt 33. Estimate: 300-500
39.     A DERBY REEDED CREAM JUG, with wishbone handle, finely gilt with entwined foliage and with conforming inner border, the handle gilt with husks, 7cm h, William Duesbury & Co, painted crown, crossed batons, D and numeral 2 of the gilder Joseph Stables in puce, c1785, collector's label Provenance: Haslam Collection; K E Houston Collection. Estimate: 100-150
40.     A DERBY PLATE FROM THE CAMDEN SERVICE, painted by William Billingsley or John Brewer with a central rose spray reserved on a green ground in a gilt border of roses and buds and shaped gilt dentil rim, 24.5cm diam, William Duesbury & Co, painted crown, crossed batons, D, 185 and numeral 1 of the gilder Thomas Soare in puce, c1795 Provenance: Derek S Hutchings, from whom bought the late owner, c1970. Illustrated: John, op cit, col plt 16. The Service was the subject of an article by Andrew Ledger in DPIS Newsletter 22. Estimate: 400-600
41.     A RARE DERBY ARMORIAL PLATE FROM THE BARRY-BARRY SERVICE, finely painted with a shield of arms encircled by oak leaves reserved on a cobalt ground of gilt stars and rings in a wide gilt border of trailing roses, 24cm diam, Duesbury & Kean, painted crown, crossed batons and D in gilt, c1811 Provenance: anon Sale, Sotheby & Co, 4 February 1969, lot 120, £300 to the late owner. Long regarded as a tour de force of Regency decoration, according to the catalogue of the sale of the Bemrose Collection (1-5 March 1909) the Barry-Barry Service was sold at auction in 1894 for £496. In the Bemrose Sale, a pair of plates made £67. The 1969 sale of the present plate is recorded in a footnote by Barrett, op cit, p69. The Service was the subject of an article by Marilyn Swain in the magazine Antique Collector in September 1984. Estimate: 1000-1500
42.     A DERBY PLATE, painted with a central spray of roses, a tulip and other flowers bordered by a cobalt and gilt ribbon, 21.5cm diam, William Duesbury & Co, painted crown, crossed batons, D and 100 in puce, c1790 Estimate: 200-300
43.     A DERBY BOTANICAL PLATE, painted with a specimen of the convolvulus in fluted gilt laurel border and scalloped gilt rim, 22cm diam, William Duesbury & Co, painted crown, crossed batons, D, 141, numeral IV of the gilder William Yates and title Nettle Leaved Bell-Flower in blue script, c1790 Estimate: 250-350
44.     A DERBY PLATE, painted by George Complin with a group of fruit including black and white grapes, apples, gooseberries and currants in a gilt medallion and pendulous cavetto, the fluted border with naturalistic foliage in scalloped gilt rim, 21.5cm diam, William Duesbury & Co, painted crown, crossed batons, D and 126 in puce, 1791-95 Estimate: 300-500
45.     A DERBY VASE, of compressed form with gilt handles, the flared neck painted possibly by Thomas 'Jockey' Hill with a continuous picturesque landscape with travellers beneath gilt panels in Smith's blue and gilt borders heightened with white 'jewels', 26cm h, Duesbury & Kean, painted crown, crossed batons and D, c1797 Provenance: anon sale, Sotheby & Co, whence bought by the late owner. Illustrated: Twitchett, op cit, plt 254. Estimate: 1500-2500
46.     A DERBY SAUCER-DISH, painted by William Billingsley with a central medallion in gilt peacock feather frame and conforming border of swags and trailing foliage, with dentil rim, the footrim also gilt, 19cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, '1' in red, c1785 Illustrated: John, op cit, plt 30. Estimate: 200-300
47.     A DERBY TEA CUP AND SAUCER, en suite with the preceding lot, also painted by William Billingsley, saucer 15.5cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, 7 in red, c1785 Estimate: 200-300
48.     A DERBY FLUTED LOZENGE SHAPED DESSERT DISH, painted probably by George Robertson with figures near a picturesque cottage in oval gilt frame and border of linked blue, yellow and carmine pink flowerheads, 27.5cm w, William Duesbury & Co, painted crown, crossed batons, D, 178 and title Celebrated Cottage at Nuneham Courtnay The Seat of Earl of Harcourt in blue script, c1795 Estimate: 150-250
49.     A DERBY KIDNEY SHAPED DESSERT DISH, painted by John Brewer with a Newfoundland dog before a seascape with another dog rescuing a downing sailor reserved on a "Green Mint" ground with gilt border of scrolling foliage and gilt rim, 24.5cm w, Duesbury & Kean, painted crown, crossed batons, D and 268 in blue, c1800 This rare pattern, known to collectors as the 'Animal Service' on account of the view that only one such service was made as implied from the Derby Plate Pattern Book, is given to John Brewer by name. It is described as "Green Mint for the set with ....." and "see Brewer's sett... Animals in Colors [sic]." The main sources of animal decoration at Derby have been shown to be the copper and wood engraved illustrations from Church's Cabinet of Quadrupeds, 1805 and Bewick's Natural History of Quadrupeds, 1790. Pattern 268 is unique in being exclusively decorated with animals, although a wide variety of birds and mammals are found on other wares, including some of the factory's most important extant works such as the dejeuner in the present sale (lot 112). Church's Quadrupeds was illustrated with engravings by James Tookey after Julius Caesar Ibbotson (1759-1817) and the sixteen subjects recorded [in 1996] on pattern 268 were taken from subjects engraved between 1794 and 1800. See Holdaway (J C), Sources of Animal Decoration on Derby Porcelain, DPIS Journal 3, 1996. Estimate: 400-600
50.     A DERBY KIDNEY SHAPED DESSERT DISH, en suite with the preceding lot also painted by John Brewer with sailors hunting polar bears, 24.5cm w, Duesbury and Kean, painted crown, crossed batons, D and 268 in blue, c1800 See footnote to the preceding lot. Estimate: 400-600
51.     A DERBY TEAPOT AND COVER, finely painted by Zachariah Boreman with two landscapes with figures in oval blue and gilt entwined frames and borders, 12cm h, William Duesbury & Co, painted crown, crossed batons, D and numeral 8 of the gilder William Longdon in puce, c1785 An example of the early pattern 29. Estimate: 100-150
52.     A FINE AND RARE DERBY LOZENGE SHAPED DESSERT DISH, painted by William Billingsley with a group of roses and other flowers centred by a bunch of white grapes in gilt border of stars and paterae and gilt rim, 22.5cm w, William Duesbury & Co, painted crown, crossed batons and 157 in puce, c1790 Illustrated: John, op cit, plt 39A. A similar example from the Collection of the late Margaret Ward was sold in these 'rooms, 22 April 2004, lot 196. Estimate: 600-800
53.     A DERBY TEACUP AND SAUCER, of bute shape and painted with figures walking in a river valley or a traveller and rustics beside a river in gilt pendulous leaf border, saucer 13.5cm diam, William Duesbury & Co, painted crown, crossed batons, D, numeral 8 of the gilder William Longdon and titles On the Derwent Derbyshire and On the Trent Derbyshire in blue script, c1785 Estimate: 150-200
54.     A DERBY TEA BOWL AND SAUCER, painted en grisaille over "Fawn" by Zachariah Boreman with rustics by a timbered house or an angler in a meandering river landscape on a ground of gilt stars interspersed with polychrome sprigs, with gilt inner border and dentil rim, saucer 13.5cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 2 or 7 of Joseph Stables or William Billingsley respectively in puce, c1790-94 An example of pattern 151. For a saucer-dish of the same pattern, see Mitchell, op cit, plt 85 MM3. Estimate: 200-300
55.     A DERBY TEAPOT-STAND, painted by Zachariah Boreman with two figures in a landscape near a bridge before a mansion, in blue and gilt entwined borders and dentil rim, 13.5cm w, William Duesbury & Co, painted crown, crossed batons, D and numeral 8 of the gilder William Longdon in puce, 5 in blue, c1784-85 A fine example of the early pattern 29. For a plate, also marked in blue, see Mitchell, op cit, plt 84 M2. Estimate: 250-350
56.     A DERBY PLATE, painted en camaieu by Zachariah Boreman with figures in a meandering river landscape encircled by an entwined gilt ribbon and in finely gilt conforming border with five lightly moulded panels of cornflowers and shaped gilt dentil rim, 21.5cm diam, William Duesbury & Co, painted crown, crossed batons, D, 43 and numeral 1 of the gilder Thomas Soare in puce, c1785-90 Estimate: 300-500
57.     A DERBY TEA BOWL AND SAUCER, gilt with florets interspersed with polychrome sprigs and a gilt entwined inner border in dentil rim, saucer 13.5cm diam, William Duesbury & Co, painted crown, crossed batons, D, N105 and numeral 3 of the gilder William Cooper in puce, c1790 Provenance: C B Sheppard, Alfreton, Derbyshire, from whom bought by the late owner on 13 December 1969 for £28. Estimate: 100-150
58.     A DERBY SPIRALLY FLUTED TEA BOWL AND SAUCER, finely painted with swags or sprigs suspended from sepia bows at intervals along a gilt chain, the rims gilt, saucer 14cm diam, William Duesbury & Co, painted crown, crossed batons, D, 109 and No 11 of the gilder William Taylor in puce, c1785-90 Provenance: C B Sheppard, Alfreton, Derbyshire, from whom bought by the late owner on 13 December 1969 for £22.
Estimate: 150-200
59.     A DERBY SPIRALLY FLUTED TEA BOWL AND SAUCER, painted in polychrome with three loose bouquets of flowers interspersed with gilt sprigs in cobalt and gilt entwined or ribbon-dart and Smith's blue borders, saucer 13cm diam, William Duesbury & Co, painted crown, crossed batons, D and No 15 in puce, 5 in blue, c1785 Estimate: 150-200
60.     A DERBY FLUTED PLATE, painted in bright carmine pink by Richard Askew with Putto with a bell in each hand in a billowing drapery amidst clouds framed by pink and gilt 'C' scrolls looped through panels with swags and painted with single roses in gilt circles, gilt dentil rim, 23cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, c1785 Estimate: 250-350
61.     A DERBY FLUTED PLATE en suite with the preceding lot, also painted by Richard Askew with Putto holding aloft a grapevine, 22.5cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, c1785 Estimate: 200-300
62.     A DERBY SHAPED SQUARE DESSERT DISH, painted by Zachariah Boreman with figures in a hilly landscape encircled by gilt foliage in Smith's blue and gilt entwined ribbon border and dentil rim, 22.5cm w, William Duesbury & Co, painted crown, crossed batons, D, 50 and title View Near Eyam Derbyshire in blue script, numeral 2 of the gilder Joseph Stables in puce, c1790 Estimate: 400-600
63.     A DERBY CUP, COVER AND STAND, with entwined handles, the domed cover with gilt ring handle, painted probably by William Billingsley with two large groups of flowers and gilt, 13.5cm h, William Duesbury & Co, painted crown, crossed batons and D in gilt, c1785 Estimate: 300-500
64.     A DERBY TUREEN AND COVER, finely painted by George Complin with two oval panels of birds in branches, one with a bird's nest in gilt frames of 'pearls' and conforming border, 12.5cm h, William Duesbury & Co, painted crown, crossed batons, D, 159 and numeral 2 of the gilder Joseph Stables in puce, 1791-95 One of the patterns given to Complin by name in the Derby Factory's Plate Pattern Book and described as "Birds and Landskip by Complin". Another tureen and cover of the same shape and pattern by Complin is illustrated, Twitchett, op cit, col plt 28. Estimate: 800-1200
65.     A DERBY SOUP PLATE, painted with scattered roses interspersed with gilt foliage, the gilt edged border with a wide band of trailing roses alternating with white roses on a dark ground, in gilt rim, 24.5cm diam, Duesbury & Kean, painted crown, crossed batons and D, c1800 Estimate: 300-500
66.     A DERBY FLUTED PLATE, painted by William Billingsley with roses, a passion flower, other flowers and bunches of white grapes in a gilt border of stars and paterae, scalloped gilt rim, 22.5cm diam, William Duesbury & Co, painted crown, crossed batons, D, 157 and 18, c1790-95 Illustrated: John, op cit, plt 30. Estimate: 300-500
67.     A DERBY BOTANICAL PLATE, finely painted with a specimen of the aster, the blue flowers shaded in mauve, in a fluted border of roses entwined around a gilt ribbon, gilt dentil rim, 22cm diam, William Duesbury & Co, painted crown, crossed batons, D, 142 and title Tall Blue Aster in blue script, c1795 Estimate: 400-600
68.     A DERBY PLATE, painted by William Billingsley with a central floral spray and swags suspended from gilt scrolls in tooled gilt and vivid turquoise border with shaped gilt dentil rim, the footrim also gilt, 22cm diam, William Duesbury & Co, painted crown, crossed batons and D, c1795 Illustrated: John, op cit, plt 30. Estimate: 500-700
69.     A DERBY FLUTED LOZENGE SHAPED DISH, painted by George Complin with a large panel of fruit, including three bunches of white grapes in gilt frame, the border with naturalistic foliage in shaped gilt rim, on flared foot, 32cm w, William Duesbury Co, painted crown, crossed batons, D, 126 and numeral 8 of the gilder William Longdon, c1791-95 Estimate: 700-900
70.     A FINE DERBY PORTER MUG, painted probably by William Billingsley with a picturesque landscape with two figures admiring the prospect, three others conversing in the foreground, framed by gilt grasses beneath a lemon border of blue and pink paterae on a green ribbon, with broad gilt rims and inner border, the handle gilt with husks, 12.5cm h, William Duesbury & Co, painted crown, crossed batons and D in puce and numeral 7 in red, c1795, exhibition labels Exhibited: London, Derby Exhibition, 1973; Bath, Assembly Rooms, 1973, No 379. A very similar porter mug with an oval panel of a landscape with a rainbow and the same distinctive border is in the Victoria & Albert Museum. It bears the rare mark of D and K in compendium, signifying the partnership of William Duesbury II and Michael Kean which began in November 1795. Estimate: 700-900
71.     A FINE DERBY PLATE, painted by William Billingsley with a basket of flowers including two roses and a striped tulip on a marble pedestal in gilt entwined foliate cavetto and fluted border with a gilt ribbon of polychrome florets with blue and gilt beads at intervals, 23cm diam, William Duesbury & Co, painted crown, crossed batons, D, 132 and numeral 1 of the gilder Thomas Soare in puce, c1792-95 Illustrated: John, op cit, col plt 1. Estimate: 2000-3000
72.     A DERBY SEMI CIRCULAR BOUGH POT, painted en grisaille heightened in "Fawn", probably by Zachariah Boreman, with three panels of figures in picturesque landscapes and gilt seeded octagonal frames reserved on a yellow ground between gilt borders, 14cm h, William Duesbury & Co, painted crown, crossed batons, D and title View in Shenstone's Walks Shropshire in blue script, c1790 Estimate: 300-500
73.     A DERBY COFFEE CAN, with a central gilt band of grasses reserved on a yellow ground with gilt inner border and husks to the handle, 6.5cm h, Duesbury & Kean, painted crown, crossed batons, D and 434 in puce, c1805 Provenance: C B Sheppard, Alfreton, Derbyshire, from whom bought by the late owner on 27 April 1968 for £62. Estimate: 100-150
74.     A DERBY TEACUP AND SAUCER, of bute shape and enamelled with sprigs, in conforming border gilt with laurels and with gilt inner border and husks to the handle, 14cm diam, William Duesbury & Co, painted crown, crossed batons, D, 82 and numerals 2 or 6 of the gilders Joseph Stables or another, c1790 Estimate: 100-150
75.     A DERBY ORNITHOLOGICAL COFFEE CAN, painted probably by John Brewer with brightly plumaged birds in woodland reserved on a salmon pink ground gilt with leafy scrolls and tendrils between wide borders, the interior with a large gilt rosette, 6cm h, Duesbury & Kean, painted crown, crossed batons, D and title Mandarin Ducks McCaw &c, c1800-10 Estimate: 200-300
76.     A PAIR OF DERBY SPIRALLY FLUTED AND MOULDED TEA BOWLS, decorated in Smith's blue and gilt with leaves beneath a ribbon border and dentil rim, 7.5cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce and 5 in blue, c1785 Estimate: 100-150
77.     A PAIR OF DERBY TEA BOWLS, painted in warm carmine pink monochrome by Zachariah Boreman with landscapes with figures in a rowing boat or angling, the exterior with gilt trailing foliate ribbon border and dentil rim, 8cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, c1785 Estimate: 250-350
78.     A DERBY COFFEE CAN AND SAUCER, enamelled with ribbons of sprigs and entwined puce and green foliage between yellow and gilt borders, the rims and handles gilt, saucer 13.5cm diam, Duesbury & Kean, c1800 Estimate: 100-150
79.     A DERBY TREMBLEUSE SAUCER, painted by Zachariah Boreman with kidney shaped panels of views on the River Dove framed by gilt pearls and reserved on a brilliant yellow ground, 16cm diam, William Duesbury & Co, painted crown, crossed batons, D, numeral 1 of the gilder Thomas Soare and title View's [sic] in Dove Dale Derbyshire in blue script, c1790 A similar example, painted with a "View near Matlock, Derbyshire" is illustrated, Barrett & Thorpe, op cit, col plt F. Estimate: 300-500
80.     A PAIR OF DERBY VASES, of conical form with leaf capped cobalt and gilt handles, painted to either side with a leaping stag or doe at lodge or rabbits and sheep in octagonal frames on a ground of gilt stars beneath a berried foliate ribbon border, 11.5cm h, William Duesbury & Co, incised D or N and/or triangle of the 'repairer' Joseph Hill, painted crown, crossed batons and D in puce, c1790, exhibition label Provenance: Captain A E Burnett. Exhibited: English Ceramic Circle, 1948, No 324. Estimate: 800-1200
81.     A DERBY POT POURRI VASE AND COVER, the gently flared vase with gilt shell handles and painted by George Robertson with four shipping scenes including a shipwreck in gilt frames reserved on a pink ground, 18cm h, Duesbury & Kean, impressed No 3, painted crown, crossed batons and D, c1797-1800 Provenance: Major Guy Dawnay (1917-1998) from whom bought by the late owner on 19 October 1962 for £75. Estimate: 1500-2000
82.     A PAIR OF DERBY ICE PAILS AND COVERS, painted probably by George Complin with panels of birds in flight in a tooled gilt trellis reserved on a bright Sèvres 'Pompadour' pink ground heightened in gilt with sprays of flowers and with gilt shell and entwined loop handles, one with liner, 24cm h, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, c1791-95 (5) Provenance: John Twitchett, from whom bought by the late owner, one in November 1969 [by exchange] the second on 15 July 1971 for £1600. A Chelsea service of this pattern of c1765, several years prior to William Duesbury's acquisition of the London factory, was formerly in the Collection of HRH The Princess of Hanover and was sold, Sotheby's, 2 April 1973, lot 33. Oval dishes from the same service were sold, Christie's, 20 October 1986, lot 149 and 7 June 1994, lot 51. Estimate: 3000-5000
83.     A DERBY TREMBLEUSE CUP AND SAUCER, the cup painted by George Robertson with a frigate of the Royal Navy and two other vessels in an oval frame reserved on a ground of gilt stars and polychrome sprigs, the rims and entwined handle gilt, saucer 15.5cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 2 of the gilder Joseph Stables in puce, c1795 Provenance: Winifred Williams, London, from whom bought by the late owner on 20 June 1972 for £550. Estimate: 3000-4000
84.     A FINE DERBY COFFEE CAN, painted by William Billingsley with continuous flowers including roses, morning glory, narcissi and a passion flower on a fawn band between gilt stiff leaf borders and with gilt inner rim and handle, 6.5cm h, painted crown, crossed batons and D in puce, c1795, collectors' labels Provenance: Wallace Elliot Collection, No 234. Illustrated: John, op cit, col plt 4A. Wallace Elliot (1867-1938) formed one of the most important collections of English ceramics, ranking with those of Allen, Glaisher and Trapnell. A founder member of the ECC, he contributed papers to the learned Circle's Transactions and became its President in 1930. Of considerable means, he collected slipware, saltglaze and 'Whieldon' as well as porcelain. He lived at Chobham, Surrey and was greatly honoured by the visit of another well-known collector, Queen Mary. On his death the British Museum and the Victoria & Albert Museum were each allowed to select 100 pieces, leaving 400 to be dispersed at Sotheby's on 24-26 May 1938. Estimate: 800-1200
85.     A DERBY COFFEE CUP AND SAUCER, finely painted by William Billingsley with wide bands of continuous roses above a yellow ground with gilt bound handle and dentil rim, saucer 14cm diam, William Duesbury & Co, painted crown, crossed batons, D, 138 and numeral 8 of the gilder William Longdon, c1800. Illustrated: John, op cit, col plt 4D. Estimate: 1000-1500
86.     A DERBY COFFEE CAN AND SAUCER, painted en camaieu by Zachariah Boreman with figures in Chatsworth Park, including a gardener with a roller and travellers in gilt rope borders reserved on a sky blue ground, with gilt reeded auricular handle, saucer 14cm diam, William Duesbury & Co, painted crown, crossed batons, D, numeral 1 of the gilder Thomas Soare and titles Green House Chatsworth Derbyshire or Rocks Opposite Matlock High Torr Derbyshire in blue script, c1790 Provenance: Winifred Williams, Eastbourne, from whom bought by the late owner on 18 June 1970 for £220. This fine coffee can and saucer is of particular interest since Boreman's watercolour of the Greenhouse at Chatsworth is amongst those attributed to him forming part of the group presented to Derbyshire Archaeological Society by Sir A T Lawrence in 1925. These are on loan to Derbyshire Record Office and, with those acquired by Derby Museum in 1985, allow the artist's work on Derby porcelain to be identified or tentatively attributed. In the case of the present lot and several others in this sale, such attribution is beyond doubt because the painting is unmistakably by the same hand as that of the documentary mug in Los Angeles County Museum of Art (Gift of Walter T Wells, Jr), the only known signed example of Derby porcelain painted by Boreman. See Bambury (A) and A P Ledger, Watercolour Paintings by Zachariah Boreman, DPIS Journal 3, pp70-95. Estimate: 800-1200
87.     A DERBY COFFEE CAN AND SAUCER, the coffee can painted by George Complin with a basket overflowing with fruit including peaches, cherries, black and white grapes and a pear with a Goldfinch in rectangular gilt frame reserved on a green ground and with gilt inner border and bound handle, saucer 13cm diam, William Duesbury & Co, painted crown, crossed batons, D, 211 and numeral v of the gilder John Yates in puce, 1791-95 Provenance: Major Guy Dawnay (1917-1998) from whom bought by the late owner on 15 April 1964 for £85. Illustrated: Barrett and Thorpe, op cit, plt 144. Estimate: 2500-3500
88.     A RARE DERBY COFFEE CAN, finely painted by John Brewer with a military encampment with two soldiers conversing in the foreground and a sentry on duty in the middle distance, flanked by gilt stars reserved on a yellow ground with gilt ribbon border and husks to the wishbone handle, 6cm h, William Duesbury & Co, painted crown, crossed batons and D in puce, c1795 Provenance: Foden Collection; Winifred Williams, Eastbourne, from whom bought by the late owner on 31 October 1962 for £20. Estimate: 3000-4000
89.     A DERBY SAUCER-DISH, painted by George Robertson with a frigate of the Royal Navy and two other vessels off the coast in a square gilt panel reserved on a pink or "Bloom" ground with gilt ribbon border and rim, 19.5cm diam, Duesbury & Kean, painted crown, crossed batons, D, 447 and cp, c1800 Estimate: 250-350
90.     A DERBY COFFEE CAN, painted probably by John Brewer with an extensive landscape in a rectangular gilt frame of pearls on a ground of gilt stars interspersed with blue 'jewels' and puce seeding, gilt wheatear inner border and bound handle, 6.5cm h, Duesbury & Kean, painted crown, crossed batons, D, 310, numeral 9 of the gilder William Smith and title South view of Burley on the Hill from Hambleton Rutlandshire in blue script, c1797-1800 Estimate: 800-1200
91.     A DERBY COFFEE CAN AND SAUCER, the coffee can finely painted by George Complin with fruit, including plums, pears, apples, black and white grapes, gooseberries and hazelnuts with two Bullfinches in a landscape and gilt frame reserved on a yellow ground with gilt wheatear border, the rims and handles gilt, saucer 13cm diam, William Duesbury & Co, painted crown, crossed batons, D and 241 in puce, 1791-95 Provenance: Foden Collection; Winifred Williams, Eastbourne, from whom bought by the late owner on 31 October 1962 for £52.10s 0d Estimate: 800-1200
92.     A DERBY TEA BOWL AND SAUCER, painted by George Robertson with shipping scenes in a square gilt frame reserved on a pink or "Bloom" ground with gilt ribbon border and rims, 14cm diam, Duesbury & Kean, painted crown, crossed batons, D and 464 in puce, c1805 Provenance: Major Guy Dawnay (1917-1998) from whom bought by the late owner on 8 October 1963 for £65. Estimate: 1000-1500
93.     A DERBY COFFEE CAN, painted by George Complin with fruit, including apples, plums, strawberries, black and white grapes and hazelnuts with a Bullfinch in a gilt frame reserved on a salmon pink ground with panels of roses interspersed with gilt stars and white 'jewels', gilt inner border and auricular handle, 6.5cm h, William Duesbury & Co, painted crown, crossed batons, D and 221 in blue, 1791-95 Estimate: 2000-3000
94.     A FINE DERBY TWO HANDLED CUP AND COVER, the cup with entwined gilt handles and painted probably by James Banford with a classical young woman in a rocky landscape and to the reverse with a Derbyshire landscape in oval gilt frames reserved on a vivid blue ground of gilt stars, shaded circles and seeding between conforming borders, the domed cover with gilt ring finial, 13cm h, Duesbury & Kean, painted crown, crossed batons, D, 335, numeral 1 of the gilder Thomas Soare and titles Meditation and Near Breadsall Derbyshire in blue script, c1797, collector's label Provenance: Foden Collection. Illustrated: Foden (Margaret), James Banford Ceramic Artist, article in The Antique Dealer and Collector's Guide, November 1968, cover illustration. Estimate: 2500-3500
95.     A DERBY TEACUP AND A SAUCER, of bute shape, the cup painted with a classical young woman seated at the tomb of STELLA, a garland in her right hand, in a gilt medallion on a ground of gilt stars interspersed with sprigs, the interior with a finely gilt medallion and husks to the handle, saucer 14cm diam, William Duesbury & Co, painted crown, crossed batons, D and 177 [cup] or 186 [saucer] and numerals 1 or v of the gilders Thomas Soare or John Yates respectively, c1795 Provenance: Hawkins Collection; B & T Thorn & Son, Budleigh Salterton, Devon, from whom bought by the late owner on 17 September 1968 for £250. Estimate: 800-1200
96.     A DERBY COFFEE CAN AND SAUCER, painted by James Banford with a view of a tower house, a young woman and dog in the park to fore or Scofton Hall near Worksop Nottinghamshire in a 'washline' frame and gilt border with bound handle, saucer 13.5cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, c1795, collector's label Provenance Foden Collection; Esmé M Godkin, Woodhouse Eaves, Leicestershire, from whom bought by the late owner on 26 October 1968 for £350. Literature: Foden, op cit, col illus, p67. The attribution to Banford is based on the close similarity of style with patterns 271 and 275, both of which are given to Banford by name in the Derby Factory's Tea Pattern Book 1. Margaret Foden's article draws attention to the artist's characteristic palette and minute detail, such as the painting of the figure and dog, which were presumably what he had in mind when he referred in a letter to the painting of porcelain as "straining his optic nerves". Estimate: 1000-1500
97.     A DERBY TWO HANDLED CUP AND SAUCER, the cup painted probably by James Banford with oval panels of gentlefolk and anglers in Dovedale or two figures and a traveller on a pony in a wooded landscape reserved on a pink or "Bloom" ground with gilt border and husks to the handles, saucer 15cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 1 of the gilder Thomas Soare in puce, c1795, exhibition label Provenance: Captain A E Burnett. Exhibited: English Ceramic Circle, 1948, No 327. Estimate: 1000-1500
98.     A DERBY CHOCOLATE CUP, of conical form with entwined gilt handle, finely painted probably by William Billingsley with an oval panel of flowers including roses and a primula reserved on a pink or "Bloom" ground with gilt border and swagged inner border above a ring of stars, 8.5cm h, William Duesbury & Co, painted crown, crossed batons, D and 12 of the gilder John Duesbury in puce, c1795, exhibition label Provenance: Captain A E Burnett. Exhibited: English Ceramic Circle, 1948, No326. Illustrated: John, op cit, col plt 4B. Estimate: 1000-1500
99.     A DERBY COFFEE CAN, painted by George Robertson with shipping, including a frigate of the Royal Navy and other vessels at dawn in gilt star and floret frame reserved on a pink or "Bloom" ground and with gilt inner rim and bound handle, 7cm h, Duesbury & Kean, painted crown, crossed batons, D and title A Calm in blue script, c1795-1800; a contemporary Derby pink ground saucer (2) Estimate: 2000-3000
100.    A DERBY COFFEE CAN AND SAUCER, the coffee can painted by George Robertson with a shipping scene in gilt frame reserved on a pink or "Bloom" ground and with gilt inner rim and bound handle, saucer 14cm diam, Duesbury & Kean, painted crown, crossed batons, numeral 9 of the gilder William Smith and title View in Holland in blue script, c1795-1800, collector's label Provenance: Foden Collection. Estimate: 2000-3000
101.    A DERBY CYLINDRICAL JAR, painted probably by Thomas 'Jockey' Hill with oval panels of Arkwright's Mill and another Derbyshire scene in gilt frames of trailing laurel leaves reserved on a pink or "Bloom" ground, with gilt shell handles and rims, 7.5cm h, William Duesbury & Co, painted crown, crossed batons, D and titles Cotton Mill near Matlock Bath Derbyshire and Near Matlock Green Derbyshire in blue script, c1795 Amongst the second group of thirteen 'Matlock' watercolours linked to Zachariah Boreman's decoration on Derby porcelain is a watercolour of the Cotton Mills near Matlock Bath. It is identical to one of the two views on the present jar, the painting of which is clearly not by him, but is attributable to Hill. The same view is found on a plate in the Chatsworth Dessert Service [pattern 148]. This implies that the two sketch books were of views taken on the spot and may well have been used as sources at the factory. John Brewer and George Robertson also painted similar Derbyshire landscapes in watercolour as sources for porcelain decoration. Joseph Lygo, William Duesbury's London agent reported in January 1795 that Boreman "had not the least thought of returning [to Derby] with the idea of doing landscapes at 1s 6d each [and] he says it is out of the power of any man in the manufactory to copy two of his coloured landscapes in a day". See Ledger (A P), Further Watercolour Sources of Landscape Paining on Derby Dessert Services, DPIS Journal 4, 2000, pp 8-26. Estimate: 600-800
102.    A FINE DERBY COFFEE CAN AND SAUCER, painted by George Complin with swags of fruit and flowers with Bulfinches and a Bluetit in gilt Greek key inner border and with gilt bound handle, saucer 13cm diam, Duesbury & Kean, painted crown, crossed batons, D, 325 and numeral v of the gilder John Yates in puce, 1791-95 Provenance: Brayshaw Gilhespy Collection. Illustrated: Twitchett, op cit, col plt 24. Estimate: 2000-4000
103.    A DERBY COFFEE CAN, painted en grisaille with figures at cottages near Breadsall in a gilt medallion and laurel border, the handle gilt with husks, 6cm h, William Duesbury & Co, painted crown, crossed batons, D and title View Near Breadsall Derbyshire in blue script, c1790-95 The source of the view of Breadsall is one of the eighteen small circular watercolours (hitherto not positively identified) in Derby Museum and Art Gallery. See Ledger, DPIS Journal 4, op cit (the watercolour illustrated p24, lower right). Estimate: 300-500
104.    A DERBY COFFEE CAN, painted by James Banford with Venus and putti with billing doves before a purple drapery in a landscape and gilt frame reserved on a salmon pink ground with panels of roses, white 'jewels' and interspersed with gilt stars, gilt inner border and husks to the handle, 6cm h, William Duesbury & Co, painted crown, crossed batons, D, 233 and numeral 1 of the gilder Thomas Soare in puce, c1795 Pattern 233 is one of the few given to Banford by name in the Derby Factory's Tea Pattern Books, where the design is inscribed with the title "The Genius of Modesty Preventing Love Unveiling Beauty by Banford". Estimate: 2000-3000
105.    A DERBY COFFEE CAN AND SAUCER, the coffee can painted by James Banford with a milkmaid at a stile beside the seated figure of a child eating curds and whey in a gilt medallion reserved on a ground of blue and gilt stars and French sprigs, with gilt inner border and husks to the handle, 6cm h, William Duesbury & Co, painted crown, crossed batons, D and 242 in puce, c1795, collector's label Provenance: Foden Collection. Illustrated: Foden, op cit, p65. One of the few patterns given to Banford by name in the Derby Factory's Tea Pattern Books, where it is described as " ....Lady's paper...jars[?]" Estimate: 2000-3000
106.    A DERBY COFFEE CAN, painted by George Robertson with a shipwreck, another vessel in the distance in gilt frame reserved on a green ground with gilt inner border and bound handle, 7.5cm h, Duesbury & Kean, painted crown, crossed batons, D, numeral 2 of the gilder Joseph Stables in puce and title A Shipwreck after a Storm in blue script, c1795-97 Estimate: 800-1200
107.    A DERBY COFFEE CAN, painted by George Complin with fruit, including apples, a pear, black and white grapes, strawberries and currants with a bird on a marble ledge in gilt frame reserved on a ground of gilt stars and polychrome sprigs, with gilt inner border and bound handle, 6.5cm h, William Duesbury & Co, painted crown, crossed batons, D, 214 and numeral 1 of the gilder Thomas Soare in puce, 1791-95, collector's label Provenance: B A Williams Collection. Estimate: 2000-3000
108.    A FINE DERBY COFFEE CUP AND SAUCER, painted by, probably, Thomas 'Jockey' Hill and William Billingsley with landscapes with figures including a scene in Dovedale framed by swags over gilt-seeded lavender 'seaweed', paterae and bows in gilt border, the handle gilt with husks, saucer 14cm diam, Duesbury & Kean, painted crown, crossed batons, D, 320 and numeral 3 of the gilder William Cooper in puce, c1795-97 Illustrated: John, op cit, plt 35B. Literature: A teapot and cover (Derby Museum) of the same pattern is illustrated Barrett and Thorpe, op cit, plt 135. It is likely that only one service of this pattern was made, part of which was exhibited in Derby in 1877, when a trio was sold for 10 gns. Another, also with Cooper's numeral 3 was in the Littlewood-Hill Collection and sold Neales, Nottingham, June 1978; (see Twitchett, op cit, plt 208). A teacup and saucer was in the Anthony Hoyte Collection and sold Neales, Nottingham, 1 May 2003, lot 8. Estimate: 2000-3000
109.    A DERBY COFFEE CAN, painted by, probably, James Banford with a beggar girl and child in a gilt medallion and Smith's blue and 'jewelled' gilt frame reserved on a ground of gilt stars interspersed with polychrome sprigs, in gilt trailing foliate borders with pendulous inner border and bound handle, 6cm h, William Duesbury & Co, painted crown, crossed batons, D, 216 and numeral 1 of the gilder Thomas Soare in puce, c1795 Estimate: 600-900
110.    A DERBY COFFEE CAN AND SAUCER, the coffee can finely painted by James Banford with a young woman as Hope in gilt medallion and Smith's blue and 'jewelled' gilt frame reserved on a ground of gilt stars with gilt pendulous inner border and bound handle, 6cm h, William Duesbury & Co, painted crown, crossed batons, D, 239 and numeral 1 of the gilder Thomas Soare in puce, c1795, collector's label Provenance: B A Williams Collection. One of the few patterns given to James Banford by name in the Derby Factory's Tea Pattern Books where the subject is described as "Hope in Colore [sic] by Banford". Estimate: 2000-3000
111.    A DERBY COFFEE CAN AND SAUCER, the coffee can painted probably by James Banford with a medallion of Putto asleep on a cloud, the ground of gilt stars and seeding contrasting with black panels of roses painted possibly by William Billingsley, with gilt inner rim and bound handle, saucer, 13cm diam, William Duesbury & Co, painted crown, crossed batons, D and numeral 3 of the gilder William Cooper in puce, c1795 Literature: John, op cit, plt 35A. Estimate: 2000-3000
112.    A RARE DERBY DEJEUNER, painted by, probably, John Brewer with panels of domestic animals, birds and butterflies in gilt medallions on a yellow ground with gilt inner borders and handles, comprising shaped oval tray, 39cm over handles, oval teapot and cover, sugar box and cover, cream jug and a pair of coffee cans, Duesbury & Kean, painted crown, crossed batons and numeral 9 of the gilder William Smith in blue, c1800 (8) Provenance: anon Sale, Christie, Manson & Woods, 22 November 1971, lot 167 [when attributed to Thomas 'Jockey' Hill] bt C B Sheppard for 1,650 gns; C B Sheppard, Alfreton, Derbyshire, from whom bought by the late owner on 10 December 1971 for a part consideration of £1175. Illustrated: Twitchett, op cit, plt 222. Literature: A green ground coffee can with the same unusual handle form and painted with the same three designs of a Kingfisher, moth and spaniel as one of the two in the present lot, is illustrated in the Catalogue of the Doris Wheatley Collection of Derby Porcelain, P Jackson, Brackley, 1987, plts 5 and 6. Estimate: 3000-5000
113.    A RARE DERBY DEJEUNER, painted by George Robertson with naval battles or other scenes in a broad gilt rectangular frame reserved on a bright "Mint Green" ground with gilt rim and handles, comprising shaped oval tray, 40cm over handles, oval teapot and cover and a pair of coffee cans and saucers, Duesbury & Kean, painted crown, crossed batons, D and [tray] title The Anson engraving La Loire & Kangaroo in blue script, c1800 (7) Illustrated: Twitchett, op cit, plt 267 [with the cream jug and sugar box and cover] and Barrett and Thorpe, op cit, plt 155 [the teapot]. The French frigate La Loire was captured off the coast of Ireland in October 1798. Estimate: 2000-4000
114.    A DERBY TREMBLEUSE CUP AND SAUCER, the cup painted en grisaille with a shepherdess and piping shepherd in a romantic landscape in gilt oval frame on a ground of polychrome sprigs interspersed with gilt stars, with gilt rims and entwined handle, saucer 15.5cm diam, William Duesbury & Co, painted crown, crossed batons, D numeral V and title The Shepherdess of the Alps in blue script or puce, c1795 Estimate: 200-300
114A.   A PAIR OF DERBY FIGURES OF THE WELCH TAILOR AND HIS WIFE, astride goats, she with their three babes in arms, he with two kids carried in a pail on his back, richly painted in cobalt and enamels and gilt, on green and gilt scrolling mounds, 14cm h, Robert Bloor & Co, incised No 62, c1825 Estimate: 200-300
115.    A PAIR OF DERBY FIGURES OF HARLEQUIN AND COLUMBINE, Harlequin enamelled in brightly coloured and richly gilt motley with plumed yellow hat and holding a slapstick, Columbine in a dotted mauve bodice and flowered skirt with gilt underskirt, on sprigged rocky green bases, Robert Bloor & Co, 14.5cm h, incised No 199, painted crown and BLOOR DERBY in red, c1830 Estimate: 250-350
116.    A PAIR OF DERBY FIGURES OF A SAILOR AND HIS LASS, he with expectant gaze, she coyly beckoning towards him, both in richly decorated costume before a turquoise and floretted stump on pierced gilt scrolling shell edged base, 23cm h, Robert Bloor & Co, incised No316, painted crossed swords in blue enamel, c1830 Estimate: 250-350
117.    A DERBY VASE, of campana shape with serpent handles, painted by Richard Dodson with birds, including a Kingfisher, Mallard and Woodcock in a continuous watery landscape, the gilt lower part and foot with anthemia and scrolling foliage, 16.5cm h, Robert Bloor & Co painted crossed batons, D and 28 in red, c1815 Provenance: Major Guy Dawnay (1917-1998), from whom bought by the late owner on 6 October 1964 for £55. Estimate: 300-500
118.    A DERBY PLATE, painted by Horatio Steele with a loose bouquet of flowers and a ladybird in gilt cavetto reserved on green and raised gilt ground with six medallions of birds in lobed gilt rim, 24.5cm diam, c1840 A royal service, with an identical chrome green and gilt border of six medallions of birds by Horatio Steele but with vacant centre and Greek key cavetto was made for Queen Victoria in 1841-42; See Twitchett, op cit, plt 396. Estimate: 100-200
119.    A DERBY SHAPED OVAL DESSERT DISH, painted by Richard Dodson with an octagonal panel of a Kingfisher and two Bluetits perched on branches in a landscape in gilt frame reserved on a turquoise ground with conforming border of stylised foliage, 24.5cm w, Robert Bloor & Co, painted crown, crossed batons, D and 40 in red, c1820 Estimate: 200-300
120.    A DERBY FLUTED LOZENGE SHAPED DESSERT DISH, painted by Richard Dodson with a turkey, hen and two ducks in a watery landscape and wide gilt border of anthemia and scrolling foliage, 28cm w, Robert Bloor & Co, painted crown, crossed batons, D and 33 of the gilder Thomas Till in red, c1820 Estimate: 100-150
121.    A DERBY TEAPOT AND COVER, of 'silver' shape, painted to either side in the manner of Daniel Lucas with oval views and gilt, on four feet, 15cm h, Robert Bloor & Co, painted crown, crossed batons, D and titles View in Germany and View in Italy in red script, c1825 Estimate: 100-150
122.    A PAIR OF DERBY VASES AND STANDS, of flared cylindrical shape, the vases painted with a concert of birds in square gilt frame reserved on a duck egg blue ground with classical ornament, including a pineapple, hanging lamps and leafy grotesques in sepia, the rims and conforming stands gilt, 19cm h, Robert Bloor & Co, painted crown, crossed batons, D and numeral 1 of the gilder Samuel Keys in red, c1810 Estimate: 500-700
123.    A DERBY MINIATURE TWO HANDLED VASE, of compressed campana shape, painted to either side with pairs of brightly plumaged birds in the branches of a tree, in gilt dentil rim, 4cm h, Robert Bloor & Co, red printed circular mark, c1820 Estimate: 100-150
124.    A DERBY RETICULATED PLATE, finely painted with flowers, including a yellow rose, the gilt trellis border with three pink scale reserves and gilt with boughs in lobed gilt rim, 24.5cm diam, Robert Bloor & Co, red printed circular mark, c1820 Estimate: 250-350
125.    A DERBY COFFEE CAN AND SAUCER, the coffee can with wishbone handle, painted in iron red and gilt with stylised flowers and scrolling foliage on a seeded ground and with wide gilt trailing inner border, saucer 14cm diam, Robert Bloor & Co, painted crown, crossed batons, D and 19 or 57 of the gilders Munday Simpson and John Whitaker respectively, c1815 Estimate: 100-150
126.    A PINXTON COFFEE CAN, PATTERN 221, of Brookhill Service type, painted with an oval panel of parkland between sprigs, the rims and handle gilt, 6cm h, c1800 Estimate: 300-500
127.    A DERBY ARMORIAL COFFEE CAN AND SAUCER, finely painted with a shield of arms, crest and motto on a puce banner in cobalt and gilt border of stylised leaves, the rims and kidney shaped handle gilt, saucer 14cm diam, Robert Bloor & Co, painted crown, crossed batons, D and numeral 9 in gilt, c1825 Provenance: The arms are those of Kemeys-Tynte and Swinnerton. Charles John Kemeys-Tynte (1800-1882) of Halswell in Somerset, Cefn Mably in Glamorgan and Burleigh Hall in Leicestershire. Colonel of the Royal Galmorgan Light Infantry, MP for West Somerset 1832-7 and for Bridgwater 1847-65, he married on 18 July 1820, Elizabeth, daughter and co-heiress of Thomas Swinnerton of Butterton Hall, Staffordshire. She died 10 May 1838 and he remarried on 15 April 1841. Literature:A pair of plates en suite with the present lot are illustrated Twitchett, op cit, plt 358. Estimate: 200-300
128.    A GARNITURE OF DERBY VASES, of campana shape with gilt serpent handles, painted with continuous flowers, including roses, tulips, chrysanthemums, primulas and a passion flower above gilt strapwork and swags, Robert Bloor & Co, 17 and 20 cm h, red printed circular mark, c1830 (3) Estimate: 200-400
129.    A DERBY VASE, of campana shape with gilt serpent handles, painted with a child seated by flowers beneath a tree with a tame Robin , the black lower body and foot gilt with foliage, 20cm h, Robert Bloor & Co, red printed circular mark, c1830 Estimate: 200-300
130.    AN EXTENSIVE DERBY DINNER AND DESSERT SERVICE, of Trotter moulded shape, painted with large central sprays of flowers and single roses alternating with sprigs in gilt borders, the service including a circular soup tureen and cover, 25cm h, Robert Bloor & Co, red printed crown and D, c1835 (119) Estimate: 400-600
131.    A SET OF SIX ROYAL CROWN DERBY ORNITHOLOGICAL COFFEE CANS AND STANDS, of Queen's Gadroon shape, the coffee cans painted by J McLaughlin, all signed, with two studies of British wading birds in their natural habitat in raised gilt frame reserved on a primrose ground, the rims and handles gilt, saucer 13.5cm diam, printed mark and date code for 1973, painted titles in gilt, cased One of fifty sets. Estimate: 250-350
132.    A PAIR OF ROYAL CROWN DERBY FIGURES OF MANSION HOUSE DWARVES, derived from engravings by Jacques Callot, richly attired in 17th century cavalier costume, one in a pointed yellow hat with play bill of the Theatre Royal, the other in a puce and pink hat, the upturned brim and with an auctioneer's bill for The Great Sale at Strike Hall, the back of the cobalt, turquoise 'jewelled' and gilt waistcoat with a donkey or agricultural implements, 15cm h, printed mark and date code for 1905 Estimate: 400-600
133.    A CROWN DERBY VASE AND COVER, of ovoid form with pierced upright gilt scrolling handles and knop, the vase finely painted en camaieau with medallions of the head of Lady Hamilton after George Romney and another young woman suspended from laurels between festoons in 'jewelled' cobalt and gilt borders on square gilt foot, 22cm h, incised 511, printed mark and date code for 1887 A similar pair of vases of c1890 from the Royal Crown Derby factory museum was sold, Sotheby's Art & Industry, 8 November 1999, lot 21. Estimate: 300-500
134.    A SAMPSON HANCOCK ROMAN LAMP VIOLETEER AND COVER, encrusted with colourful flowers and heightened in gilt, 11.5cm h, painted crown, crossed swords, SH & D in puce, early 20th c A similar example was illustrated in the King Street factory's Catalogue for 1934-35, No 67. Since there are perforations at the base of the spout, it has been suggested that this unusual vessel was intended for tea tasting (Blackwood & Head, The King Street Factory, 2003, p355). Estimate: 200-300
135.    A PLAQUE, POSSIBLY DERBY, outside-decorated, painted by J Rouse [Junior] signed, with poachers and a stag, 23 x 17.5cm, c1880 Estimate: 300-500
136.    JOHN (W D) - NANTGARW PORCELAIN, illustrated, maroon buckram gilt, Newport: 1948; - Swansea Porcelain, 1958; - William Billingsley, 1968 (3) Estimate: 150-200
137.    JOHN (W D) - THE NANTGARW PORCELAIN ALBUM, illustrated, full crushed tan morocco gilt with badge of the Prince of Wales and raised bands by Period Binders Ltd, Bath, teg, Newport: 1975 Estimate: 150-250
138.    JOHN (W D) - WILLIAM BILLINGSLEY, signed copy, illustrated, full crushed tan morocco gilt, the spine in compartments, by Brian Frost & Co, Bath, teg, Newport: 1968 Estimate: 100-150
139.    ANOTHER COPY Estimate: 100-150
140.    ANOTHER COPY Estimate: 100-150
141.    HACKENBROCH (YVONNE) - MEISSEN AND OTHER CONTINENTAL PORCELAIN FAIENCE AND ENAMELS...., CHELSEA AND OTHER ENGLISH PORCELAIN.....[AND] ENGLISH FURNITURE WITH SOME FURNITURE OF OTHER COUNTRIES IN THE IRWIN UNTERMYER COLLECTION, three vols, illustrated, Cambridge, Massachusetts (or London): 1957, 57 & 58; George Savage - English Pottery and Porcelain, slip case, 1961; S Ducret - German Porcelain and Faience with Vienna Zurich and Nyon, slip case, 1962 (5) Estimate: 150-250
142.    BEMROSE (WILLIAM) - THE LIFE AND WORKS OF JOSEPH WRIGHT ARA COMMONLY CALLED "WRIGHT OF DERBY", folio, plts and with the two etchings by [Sir] Francis Seymour Haden as called for, maroon cloth gilt, London: Bemrose & Sons, 1885; Benedict Nicholson - Joseph Wright of Derby, two vols, slip case, 1968 (3) Estimate: 100-150
143.    FOSTER (J J) - MINIATURE PAINTERS BRITISH AND FOREIGN WITH SOME ACCOUNT OF THOSE WHO PRACTICED IN AMERICA IN THE EIGHTEENTH CENTURY, two vols, 109 of 175 copies of the signed Edition de Luxe, illustrated, half titles, parchment wrappers, teg, London: Dickinson's Fine Art Publishers, 1902 (2) Estimate: 150-250
144.    BINNS (W MOORE) - THE FIRST CENTURY OF ENGLISH PORCELAIN, illustrated, half title, fawn cloth gilt, the upper board with pink 'Billingsley' roses, teg, bookplate of Sir Alfred Seale Haslam of Breadsall Priory, Derby, London: Hurst & Blackett Ltd, 1906; another copy; R J Charleston - English Porcelain 1745-1850, two copies, 1965; Mrs Willoughby Hodgson - Old English China, 1913; Cleo M & G Ryland Scott, Jr - Antique Porcelain Digest, 1961; and fourteen others, ceramics (20) Estimate: 150-200
145.    BARRETT (FRANKLIN A) AND ARTHUR L THORPE - DERBY PORCELAIN ILLUSTRATED, illustrated, half title, cloth, dust jacket, London: Faber & Faber, 1971; John Haslem - The Old Derby China Factory the Workmen and their Productions, 1876; - facsimile edition, 1973; H G Bradley (Editor) - Ceramics of Derbyshire 1750-1975, signed copy, 1978; Peter Bradshaw - Derby Porcelain Figures 1750-1848, 1990; Sir Stephen Mitchell - The Marks on Chelsea-Derby, wrappers, 2007; F Brayshaw Gilhespy - Derby Porcelain, two editions, 1961 & 65; - Crown Derby Porcelain, 338 of 600 signed copies, 1951; - (and D M Budd) - Royal Crown Derby China from 1876 to the Present Day including Sampson Hancock...., signed copy (by both authors), 1964; John Twitchett and Betty Bailey - Royal Crown Derby, 1976; - Derby Porcelain, two editions (one limited in slip case), 1980; William Bemrose - Bow Chelsea and Derby Porcelain....,1898; John Murdoch and J Twitchett - Painters and the Derby China Works, 1987; and The Charles Norman Collection of 18th Century Derby Porcelain, 1996 (16) Estimate: 200-300
146.    HURLBUTT (FRANK) - OLD DERBY PORCELAIN AND ITS ARTIST-WORKMEN, illustrated, pictorial half title, navy cloth gilt, London: T Werner Laurie Ltd, 1928; Major William H Tapp - The Early Derby Ceramic Artists the Brothers Brewer 1764-1820, G H Larcombe's [and subsequently Margaret Foden's] copy with presentation inscription signed and dated June 1932, printed for private circulation, 1932; Edward Bradbury - Derby China Old and New with a Description of the Gladstone Dessert Service, unique Graingerised copy with contemporary press reviews of the Gladstone Service pasted on additional leaves at the end, tooled vellum gilt lettered in black and red, aeg, London: Bemrose & Sons, 1883; English Ceramic Circle Commemorative Catalogue of an Exhibition Held at The Victoria & Albert Museum May 5th-June 20th 1948, 642 of 1000 numbered copies, 1949; Frank Stoner - Chelsea Bow and Derby Porcelain Figures their Distinguishing Characteristics, 1955; P D Gordon Pugh and Marjorie Pugh - Naval Ceramics, 1971; and two sale catalogues - Christie, Manson & Woods Highly Important English and Continental Porcelain the Property of Stuart Granger Esq, 20 May 1963, prices marked and Sotheby & Co The Blohm Collection, Parts I-III, 4 and 5 July 1960 - 9 and 10 October 1961, prices marked (10) Estimate: 100-150
147.    TWITCHETT (JOHN, PUBLISHER) - THE OLD DERBY PATTERN BOOKS, three albums of mounted colour photographs, set No 8 of the edition of twenty, navy buckram gilt, boxed, privately published: April 1971 (3) Estimate: 200-300
148.    A PORTER MUG, painted by S D Nowacki, signed, with a view of Chatsworth House from Paxton's Emperor Fountain in 'jewelled' oval frame reserved on a yellow ground with raised gilt panels beneath an urn and scrolling foliage, the rims and handle gilt, 12cm h, gilt monogram, late 20th c Estimate: 250-350
149.    A PORTER MUG, painted by S D Nowacki, signed, with a view of Kedleston Hall in 'jewelled' oval frame reserved on a yellow ground with matt and burnished raised gilt panels beneath a gilt urn and scrolling foliage, the rims and handle gilt, 12cm h, gilt monogram and title Kedleston Hall Derbyshire, late 20th c Estimate: 250-350
150.    A PORTER MUG, painted by S D Nowacki, signed, with a shipping scene reserved on a turquoise ground with matt and burnished raised gilt panels beneath a gilt urn and scrolling foliage, the rims and handle gilt, 12cm h, gilt monogram, late 20th c Estimate: 200-300
151.    A CUP AND COVER, of tapered cylindrical shape with entwined or ring handles, painted by S D Nowacki with still lifes of luxuriant fruit, hazelnuts and birds in raised gilt foliate frames reserved on a turquoise ground, 14cm h, gilt monogram, late 20th c Estimate: 250-350
152.    A CUP, COVER AND STAND, of tapered cylindrical shape with entwined or ring handles, painted by S D Nowacki, signed, with a still life of luxuriant fruit and two birds on a ledge in gilt oval frame reserved on a yellow ground with raised gilt 'jewels', 13.5cm h, gilt monogram, late 20th c Estimate: 200-300
153.    A SEMI CIRCULAR BOUGH POT AND COVER, with gilt ram's head handles, painted by S D Nowacki with a Dutch coastal scene with fisherfolk reserved on a sky blue ground with raised gilt palmettes and scrolling foliage between moulded gilt borders, 13cm h, gilt monogram, late 20th c The source of the landscape is Pieter Cornelis Dommersen's picture "The Isle of Tholen Zeeland." Estimate: 200-300
154.    A PORTER MUG, painted by S D Nowacki with a Dutch canal scene with lowering skies reserved on a cobalt ground of matt and raised gilt and 'jewelled' panels beneath an urn and scrolling foliage, the rims and handle gilt, 12cm h, gilt monogram, late 20th c Estimate: 250-350
155.    A PORTER MUG, painted by S D Nowacki, signed, with a sill life of flowers, berries, hazelnuts and a bird reserved on a lilac ground of matt and burnished, raised gilding and 'jewelled' panels beneath an urn and scrolling foliage, the rims and handle gilt, 12cm h, gilt monogram, late 20th c Estimate: 200-300
156.    A BOX AND COVER, the slightly domed cover painted by S D Nowacki with an 18th century shipping scene reserved on a yellow ground of richly gilt classical foliage, 11 x 9.5cm, gilt monogram, late 20th c Estimate: 150-200
157.    A FLUTED COMPORT, painted by S D Nowacki, signed, with a still life of fruit and flowers including a sliced melon on a marble ledge, in gilt border of festoons and raised gilt rim, the exterior and foot also gilt, 26.5cm diam, gilt monogram, late 20th c Estimate: 200-300
158.    A POT POURRI VASE AND COVER, of cylindrical shape on three feet, painted by S D Nowacki, signed, with a continuous Bristol townscape including the Clifton Suspension Bridge, in gilt borders, 9cm h, gilt monogram, late 20th c Estimate: 150-200
159.    A SILVER GILT-MOUNTED EGG SHAPED BOX, the underside of the lid painted by S D Nowacki with a Dutch harbour scene, the exterior with pendulous roses on a cobalt striped ground of raised gilt tendrils issuing from 'jewelled' medallions, 8cm h, mount hallmarked Birmingham 1985 Estimate: 200-300
160.    A SILVER GILT-MOUNTED EGG SHAPED BOX, the underside of the lid painted by S D Nowacki, signed with initials, with a Dutch coastal scene, the exterior with a white and turquoise 'jewelled', raised gilt net over the nacreous lustre ground, 8cm h, mount hallmarked Birmingham 1985 Estimate: 150-200
161.    A PAIR OF EWERS, painted by S D Nowacki, both signed, with ornithological subjects in coastal landscapes reserved on a yellow ground and gilt with stylised foliage, the lightly moulded foot and scrolling handle also gilt, 26cm h, gilt monogram and painted title Ringed Plover or Oyster Catcher in red, late 20th c Estimate: 150-200
162.    A DISH, of Royal shape, painted by S D Nowacki, signed, with an 18th century naval battle in raised gilt cavetto-frame and lightly moulded blue and gilt waved border, 37.5cm w, gilt monogram, late 20th c Estimate: 200-300
163.    A PORTER MUG, painted by S D Nowacki, signed, with a scene on a Dutch canal reserved on a cobalt ground of matt and burnished, raised gilding and 'jewelled' panels beneath an urn and scrolling foliage, the rims and handle gilt, 12cm h, gilt monogram, late 20th c Estimate: 200-300
164.    A PLATE, painted by S D Nowacki, signed, with a still life of fruit and flowers on a marble ledge reserved on a cobalt ground with raised gilt cavetto and festoons, the footrim also gilt, 27cm diam, late 20th c Estimate: 150-250
165.    A SET OF FOUR COFFEE CANS AND SAUCERS, the coffee cans painted by S D Nowacki, one signed with initials, with shipping scenes reserved on a yellow ground and gilt with stylised foliage, the rims and handle gilt, saucer 12cm diam, printed monogram and painted titles Norfolk Werry [sic], Billy Boy 1880s, 17th Century Galleon or The Humber Keel in red or red script, late 20th c Estimate: 200-300
166.    A PLATE, painted by S D Nowacki, signed, with a musical trophy, the pink and turquoise border with three cartouche shaped panels of flowers in matt and burnished, raised gilt frames and border and shaped rim, the footrim also gilt, 21.5cm diam, gilt monogram and mark, boxed, late 20th c Estimate: 250-350
167.    A SET OF SIX COFFEE CANS AND SAUCERS, the coffee cans painted by S D Nowacki, all signed, with a musical trophy in 'jewelled' frame reserved on a cobalt ground of matt and burnished, raised gilt panels, the rims, handles and footrim also gilt, saucer 13.5cm diam, gilt monogram, boxed, late 20th c Estimate: 800-1200
168.    A SET OF SIX COFFEE CANS AND SAUCERS, the coffee cans painted by S D Nowacki, all signed, with a shipping scene in 'jewelled' frame reserved on a light blue and gilt striped ground, the rims, handles and footrim also gilt, saucer 13.5cm diam, gilt monogram, boxed, late 20th c Estimate: 600-800
169.    A SET OF SIX COFFEE CANS AND SAUCERS, the coffee cans painted by S D Nowack, all but one signed, with a musical trophy in 'jewelled' frame reserved on a mauve ground with matt and burnished, raised gilt and 'jewelled' panels, the rims, handle and footrim also gilt, saucer 13.5cm diam, gilt monogram, boxed, late 20th c Estimate: 400-600
170.    A SET OF SIX TOPOGRAPHICAL COFFEE CANS AND SAUCERS, the coffee cans painted by S D Nowacki, three signed, with Chatsworth House or Haddon, Hardwick, Kedleston, Melbourne or Sudbury Halls in a 'jewelled' frame reserved on a yellow ground with raised and burnished gilt and 'jewelled' panels, the rims, handle and footrim also gilt, saucer 13.5cm diam, gilt monogram, late 20th c Estimate: 500-700
171.    A PLATE, painted by S D Nowacki, signed, with a musical trophy, the cobalt and turquoise border reserved with three further panels in matt, burnished and raised gilt and turquoise 'jewelled' and gilt gadrooned rim, the footrim also gilt, 23cm diam, gilt monogram, late 20th c Estimate: 250-350
172.    A PLATE, painted by S D Nowacki with a musical trophy, the cobalt and turquoise border with three panels of flowers in matt, burnished and raised gilt frames and turquoise 'jewelled' and gilt gadrooned rim, the footrim also gilt, 23cm diam, gilt monogram, late 20th c Estimate: 200-300
173.    A PAIR OF COFFEE CANS AND SAUCERS, the coffee cans painted by S D Nowacki, both signed, with a musical trophy in 'jewelled' frame reserved on a cobalt ground with matt, burnished and raised gilt and 'jewelled' panels, the rims, handle and footrim also gilt, saucer 13.5cm diam, gilt monogram, late 20th c Estimate: 250-350
174.    A PAIR OF COFFEE CANS AND SAUCERS, en suite with the preceding lot Estimate: 250-350
175.    A PAIR OF COFFEE CANS AND SAUCERS, en suite with the two preceding lots Estimate: 250-350
176.    A PAIR OF COFFEE CANS AND SAUCERS, en suite with the three preceding lots Estimate: 250-350
177.    A PAIR OF COFFEE CANS AND STANDS, painted by S D Nowacki with a still life of fruit and hazelnuts with birds in rectangular gilt frame reserved on a yellow ground with gilt inner rim and handle, the footrim also gilt, stand 13.5cm diam, gilt monogram, late 20th c Estimate: 200-300
178.    AN OVAL PLAQUE, painted by S D Nowacki, signed, with an 18th century naval battle, 19 x 24.5cm, late 20th c, framed Estimate: 200-300
179.    A PLAQUE, painted by S D Nowacki, signed, with an 18th century shipping scene, 29.5cm diam, late 20th c, framed Estimate: 300-500
180.    AN ANTHONY ELSON SILVER TABLE SERVICE, including a compliment of silver- hafted knives, maker's mark, London 1966, 43ozs 10dwts weighable (35) Estimate: 350-450
181.    A LIBERTY & CO SILVER 'CLYMENE' WAIST CLASP DESIGNED BY ARCHIBALD KNOX, formed of stylised tendrils, 8cm w, mark of Liberty & Co Ltd, Birmingham 1903 (2) Estimate: 200-300
182.    AN OMAR RAMSDEN SILVER WINE COASTER, the turned maple base applied with a rose-boss to both sides, the hammer textured bombé mount with crenellated and quatrefoil waist moulding, 11cm diam, maker's mark and engraved OMAR RAMSDEN ME FECIT, London 1927 Estimate: 300-500
183.    AN OMAR RAMSDEN SILVER NAPKIN RING, chased with a thistle, 5.5cm h, mark of Omar Ramsden and Alwyn Carr, London 1911, 1oz Estimate: 100-150
184.    A CHARLES BOYTON SILVER DISH, the shallow hammer textured bowl applied with roses, on rope bordered foot with beaded knop, 28cm diam, maker's mark and engraved facsimile signature, London 1935, 30ozs 10dwts Estimate: 300-500
185.    A WILLIAM HUTTON AND SONS SILVER WAIST CLASP, THE DESIGN ATTRIBUTED TO KATE HARRIS, in three sections, cast with the head of a Puritan young woman, 11.5cm w, mark of William Hutton & Sons Ltd and stamped 2059, London 1900 (3) Estimate: 200-300
186.    A WILLIAM COMYNS & SONS SILVER WAIST CLASP, of foliate cast openwork form with flowers borne on sinuous tendrils, 9cm w, mark of William Hutton & Sons Ltd, and engraved Rd no 362369, London 1900 (2)
Estimate: 150-250
187.    A BIRMINGHAM GUILD OF HANDICRAFT SILVER WAIST CLASP, pierced with a heart and chased with foliage and volutes, 12.5cm w, mark of the Birmingham Guild of Handicraft Ltd, Birmingham 1899 (2) Estimate: 200-300
188.    A LIBERTY & CO SILVER AND TRANSLUCENT ENAMEL WAIST CLASP, applied with bosses to the trailing borders, 5cm w, mark of Liberty & Co Ltd, Birmingham 1907 (2) Estimate: 100-150
189.    AN OMAR RAMSDEN SILVER DISH IN THE FORM OF A ROSE, with applied central device in ten sided border, on foot, 15.5cm w, maker's mark and engraved OMAR RAMSDEN ME FECIT, London 1938, 6ozs 10dwts Estimate: 250-350
190.    AN A EDWARD JONES SILVER CASTER, with domed lid, of conical form flared at the rim and applied with grasses, 14.5cm h, maker's mark, Birmingham 1905, 3ozs 10dwts Estimate: 150-250
191.    A SET OF SIX GEORG JENSEN SILVER ACANTHUS SPOONS DESIGNED BY JOHAN ROHDE, with fig shaped bowl, maker's mark and STERLING DENMARK, mid 20th c or later, 13ozs Estimate: 350-450
192.    A WAKELY & WHEELER MODERNIST SILVER TEA SERVICE, of almost hemispherical form on 'ruffle' foot, jug 16cm h, mark of Wakely & Wheeler Ltd, London 1943 & 44, 60ozs (4) Estimate: 800-1200
193.    A SET OF OMAR RAMSDEN SILVER SPOONS, the tapered hexagonal stem with central swollen and wrythen fluted knop and seal terminal, comprising six larger spoons, five teaspoons, six coffee spoons, a sugar sifter and a pair of sugar tongs, maker's mark, London 1922, 23, 25, 27 & 29, 19ozs (19) Estimate: 1500-2000
194.    'DAHLIAS'. A LALIQUE OPALESCENT GLASS BOWL, 23.5cm diam, moulded circular mark R LALIQUE FRANCE, 1930s Estimate: 400-600
195.    'COQUILLES'. A LALIQUE OPALESCENT GLASS BOWL, 16cm diam, wheel cut mark R LALIQUE FRANCE and engraved No 3203, 1930s Estimate: 100-200
196.    JOHANN PHILIPP FERDINAND (FRITZ) PREISS - A GIRL WITH A SKIPPING ROPE, ivory, on onyx plinth, 15.5cm h, signed, c1930 Originally issued at a price of £5, another example is illustrated in a contemporary photograph, Catley (B), Art Deco and other Figures, Woodbridge 1984, p263. Estimate: 2000-3000
197.    PROFESSOR OTTO POERTZEL - A SEMI NAKED YOUNG WOMAN, with arms upraised, ivory, on stained onyx triangular plinth, 27cm h, signed PROF PORTZEL, c1930 Estimate: 250-350
198.    JOSEF LORENZL - A YOUNG WOMAN, silvered bronze, on faceted onyx plinth, 23.5cm h, signed LORENZL AUSTRIA, 1930s Estimate: 2000-3000
199.    AN ARTS & CRAFTS MOVEMENT COPPER REPOUSSÉ DOMESTIC POSTING BOX BY THE KESWICK SCHOOL OF INDUSTRIAL ART, 17.5cm h, stamped KSIA, c1910 Estimate: 100-200
200.    A BRASS TRAY BY THE KESWICK SCHOOL OF INDUSTRIAL ART, with repoussé border of scrolling foliage in rolled rim, 46.5 x 32cm, stamped KSIA, c1910 Estimate: 100-200
201.    A WMF IKORA PATINATED BRASS ELECTRIC LAMP, of inverted baluster form, with spiralling Persian style flowers and foliage, wood base, 33cm h, stamped mark, c1930 Estimate: 100-200
202.    A PAIR OF JUGENDSTIL CAST AND SILVERED PEWTER VASES, of bottle shape with the head of a maiden amidst waterlilies and bulrushes, 13cm h, c1905 Estimate: 100-150
203.    AN UNUSUAL ENAMEL-FRAMED MIRROR, PROBABLY GERMAN, the face and sides of the rectangular oak frame overlaid with rows of bronze-enamelled 'tesserae' flanking a grooved surround of violet and blue glass rods, 52 x 42cm, c1900 Provenance: Professor Janos and Mrs M Plesch of Berlin; thence by descent. Estimate: 100-150
204.    AN ARTS & CRAFTS MOVEMENT COPPER REPOUSSÉ JARDINIERE BY JOHN PEARSON, worked in high relief with four ancient ships with the sun, serpents or other emblems and lapped by waves beneath a rolled rim, 20cm h, signed, numbered 2507 and dated 1900 Estimate: 400-600
205.    A MICHAEL CARDEW GLAZED STONEWARE DISH AND JUG, the dish incised with an 'eye' and lattice, on the underside the glaze stopping well short of the low foot, the jug with flat topped lip and well formed strap handle with thumbpiece, covered in a rich ochre brown glaze, 17cm h, both impressed Wenford Bridge and potter's seals, c1970 Estimate: 200-300
206.    TWO TROIKA DOUBLE BASE LAMPS, 43cm h, painted marks and monogram of Avril Bennet, 1973-79 Estimate: 300-500
207.    A LEAD GLAZED ART EARTHENWARE BASKET, POSSIBLY CASTLE HEDINGHAM, of doubled wall form with openwork panels of birds and lions in applied borders of flowers and scrolling leaves, glazed in dark brown, yellow ochre and green, 26cm h, c1890 Estimate: 100-150
208.    A DELLA ROBBIA EARTHENWARE ARCHITECTURAL RELIEF OF AN ANGEL AT PRAYER MODELLED BY ELLEN MARY ROPE, in blue, green and cream glazes, 40 x 30.5cm, incised ship, 190-, DR and 88, painted initials of the decorator, Alice Louise Jones, c1905 Estimate: 700-900
209.    A WEDGWOOD QUEEN'S WARE RHODIAN HANDCRAFT VASE, of waisted cylindrical shape, painted in purple lustre, blue and green with stylised flowers, on bulbous foot, 20cm h, impressed mark and date code for 1927, painted C5528 and monograms Estimate: 100-150
210.    A WEDGWOOD BONE CHINA MODERNIST TEA SERVICE OF ANAHITA PATTERN DESIGNED BY VICTOR SKELLERN, CIRCA 1934, printed with five flowering plants and sprigs in grey and sepia border, the service including a pair of plates, 23.5cm diam, printed mark, painted 5303, probably c1935-40 (40) A teapot of this pattern is illustrated Batkin (M), Wedgwood Ceramics 1846-1959, 1982, plt 415. Estimate: 100-200
211.    A RUSKIN HIGH FIRED VASE, the finely mottled crimson, violet and kingfisher blue glaze pooling slightly towards the foot, 29.5cm h, impressed mark and date 1910 Estimate: 700-900
212.    A RUSKIN HIGH FIRED MINIATURE VASE AND COVER, the mottled red glaze transmuting to violet and copper green, 10cm h, impressed RUSKIN ENGLAND and date 1926 Estimate: 500-700
213.    A RUSKIN HIGH FIRED SCENT BOTTLE AND COVER, of shouldered form with pagoda cover, the red glaze transmuting to copper green, 15cm h, impressed RUSKIN ENGLAND and date 1927 Literature: Similar examples, dated 1926 or 1927 are illustrated Atterbury (Paul) and John Henson, Ruskin Pottery, Shepton Beauchamp 1993, p131. Estimate: 500-700
214.    AGNETE HOY. A BULLER'S STUDIO REDUCED STONEWARE CELADON DISH, carved with peonies beneath a dark olive glaze, 20cm diam, impressed marks, monogram and 257, 1940-52; a Reginald Marlow Jun glazed stoneware dish, 32.5cm diam, painted monogram, c1960 (2) Estimate: 100-200
215.    A SHELLEY QUEEN ANNE TEA SERVICE, of Garland of Flowers pattern, the service including a pair of plates, 23.5cm w, printed mark, painted 11504, c1926 (39) Estimate: 100-150
216.    A MOORCROFT LEAF-AND-BERRY VASE DESIGNED BY WILLIAM MOORCROFT, of Krater form, 18cm h, impressed marks, painted signature, c1935 Estimate: 300-500
217.    A DENBY ANIMAL WARE FISH MODELLED BY DONALD GILBERT, in Pastel Blue, mounted as a table lamp with ebonised wood base and oxidised metal fitment, 25cm h, c1933 Estimate: 100-150
218.    AN ABBOTT SLIPWARE BAKING DISH, of moulded oblong form with 'pie-crust' edge and decorated in trailed and combed slip, 50cm w, impressed Abbott. Potter, 1781-83 Estimate: 600-800
219.    A DELFTWARE POLYCHROME BALLOONING PLATE, LAMBETH HIGH STREET, THOMAS MORGAN AND ABIGAIL GRIFFITH, painted with Vincenzo Lunardi aloft in his balloon over houses and trees in a border of swags and the feathered manganese rim, 20cm diam, c1785; a Bristol Delftware plate, painted with a Chinese figure before a pavilion in fluted bianco-sopra-bianco border, c1760; a Bristol Delftware plate, painted in cobalt with two Chinese figures on islands, c1765; another Delftware plate and a Dutch Delftware large plate, both 18th c (5) For examples matching both of the Bristol plates see Archer (M), Delftware, HMSO 1997, B87-89 & 91.
Estimate: 100-200
220.    TWO DELFTWARE DISHES, PROBABLY LONDON, one attractively painted in cobalt with a Chinese figure with a birdcage and two comical birds in the branches of a cherry tree, in a border of trailing flowers sprouting from small islands, 30cm diam, the second painted in cobalt with two Chinese figures in a landscape with a willow tree, in panelled cavetto and border of trailing foliage, 30cm diam, both c1760-70 Estimate: 200-300
221.    A G L ASHWORTH & BROTHERS DINNER SERVICE, printed in sepia and enamelled with central loose sprays and trailing flowers in cobalt and gilt cavetto and fluted ribbon border, the service including a circular soup tureen, cover and stand, 25cm h and a pair of sauce tureens, covers and stands, sepia printed Mason's banner mark, c1870 (81) Estimate: 400-600
222.    A PAIR OF SALTGLAZED WHITE STONEWARE CULINARY MOULDS, in the form of a fish, 13cm l, c1760 An identical pair of fish-moulds from the Price-Glover Collection was sold, Christie's, 14 June 1988, lot 50. Estimate: 100-200
223.    A YORKSHIRE PEARLWARE FIGURE OF A SEATED WOMAN, her fashionable dress and apron painted in puce and black with sprigs and spots and outlined in ochre, on green seat, 10cm h, c1800-20 The present figure is of the type associated with the pottery that occasionally used aN impressed crown mark. Although as yet unidentified, it is of undoubtedly Yorkshire origin. The two examples of the model in the Victoria & Albert Museum are illustrated, and the other wares at the factory discussed, Lewis (J & G), Pratt Ware... 1780-1840, revised edition, Woodbridge 1993, pp82-94. Estimate: 250-350
224.    A PEARLWARE OVAL PLAQUE, moulded in relief with transforming masks on a pink ground with turquoise foliage, in yellow and brown gadrooned integral frame, 13.5cm h, c1800 Estimate: 100-150
225.    A SWINTON PEARLWARE COFFEE POT AND COVER, the entwined handle terminating in rosettes and leaves, the domed cover with flower knop, painted in cobalt with a version of the Pagoda and Fence pattern beneath a scalloped line border, the moulded spout picked out in cobalt, 26cm h, c1790 Similar Swinton wares are illustrated Roberts (Lois), Painted in Blue, Newbury 2006, fig 99. Estimate: 100-200
226.    TWO STAFFORDSHIRE GROUPS OF DANCERS AND A SIMILAR GROUP, painted in cobalt, richly enamelled in other colours and gilt, 18-20cm h, c1840 Other examples of the unidentified dancers are illustrated Pugh (P D Gordon), Staffordshire Portrait Figures of the Victorian Era, revised edition Woodbridge 1987, Section E, plts 60, fig 111 and 126, fig 251. In the case of the latter group, the author observes that "Nothing is known of the identity of this curious pair." Estimate: 150-250
227.    A CREAMWARE EGG DRAINER, CASTER AND A STAND, the first with rope handle on four feet, the second of cylindrical form with Greek Key border, stand 15cm diam, all 1800; a Leeds Revivalist Creamware shell and dolphin salt, c1880 (4) Estimate: 100-150
228.    A CREAMWARE LION'S HEAD BOX AND COVER, the threaded cover moulded with St Mark, 6.5cm h, c1780 Estimate: 100-150
229.    TWENTY-ONE VICTORIAN WALL TILES, by various manufacturers, including a set of ten printed in sepia and painted with wild strawberries in a border, all 15 x 15cm Estimate: 100-150
230.    ELEVEN MASON'S PATENT IRONSTONE OCTAGONAL JAPAN PATTERN JUGS, all but one with green Hydra handle, printed in blue and enamelled with flowers and foliage, two 24cm h, the others smaller, impressed and/or printed marks, early/mid 19th c Estimate: 200-300
231.    A STEPHEN GREEN SALTGLAZED BROWN STONEWARE CORDIAL FLASK, moulded to one side with MRS PRETTYMAN and to the other with MR & MRS CAUDLE above the inscription NO MR CAUDLE I SHALL NOT GO TO SLEEP LIKE A GOOD SOUL, 25cm h, impressed STEPHEN GREEN LAMBETH, c1840 Estimate: 200-300
232.    A CREAMWARE TEA CANISTER, STAFFORDSHIRE OR YORKSHIRE, crisply moulded with Macaroni figures and painted in the Pratt palette, 11.5cm h, c1790; a Pearlware dummy watch, the face painted in sepia and blue, banded in yellow and ochre, with suspension lug, 8cm h, c1820 (2) Estimate: 100-200
233.    A PEARLWARE COMMEMORATIVE JUG, moulded with named portraits of Admiral Nelson and Captain Berry and painted in the Pratt palette, 16cm h, c1798; an earthenware jug, moulded in high relief with half length portraits of LORD WELLINGTON and GENERAL HILL, sponged in bright enamels beneath a rust line border, 16cm h, c1810 (2) Estimate: 100-200
234.    A GRADUATED PAIR OF EARTHENWARE CHAR DISHES, printed in sepia and painted in green and puce with three or four fish beneath a pearlised glaze 16 & 19cm diam, larger dish impressed HOBSON in a semi-circle, mid 19th c Estimate: 100-200
235.    A PEARLWARE CHAR DISH, painted in ochre, brown and green with five stylised fish, 23cm diam, c1800 Estimate: 250-350
236.    A DELFTWARE FOOD WARMER, PROBABLY LAMBETH, the cylindrical body with ogee arched aperture, scroll handles above three small bosses and a pair of mask vents, painted in cobalt with borders of stylised foliage, the food vessel with leafy handles and slightly concave base, the domed cover with sconce-knop, 26.5cm h, painted 25 to the underside of the cover, c1770 (3) Estimate: 100-200
237.    A MASON'S PATENT IRONSTONE DESSERT SERVICE, printed in blue and enamelled and gilt with a bold Japan pattern of peony and chrysanthemum flowers and foliage in scrolled border, the service including shell and leaf shaped dishes, largest dish 28cm w, impressed mark, c1825 (18) Estimate: 250-350
238.    A STAFFORDSHIRE FLATBACK GROUP OF THOMAS SMITH AND HIS MURDERER WILLIAM COLLIER, well decorated in bright enamels and gilt, 34cm h, c1866; a Staffordshire flatback equestrian portrait figure of William III, sparsely enamelled and gilt, the title to the base, 36cm h, c1870; a Staffordshire architectural flatback watch-holder in the form of a sham castle with swans either side of the door, brightly decorated, 27cm h, c1860 (3) Estimate: 150-200
239.    A STAFFORDSHIRE PEARLWARE TEA SERVICE, POSSIBLY SHORTHOSE & CO, printed in sepia, sponged in green, ochre, blue and yellow with a musical party of a young female singer accompanied by a youth playing the flute and a harpist, the service including five tea bowls and a barrel shaped jug, 8cm h, c1820 (11) Estimate: 100-150
240.    FOUR LIVERPOOL DELFTWARE TILES, PRINTED PROBABLY BY GUY GREEN, comprising a pair of theatrical tiles with MRS ABBINGTON In The Character of Estifania and Mrs Barry In The Character of ATHENAIS, the two others printed in black and painted in green enamel with a muse with a lyre or a ewer, all 12.5 x 12.5cm, c1777-80 and c1770-80 Estimate: 150-200
241.    ELEVEN LIVERPOOL DELFTWARE TILES, PRINTED BY JOHN SADLER, SADLER & GREEN OR BY GREEN ALONE, all in black with various rococo framed scenes including five with '88' border, 12.5 x 12.5cm, c1778-80 The subjects include Shepherd Lovers with a Dog, The Sailor's Departure and The Sailor's Return Estimate: 200-300
242.    A MINTON MAJOLICA FLOWER BASKET, with rope border and loop handles, the interior glazed turquoise, the exterior straw yellow, 14cm w, impressed numbers, painted 461, c1870 Estimate: 100-150
243.    A G L ASHWORTH & BROTHERS IRONSTONE JAPAN PATTERN PART DINNER SERVICE, printed and painted with trailing sprays in brown, green and gilt borders, the service including an oval tureen, 15cm h, impressed and printed marks, c1870 (8) Estimate: 150-200
244.    A VICTORIAN MAJOLICA BRAMBLE MOULDED SQUARE TRAY, PROBABLY JOSEPH HOLDCROFT, with turquoise ribbon border, 26cm w, c1880; a Wedgwood majolica Japanese style cache pot; a majolica pineapple moulded tea kettle and cover; a majolica sweetcorn jug and one and a set of three majolica plates, English and Continental, all late 19th c (9) Estimate: 250-350
245.    A RARE BRAMELD EARTHENWARE DRAGON OR INFERNAL VASE, printed in blue and enamelled with the India pattern, supported by four apple green and gilt scaly dolphins, 51cm h, c1820-40 Estimate: 500-700
246.    A BRAMELD BLUE PRINTED EARTHENWARE CASTLE OF ROCHFORT PATTERN SOUP TUREEN, COVER AND STAND, the domed cover with blue rose knop, 36cm h, impressed BRAMELD 13, c1820-30 Estimate: 400-600
247.    A BRAMELD BLUE PRINTED EARTHENWARE CASTLE OF ROCHFORT PATTERN DRAINER, 33.5cm w, impressed BRAMELD +1, c1820-30 Estimate: 200-300
248.    A BRAMELD BLUE PRINTED EARTHENWARE CASTLE OF ROCHFORT PATTERN MEAT DISH, 54cm w, impressed BRAMELD +1, c1820-30 Estimate: 300-400
249.    A STONE CHINA JAPAN PATTERN DRAINER, printed in cobalt and enamelled in a bright palette with birds, peony, bamboo and other plants in gadrooned border, 31cm w, painted 1306, c1830; a Minton & Boyle bone china drainer, printed and enamelled with flowers and insects in diaper border, 30cm w, printed mark, 1836-41 (2) Estimate: 200-300
250.    A STAFFORDSHIRE DINNER SERVICE, of ironstone type, printed in purple, painted in underglaze blue, enamelled and gilt with tree peony and other flowering plants in gilt border, plate 26cm diam, painted 1221, c1870 (36) Estimate: 250-350
251.    A PAIR OF DELFTWARE DISHES, PROBABLY LIVERPOOL, painted in cobalt on a blue-tinged glaze with a two-storied house on an island, the trellis cavetto with eight floral sgraffito motifs, the border with four Chinese islands, 30cm diam, c1750; a Delftware 'primitive' dish, painted in cobalt with a seated oriental, late 18th c (3) Two similar dishes of the same pattern as the present pair are illustrated, Britton (F), English Delftware in the Bristol Collection, 1982, Nos 12.66 & 67. Estimate: 400-600
252.    A PAIR OF WEDGWOOD QUEEN'S WARE NEO CLASSICAL VASES AND COVERS, decorated in relief with swags and masks beneath a border of Vitruvian scrolls, 28cm h, impressed mark, c1880 Estimate: 300-500
253.    A YORKSHIRE PEARLWARE BANK, in the form of a cottage with pitched blue roof and central chimney, two faces at upper windows and with yellow door flanked by the figures of a man and woman, sponged in polychrome, 12cm h; a Staffordshire earthenware bank in the form of a house; six other similar models of buildings, various sizes, c1830-late 19th c (8) Estimate: 100-150
254.    ELEVEN STAFFORDSHIRE EARTHENWARE AND PORCELANEOUS PASTILLE BURNERS IN THE FORM OF BUILDINGS, principally folly cottages or sham castles including a solid lilac example, several encrusted with flowers or mossy 'grog' and enamelled, various sizes, mainly early/mid 19th c Estimate: 100-150
255.    A PAIR OF STAFFORDSHIRE MODELS OF LIONS, GEORGE SKEY'S WILNECOTE POTTERY, TAMWORTH, modelled after the Medici Lions with a forepaw resting on a ball, in rich brown and pink glazes on rectangular green base, 17.5cm h, c1862-90 Another example with the impressed mark GEORGE SKEY WILNECOTE WORKS NR TAMWORTH is illustrated Godden (G A), An Illustrated Encyclopaedia of British Pottery and Porcelain, 1966, plt 518. A further pair, also in the same strikingly distinctive palette was sold Christie's South Kensington, 29 March 2009, lot 95. . Estimate: 200-300
256.    A RARE BLACK BASALT COMMEMORATIVE TEAPOT AND A COVER, of oval shape with two crisply moulded conch shell reliefs of the death of General Moore or allegorical figures and a trophy on an engine turned 'plaid' ground beneath a border of national flowers, 15cm h, c1810 Sir John Moore was killed at the Battle of Corunna during a rearguard action in 1809. Estimate: 100-150
257.    EIGHT BLUE PRINTED EARTHENWARE PLATES AND OTHER WARE, comprising Enoch Wood & Sons Lanercost Priory, anon Hospitality (2), anon Linlithgow Palace, Wedgwood Peony, anon Batalha Portugal, anon The Grazing Rabbits and Davenport Bisham Abbey Buckinghamshire or Tudor Mansion, a heated dish 34cm w, printed marks or unmarked, all early 19th c (8) Estimate: 100-150
258.    A MINTON BLUE PRINTED EARTHENWARE MINIATURE SERIES DINNER SERVICE, with various views, the service including three vegetable dishes and a cover, 10cm w, printed banner mark, c1840 (14) Estimate: 100-150
259.    A BLUE PRINTED EARTHENWARE DISH, TWO PLATES, A SOUP PLATE AND A SAUCER, the patterns comprising Charles Meigh & Son Jenny Lind, anon Crown, Acorn and Oak Leaf Border Series Kincardine Castle Perthshire, Woods & Brettle The Bird's Nest, Joseph Stubbs Fair Mount near Philadelphia and unidentified, plate 25cm diam, printed marks or unmarked, all early 19th c Estimate: 100-150
260.    A BLUE PRINTED PEARLWARE JUG, printed in clear bright blue with The Hermit pattern beneath brocaded border, the rim edged in brown enamel, 27cm h, printed device; a blue printed pearlware jug, with a couple before a country house 21cm h, early 19th c (2) For an example of the second print paired with Inverary Castle on a smoker's set, see Coysh (A W) and R K Henrywood, The Dictionary of Blue and White Printed Pottery 1780-1880, Woodbridge 1982, col plt XXV. Estimate: 100-150
261.    A BLUE PRINTED EARTHENWARE CROWN ACORN AND OAK LEAF BORDER SERIES TWO HANDLED BASKET AND STAND, with Tewin Water Hertfordshire, in pierced border, stand 27cm w, printed mark, c1820 Estimate: 150-250
262.    A BLUE PRINTED EARTHENWARE MINIATURE DINNER SERVICE, the service including three tureens and covers, largest dish 9cm w, c1825 (24) Estimate: 150-250
263.    THREE BLUE PRINTED EARTHENWARE MEAT DISHES, comprising Passion Flower Border Series with Hare Hall Yorkshire, Minton Basket pattern and Spode Flower Cross pattern, 37.5-42cm w, all early 19th c Estimate: 200-300
264.    A BLUE PRINTED EARTHENWARE DOMESTIC SCENERY PATTERN DRAINER, 35cm w, printed S & J B [?] cartouche mark, c1830 Estimate: 150-200
265.    A BLUE PRINTED EARTHENWARE CHINOISERIE RUINS PATTERN DINNER SERVICE, the service including two meat dishes, 47.5cm w, c1830 (27) Estimate: 250-350
266.    A JOHN ROGERS & SON BLUE PRINTED EARTHENWARE CAMEL PATTERN TEA BOWL AND SAUCER AND A BLUE PRINTED PEARLWARE GOLDFINCH PATTERN TEA BOWL AND SAUCER, saucers 13.5 and 14cm diam, both c1820 Estimate: 100-150
267.    A BLUE PRINTED EARTHENWARE SHIPPING SERIES FRIGATE [I] PATTERN PLATE AND A JOHN & RICHARD RILEY BLUE PRINTED EARTHENWARE EASTERN STREET SCENE PATTERN SOUP PLATE, 25cm diam, c1825-30 Estimate: 100-150
268.    A PAIR OF BLUE PRINTED EARTHENWARE KNIFE-RESTS, with a floral sheet pattern, 7.5cm l; a blue printed pearlware filigree pattern leaf shaped pickle dish and a Spode blue printed earthenware Willow pattern egg-hoop, all early 19th c (4) Estimate: 100-150
269.    AN ELKIN, KNIGHT & CO BLUE PRINTED EARTHENWARE ROCK CARTOUCHE SERIES NEAR NEWARK PATTERN PLATE AND A SMALL GROUP OF SIMILAR WARES, including two Spode and Wedgwood porcelain coffee cans, plate 18cm diam, all early 19th c (8) Estimate: 100-150
270.    A FIRST PERIOD WORCESTER PRESS MOULDED BUTTER BOAT, painted in underglaze blue with the Cannonball pattern, 7cm h, painted open crescent, c1765 Estimate: 100-150
271.    AN EARLY WORCESTER REEDED COFFEE CUP, of flared shape with scroll handle, enamelled with famille rose sprays beneath a trailing border, 5cm h, c1754-55; a First Period Worcester coffee can, transfer printed in black and enamelled with Chinese figures, a table and other objects, 6cm h, c1765 (2) Estimate: 100-200
272.    A FIRST PERIOD WORCESTER COFFEE CUP, SAUCER AND ANOTHER SAUCER, with black overglaze transfer prints engraved by Robert Hancock, the cup and saucer with the Tea Party No 2, the saucer with L'Amour, signed in the print R H Worcester and with Holdship's anchor rebus, saucers 12cm diam, painted crossed swords and 9 [cup] or unmarked, c1765-70 The print on the cup is paired with the Maid and Page No 1 print. Estimate: 200-300
273.    A FIRST PERIOD WORCESTER REEDED OVIFORM TEA CANISTER, neatly painted in underglaze blue with the Gillyflower pattern, 17cm h, painted script W, c1775 Estimate: 100-200
274.    A FIRST PERIOD WORCESTER COFFEE POT AND COVER, transfer printed in black and enamelled with Chinese figures at a table, another bearing cups, a third holding a fan, in underglaze blue painted pendulous border, the domed cover with flower knop, 22.5cm h, c1770 Estimate: 100-150
275.    A SMALL GROUP OF FIRST PERIOD WORCESTER TEA BOWLS, SAUCERS AND A COFFEE CUP, transfer printed in underglaze blue with the Fence, Three Flowers and Birds in Branches patterns, saucers 10-12.5cm diam, printed hatched crescent or unmarked, c1780 (14) Estimate: 100-200
276.    AN UNUSUAL FIRST PERIOD WORCESTER POLYCHROME TEACUP AND A MATCHING CHINESE SAUCER, finely enamelled and gilt with a Chinese figure on gilt buffalo in a landscape with flowers and a willow tree growing from a hollow rock, gilt geese on the opposite side of the river, in gilt and red line undulating ribbon border, the handle also gilt, saucer 12cm diam, c1770 The Worcester cup is likely to have been made as a replacement for a slightly earlier Chinese Export tea service. A Worcester replacement sugar bowl and Chinese tea bowl from a service are illustrated side by side, Spero (S) & J Sandon, Worcester Porcelain 1751-1790 The Zorensky Collection, Woodbridge 1996, plt 185. Estimate: 150-250
277.    A FIRST PERIOD WORCESTER CHRYSANTHEMUM MOULDED TEACUP AND SAUCER, painted in underglaze blue with the Chrysanthemum pattern, saucer 12cm diam, painted crescent, c1765 Estimate: 100-150
278.    A FIRST PERIOD WORCESTER SMALL MUG OR COFFEE CAN, transfer printed in underglaze blue with The Three Flowers pattern, 6.5cm h, printed hatched crescent, c1775 Estimate: 100-150
279.    A FIRST PERIOD WORCESTER FLUTED PLATE, painted in bright underglaze blue with the Caughley Floral Sprays Pattern, 15cm diam, painted open crescent, c1785 A similar plate is illustrated Spero & Sandon, op cit, plt 629. Estimate: 150-200
280.    A FIRST PERIOD WORCESTER POTTING PAN, painted in underglaze blue with the Peony pattern, 11cm diam, painted open crescent, c1770 Estimate: 150-200
281.    A FIRST PERIOD WORCESTER CRESS DISH AND STAND, transfer printed in bright underglaze blue with the Pine Cone pattern, stand 21cm diam, printed hatched crescent, c1775-85 Estimate: 100-200
282.    A FIRST PERIOD WORCESTER QUATRELOBED OVAL SOUP TUREEN AND COVER, with gadrooned rim and shell handles, the domed cover with flower finial, enamelled with a wide famille rose border of flowers borne on turquoise leaves in a gilt edged band of tightly packed iron red scrolls, 18cm h, c1770 Estimate: 600-800
283.    A FIRST PERIOD WORCESTER SCALE BLUE GROUND TRIO, painted with Dishevelled Birds and insects in gilt panels, saucer 13cm diam, painted fretted square, c1768-70 Estimate: 400-600
284.    A FIRST PERIOD WORCESTER TEACUP AND SAUCER, painted in purple monochrome with fruit and flowers in gilt dentil rim, the handle gilt with a sprig, saucer 13cm diam, c1770-72 Estimate: 250-350
285.    A FIRST PERIOD WORCESTER SAUCER-DISH, enamelled with scattered groups of flowers within a Sèvres style turquoise and gilt border and dentil rim, 18cm diam, the porcelain c1772-75 and redecorated Estimate: 200-300
286.    A FIRST PERIOD WORCESTER FLUTED TEA BOWL AND SAUCER, enamelled with loose bouquets and a central spray of flowers in scrolling gilt edged turquoise and purple diaper border and gilt rim, saucer 12.5cm diam, c1775-78 A comparatively rare Worcester Sèvres-style pattern; a matching fluted cream jug is illustrated Spero & Sandon, op cit, plt 376. Estimate: 200-300
287.    A FIRST PERIOD WORCESTER COBALT GROUND TEAPOT AND COVER, of barrel shape with flower knop, painted in Dry Blue and finely gilt with pendulous groups of flowers and scrolling foliage, the moulded spout and auricular handle gilt, 12cm h, c1775 Estimate: 200-300
288.    A FIRST PERIOD WORCESTER TEAPOT AND COVER, of globular form, the domed cover with flower knop, enamelled with a rose and two buds and subsidiary flowers, in iron red scalloped line borders, the spout and handle picked out with dots, 14.5cm h, collector's label, c1775 Provenance: Zorensky Collection. Estimate: 300-500
289.    A FIRST PERIOD WORCESTER MUG, of baluster form, enamelled with two panels of Chinese figures in red and gilt reserves of tendrils, a puce vignette and black flower medallions, the handle picked out in puce, 15cm h, c1768-70
Estimate: 600-800
290.    A FIRST PERIOD WORCESTER FLUTED TRIO, painted in Dry Blue with scattered sprigs in gilt dentil rim, the entwined handle heightened in gilt, saucer 12cm diam, painted fretted square, c1775 Estimate: 200-300
291.    A FIRST PERIOD WORCESTER BOWL, painted in underglaze blue with Chinese style panels of polychrome flowers including a rose and honeysuckle, the spray to the interior heightened in gilt beneath a cell diaper border, 12.5cm diam, c1775 Estimate: 200-300
292.    A FIRST PERIOD WORCESTER FLUTED BOWL, decorated in Sèvres style with purple festoons, gilt scroll-edged pink oeil de perdix border and gilt dentil rim, 16cm diam, c 1775 Estimate: 150-200
293.    A FIRST PERIOD WORCESTER REEDED OVIFORM TEA CANISTER, enamelled with exotic birds and flowers in gilt borders, 13.5cm h; a First Period Worcester scale blue ground slop basin, enamelled in Kakiemon style, painted fretted square, both c1770 (2) Estimate: 100-150
294.    A FIRST PERIOD WORCESTER BOWL, enamelled with the Honeysuckle pattern of stylised flowers and auspicious objects, 12cm diam, c1760 Estimate: 200-300
295.    TWO FIRST PERIOD WORCESTER LEAF SHAPED PICKLE DISHES, painted in underglaze blue with the Gillyflower or Pickle Leaf Vine patterns, 8.5cm l, painted open crescent, c1770 Estimate: 200-250
296.    A CHAMBERLAIN'S WORCESTER SALT, in the form of a large and realistically painted seashell on a mound of colourful smaller seashells, coral and weed, on gilt feet, 13cm w, printed mark with royal arms, c1840 Estimate: 200-300
297.    A CHAMBERLAIN'S WORCESTER MINIATURE JAPAN PATTERN TEAPOT AND COVER, with cobalt and richly gilt border, 6.5cm h, painted Chamberlain's Regent China Worcester in puce script, c1820 Estimate: 250-350
298.    A CHAMBERLAIN'S WORCESTER MAGENTA GROUND BEAKER, painted with a panel of flowers in rectangular gilt frame, the reverse with stylised foliage and festoons in gilt borders, 7cm h, c1825 Estimate: 200-300
299.    A CHAMBERLAIN'S WORCESTER OVAL JAPAN PATTERN SUGAR BOX AND COVER, MILK JUG, TEAPOT-STAND AND PAIR OF COFFEE CUPS AND SAUCER, with ring handle, enamelled with a colourful border pattern of scaly rocks and large cobalt and gilt flowers, stand 17.5cm w, painted 492 in red, c1800 Estimate: 200-300
300.    TWO FLIGHT, BARR AND BARR SAUCERS, one finely painted with trailing dog roses on a primrose band and gilt, the other with two vignettes with children on a ground of seaweed gilding, in gadrooned rim, 13.5 and 15cm diam, printed circular mark, c1825 Estimate: 200-300
301.    A SET OF SIX ROYAL WORCESTER COFFEE CUPS AND SAUCERS, with an intricate gilt pattern of arabesques beneath the claret ground border of encircling 'jewelled' gilt laurels, the rims and angular handle gilt, saucer 11cm diam, printed mark of the retailer Mappin & Webb and date code for 1923, painted C723, cased Estimate: 250-350
302.    A PAIR OF ROYAL WORCESTER PLATES, painted by E Townsend, both signed, with all over still lifes of ripening fruit on a mossy bank in gilt rim, 15.5cm diam, printed mark, that of the retailer The Northern Goldsmiths Co Newcastle upon Tyne and date code for 1924 Estimate: 300-400
303.    A SET OF SIX ROYAL WORCESTER DESSERT PLATES, painted in enamels by John Hopewell and in raised enamels by George Hundley with birds and butterflies, sprays of brightly coloured flowers and heaths on a celadon ground, in raised gilt border, 22.5cm diam, impressed and printed marks and date [18]74, painted 9357 Estimate: 200-300
304.    SEVENTEEN COFFEE CANS, including a Minton example in a richly gilt Japan pattern 6cm h, painted Sèvres style mark and 518, the remainder including two bat printed examples, comprising examples of the Flight, Barr, Flight & Barr, Grainger, Derby, New Hall, Spode and other Staffordshire factories, all c1800-20 Estimate: 300-400
305.    THREE COFFEE CANS AND SAUCERS, comprising a Derby lavender blue ground example painted with floral sprays beneath a gilt trailing border, saucer 14cm diam, red printed circular mark, a Spode Japan pattern example, the third New Hall with a wide trailing border of stylised grapevines in orange, sepia and gilt [pattern 963], all c1820 Estimate: 150-200
306.    A STAFFORDSHIRE MINIATURE MODEL OF A COW, POSSIBLY SAMUEL ALCOCK & CO, sponged in rust with feathery markings on sprigged gilt mound, 6.5cm h, c1825; a Derby figure of a shepherdess, 16cm h, patch marks, c1780; a Derby miniature model of a sheep, c1820 (3) Estimate: 100-150
307.    A STAFFORDSHIRE SPILL VASE, painted with a wide band of flowers between gilt borders on stepped foot, 10cm h, c1820; a circular cobalt ground box and cover, painted with floral sprays in gilt borders, 8.5cm diam, c1830; a Davenport Stone China Japan pattern egg hoop, printed mark, c1830; a Royal Worcester Royal Lily pattern egg cup, printed mark and date code for 1925 (4) Estimate: 100-150
308.    FIVE TEA AND COFFEE CUPS AND SAUCERS AND A CREAM JUG, comprising Spode and Minton cobalt ground Japan pattern examples of bute shape, saucers 13.5cm diam, painted mark and 1216 or 614 respectively in blue or red, a New Hall (bone china) teacup, saucer and cream jug, painted with a brightly coloured floral pattern, printed circular mark, painted 1515 and an H & R Daniel apple green ground coffee cup and saucer, painted with floral panels, the cup on three gilt flower feet, all early 19th c Estimate: 150-200
309.    A PAIR OF JOHN RIDGWAY DESSERT PLATES, well painted with central groups of colourful flowers in a border of gilt sprays and serpentine moulded gilt rim, 22.5cm diam, painted 2222 in red, c1830; a Grainger Worcester oval sugar box and cover with a wide band of cobalt and gilt paterae and festoons, painted 179 in red, c1807-10; another oval sugar box and cover, probably Miles Mason, with bat prints of seashells and insects in gilt borders, c1800 (6) Estimate: 150-200
310.    AN EARLY NEW HALL TEA AND COFFEE SERVICE, the cups with clip handle, decorated in cobalt and gilt with a ribbon of pearls and scrolling foliage, the service including a sugar box and cover, 14cm h, c1790 (31) Estimate: 200-300
311.    A CAUGHLEY SPOON-TRAY AND COFFEE CUP AND SAUCER, transfer printed in underglaze blue with the Pagoda pattern and gilt, spoon tray 16cm l, printed S or painted 6 in underglaze blue, the spoon tray painted gilder's number 16, c1780 A spoon tray of the same pattern, also with the gilder's number 16 is illustrated in the catalogue of the Bi-centenary Exhibition of Caughley Porcelain, Ironbridge 1999, No 330. Estimate: 100-150
312.    A LONGTON HALL SAUCE BOAT, moulded in the form of overlapping leaves, the fruiting stalk looped to form the handle, enamelled with flowers and foliage, 11cm h, c1755-60; a Longton Hall saucer, enamelled with peony and other flowers and a butterfly, c1758-60 (2) Estimate: 100-150
313.    A CHELSEA PLATE, enamelled with a loose bouquet with principal rose and scattered flowers and sprigs in upturned and shaped rim edged in red-brown, 23.5cm diam, painted anchor in red, c1758 Estimate: 150-250
314.    A COALPORT COBALT GROUND TEA SERVICE, of London shape, painted with panels of brightly coloured and tightly clustered flowers in scrolling gilt frames, the ground richly gilt with grapevines, the service including a teapot, cover and stand, 15cm h, c1815 (27) Estimate: 200-300
315.    A MILES MASON TEA AND COFFEE SERVICE, painted with landscapes in a pale salmon pink and gilt ribbon border of paterae, the rims and handles gilt, the service including an oval sugar box and cover, 13cm h, painted N:88 in gilt, c1805 (26) Estimate: 150-200
316.    A LIVERPOOL SMALL MUG OR COFFEE CAN, JOHN & JANE PENNINGTON, with plain rolled handle, transfer printed in underglaze blue with a Chinese woman holding a flowering shrub in her right hand and standing beside a hollow rock beneath a willow tree, a child to one side holding a dish of food, 6.5cm h, c1780 Estimate: 100-150
317.    A LIVERPOOL, H P CLASS, TEA BOWL AND SAUCER, enamelled with figures; a Liverpool bowl, painted in underglaze blue with a rock and hut; a Bristol coffee cup, enamelled with flowers beneath a trailing puce ribbon border; a redecorated English blue ground coffee cup and saucer enamelled with Chinese figures in a tooled gilt border, all c1770-80 (6) Estimate: 100-200
318.    A LOWESTOFT LEAF SHAPED DISH, press moulded with clusters of thistle like flowers and leaves, the stalk looped to form the handle and painted in underglaze blue in a border of fine dashes, 16cm l, painted numeral 3 inside the footrim, c1768-70 Estimate: 200-300
319.    A CAUGHLEY MINIATURE TEA BOWL AND SAUCER, painted in underglaze blue with the Island pattern, saucer 7cm diam, painted S, c1785 Estimate: 100-150
320.    A LOWESTOFT PATTY PAN, painted in underglaze blue with a butterfly and trailing sprays in scroll and flower border, 9cm diam, painted numeral [?5], c1765-70 Estimate: 100-200
321.    A LIVERPOOL HOOF-SHAPED CUP, PHILIP CHRISTIAN & CO, press moulded and painted in underglaze blue with flower sprays and butterflies, 7.5cm h, c1770 The purpose of this unusual form, unique to Christian's factory, is uncertain. Several authorities have speculated that the shape was intended as a stirrup cup, sweetmeat dish or to be mounted as a snuff box. See Watney (B M), Liverpool Porcelain of the Eighteenth Century, Shepton Beauchamp 1997, fig 150 and the Catalogue of the exhibition Made in Liverpool, Walker Art Gallery Liverpool 27 June - 19 September 1993, No 112. Estimate: 100-200
322.    A LOWESTOFT TEA CANISTER, rectangular with arched top and short neck, painted in underglaze blue with the Mansfield pattern and scroll and flower border, 9.5cm h, painted open crescent, c1780 Estimate: 150-250
323.    A LIVERPOOL TEA BOWL AND SAUCER, POSSIBLY WILLIAM REID & CO, painted in underglaze blue and iron red and gilt with a figure on a bridge in a Chinese landscape with trees, hollow rocks and diaper border, saucer 12cm diam, c1760 Estimate: 100-150
324.    A CAUGHLEY TEA BOWL AND SAUCER, painted in bright underglaze blue with the Island Sampan pattern, saucer 12cm diam, painted S, c1780 Estimate: 100-150
325.    A BOW-HAFTED STEEL KNIFE AND FORK, of pistol-grip form painted in bright underglaze blue with stylised foliage and lambrequins, hafts 9 and approximately 8cm l, blade with cutler's mark GIBBS; a Bow-hafted steel two-prong fork, moulded with flowers and bows; a pair of Bow-hafted steel three prong forks, the pistol grip moulded with rocaille and swags, all c1755-60 (5) Estimate: 150-250
326.    A SMALL GROUP OF 18TH CENTURY ENGLISH TEAWARE, comprising a Longton Hall polychrome coffee cup enamelled with the Root and Peony pattern, 6.5cm h, c1757-60, a Longton Hall or West Pans Kakiemon coffee cup, c1760, a Liverpool, Philip Christian & Co, coffee cup painted in underglaze blue with the Bird on a Branch pattern, c1770-75, a Lowestoft coffee cup enamelled with a Curtis type pattern, c1785-90 and a Bristol coffee cup and saucer, attractively enamelled with a loose bouquet with a prominent carnation and scattered flowers, c1775-80 (6) Estimate: 100-150
327.    A STAFFORDSHIRE WRYTHEN FLUTED JUG, moulded with stiff leaves and enamelled with a version of New Hall's pattern 20 of two Chinese figures, one holding a parasol, the other proffering a flower before a trellis-fence, in red-brown lined borders, 16cm h, c1790-95 Estimate: 100-150
328.    A BOW POWDER BLUE GROUND PLATE, painted with round and fan shaped panels of Chinese landscapes and flowers, 20cm diam, painted pseudo Chinese mark, c1760-64 Estimate: 100-200
329.    A BOW OCTAGONAL KAKIEMON PLATE, enamelled with the Quail pattern in a border of sprigs and karakusa scrolls heightened in gilt, 23cm w, c1760 Estimate: 150-250
330.    A LIVERPOOL TEA BOWL AND SAUCER, RICHARD CHAFFERS & CO, boldly painted in inky underglaze blue with the Dragon pattern, saucer 13cm diam, c1758-60 Estimate: 500-700
331.    A PAIR OF LIVERPOOL PLATES, JOHN AND JANE PENNINGTON, transfer printed and painted in underglaze blue with a loose bouquet and scattered flowers in a floral edged border of 'roe', 20cm diam, collector's label, c1768 Provenance: Bernard Watney Collection; Philips, Son & Neale, Watney Collection Part III, lot 1118. Estimate: 100-200
332.    A CIRCULAR POT POURRI BASKET AND COVER, with entwined handle, painted with flowers and gilt, 10cm diam, c1830 Estimate: 100-150
333.    A DERBY TEACUP AND SAUCER, painted probably by Daniel or John Lucas with travellers in a hilly landscape or buildings by a meandering river in broad gilt borders of formal foliage, the wishbone handle and rims gilt, saucer 14cm diam, Robert Bloor & Co, painted crown, crossed batons, D and titles Near Geneva and Near Naples in red script, 72 in sepia, c1825-30
Estimate: 200-300
334.    A DERBY COFFEE CAN AND SAUCER, painted by Jesse Mountford and another in a bright palette with a bridge over a river or a drover on a winding path in wide gilt border of formal foliage, the wishbone handle and rims gilt, saucer 14cm diam, Robert Bloor & Co, painted crown, crossed batons D, 33[saucer] of the gilder Thomas Till and titles View in Westmoreland or Near Breadsall Derbyshire in red script, 54 or 76 in puce, c1825 Estimate: 200-300
335.    A COALPORT COBALT GROUND DESSERT SERVICE, painted by P Simpson, each piece signed, with a landscape in raised gilt frame and border and shaped gilt gadrooned rim, the service including one and a pair of two handled dishes, largest dish 31cm w, printed mark, painted title and 2289 in sepia and gilt, c1910 (11) The titles of the views are: Near Dover, Loch Ranza, Weir Bridge, Kilchurn Castle, Rydal Water, Chillingham Castle, Loch Long, From Hill and Dale, Dunolly Castle, Loch Tummel and Loch Tay Estimate: 1000-1500
336.    A STAFFORDSHIRE TEA AND COFFEE SERVICE, of London shape, enamelled with a wide border of trailing puce flowers and outlined in blue enamel, the service including a teapot, cover and stand, 15cm h, painted 106 in black, c1800 (37) Estimate: 200-300
337.    A SWANSEA MOULDED OBLONG SUGAR BOX AND COVER, painted with flowers in green cornucopiae and gilt, 11cm h, painted Swansea in puce script, c1814-26; a Davenport oblong sugar box and cover, painted with single roses interspersed with gilt leaves, printed mark, painted 702 in gilt, c1820 (4) Estimate: 100-150
338.    A DERBY GADROONED TRIO, painted in cobalt and gilt with stylised flowers on an apricot ground, Robert Bloor & Co, saucer 15cm diam, red printed circular mark; a pair of Coalport miniature gilt gadrooned apple green ground plates painted with a flower, both c1825-30 (5) Estimate: 100-150
339.    A COALPORT COFFEE CUP AND SAUCER, painted in the manner of John Randall with richly plumaged birds beneath a Sèvres style azure blue and gilt scroll border, the ring handle gilt, saucer 14cm diam, painted 5/378 in gilt, c1845 Estimate: 150-250
340.    A ROCKINGHAM TEA AND COFFEE SERVICE, of 'three-spur handle' shape painted with panels of flowers in lightly moulded light grey borders of scrolling foliage and tendrils, the service including a teapot and cover with crown finial, 18cm h, c1830-42 (19) Estimate: 200-300
341.    A ROCKINGHAM TEA AND COFFEE SERVICE, of 'three-spur handle' shape, the cobalt and gilt border with trailing leaves and berries, saucer 15cm diam, puce printed griffin mark, painted 1177, c1830-42 Estimate: 100-150
342.    A ROYAL CROWN DERBY CROWN EARTHENWARE JAPAN PATTERN MEAT DISH, of unusually large size and richly gilt in panelled cobalt border and gilt rim, 60cm w, printed mark and date code for 1905 Estimate: 200-300
343.    A MOORE BROTHERS MODEL OF AN OWL ON A STUMP, realistically decorated and applied with a snail and flowers, 31.5cm h, impressed MOORE, c1880 Estimate: 150-200
344.    THREE ROCKINGHAM TRIOS AND ONE AND A PAIR OF ROCKINGHAM TEACUPS AND SAUCERS, in various set patterns, one of basket moulded form with magenta ground and yellow and gilt floral border, saucer 14cm diam, puce printed griffin mark, painted 803, 876, 1453, 2/4 or 2/66, c1830-42 Estimate: 100-150
345.    AN EARLY RIDGWAY TRIO AND SAUCER-DISH, with 'Adam Buck' bat prints of a mother and child, the rims and handles gilt, saucer dish 19cm diam, painted 461, c1810 Estimate: 100-150
346.    A COPELAND PARIAN GROUP OF THE PRODIGAL'S RETURN AFTER THE SCULPTURE BY WILLIAM THEED, 51cm h, impressed mark, incised OPUS W THEED Sculpt 1850 Published May 1st 1851 Theed's original marble sculpture is in the Usher Gallery, Lincoln. Estimate: 250-350
347.    A PARIAN WARE FIGURE OF VICTORY, as a young woman holding aloft laurels, a lion at her side, on oval base, 48cm h, impressed 126, c1875 Estimate: 150-200
348.    AN ENGLISH-DECORATED CONTINENTAL BOWL, painted with a portrait of a British merchant topsail schooner and gilt with stylised foliage, 27.5cm diam, c1830 Estimate: 100-150
349.    A W H GOSS MODEL OF JOHN KNOX'S HOUSE, in colours, 10cm h, printed mark, early 20th c Estimate: 100-150
350.    A PAIR OF COALPORT TWO HANDLED VASES AND COVERS, painted by John Randall and William Cook with birds or fruit and flowers respectively, on lavender and gilt fluted foot and square base, 21cm h, painted gilt CSN ampersand mark, c1861-70 A Coalport vase of this shape, also painted by William Cook is illustrated Godden (G A), Victorian Porcelain, 1961, plt 8 and contemporary Coalport vases painted jointly by Cook and Randall are illustrated plt 4 and in the same authority's Coalport & Coalbrookdale Porcelains, 1970, col plt IX and plt 202. Estimate: 300-500
351.    A COALPORT FLORAL ENCRUSTED BREWER'S VASE, painted to either side with brightly coloured flowers in moulded borders of turquoise and gilt leaves, 19cm h, c1830; a Staffordshire two handled vase, painted to either side with parkland views framed by gilt scrolls on a bright blue ground, 28cm h, painted 5636, c1830 (2) Estimate: 150-250
352.    A COALPORT TEA AND COFFEE SERVICE, painted with floral sprays and scattered flowers in shaped cobalt and gilt borders, the service including a teapot, cover and pair of stands, teapot and cover 14cm h, painted 2/1063, c1830 (47) Estimate: 250-350
353.    A STAFFORDSHIRE PLAQUE, painted with elegant figures in the landscaped grounds of a fortified house viewed from across a lake, 18 x 22cm, c1830 Estimate: 200-300
354.    A ZACHARIAH BOYLE COBALT GROUND TEA AND COFFEE SERVICE, painted with central groups of colourful flowers in gilt borders of tendrils and foliage, the service including two plates 21cm diam, painted 170 in red, c1825 (38) Estimate: 100-200
355.    Property of a Lady A PAIR OF SPODE ICE PAILS, COVERS AND LINERS, of lobed ogee form with gilt loop handles, painted with brightly coloured groups of flowers including a prominent rose, the wide fawn borders lightly moulded with puce flowers in richly gilt gadrooned rims, 27cm h , painted SPODE 4245, c1825 Estimate: 1500-2000
356.    Varius Properties A FIRING GLASS, the conical bowl with solid base with tear on stepped foot, soda metal, 11cm h, c1770 Estimate: 100-150
357.    A 'LYNN' BEAKER, of slightly flared shape and typical stepped corrugations, 10cm h, c1780 Estimate: 100-150
358.    A WINE GLASS, the fluted, rounded funnel bowl on double series opaque twist stem and conical foot, 16cm h, c1770 Estimate: 100-150
359.    A JACOBITE GLASS, the bucket bowl engraved with a rose, bud and thistle, on single series opaque twist stem and conical foot, 15.5cm h, c1770 Estimate: 150-250
360.    AN ALE GLASS, the rounded funnel bowl engraved with hops and barley, on double series opaque twist stem and conical foot, 18.5cm h, c1770 Estimate: 100-150
361.    AN ALE GLASS, the rounded funnel bowl on double series opaque twist stem and conical foot, 16.5cm h, c1770 Estimate: 100-150
362.    A WINE GLASS, the ogee bowl on double series opaque twist stem and conical foot, 14.5cm h, c1770 Estimate: 100-150
363.    A WINE GLASS, the pan topped, rounded funnel bowl on air- twist stem and folded foot, 16cm h, c1760 Estimate: 100-150
364.    A WINE GLASS, the rounded funnel bowl on single series opaque twist stem and plain foot, 15cm h, c1770 Estimate: 100-150
365.    A WINE GLASS, the rounded ogee bowl on double series opaque twist stem and conical foot, 13.5cm h, c1770 Estimate: 100-150
366.    AN ALE GLASS, the fluted ogee bowl on double series opaque twist stem and conical foot, 19cm h, c1770 Estimate: 200-300
367.    A CORDIAL GLASS, the fluted, rounded funnel bowl on double series opaque twist stem and conical foot, 16.5cm h, c1765 Estimate: 100-200
368.    A WINE GLASS, the waisted bucket bowl on double series opaque twist stem and conical foot, 15cm h, c1765 Estimate: 100-150
369.    A WINE GLASS, the rounded funnel bowl on double series opaque twist stem and conical foot, soda metal, 14.5cm h, c1770 Estimate: 100-150
370.    A WINE GLASS, the fluted, rounded funnel bowl on double series opaque twist stem and conical foot, 15.5cm h, c1770 Estimate: 100-150
371.    A WINE GLASS, the waisted bell bowl on solid stem with tear and plain foot, 16cm h, c1750 Estimate: 100-150
372.    A WINE GLASS, the bell bowl on inverted baluster solid stem with basal knop and folded foot, 13.5cm h, c1740 Estimate: 100-200
373.    A WINE GLASS, the pointed, rounded funnel bowl with solid base and tear on inverted baluster stem with tear and basal knop, folded foot, 14cm h, c1750 Estimate: 100-150
374.    A WINE GLASS, the rounded funnel bowl on solid stem with ball knops, folded foot, 15cm h, c1740 Estimate: 150-250
375.    A FIRING GLASS, the deceptive conical bowl on ball knop with tear, rudimentary stem and plain foot, 11.5cm h, c1750 Estimate: 100-150
376.    A WINE GLASS, the drawn trumpet bowl on solid stem with tear and folded foot, soda metal, 14.5cm h, late 18th c Estimate: 100-150
377.    A WINE GLASS, POSSIBLY A FIRING GLASS, the drawn trumpet bowl with tear, on plain foot, 12cm h, c1770
Estimate: 100-150
378.    A TOASTMASTER'S GLASS, with deceptive conical bowl, heavy ball knop with tear, rudimentary stem and folded foot, 11.5cm h, c1740 Estimate: 100-150
379.    A WINE GLASS, the ogee bowl on solid stem and folded foot, 14cm h, c1760 Estimate: 100-150
380.    AN ALE GLASS, the fluted, rounded funnel bowl on solid stem with rudimentary basal knop and folded foot, 16.5cm h, c1750 Estimate: 100-150
381.    TWO SIMILAR STOURBRIDGE CONCENTRIC MILLEFIORE PAPERWEIGHTS AND AN INKWELL PAPERWEIGHT AND STOPPER, the inkwell with conforming millefiore stopper, 19cm h, all 19th c Estimate: 200-300
382.    A VENETIAN GLASS EWER, of vivid green murrine, 13cm h, late 19th/early 20th c Estimate: 100-150
383.    A PAIR OF GILT GLASS VASES, PROBABLY FRENCH, the flared neck applied with medallions painted with the heads of young women in an elaborate raised gilt border of arabesques and festoons, the rims gilt, 52cm h, c1870 Estimate: 300-400
384.    A WHITE ENAMELLED AND GILT GLASS ARMORIAL CLARET JUG AND STOPPER, decorated with prunts, 36cm h, late 19th c The arms are those of Allan of Malton, Yorkshire. Estimate: 100-200
385.    A CLARKE'S PATENT CRICKLITE AND EPNS CANDELABRUM, of two lights, retaining the maker's ogee smoke shades and pleated pink silk outer shades, 49cm h, c1880 Estimate: 200-300
386.    A DECANTER AND STOPPER, of wrythen fluted mallet shape with faceted shoulder, three neck-rings and star cut mushroom stopper, 27cm h, 19th c Estimate: 100-150
387.    THREE DECANTERS AND STOPPERS, all of mallet shape including a matched pair with panels of strawberry and flute cutting beneath three neck-rings, stoppers matched, 26cm h and c, early/mid 19th c Estimate: 150-200
388.    TWO DECANTERS AND STOPPERS, of mallet shape with fluting and facet cutting, one with a fine diamond cut band of printies and three neck-rings, 28 and 29cm h, early 19th c Estimate: 150-200
389.    TWO DECANTERS AND STOPPERS, of mallet shape with diamond cut bands beneath neck-rings and target stoppers, 28cm h, early 19th c Estimate: 200-300
390.    TWO VENETIAN STYLE TAZZE, the shallow flared saucer bowl with trailed decoration on baluster stem with tear and conical foot, 13.5cm h, 19th c; a blue glass jug, with lobed body and folded rim and handle, 19th/early 20th c (3) Estimate: 100-150
391.    A TASSIE GLASS PASTE PORTRAIT MEDALLION OF ADMIRAL DUNCAN, impressed Tassie F ADMIRAL LORD VISC DUNCAN 1797, 9cm h, contemporary pearwood frame, c1797 Estimate: 100-200
392.    TWO TASSIE GLASS PASTE PORTRAIT MEDALLIONS OF THOMAS REID DD AND JOHN CORSE DD, impressed Tassie F 1797 or W Tassie F 1800 respectively, 7 and 7.5cm h, contemporary pearwood frames, c1800
Estimate: 150-200
393.    A PAIR OF ETRUSCAN REVIVAL VASES, in the form of a lekythos, printed and enamelled in ochre and black with continuous scenes of mounted and other figures in borders, 45cm h, c1850 An identical example is illustrated, and its likely British origin speculated upon, Hajdamach (C R), British Glass 1880-1914, Woodbridge 1991, p138, col plt 13. Mr Hajdamach suggests that the invariably thick and heavy glass from which vases of this type are made suggests a British origin and associates the designs with Giller's decoration of Thomas Webb blanks, as well as those produced by the firm of W H, B & J Richardson. Estimate: 250-350
394.    A RHENISH SALTGLAZED STONEWARE BELLARMINE BOTTLE, COLOGNE, bulbous form with neck-cordons and arched handle, the grey stoneware with a brown iron wash under a speckled glaze, the neck applied with a bearded mask above three medallions bearing a shield of arms, 31cm h, c1650 A similar but smaller bottle with the identical, unidentified arms was excavated in London and a fragment of another was recovered from the wreck of the Dutch East India Company's ship Vergulde Draeck, lost in 1656. See Gaimster (D), German Stoneware 1200-1900, 1997, plt 69. Estimate: 200-300
395.    A GARNITURE OF DUTCH DELFTWARE VASES AND COVERS, painted with rural lovers in a moulded cartouche, the domed cover with parrot and fruit finial, 38cm h, late 19th/early 20th c (6) Estimate: 400-600
396.    A POLYCHROME FAIENCE BOWL, painted with a portrait of Napoleon, a group of flowers to the reverse, the interior with scattered flowers, 30cm diam, c1900; a French biscuit bust of Napoleon, on gilt bronze plinth, spurious incised Sèvres mark, c1900 (2) Estimate: 100-150
397.    TWO CONTINENTAL 'GRAND TOUR' PAINTED TERRACOTTA REPLICAS OF THE PORTLAND VASE AND ANOTHER CLASSICAL VASE, one of the former decorated in sealing wax red and black, 19-23cm h, impressed marks and numbers, late 19th c Estimate: 100-150
398.    TWO GERMAN PEWTER-MOUNTED FAIENCE TANKARDS, one painted in polychrome with a leaping stag and the initials CS between trees, the larger sponged in manganese, with green dash handle, the low domed pewter medallic or other lid with bulbous thumbpiece, 21 & 23cm h, late 18th c Estimate: 300-500
399.    FIVE GERMAN PEWTER-MOUNTED FAIENCE TANKARDS, one painted in polychrome with trees flanking the inscription Vivat der Nachbar in a yellow band, another with stylised flowers and manganese reserves on a banded blue ground, a third with a man in a landscape, the two others with monochrome decoration, 23-28cm h, one pewter lid with contemporary engraved initials and date 1765, 18th c and 19th c Estimate: 500-700
400.    A LIFE-SIZED FAIENCE BUST OF CERES, PROBABLY SAMSON, PARIS, AFTER A ROUEN ORIGINAL, modelled as the bust of young woman, her right breast exposed with flowers and ears of corn in her hair, the drapery painted with flowers and scrolling foliage on a dark blue ground and fastened by an ochre strap, on floral decorated socle encircled by laurels, 73cm h, late 19th c A related bust emblematic of 'Winter' of the same imposing size, also attributed to Samson and with very similar decoration to the present example was sold, Christie's Paris, 16 November 2008, lot 46. Estimate: 1000-1500
401.    A PAIR OF CHANTILLY QUATRELOBED OVAL DISHES, enamelled with two bouquets, one including a prominent yellow rose and two sprigs, in light brown rim, 24.5cm w, painted horn in red enamel; a Chantilly plate, painted with a central bouquet in osier moulded border, 23.5cm diam, painted horn in sepia, c1770 (3) Estimate: 100-150
402.    A MEISSEN, OUTSIDE-DECORATED, PINK SCALE GROUND SOLITAIRE, painted with Grunes Watteau vignettes, tray 32cm w, painted crossed swords or unmarked, c1870 (7) Estimate: 800-1200
403.    A MEISSEN FIGURE OF A CHILD, naked save for a pink drapery, holding a bird to his breast whilst stealing eggs from its nest, before a marble pillar on fluted circular gilt base, 16cm h, incised 52, painted crossed swords, late 19th c Estimate: 400-600
404.    A MEISSEN FIGURE OF A YOUNG WOMAN EMBLEMATIC OF TASTE FROM A SET OF THE FIVE SENSES, seated on a stool at a table laden with fruit, sweets and a jug and glass, wearing a lavender bodice, yellow apron and flowered skirt, on bow centred rectangular fluted gilt base, 13cm h, impressed 121, incised E2, painted crossed swords, 20th c Estimate: 600-700
405.    A CONTINENTAL EQUESTRIAN GROUP OF APOLLO, the quadriga driven through clouds with thunderbolts and enamelled and gilt, 26cm h, incised 1554, painted crossed swords and * in underglaze blue, 19th c Estimate: 100-150
406.    A FINE AND RARE RUSSIAN MILITARY PLATE, IMPERIAL PORCELAIN MANUFACTORY ST PETERSBURG, PERIOD OF ALEXANDER II, painted with the Imperial Guard in lilac border finely enamelled with the imperial coat of arms and gilt with a wreath and laurel and oak, the rim and footrim gilt, 24.5cm diam, incised 16, green and blue printed marks, inscribed in Russian with the title Leib Guard Gendarmerie Half-Regiment by N Kholshevnikov after [Karl Karlovich] Piratsky Year 71, c1871 Nine further plates from the same service, the Property of a Lady, were sold Christie's, 29 November 2006, lots 31-39 (total price realised £406,800). Estimate: 4000-6000
407.    SIX SEVRES 'SERVICE DU ROI LOUIS-PHILIPPE' PATTERN PLATES, printed and painted with polychrome borders of animals from the chase, the crowned monogram of Louis Philippe and trophies, with gilt rosette, Greek Key cavetto and rim, 24cm diam, green printed mark S65 [or 68 or 71] and blue and red printed circular marks Estimate: 200-300
408.    A KINKOZAN DISH, finely enamelled and gilt with four young women, one carrying a child in her arms in an interior before a landscape with cherry blossom, reserved in a gilt frame of barbed outline on a cobalt ground, 18.5cm diam, gilt seal Fuji-san-zo, Meiji Estimate: 500-700
409.    AN IMARI CHARGER, painted in underglaze blue, enamelled and gilt with a central medallion of three peonies, the tomato red ground with two fan shaped panels of children or flowers, 47cm diam; a smaller Imari charger, both late 19th c (2) Estimate: 150-250
410.    JAPANESE PRINT. A TRIPTYCH BY TSUKIOKA YOSHITOSHI (1839-1892), from the series Toyotomi Shosin-roku, signed Ikkasai Yoshitoshi-hitsu, published by Ichiriki, Nihonbashi, Edo, engraver Takarada Reisho, 19th c, framed Estimate: 200-300
411.    A PAIR OF BRONZE JARDINIERES, the ovoid bowl cast in high relief and carved with dragons and cloud scrolls beneath lappets, the pedestal with phoenix and finches above an openwork band of shishi and peony flowers, on domed foot, russet patina rubbed in places, 98cm h, Meiji Estimate: 800-1200
412.    AN IVORY OKIMONO OF A BOY, restraining a giant toad on a lotus, another smaller reptile at his feet, 7cm h, signed Honyu in red, 20th c Estimate: 500-600
413.    AN IVORY OKIMONO OF SIX RATS, with black lacquer inset eyes, 5.5cm h, signed Kozan, 20th c Estimate: 500-600
414.    AN IVORY FIGURE OF A FISHERMAN, a crab in his right hand and carrying his net and basket on a bamboo pole over his left shoulder, on oval base, 12.5cm h, signed Tosho, 20th c Estimate: 350-450
415.    A BRONZE MODEL OF A ROARING TIGER, the fur realistically etched, 20 cm h, seal, wood base, Meiji; a similar, smaller bronze (2) Estimate: 150-250
416.    AN IVORY BOX AND COVER, DATED 1918, carved from a section of tusk with a panel of an elephant and tigers on a ground entirely composed of masks, including that of an oni, the flat cover conforming, 13cm h, signed Taisho shichi-nen Yayoi Houn Estimate: 300-400
417.    AN IVORY OKIMONO OF JUROJIN ON HORSEBACK, with three small children at his feet, 4.5cm h, signed Gyokuzan, 20th c Estimate: 120-180
418.    AN IVORY OKIMONO OF A SEATED MAN UNROLLING A SCROLL, 5.5cm h, early 20th c; a stained ivory netsuke of a monkey-trainer, 4cm h, signed Hakusan, 20th c (2) Estimate: 200-250
419.    A STAINED IVORY OKIMONO OF FIVE FIGURES, 4cm h, signed Gyokushi; an ivory okimono of a shi-shi, the creature's forepaws on a pierced ball, 2.5cm h, signed Minkoku, early 20th c (2) Estimate: 150-200
420.    TWO IVORY OKIMONOS, one of the Island of the Blessed with immortals beneath the branches of a pine tree, the other with two figures playing Go, 10 & 6cm h respectively, early 20th c Estimate: 120-180
421.    AN IVORY OKIMONO OF HOTEI AND THREE KARAKO BOYS, 12cm h, signed Isshi, 20th c Estimate: 100-150
422.    AN IVORY OKIMONO OF AN APE AND SNAKE, both with eyes of shibuichi, 5.5cm h, early 20th c Estimate: 100-150
423.    AN IVORY OKIMONO OF A FAMER AND HIS FAMILY, 8.5cm h, signed on a red lacquer reserve, 20th c Estimate: 120-180
424.    AN IVORY OKIMONO OF A TOAD BITTEN BY A TERRAPIN, 6cm h; two other ivory okimonos, one of a toad and its young attacked by a snake the other of a family of apes, one on wood base, 9.5 & 12cm h, all 20th c (3) Estimate: 150-200
425.    THREE IVORY NETSUKES AND AN OKIMONO, various subjects, 4.5cm h and smaller, several signed, late 19th or 20th c Estimate: 120-180
426.    A STAINED IVORY NETSUKE OF THE TAKARABUNE AND THE SHICHIFUKUJIN, 5cm h, signed Gyokuzan; eight Japanese and other South East Asian ivory and stained ivory miniature carvings, all 20th c (9) Estimate: 150-250
427.    ELEVEN JAPANESE AND INDIAN IVORY AND BONE MINIATURE CARVINGS OF ELEPHANT, including a small bridge carving, apes, a tiger and a rhinoceros, largest elephant 4cm h, early 20th c and later Estimate: 200-300
428.    A GROUP OF EXPORT PORCELAIN TEAWARE, including a tea bowl and saucer painted in famille rose enamels with three floral sprays within brown line rim, 13.5cm diam and two sparrow beak jugs, all Qianlong; a blanc de chine moulded libation cup, on pierced foot, 18th c (17) Estimate: 100-150
429.    A SET OF FOUR EXPORT PORCELAIN PLATES, painted in underglaze blue with two figures and a boy in a garden, 23cm diam, Qianlong; seven other plates and dishes, mainly blue and white, Qianlong (11) Estimate: 100-150
430.    A ROTATING 'LANTERN' VASE, of rouleau form with fenestrated sleeve, enamelled in green and aubergine with immortals and clouds on a yellow ground, flowers and seeding between diaper and lappet borders, 25.5cm h, Guangxu Estimate: 100-200
431.    A FAMILLE VERTE DISH, enamelled and gilt with a tree and flowering plants in panelled cavetto of 'roe' and gilt chrysanthemum heads encircled by four border sprays, 39cm diam, Qianlong Estimate: 100-150
432.    TWO EXPORT PORCELAIN MEAT DISHES, painted in underglaze blue with tree peony, a willow tree and other flowers near a fence, the other with a figure near a temple in brocaded or key fret borders, 42 and 40.5cm w, c1800 Estimate: 250-350
433.    A SMALL GROUP OF EXPORT PORCELAIN, all painted in underglaze blue with plants or landscapes, including a baluster mug of European silver shape, 12cm h, a cream jug, a double gourd vase and a teapot and cover, 18th and 19th c (13) Estimate: 250-350
434.    AN EXPORT PORCELAIN PUNCH BOWL, finely enamelled with 'mandarin' scenes on a ground of red and black cell diaper with iron red vignettes, 32cm diam; a similar bowl, both Qianlong; a Kutani charger and another Japanese dish, 19th c (4) Estimate: 100-150
435.    AN EXPORT PORCELAIN JAR, painted with figures in barbed reserves on a diaper ground, European gilt bronze mounts, 31.5cm h, Kangxi Estimate: 150-200
436.    AN EXPORT PORCELAIN JAR, freely painted in underglaze blue with dragon and phoenix on a blue ground of foliage, 33cm, h, Chenghua mark, 18th/19th c Estimate: 100-150
437.    A CANTON YELLOW GROUND VASE, painted with fan and other shaped panels of garden scenes surrounded by tendrils and with mask handles, gilt bronze foot, 40cm h, 19th c; a jar and a vase, painted in underglaze blue with various scenes, 19th c and later (3) Estimate: 100-150
438.    AN EXPORT PORCELAIN DISH, painted in underglaze blue with lappet shaped panels of flowers and other plants around a central medallion and with diaper border, 38.5cm diam, Qianlong; a Kraak dish, painted in underglaze blue with a bird and flowering plants in lappet border; two similar dishes painted in Kraak style (4) Estimate: 200-300
439.    EIGHT EXPORT PORCELAIN PLATES AND DISHES, all painted in underglaze blue with mainly floral designs, 31cm diam and smaller, Qianlong and later Estimate: 100-150
440.    A POWDER BLUE GROUND ROULEAU VASE AND A SIMILAR JAR AND COVER, vase 41cm h, both 19th c Estimate: 200-300
441.    A PAIR OF FAMILLE VERTE JARS AND COVERS, painted with alternating pairs of fan shaped panels of figures or various scenes reserved on a powder blue ground gilt with peony and other flowers, the domed cover with pointed knop, 32cm h, early 20th c, wood stands Estimate: 150-250
442.    A FAMILLE ROSE JAR AND COVER, painted in red with dragon and phoenix roundels amidst scattered flowers and fruit in ruyi and lappet borders, the domed cover conforming, 43cm h, late 19th/early 20th c Estimate: 300-400
443.    AN EXPORT PORCELAIN SOUP TUREEN AND COVER, with boar's head handles and scroll knop, painted in underglaze blue with river scenes in brocaded borders, 22cm h, early 19th c Estimate: 350-450
444.    A CANTON GLOBULAR VASE, with dog of Fo mask and ring handles, enamelled with overlapping and other medallions of birds, fruit and flowers beneath a waisted gilt neck, 27cm h, late 19th c Estimate: 350-450
445.    A CANTON VASE, with yellow fret handles, enamelled with pairs of panels of dignitaries and attendants in barbed frames reserved on a green ground with stylised foliage, in lappet borders, 57cm h, late 19th c Estimate: 250-350
446.    A BLANC DE CHINE LIBATION CUP, moulded with prunus blossom, on pierced foot, 4cm h, 18th c, mounted on a 19th c European, probably French, gilt bronze and Japanese lacquer stand of lobed outline with four fruit feet Estimate: 200-300
447.    AN IVORY CARD CASE AND COVER, carved in sunken relief with scenes in barbed reserves and trailing foliate borders, 10.5cm h, 19th c Estimate: 100-150
448.    A TEA KETTLE, with beaded rim, a lampstand, with spirit lamp, 31cm h, by Atkin Brothers, early 20th c; a pair of baluster café au lait pots with turned pearwood handle; a bachelor's teapot (4) Estimate: 80-120
449.    TWO PAIRS OF THREE LIGHT CANDELABRA, 18 and 34cm h, 20th c Estimate: 80-120
450.    TWO EPNS TWO HANDLED TRAYS, with glass bases, one oval, the other rectangular, 58 and 37.5cm respectively over handles; a coffee pot; an EPNS mounted ice bucket and five other articles (9) Estimate: 100-150
451.    A PAIR OF VICTORIAN EPNS NOVELTY CRUETS, in the form of a richly caparisoned elephant, crested, blue glass liners, 11.5cm h Estimate: 400-600
452.    AN EPNS TABLE SERVICE, of Old English pattern, with a compliment of ivorine hafted knives and carving set, in baize lined and fitted oak side table with four drawers, 77cm h; 91 x 49cm, c1930 (109) Estimate: 200-300
453.    A CHINESE REPOUSSÉ TEA AND COFFEE SERVICE, of lobed form with dragon handles, the domed lid with dragon's head finial, chased with scenes alternating with bamboo in matted panels, on scalloped foot, coffee pot 22cm h, marked in Chinese, c1870, 50ozs (4) Estimate: 1500-2000
454.    A CHINESE REPOUSSÉ JAR AND COVER, worked in high relief and with dragons with applied detail on a ground of swirling clouds, 19cm h, marked in Chinese, early 20th c Estimate: 400-600
455.    A CHINESE REPOUSSÉ VASE, worked in high relief with dragons with applied detail, their tails looped to form handles beneath a frilled rim, a further dragon encircling the foot, 16cm h, marked in Chinese, early 20th c, 25ozs 10dwts Estimate: 400-600
456.    A CHINESE REPOUSSÉ BOWL, with scalloped rim and decorated with a dragon, on flared foot, 22.5cm diam, marked in Chinese, by Luen wW late 19th c, 26ozs Estimate: 350-450
457.    A CHINESE OPENWORK REPOUSSÉ BOWL, decorated with two dragons flanking a flaming pearl, glass liner, 11.5cm diam, marked in Chinese and English, marker TS & TC, late 19th c; a pair of Indian silver repoussé salts, one other and a repoussé oval pin tray with crimped rim, late 19th/early 20th c, 9ozs 10dwts (5) Estimate: 120-180
458.    A CHINESE REPOUSSÉ SPHERICAL TEA CANISTER AND COVER, worked with dragons and clouds on a dimpled ground, on flared foot, 11.5cm h, marked in Chinese and English, by Wang Hing, late 19th c, 7ozs Estimate: 200-300
459.    A PAIR OF AUSTRO-HUNGARIAN OBLONG DISHES, with imbricated rim, 30cm w, maker's and control marks, 1886-1922; two pairs of German circular salts, one by Posen of Frankfurt a.m. and a salt spoon, maker's and control marks, late 19th c, 24ozs (7) Estimate: 100-150
460.    A GERMAN DOUBLE-LIPPED SAUCE BOAT and affixed stand, in Baroque style, 12.5cm h, post 1886 control marks, 18ozs Estimate: 100-150
461.    A PAIR OF GERMAN NEO CLASSICAL CANDLESTICKS, with nozzle and vase shaped sconce on tapered pillar with overhanging knops of paterae, on flared foot, 23.5cm h, maker WCK[?] in script, Frankfurt, c1800, 15ozs Estimate: 150-200
462.    A GERMAN SECOND-COURSE DISH, with moulded border and stepped rim, 55.5cm w, by Posen of Frankfurt a.m., maker's and control marks, c1900, 40ozs Estimate: 150-200
463.    A CONTINENTAL EMPIRE CHANDELIER, PROBABLY ITALIAN, of four Sphinx supporting a campana shaped sconce, the waisted vasular shaft with flared skirt and pineapple finial suspended on chains from a scrolling acanthus capped pendant, 63cm h, indistinctly marked, 60ozs, early 19th c
Estimate: 1500-2500
464.    AN INDIAN NEO CLASSICAL CUP AND COVER, the lappeted cover with globular knop, the ovoid bowl with pair of upscrolled and swagged handles on four hoof feet and domed foot, 63cm h, by P Orr & Sons of Madras, c1920, 162ozs Estimate: 1000-1500
465.    A CONTINENTAL TABLE BELL, with knopped handle and engine turned, 16cm h, marks rubbed, 19th c, 8ozs Estimate: 200-300
466.    A CONTINENTAL CAST OPENWORK ROSE BOWL AND STAND, richly decorated with lovebirds, swags and scrolling foliage in guilloche border, 16cm h, spurious 18th c and later control marks, late 19th c, 55ozs Estimate: 1000-1500
467.    TIFFANY & CO. A PAIR OF NORTH AMERICAN SERVING SPOONS, with shell bowl, one blind, the other pierced and decorated with naturalistic foliage in relief, maker's marks including M and 751 or 752, pre-1891, 2ozs 10dwts Estimate: 100-150
468.    A GERMAN HISTORISMUS SEXFOIL BOWL, with dragon handles, embossed with putti and exotic creatures on three pomegranate feet, 14cm h, by Ludwig Neresheimer & Co of Hanau, import marked Berthold Muller & Son, Chester 1907, 20ozs Estimate: 200-300
469.    A GEORGE V CUP AND COVER, of shield shape with reeded handles and rims, 38cm h, by E S Barnsley & Co Ltd, Birmingham 1912, 37ozs Estimate: 250-350
470.    A GEORGE V TEA SERVICE, in Regency style, of partly lobed hemispherical, prow form chased with masks and foliage and with gadrooned rim, teapot 12cm h, by The Goldsmiths & Silversmiths Co Ltd, London 1912 & 13, 52ozs gross (3) Estimate: 400-500
471.    A GEORGE V GADROONED TEA TRAY, engraved with scrolling foliage and shells in conforming border, 67cm w, by Atkin Bros, Sheffield 1912, 114ozs Estimate: 1000-1500
472.    A VICTORIAN SHAVING MUG, with domed lid, 12cm h, maker's mark rubbed, Birmingham 1896, 10ozs 10dwts Estimate: 100-150
473.    A GEORGE V SILVER-MOUNTED IVORY PAGE TURNER, with tusk handle, 45cm l, by Deakin & Francis Ltd, Birmingham 1912 Estimate: 100-150
474.    AN EDWARD VII OVAL FRUIT DISH, with everted rim, pierced and embossed with a wide band of rocaille, 27cm w, by Walker & Hall, Sheffield 1903, 12ozs Estimate: 100-125
475.    A GEORGE V TEA SERVICE, of compressed baluster shape, on four hoof feet, teapot 13cm h, marks overstruck by foreign import marks, 16ozs gross (3) Estimate: 100-150
476.    TWO TEAPOTS AND A MATCHING CREAM JUG AND SUGAR BOWL, various designs, largest teapot 13.5cm h, by various makers, all Sheffield, 1918, 37 and 39, 44ozs gross Estimate: 250-350
477.    AN EDWARD VII DRESSING MIRROR, the pierced mount die stamped with flowers and rocaille, crested by a cartouche, 35cm h, by H Matthews, Birmingham 1901 Estimate: 200-300
478.    AN EDWARD VII DRESSING MIRROR, the openwork mount die stamped with scrolling foliage and crested by a vacant cartouche, 51cm h, by H Matthews, Birmingham 1901 Estimate: 200-300
480.    A GEORGE V FOUR-PIECE TEA SERVICE, of oblong form, on feet, lidded jug 20cm h, by Walker & Hall Ltd, Sheffield 1929 & 30, 49ozs gross Estimate: 300-400
481.    A SET OF FOUR ELIZABETH II CAST CANDLESTICKS, the waisted sconce with shell cornered nozzle on knopped pillar and conforming foot, 21cm h, by J B Chatterley & Sons Ltd, Birmingham 1968 & 69, 72ozs Estimate: 600-800
482.    A GEORGE V SILVER AND BLUE GUILLOCHE ENAMEL TWELVE-PIECE DRESSING TABLE SET, including an oval jewel box, 13cm w, by H C Davis, Birmingham 1921, the comb unmarked, fitted brown leather case by Finnigans Ltd Estimate: 300-400
483.    AN EDWARD VII PIERCED AND ENGRAVED SUGAR BASKET, with neo classical urns and scrolling foliage, swing handle and four openwork feet, blue glass liner, 14cm h, by The Goldsmiths & Silversmiths Co Ltd, Sheffield 1908, 4ozs Estimate: 120-160
484.    A GEORGE VI FOUR-PIECE TEA AND COFFEE SERVICE, of octagonal form, with engraved borders of strapwork, ivory handles, tray 65cm w, by Mappin & Webb Ltd, Sheffield 1946, 178ozs Estimate: 2000-2500
485.    AN ELIZABETH II RECTANGULAR CIGAR BOX, engine turned between reeded bands and with gilt thumbpiece, cedar lined, 23cm w, by Padgett & Braham Ltd, London 1956 Estimate: 300-500
486.    A GEORGE V OBLONG CAKE BASKET, with pierced border, swing handle and straight gadrooned rim, crested, 35cm w, by W & G Sissons, Sheffield 1913, 27ozs Estimate: 300-400
487.    TWO SETS OF TWELVE ELIZABETH II TABLE AND CHEESE KNIVES, of King's pattern, steel bladed, by C J Vander Ltd, Sheffield 1963 & 64 (24) Estimate: 150-200
488.    A PAIR OF ASPREY ART DECO NOVELTY TOAST RACKS, in the form of a builder's trowel, 12cm l, mark of Asprey & Co Ltd, Birmingham 1941, 7ozs 10dwts Estimate: 300-400
489.    A GEORGE V TEA AND COFFEE SERVICE, of moulded oblong form, lidded jug 22cm h, by John Round & Son Ltd, Sheffield 1918, 61ozs gross (4) Estimate: 300-500
490.    A GEORGE VI SAUCE BOAT, with leaf capped flying scroll handle, on hoof feet, 19.5cm l, by Edward Barnard & Sons Ltd, London 1937; another, similar, Sheffield 1925, 19ozs (2) Estimate: 150-200
491.    A PAIR OF IRISH GEORGE V SALTS IN THE FORM OF A DISH-RING, pierced and embossed with animals from the chase and flowers, blue glass liner, 7cm diam, by Weir & Sons, Dublin 1910, 3ozs
Estimate: 150-200
492.    A VICTORIAN TEA AND COFFEE SERVICE, of melon form embossed with flowers and strapwork, the domed lid with bird finial, coffee pot 30cm h, by Martin, Hall & Co, Sheffield 1858, 80ozs (4) Estimate: 800-1200
493.    A SET OF SIX GEORGE III SILVER-MOUNTED GREEN STAINED HORN-HAFTED THREE-PRONG FORKS, crested, unmarked Estimate: 100-150
494.    A GEORGE II MOTE SPOON, the engraved bowl pierced with 'crosslets' and scrolls, the tapered stem with long spire finial, engraved with contemporary initials S:R, 14cm l, maker's mark only, WP a pellet between, struck twice

Estimate: 100-200
495.    A GEORGE II RAT TAIL MOTE SPOON, the bowl pierced with scrolls on tapered stem with pointed finial, 14.2cm l, lion passant and maker's mark A R (?) Estimate: 100-150
496.    A GEORGE II PICTURE-BACK MOTE SPOON, the bowl with double scallop shell and pierced with 'crosslets' and scrolls, on tapered stem with pointed finial, 13cm l, maker's mark only, E C in script Estimate: 100-150
497.    TWO GEORGE II MOTE SPOONS, the bowls pierced with simple designs on tapered stem with pointed finial, 11.5 & 14.5cm, maker J S, a mullet between and lion passant (shorter spoon) or indistinctly marked Estimate: 100-200
498.    TWO GEORGE II RAT-TAIL MOTE SPOONS, one with unusually plain pierced bowl and perhaps provincial, the other typically pierced with scrolls, on tapered stem, one with ridged finial, 14cm l, unmarked Estimate: 100-150
499.    A SET OF SIX SCOTTISH GEORGE III TODDY LADLES, with spiral stem, by John Zeigler, Edinburgh c1800, 5ozs Estimate: 200-300
500.    A PAIR OF GEORGE III BRIGHT CUT SERVING TONGS, with sprung arms, crested, 27cm l, maker IB, c1780, 4ozs 10dwts Estimate: 150-200
501.    A GEORGE III WINE FUNNEL, with reeded rims and ribbed bowl, 14cm h, by John Emes, London 1806, 5ozs 10dwts Estimate: 250-350
502.     A VICTORIAN HUNTING FLASK, with milled cap and detachable beaker, crested, 25cm h, by Brownett & Rose, London 1863, 7ozs Estimate: 100-150
503.    MEDICAL A RARE VICTORIAN OVAL SPITTING BOWL, with everted rim, 20cm w, maker S-, London 1853, 9ozs Estimate: 150-250
504.    A GEORGE III LEMON-STRAINER, the oval bowl with hook and loop handle, 11cm w, maker's mark rubbed, London 1764, 2ozs Estimate: 100-150
505.    A GEORGE III MUG BY BOULTON & FOTHERGILL, of baluster form, the tapered handle engraved with contemporary initials E/T*B and terminating in heart, on moulded foot, 14.5cm h, mark of Matthew Boulton & John Fothergill, Birmingham 1774, 10ozs 10dwts A particularly early example of the Birmingham hallmark, since the Assay Office there was opened in 1773. Estimate: 400-600
506.    A VICTORIAN SILVER SHAVING SET, comprising cylindrical case with moulded lid and silver mounted ivory ring handle, beaker, lamp and cap and silver-mounted faceted glass bottle, crested, 9cm h, by Thomas Death, London 1838, 13ozs weighable Estimate: 300-400
507.    A WILLIAM IV HUNTING HORN, with moulded mouthpiece and rolled rim, 29cm l, maker's mark rubbed, London 1835, 4ozs Estimate: 100-200
508.    A PAIR OF GEORGE IV GRAPE SHEARS, of plain design, 16.5cm l, maker's mark voided, London 1828, 2ozs Estimate: 100-150
509.    A PAIR OF GEORGE IV NATURALISTIC GRAPE SHEARS, cast and crisply chased with fruit and flowers, 19.5cm l, by Mary Ann & Charles Reily, London 1827, 4ozs 10dwts Estimate: 150-250
510.    A VICTORIAN BUTTER DISH, COVER AND STAND, with parcel gilt flower knop, pierced and engraved with scrolling foliage, green glass liner, 11cm h, by Hayne & Cater, London 1839, 17ozs Estimate: 300-400
511.    A GEORGE III MARROW SCOOP, crested, 21.5cm l, by T & W Chawner [Grimwade 3869], London 1763, 1oz 10dwts Estimate: 100-150
512.    A GEORGE II MARROW SCOOP, 22cm, by Richard Scarlett, London 1735, 1oz 10dwts
Estimate: 100-200
513.    A VICTORIAN HAM-CARVING HANDLE, with palmette screw, 14cm l, by George John Richards, London 1849, 5ozs 10dwts; a similar plated handle (2) Estimate: 100-150
514.    A SCOTTISH GEORGE III BASTING SPOON, Hanoverian pattern, 40.5cm l, by Lothian & Robertson, Edinburgh 1761, 7ozs 10dwts Estimate: 300-400
515.    A GEORGE III STRAINING SPOON, Old English pattern, by Peter, Ann & William Bateman, London 1804, 4ozs 10dwts Estimate: 150-250
516.    A GEORGE II MARROW SPOON, engraved with contemporary initials MH/MD, 21.5cm l, by Jeremiah King, London 1746, 1oz 5dwts Estimate: 100-200
517.    A GEORGE III APPLE-CORER, with detachable faceted handle, 11.5cm l, by Joseph Taylor, Birmingham 1815 Estimate: 100-150
518.    A PAIR OF GEORGE IV SUGAR CRUSHERS, with ring handle, initialled K, 13.5cm h, by Barber, Cattle & North of York, maker's, lion passant and duty marks , c1825, 1oz 10dwts Estimate: 100-150
519.    A GEORGE III WINE FUNNEL, the ogee bowl with reeded rim, 12.5cm h, by Henry Chawner and John Emes, London 1797, 2ozs 10dwts Estimate: 200-300
520.    A GEORGE III WINE FUNNEL, the compressed bowl with reeded rim, 13.5cm h, by Charles Aldridge, London 1794, 3ozs Estimate: 200-300
521.    A VICTORIAN CUP, the leafy handled campana shaped bowl chased and embossed in high relief with flowers and foliage, on scalloped foot, 26cm h, by George Angell, London 1869, 32ozs 10dwts Estimate: 300-400
522.    A VICTORIAN SILVER-MOUNTED TORTOISESHELL CIGAR BOX, the lid inscribed Cigars, cedar lined, 23 x 13cm, by Mappin & Webb, Sheffield 1894 Estimate: 500-600
523.    DUNDEE. A SET OF SIX SCOTTISH PROVINCIAL GEORGE III TABLESPOONS, pointed Old English pattern, by Edward Livingstone of Dundee, 1790-1800, 12ozs Estimate: 400-600
524.    A COMPOSED SET OF SEVEN GEORGE III - WILLIAM IV TABLE FORKS, Fiddle, Thread and Shell pattern, crested, all London, by William Eley and William Fearn, Eley, Fearn & Chawner or William Eaton, 1803-30; a set of six Victorian Fiddle, Thread and Shell pattern dessert forks and a pair of dessert spoons en suite, by Chawner & Co, London 1868 and 69, 34ozs (15) Estimate: 200-250
525.    A SET OF SIX WILLIAM V TABLE FORKS, King's pattern, diamond heel, crested, by William Eaton, London, five 1832, one 1833, 19ozs 10dwts Estimate: 100-150
526.    A GEORGE III OBLONG SALVER, bright cut and with reeded rim, on conforming feet, crested, 30.5cm w, by Thomas Wallis, London 1806, 26ozs
Estimate: 800-1200
527.    A VICTORIAN CIRCULAR CAKE BASKET, embossed with beaded scrolls and pierced with scaly and other panels, having swing handle on conforming foot, 25.5cm diam, by Atkin Bros, Sheffield 1895, 15ozs Estimate: 150-200
528.    ,A VICTORIAN HOT WATER JUG, of embossed baluster shape with borders of dog roses and pineapple knop, 24cm h, by Holland Aldwinckle & Slater, London 1892, 16ozs 10dwts Estimate: 120-160
529.    A VICTORIAN OVAL TEAPOT, the domed lid with integral hinge and partly reeded, 13cm h, maker's mark rubbed, London 1880, 16ozs gross Estimate: 100-150
530.    TWO GEORGE III SAUCE BOATS, with leaf capped flying scroll handle, on hoof feet, engraved with contemporary armorials, 12.5 & 14cm h, maker W S, probably William Skeen, London 1764 & 69, 20ozs 10dwts Estimate: 600-800
531.    A VICTORIAN-EMBOSSED AND PARCEL GILT FRUIT SERVING SET, comprising a pair of 'berry' spoons and a sifter, by various makers, all London, 1800, 08 & 09; four similar 'berry' spoons,18th & 19th c, 13ozs 10dwts (7) Estimate: 100-200
532.    A TABLE SERVICE, PRINCIPALLY WILLIAM IV, Fiddle, THread and Shell pattern, all London, comprising six tablespoons by William Eaton, 1834, twelve table forks, eleven by William Eaton, 1834 the other by William Chawner, 1833, twelve dessert spoons by William Eaton, 1834, twelve dessert forks by William Eaton, 1834, a pair of sauce ladles by William Chawner, 1833, twelve teaspoons, nine by William Eaton 1835 & 36, three by William Chawner, 1833, six soup spoons by Wakely & Wheeler Ltd, 1960, twelve silver hafted table knives and twelve silver hafted cheese knives, the former maker's mark rubbed, the latter by Moses Brent, c1818 & 1812 (both with recent stainless steel blades by W H Willson Ltd) and six pairs of fish-eaters by Wakely & Wheeler Ltd, 1960, 146ozs weighable (98) Estimate: 1500-2000
533.    A GEORGE III-IV COMPOSED TABLE SERVICE, Fiddle, Thread and Shell pattern, the service including a gravy spoon and pair of fish servers, variously plain, crested or initialled, almost all London, various makers, 234ozs, excluding a pair of plated sifting spoons (115) Estimate: 2000-2500
534.    A VICTORIAN SILVER GILT-MOUNTED GLASS CLARET JUG, in the form of a lekythos with faceted neck, the body etched with vermiculi and cut with a band of Greek Key, having scrolling handle, beaded collar and flat lid surmounted by a lion rampant, crested, 25cm h, by Richards & Brown, London 1864 Estimate: 400-600
535.    A VICTORIAN SOUP LADLE AND PAIR OF GRAVY SPOONS, Fiddle, Thread and Shell pattern, crested, by The Goldsmiths & Silversmiths Co, London 1898, 23ozs 10dwts Estimate: 250-350
536.    AN IRISH GEORGE III GRAVY SPOON, with hook end and shell bowl, maker (possibly) John Dawson, Dublin 1770, 3ozs 10dwts Estimate: 150-250
537.    CORK. A PAIR OF IRISH PROVINCIAL GEORGE III BRIGHT CUT TABLESPOONS, of pointed Old English pattern, crested, by Joseph Gibson of Cork, marked GIBSON STERLING, c1800, 4ozs 10dwts Estimate: 200-300
538.    A SET OF SIX IRISH GEORGE III TABLESPOONS, Fiddle pattern, crested, by George Nangle, Dublin 1813, 13ozs 10dwts Estimate: 200-300
539.    A GEORGE III SALAD SPOON AND FORK, Old English pattern, crested, both London, maker's mark rubbed, probably Richard Crossley, 1791 & 92; a George III serving spoon of Old English pattern, London 1807, 9ozs 10dwts (3) Estimate: 200-300
540.    A VICTORIAN SILVER-FITTED BURR WALNUT DRESSING CASE, retaining the full compliment of glass jars and boxes, the silver lids or caps engraved with strapwork, the plush lined interior with Bramah lock, signed on an ivory slip for the retailer, ALLEN 18 & 22 STRAND LONDON, crested, 31cm w, by Thomas Johnson, London 1859 & 60 Estimate: 600-800
541.    A VICTORIAN DISH-RING, pierced and embossed in 18th c Irish style with birds, a unicorn, buildings and scrolling foliage, 19cm diam, by Pairpoint Brothers, London 1895, 15ozs Estimate: 400-600
542.    A GEORGE III TOAST RACK, with wirework divisions on ball feet, no maker's mark, London 1810, 9ozs 10dwts Estimate: 100-150
543.    A GEORGE III PIERCED SUGAR BASKET, of vase shape with beaded rim and swing handle, on pierced foot, blue glass liner, 12.5cm h excluding the handle, by Philip Freeman, London 1774, 4ozs Estimate: 200-300
544.    A VICTORIAN TABLE SERVICE, Fiddle, Thread and Shell pattern, by Chawner & Co, London 1876, 56ozs (24) Estimate: 500-700
545.    A GEORGE III ARGYLE, of cylindrical form with beaded rims, the domed lid with pineapple knop, wicker bound handle, 11.5cm h, maker A F, probably Andrew Fogelberg, apparently no date letter, marks rubbed, 12ozs 10dwts Estimate: 150-250
546.    A VICTORIAN CLARET JUG, in Persian style, with domed lid and panelled handle engraved with strapwork, on flared foot, 28cm h, by Edward Barnard & Sons, London 1874, 22ozs Estimate: 400-600
547.    A GEORGE III MUG, with leaf capped scrolling handle, on moulded foot, later chased with a resting ploughman and team at the corner of a field, 16.5cm h, maker J H in script, perhaps Jason Holt, Exeter 1763, 21ozs Estimate: 400-600
548.    A GEORGE III WINE FUNNEL, with plain ovoid bowl and reeded rims, 14.5cm h, maker SH, probably Samuel Hennell, London 1813, 5ozs Estimate: 200-300
549.    A GEORGE II MUG, with leaf capped scrolling handle, on moulded foot, later chased with flowers and scrolls, 12.5cm h, by Fuller White, London 1752, 11ozs 10dwts Estimate: 200-300
550.    TWO PAIRS OF VICTORIAN-EMBOSSED AND PARCEL GILT FRUIT SERVING SPOONS, one by Patrick Robertson, Edinburgh 1770, the other by Thomas Wallis, London 1804, 9ozs Estimate: 100-150
551.    A 17TH CENTURY SILVER-MOUNTED ENGINE TURNED LIGNUM VITAE DIPPER CUP, PROBABLY ENGLISH PROVINCIAL, the underside with a rosette, 6cm h Literature: Similar examples are illustrated Levi (J), Treen for the Table, Woodbridge 1998, p23. Estimate: 300-500
552.    A GEORGE II LEMON STRAINER, the shallow circular bowl finely pierced with flowers around a rosette, the moulded rim with shaped lugs, 18cm w, by John Chartier, London 1727, 2ozs Estimate: 200-300
553.    A GEORGE II TUMBLER CUP, of typically rounded form, worked from the flat and of heavier gauge in the base, the interior gilt, 5.5cm h, by Humphrey Payne, London 1746, 2ozs Estimate: 400-600
554.    AN IRISH GEORGE II OVAL SPOON TRAY, with fluted border, 16.5cm w, by Thomas Walker, Dublin, c1735, 4ozs Estimate: 400-600
555.    A GEORGE II ROCOCO SOUP LADLE, with shell bowl, crested, 34.5cm, by Ann Craig & John Neville, London 1742, scratch weight 11 = 10, 10ozs 10dwts Ann Craig is thought to have been the widow of John Craig who was in partnership with Gorge Wickes from c1730-35. Grimwade observes that what little work has survived bearing this mark is of high quality and individual taste (London Goldsmiths 1697-1837 Their Marks & Lives, third edition revised 1990, p477). Estimate: 300-400
556.    A GEORGE II DISH-CROSS, on shell feet, crested, arms 33cm l, by Edward Aldridge and John Stamper, London 1757, 29ozs Estimate: 400-600
557.    A GEORGE II DISH-CROSS, on shell feet, 30.5cm w, maker's mark rubbed, London 1757, 13ozs Estimate: 200-300
558.    A GEORGE I TEAPOT, of bullet form with straight spout and flat lid with moulded hinge, on flared foot, ivory mounted knop and handle, 11.5cm h, marked on base and lid by Pentecost Symonds, Exeter 1718, 12ozs gross Estimate: 3000-4000
559.    A PAIR OF GEORGE II WAITERS, the moulded rim with shells, on three volute feet, crested, 15cm diam, the underside with engraved initials P/I*L, by Joseph Sanders, London 1746, scratch weight 6=13, 13ozs Estimate: 300-500
560.    A GEORGE II COFFEE POT, of baluster shape, engraved with contemporary armorials, the ogee domed lid with pineapple finial and with leaf capped and moulded spout issuing from a shell, the handle with a pendant on moulded foot, 25cm h, by Jacob Marsh, London, probably 1743, scratch weight 25, 25ozs 10dwts gross The arms are those of the Bouverie family. Estimate: 800-1200
561.    A GEORGE II PUNCH LADLE, the ovoid bowl of heavy gauge on moulded and bifurcated arm and plain ferrule, turned pearwood handle, 35cm l, by Richard Bayley, London 1744, 3ozs gross Estimate: 300-400
562.    A FINE GEORGE III NEO CLASSICAL CUP, of fan fluted ovoid form and with acanthus decorated loop handles, applied with a chased plaque of a naval engagement, the reverse with a tablet framed by festoons and bows beneath a crisply chased band of grapevines, on flared foot with laurels, crested, 34.5cm h, by William Holmes, London 1795, 76ozs The inscription reads "To CAPTAIN JOHN MACLEAN Commander of the Ship Duke of Buccleugh of LONDON In testimony and as a memorial of his distinguished bravery & good conduct having in two separate engagements the one on the 7th of October 1794 the other on the 11th of March 1795 in both of which he fought with a force far inferior to that of the Enemy saved the above ship from being captured by the French THIS CUP is presented with all due gratitude & esteem by his obliged servants John & Alexander Anderson" The Duke of Buccleugh was a 239-ton three-masted full-rigged merchantman built at Yarmouth in 1783. Owned by J & A Anderson of London and commanded by Captain John Maclean (at least in 1794-95), her regular trading route at that time was London to Africa. Hitherto she had been owned by Thompson who traded her to Georgia and whilst her later history is unknown, she had disappeared from record by 1800. Estimate: 6000-8000
563.    AN ENGLISH SILVER PAIR CASED VERGE WATCH, the silver champlêvé enamel dial signed to the centre on two banners BARRON FECIT and with contemporary blued steel beetle-and-poker hands in brass feather edged surround, the movement with finely engraved and pierced balance cock and foot and pierced, squared baluster pillars, signed on the backplate Tho. Barron, case maker T B, early 18th c Estimate: 600-800
564.    AN ENGLISH DUPLEX WATCH, with engraved balance cock and foot and three spoked-escape wheel, signed on the movement CHAS SMITH 118 Bunhill Row London No 16552, the enamel dial with Breguet hands (one replaced) and subsidiary seconds dial numbered 6552 in giltmetal bezel, later silver hinged tortoiseshell travelling case, early 19th c Estimate: 150-200
565.    AN ETERNA STAINLESS STEEL MILITARY-ISSUE WRISTWATCH, with black dial, subsidiary seconds dial, luminescent chapters and hands, the back engraved with arrow and WWW P3438 3111766, mid 20th c Estimate: 150-200
566.    AN INTERNATIONAL WATCH CO 18CT GOLD WRISTWATCH, the square black dial with subsidiary seconds dial, the case with stepped lugs, import marked London 1938 Estimate: 600-800
567.    A ROLEX STAINLESS STEEL OYSTER PERPETUAL EXPLORER WRISTWATCH, marked REGISTERED DESIGN 5500 and 1215240 Estimate: 1500-2000
568.    A ROLEX STAINLESS STEEL OYSTER PERPETUAL EXPLORER WRISTWATCH, marked 5504 REGISTERED DESIGN and 151950 Estimate: 1500-2000
569.    AN OMEGA 18CT GOLD GENTLEMAN'S WRISTWATCH, the champagne dial with centre seconds and dart chapters, c1960 Estimate: 400-600
570.    A ROLEX 9CT GOLD OYSTERDATE GENTLEMAN'S WRISTWATCH, London 1959 Estimate: 400-600
571.    A JAEGER LE COULTRE STAINLESS STEEL AUTOMATIC CLUB WRISTWATCH, with day and date Estimate: 300-400
572.    AN OMEGA STAINLESS STEEL MILITARY-ISSUE WRISTWATCH, with blued steel hands, centre seconds and arabic chapters, back marked A.M6B/159 A2119, mid 20th c Estimate: 250-350
573.    A LONGINES 18CT GOLD GENTLEMAN'S WRISTWATCH, of cushion shape, the dial with red and black roman chapters and subsidiary seconds dial, import marked London 1937 Estimate: 300-400
574.    A GOLD MOURNING RING, the navette shaped tablet inset with a miniature painted en grisaille with a classical young woman standing beside an urn, engraved ELIZ. WARDROBE OB: 7 OCT 1782 AET: 46 Estimate: 100-150
575.    AN ANTIQUE ENGLISH PARCEL GILT SILVER RING, circumscribed In thee I find content of mind, maker's mark only (indistinct) I S in an ellipse, 17th c, or early 18th c Estimate: 150-250
576.    AN ANTIQUE SILVER DECADE OR ROSARY RING, PROBABLY ENGLISH, engraved with the sacred monogram IHS, cross and nails, the shank with ten projections, 17th or early 18th c Estimate: 100-200
577.    A SAPPHIRE AND DIAMOND RING, the almost pear shaped sapphire with a small diamond at the points and framed by baguette cut diamonds, white gold hoop Estimate: 800-1200
578.    A SAPPHIRE AND DIAMOND CLUSTER RING, the round sapphire in a surround of eight round and cushion shaped diamonds, gold hoop Estimate: 700-800
579.    A SAPPHIRE AND DIAMOND FIVE-STONE RING, gold hoop Estimate: 250-300
580.    A DIAMOND CLUSTER RING, of flowerhead form, gold hoop Estimate: 150-200
581.    AN ANTIQUE EMERALD AND DIAMOND CLUSTER RING, gold hoop, Chester 1900 Estimate: 250-350
582.    A DIAMOND AND TOURMALINE CLUSTER RING, with central oval pink cabochon, gold hoop Estimate: 300-400
583.    A DIAMOND FIVE-STONE RING, the old cut diamonds graduated from the centre, gold hoop Estimate: 800-1200
584.    A DIAMOND RING, the three larger collets in a scalloped border of evenly sized diamonds, platinum hoop Estimate: 5000-6000
585.    AN AQUAMARINE RING, with a single step cut aquamarine, white gold hoop Estimate: 200-300
586.    A DIAMOND THREE-STONE RING, with cushion shaped old cut diamonds, gold hoop, early 20th c Estimate: 500-700
587.    A DIAMOND CLUSTER RING, of stepped hexagonal shape, white gold hoop Estimate: 800-1200
588.    A ROSE DIAMOND FOX MASK BAR BROOCH, pavé set in silver and with ruby eyes, c1900 Estimate: 100-150
589.    AN ENGLISH CUT STEEL CHATELAINE, with three chains decorated with rosettes and and retaining a contemporary bow corkscrew, folding hook, key and angled watch key, approximately 23cm l overall, 18th c; another steel chatelaine and a similar pinwheel (3) Estimate: 100-200
590.    A SCOTTISH EDWARD VII SILVER PLAID BROOCH, engraved with Celtic entrelac and set with a large citrine, 8.5cm diam, by Young & Tottan, Edinburgh 1906 Estimate: 100-150
591.    A GOLD STICK PIN, with ruby and diamond yacht terminal, c1900, case signed for Edwards & Company 71 & 72 Piccadilly Estimate: 200-350
592.    AN ART DECO GOLD STICK PIN, with diamond and nephrite baton terminal; another, with ruby and diamond five-stone terminal, c1925 and c1880 respectively (2)
Estimate: 200-250
593.    TWO GOLD STICK PINS, one with enamelled burgee of the Royal Motor Yacht Club, the other with oar and knot terminal, both c1900 Estimate: 150-200
594.    AN ANTIQUE DIAMOND BROOCH, of scroll and cluster design, mounted in silver, 19th c Estimate: 400-600
595.    A DIAMOND, RUBY, GOLD AND PLIQUE A JOUR ENAMEL DRAGONFLY BROOCH Estimate: 1000-1500
596.    A DIAMOND BRACELET, with a graduated row of rose diamond clusters mounted on a gold band Estimate: 2000-3000
597.    A DIAMOND NECKLET, with a dart shaped row of diamond collets and pear shaped articulated diamond pear shaped pendant, mounted in gold Estimate: 2000-3000
598.    AN ANTIQUE EMERALD AND DIAMOND TRIPLE-CLUSTER BROOCH, mounted in gold Estimate: 600-800
599.    A FRENCH SAPPHIRE AND DIAMOND BRACELET, of nine oval open panels enclosing two crescents and linked by sapphire collets, indistinct maker's poincon and control marks, c1900 Estimate: 500-700
600.    A VICTORIAN CAMEO BROOCH, the oval shell carved with the head of a bacchante in gold mount with looped wire decoration Estimate: 100-200
601.    AN EMERALD, DIAMOND AND SAPPHIRE BROOCH, the plaque of geometric design with three larger step cut emeralds and two lines of calibré cut sapphires, in white gold
Estimate: 800-1200
602.    A VICTORIAN DIAMOND, AGATE, SEED PEARL AND GOLD AND ENAMEL MOURNING BROOCH AND A PAIR OF EARRINGS EN SUITE Estimate: 200-300
603.    A DIAMOND PENDANT, the articulated openwork drop centred by a cushion shaped diamond in gold, with gold necklet Estimate: 200-300
604.    A SILVER, TRANSLUCENT ENAMEL AND BLISTER PEARL OPENWORK NECKLET Estimate: 250-300
605.    AN ARTS & CRAFTS MOVEMENT SILVER AND TRANSLUCENT ENAMEL PENDANT BY JAMES FENTON, maker's mark, Birmingham 1910 Estimate: 300-350
606.    A TOPAZ PENDANT, with two round or step cut pale blue topazes, in gold on integral necklet, early 20th c Estimate: 100-150
607.    AN ANTIQUE RUBY, DIAMOND AND SAPPHIRE THREE-STONE CRESCENT BROOCH, in gold, c1900 Estimate: 100-150
608.    AN ANTIQUE ENGLISH GOLD FOB SEAL, with armorial cornelian intaglio and finely pierced and beaded shank, 4cm h; later gold chain (2) The arms are those of the Mussenden family of Lincolnshire. Estimate: 150-200
609.    A CULTURED PEARL NECKLACE, graduated in size from the centre, with diamond cluster clasp Estimate: 600-800
610.    A DIAMOND DOUBLE CLIP IN THE FORM OF A BOW, with graduated lines of round baguette shaped and pavé set diamonds, mid 20th c Estimate: 3000-4000
611.    AN ANTIQUE DIAMOND MALTESE CROSS BROOCH, with rose and old cut diamonds and others of pear shape, mounted in silver and suspended from a later diamond loop
Estimate: 2000-3000
612.    A PAIR OF BOUCHERON DIAMOND, RUBY AND AQUAMARINE CLIPS, of palmette shape, mounted in gold, signed MONTURE BOUCHERON, French control marks, mid 20th c Estimate: 3000-5000
613.    AN ANTIQUE DIAMOND AND OPAL PENDANT, of oval design with nine round and oval opals suspended from a diamond loop Estimate: 600-800
614.    A PAIR OF DIAMOND AND AMETHYST EARRINGS, the briolette amethyst suspended from four diamond collets Estimate: 700-900
615.    A PAIR OF VICTORIAN GOLD AND CORAL EARRINGS, with gold drop and two coral beads Estimate: 250-350
616.    A CORAL CAMEO, carved with the head of a bacchante, mounted in a gold brooch Estimate: 200-300
617.    A MURRLE, BENNETT & CO GOLD OPENWORK BROOCH, set with turquoise and seed pearl collets, maker's mark and PATENT, c1905 Estimate: 250-350
618.    A DIAMOND, SEED PEARL, GOLD AND EMERALD GREEN GUILLOCHE ENAMEL BROOCH-PENDANT, early 20th c Estimate: 500-700
619.    A PAIR OF JADE, DIAMOND AND SPLIT PEARL EARRINGS, of articulated form with jade drop, in gold, probably 1930s Estimate: 300-400
620.    A FINE ANTIQUE AGATE CAMEO OF THE HEAD OF A CLASSICAL MAIDEN, in contemporary Victorian gold chased locket mount (incomplete), cameo 4cm h Provenance: According to an old inscription on the card backing to the glazed reverse of the frame, Grand Duke Constantine (1827-1891) of Russia by whom presented to Captain William Hay, CB (1794-1855) Joint Commissioner of Police of the Metropolis. Estimate: 600-800
621.    AN ANTIQUE CAMEO, the oval shell finely carved with the head of a bacchante, mounted in a contemporary gold brooch, cameo 4.8cm h, 19th c Estimate: 250-350
622.    AN ANTIQUE SEED PEARL AND GOLD FRINGE NECKLET, with three flower shaped clusters and box clasp, morocco cased signed for DOBSON & SONS 200 PICCADILLY LONDON, c1900 Estimate: 700-900
623.    A HARDSTONE CAMEO OF THE HEAD OF LADY, mounted in a gold brooch with seed pearl surround Estimate: 250-350
624.    A GOLD, ENAMEL, CITRINE AND SEED AND FRESHWATER PEARL PENDANT, of articulated oval shape with cross and spearpoint drop, on gold necklet Estimate: 400-600
625.    AN ANTIQUE ENGLISH GOLD NAVETTE SHAPED MOURNING JEWEL, set with a miniature painted en grisaille of a young woman beside an urn, the plinth inscribed with the initials BH, the reverse bright cut, 3.6cm h, later brooch fitting Estimate: 250-350
626.    AN ENGLISH GOLD MOURNING JEWEL, DATED 1823, of navette shape with plaited hair in split pearl border, the reverse engraved THOS SMITH ESQUIRE DIED 3 MARCH 1823, later brooch fitting Estimate: 150-200
627.    AN ANTIQUE ENGLISH GOLD FOB SEAL, with cornelian intaglio of shield, crest and motto, the chased shank formed of scrolling foliage and shells, 3.2cm h, early 19th c Estimate: 150-200
628.    A GOLD ARTICULATED SNAKE BRACELET, realistically designed and set with ruby eyes, 9ct, Birmingham 1994 Estimate: 250-350
629.    A DIAMOND, CULTURED PEARL, GOLD AND SCARLET GUILLOCHE ENAMEL BRACELET, with central stylised flower shaped cluster between double chain links, early 20th c Estimate: 400-500
630.    A SAPPHIRE AND DIAMOND BRACELET, in three sections, with a larger central sapphire collet, mounted in gold, probably 1930s Estimate: 400-500
631.    AN ANTIQUE 15CT GOLD AND SEED PEARL BRACELET, mounted with five graduated flowerheads, c1900 Estimate: 250-350
632.    A DIAMOND, GOLD AND ENAMEL BROOCH, designed as the insignia of the 4th (Queen's Own) Hussars, early 20th c Estimate: 500-700
633.    A DIAMOND HEART-SHAPED PENDANT, pavé set Estimate: 350-450
634.    A SAPPHIRE, TURQUOISE AND 15CT GOLD BRACELET, with alternate collets, early 20th c Estimate: 400-500
635.    A DIAMOND, PLATINUM AND GOLD ST GEORGE AND THE DRAGON PENDANT, after Pistrucci, pavé set in oval frame Estimate: 350-450
636.    A SAPPHIRE AND DIAMOND BROOCH, the oval plaque with two larger diamond collets and others of pear shape, the border with baguette shaped sapphires, mounted in white gold Estimate: 400-600
637.    A DIAMOND BAR BROOCH, with a flower shaped cluster of round and cushion shaped diamonds, early 20th c Estimate: 250-350
638.    A GOLD AND MICROMOSAIC LATIN CROSS PENDANT, with St Esprit and Alpha and Omega, 19th c Estimate: 150-200
639.    A PAIR OF IMPRESSIVE RUBY, DIAMOND, CINNAMON DIAMOND, CARVED RUBY AND CULTURED PEARL EARRINGS, in gold and of fully articulated form, 20th c Estimate: 1500-2000
640.    A TIFFANY & CO GOLD BROOCH, designed as a circle of stylised leaves, signed, late 20th c Estimate: 150-200
641.    A VICTORIAN CAMEO BROOCH, the oval shell carved with a young author with pen in hand, in gold scrolling mount, cameo 5.7cm h Estimate: 300-400
642.    A CAMEO BROOCH, the octagonal shell carved with Zeus in his chariot drawn on clouds by two satyrs, in silver scrolling openwork mount, late 19th c Estimate: 250-350
643.    A VICTORIAN IVORY OVAL CAMEO, carved in high relief with the head of a bacchante in beaded border, cameo 5cm h Estimate: 200-250
644.    A VICTORIAN IVORY OVAL CAMEO, carved with the head of Flora, mounted in silver as a brooch, cameo 5.2cm h Estimate: 100-150
645.    A HARDSTONE OVAL CAMEO, of agate, carved with the head of a lady in empire style dress, mounted in a gold brooch, cameo 3.2cm h Estimate: 150-200
646.    A SILVER AND LIMOGES ENAMEL PENDANT, painted with the head of a young woman in a plumed hat, paste surround with locket back, c1900 Estimate: 100-150
647.    A CAMEO BROOCH, the oval shell carved with the head of a bacchante, mounted in an unusual Austro-HungArian silver gilt and enamel brooch formed as a row of blackamoor's heads alternating with red paste collets, late 19th c Estimate: 200-300
648.    A VICTORIAN AMETHYST AND SEED PEARL PENDANT, on integral gold rope necklet, c1900 Estimate: 300-400
649.    A GOLD BRACELET, of engraved rectangular panels mounted with off-centre faceted agates of uniform colour, early 20th c Estimate: 200-300
650.    A VICTORIAN GOLD LOCKET, the lid applied with a cross and finely engraved with arabesques, containing a lock of hair and painted miniature photograph Estimate: 100-150
651.    AN ANTIQUE GOLD AND AGATE BUCKLE-SHAPED BROOCH, with ten evenly sized stained agate cabochons, 19th c Estimate: 100-150
652.    A PAIR OF GOLD GRAPEVINE HOOP EARRINGS Estimate: 150-250
653.    AN AMETHYST AND SEED PEARL PENDANT, with kite shaped amethyst en tremblant, mounted in gold with integral necklet Estimate: 200-300
654.    A PERIDOT AND SEED PEARL SWAG NECKLET, in gold, early 20th c Estimate: 300-400
655.    A GOLD AND TURQUOISE ENAMEL NECKLET, with a fringe of triangular plaques Estimate: 250-350
656.    A PAIR OF DIAMOND, RUBY, EMERALD AND CULTURED PEARL CLUSTER EARRINGS, in gold Estimate: 250-350
657.    A SAPPHIRE AND DIAMOND PENDANT, of articulated openwork design, with integral platinum necklet Estimate: 400-600
658.    A DIAMOND PENDANT, the articulated pear shaped drop in platinum mount with diamond collets Estimate: 400-600
659.    AN AQUAMARINE TWO-STONE PENDANT, of articulated form, the dividing baton with a split pearl, on integral gold necklet Estimate: 200-300
660.    A GOLD BRACELET, the alternating quatrefoil and rectangular panels centred by a rose diamond, early 20th c Estimate: 300-400
661.    A DIAMOND AND CULTURED PEARL OPENWORK CIRCULAR PENDANT, of stylised flower and trailing foliate design Estimate: 350-450
662.    A VICTORIAN SILVER CHATELAINE, the clip cast and pierced with the birth of Venus and hung with six chains of similarly ornate links, the five silver accessories including a pistol novelty pencil by S Mordan & Co, the sixth a plated filigree pinwheel, by King & Sons, Chester 1896 Estimate: 100-150
663.    AN EDWARD VII SILVER NOVELTY GOAT PIN CUSHION, 3cm h, by Adie & Lovekin Ltd, Birmingham 1909; etc Estimate: 80-120
664.    NINE ENGLISH BURNISHED STEEL FOB SEALS, one intaglio of a horse and rider in the style of James Seymour and with bow, lyre, flared or ring shaped shank, 3cm h and smaller, 18th/early 19th c
Estimate: 100-150
665.    A CONTINENTAL PIQUÉ AND COPPER GILT SNUFF BOX, the cover decorated with peafowl and a bird on a branch, with ripple moulded sides and engraved base, the underside of the lid engraved with a mirror monogram and coronet, 8.5 x 6.5cm, c1760 Estimate: 150-200
666.    A GEORGE III ENAMEL SNUFF BOX, POSSIBLY LONDON, the lid and waisted sides painted with flowers and butterflies, a single rose to the underside, the interior with a puce scroll and flower, copper gilt mount, 5.5cm diam, c1770 Estimate: 100-150
667.    A GEORGE III ENAMEL SNUFF BOX, POSSIBLY BIRMINGHAM, the lid painted with a bee on a rose, honeysuckle and forget-me-nots, the sides with single flowers, gilt copper mount, 7 x 5.5cm, c1770 Estimate: 100-150
668.    A GEORGE III SOUTH STAFFORDSHIRE ENAMEL PATCH BOX, the lid printed in black with festoons and inscribed A Present from Birmingham, a mirror to the underside, the base pink, 4cm w, c1780 Estimate: 100-150
669.    A GEORGE III ENAMEL BONBONNIERE AND COVER, DATED 1764, PROBABLY BIRMINGHAM, the cover painted with a shepherdess and her lover beneath a tree, the waisted sides with sprays alternating with puce diaper trellis, the underside inscribed I*P Novr the 24 1764 in a cartouche, gilt copper mount, 8cm diam Estimate: 100-200
670.    A FRENCH ENAMEL SNUFF BOX, the lid with a rural scene of lovers and sheep in puce scroll frame, the fluted sides with stylised flowers, gilt copper mount, 6.5cm diam, late 19th c Estimate: 150-200
671.    AN ENGLISH PRESSED HORN OVAL TOBACCO BOX AND COVER BY JOHN OBRISSET, the cover with an equestrian portrait and shield of arms inscribed Dymock's coat of Arms and the Great Champion of Britain, 10.5cm w, signed OB in the die, early 18th c Estimate: 200-300
672.    AN ENGLISH PRESSED HORN TOBACCO BOX AND COVER BY JOHN OBRISSET, the cover with portrait of Charles I in profile and with moulded sides, 9.5cm diam, signed OB in the die, early 18th c Estimate: 200-300
673.    AN ENGLISH SILVER-MOUNTED TORTOISESHELL OVAL MAGNIFYING GLASS, the lens pivoted in moulded frame, 8cm w, mid 18th c Estimate: 100-150
674.    A CONTINENTAL ENAMEL FIGURAL SCENT BOTTLE, as the bust of an 18th c fashionable young woman in a blue and yellow dress, her head forming the cover, the oval lid painted with flowers, giltmetal mount, 7.5cm h, late 19th c Estimate: 100-200
675.    TREEN. TWO CARVED COQUILLA NUT SNUFF BOXES IN THE FORM OF GROTESQUE FIGURES, 7 & 8cm h, early 19th c; a treen nut crack, carved as the head of man with gaping mouth, the threaded handle in the form of a fish, 20cm h, 19th c (3) Estimate: 150-200
676.    A PAIR OF CONTINENTAL ENAMEL CANDLESTICKS, with nozzle and knopped stem, painted with scattered groups of flowers and insects, the swirling foot with vignettes and yellow diaper reserves alternating with fountains in blue niches, 30cm h, late 19th c Estimate: 200-300
677.    A PAIR OF WILLIAM IV SILVER DECANTER-RINGS, engraved LISBON or MARSALA, 9cm diam, by George Burrows and Richard Pearce, London 1833; another, pierced SAUTERNE, London 1834; a silver condiment bottle-ring, engraved KYAN, London 1817, 2ozs 10dwts (4) Estimate: 100-200
678.    A FINE AND UNUSUAL WILLIAM IV SILVER GILT CLOAK CLASP BY PAUL STORR, cast as the head of a bacchante, 8cm w, overall, maker's mark, London 1830, 1oz 10dws Illustrated: de Castres (E), A Guide to Collecting Silver, 1980, p148. Estimate: 300-500
679.    A WILLIAM AND MARY SILVER PATCH BOX AND COVER, the cover engraved with a flower on a spiralling stem, the base with contemporary initials N[reversed]*R/HN, 3.5cm diam, marked on base and cover, maker FH, a mullet below, London 1691 Estimate: 250-350
680.    A GEORGE III SILVER BRIGHT CUT TOOTHPICK CASE, the lid with integral hinge, 7cm l, by Samuel Pemberton, Birmingham 1794 Estimate: 150-200
681.    AN IRISH GEORGE III SILVER SNUFF BOX, the moulded lid engraved with a contemporary monogram, 7.5 x 5.5cm, maker E R [incuse], Dublin 1797 Estimate: 200-300
682.    FOUR GEORGE III SILVER PATCH OR PILL BOXES AND COVERS, bright cut, one in a chequer pattern, 2-2.5cm diam, London and Birmingham, by Thomas Harper or Hobbs, John Turner, Joseph Taylor or Samuel Pemberton, 1797, 98 & 1802 Estimate: 150-200
683.    AN ENGLISH SILVER OVAL SNUFF BOX, the moulded lid inset with a pressed horn portrait of Queen Anne, 7.5 x 5.5cm h; another with stand-away hinge, the piqué lid with two figures; a Continental silver circular snuff box with pressed horn inset cover, all 18th c (3) Estimate: 150-250
684.    A PAIR OF GEORGE III SILVER SHOE BUCKLES, of pierced design, applied with rosettes in scalloped borders, 8cm w, by Thomas Jones of London, c1790, silk lined fishskin case Estimate: 150-200
685.    A GEORGE IV SILVER TOOTHBRUSH BOX, of baton form, with tooth powder compartment and moulded ends, one pierced, crested, 18cm l, maker T W, probably Thomas Whitehead, London 1824, 5ozs Estimate: 150-250
686.    A GEORGE III SILVER CIRCULAR VINAIGRETTE, reeded overall and with plain grille, 2.5cm diam, by Phipps & Robinson, London 1799 Estimate: 100-200
687.    A VICTORIAN SILVER HIP FLASK, one side unusually engraved with an Indian hunting scene, the reverse with a crest, in wide borders of foliage and scrolls, 13cm h, by Yapp & Woodward, Birmingham 1851 Estimate: 150-200
688.    A 17TH CENTURY PARCEL GILT SILVER SCISSORS CASE, PROBABLY CONTINENTAL, engraved with flowers in borders of stylised leafage, 9cm h Estimate: 150-250
689.    MEDICAL. A WILLIAM IV SILVER LANCET CASE, engine turned, 6cm h, by Joseph Willmore, Birmingham 1835, containing two contemporary tortoiseshell lancets Estimate: 100-150
690.    TWO PAIRS OF PASTE SET SHOE BUCKLES, 5 & 6cm w, early 19th c; a pair of cut steel and patent leather shoe buckles, 19th c, cased (6) Estimate: 100-150
691.    A 17TH CENTURY ENGLISH SILVER BODKIN, engraved to both sides, with scoop terminal, 13.5cm l Estimate: 100-200
692.    A 17TH CENTURY ENGLISH SILVER BODKIN, engraved to both sides and initialled IA, scoop terminal, 12.3cm l, maker's mark only, CS Estimate: 100-200
693.    A SILVER BODKIN,with spiral stem and scoop terminal 7.5cm l, 17th or early 18th c; another of fish eye type and engraved with a continuous leaf; another and one of engraved giltmetal, 18th c (4) Estimate: 100-200
694.    A PAIR OF GEORGE III SILVER SHOE BUCKLES, of reeded design, 8.5cm w, by William Sharp, London 1784 or 85, silk lined fishskin case; another pair, by Thomas Wallis; a pair of George III silver knee buckles, die stamped with florets, by William Pugh, Birmingham 1816 (6) Estimate: 200-250
695.    A GEORGE IV SILVER SNUFF BOX, with foliate chased borders, the sides reeded, 7 x 4.5cm, by Nathaniel Mills, Birmingham 1829, 3ozs Estimate: 100-150
696.    MEDICAL. A PARCEL GILT SILVER TONGUE-SCRAPER, with finely chased foliate terminals, 17cm l, unmarked, early 19th c; another item (2) Estimate: 100-150
697.    A QUEEN ANNE SILVER BODKIN CASE, of flared square shape with moulded lid and engraved rosette, the underside with contemporary initials E*H, 7cm h, apparently unmarked, early 18th c Estimate: 150-200
698.    A GEORGE IV SILVER SNUFF BOX, of plain curved shape with integral hinge, 6 x 3.5cm, by Joseph Willmore, Birmingham 1823 Estimate: 100-150
699.    A SILVER RAM'S HEADED CYLINDRICAL BOX, the cap with a detachable spoon, 9.5cm l, unmarked, 19th c; a silver sealing wax holder, London 1912 (2) Estimate: 100-150
700.    A GEORGE III SILVER TRAVELLING INKWELL, the hinged cap secured by a folding nut, 4cm h, maker T W, probably Thomas Wade, London 1813; a Victorian gold pencil; one Victorian gold-mounted and four silver pencils and a gold toothpick (8) Estimate: 150-200
701.    A VICTORIAN SILVER FIGURAL DESK TIMEPIECE, in the form of Putto on a pedestal supporting an associated Swiss silver watch, 11.5cm h, apparently no maker's mark, London 1893 Estimate: 150-200
702.    SAMPSON MORDAN. A VICTORIAN SILVER AND ENAMEL NOVELTY VESTA CASE, as the visiting card of James A Haskell 42 Tavern St Ipswich, 5.7cm h, mark of S Mordan & Co, London 1887 Estimate: 200-300
703.    A VICTORIAN SILVER SCENT BOTTLE, richly embossed with flowers and foliage on a matted ground, the front with vacant cartouche beneath the lobed cap, glass stopper, 15cm h, by Horton & Allday, Birmingham 1890, morocco case signed for the retailer Douglas & Son, 9 Hamilton St Greenock Estimate: 250-350
704.    A SILVER GILT-MOUNTED TORTOISESHELL-CASED GILTMETAL MANICURE SET, the oval box 22cm w, mount maker C & A, London 1927 (9) Estimate: 100-150
705.    A RUSSIAN LACQUERED PAPIER MÂCHÉ BOX, LUKUTIN WORKSHOPS, the lid and sides decorated with a fine green and gilt trellis pattern, the interior maroon and gilt with the imperial arms and signature, 14cm w, c1870 Estimate: 150-200
706.    FOUR FRENCH GILTMETAL OR MARCASITE LORGNETTES, one with mother of pearl-mounted handle, another with tortoiseshell scales, various sizes, late 19th c Estimate: 100-150
707.    TWO COMMEMORATIVE MEDALS - SIR BERTRAM MACKENNAL, OLYMPIC GAMES LONDON 1908, 50mm, white metal and Diamond Jubilee of Queen Victoria 1897, official Royal Mint issue by G W De Saulles, 56mm silver; the Hood Medal, signed LFR, bronze plaquette, framed (3) Estimate: 100-150
708.    SOCCER. THE FOOTBALL MEDALS OF CHRISTOPHER WHILDE, MANSFIELD TOWN FC, comprising four silver, one enamelled, Midlands Soccer League and local competitions 1924-28, two gold and enamel, Derbyshire Senior League Cup Winners and Champion's Medals 1930 and one other gold, uninscribed, by Vaughton & Sons and others, all Birmingham, various dates, sold with a contemporary photograph of the team including Whilde (7) Provenance: The player; thence by descent to the present vendor. Christopher Whilde (1911-2005) played for Mansfield Town FC from 1929-1931, scoring four goals in twelve senior appearances as an outside right. He turned professional in 1929. In 1931, when Mansfield Town FC entered the Football League, Whilde left for the better wages to be earned at a local factory. Estimate: 200-300
709.    A CONTINENTAL SILVER GILT, ENAMEL AND PASTE PECTORAL CROSS, the crucified Christ and emblems on a blue guilloche latin cross in elaborate surround of radiant palmettes of paste, a blood red drop and similar crown, 14.5cm h, control mark, late 19th/early 20th c Estimate: 400-600
710.    A FRENCH ENAMEL SNUFF BOX, the lid painted with fruit, including black and white grapes, a plum with a wasp, strawberries and hazelnuts with a Bullfinch, the waisted sides with further panels in lavender blue frames on a seeded mauve ground, giltmetal mount and thumbpiece, 8 x 6cm, c1900 Provenance: Winifred Williams, London, from whom bought by the late owner on 15 June 1971 as "Bilston... by [George] Complin, c1765" for £450. Estimate: 400-600
711.    A VICTORIAN SILVER-MOUNTED TORTOISESHELL CARRIAGE TIMEPIECE, the French movement with platform lever escapement and silvered dial, the plain bale shaped cased applied with pierced mounts of putti, a heart and scrolling foliage, on reeded feet, 10cm h, excluding the handle, by John Batson & Sons, London 1896 Estimate: 800-1200
712.    A SCOTTISH VICTORIAN SILVER-MOUNTED HORN SNUFF MULL, the domed lid inset with a citrine and crisply chased with flowers and foliage, having moulded rim, floral thumbpiece and thistle shaped terminal, 37cm l
Estimate: 800-1200
713.    A SWISS SILVER GILT AND PINK GUILLOCHE ENAMEL STRUT TIMEPIECE, the giltmetal dial signed for the retailer G FALCONER & CO HONG KONG, 11cm h, control marks, early 20th c Estimate: 250-350
714.    AN AUSTRO-HUNGARIAN GEM SET SILVER GILT AND ENAMEL MOUNTED CREAM SATIN EVENING BAG, the openwork mount cast with grotesques and scrolling foliage, hinged clasp, mount 18cm w, early 20th c Estimate: 300-400
715.    A GEORGE II GILTMETAL ETUI, chased with figures, flowers and scrolls, 10cm c, suspended from a contemporary chatelaine hook-plate and flanked by a pair of thimble cases, mid 18th c Estimate: 300-400
716.    A GEORGE II GILTMETAL ETUI, chased with figures of, possibly Harlequin and Columbine between columns and scrolling foliage, the interior containing several contemporary silver accessories including a pair of dividers, hinged six inch rule and bodkin, 11cm h, mid 18th c Estimate: 200-300
717.    SAMPSON MORDAN. A VICTORIAN SILVER AND ENAMEL VESTA CASE, the front finely enamelled with a group of eight hounds, 5.6cm h, mark of S Mordan & Co Ltd, London 1899 Estimate: 800-1200
718.    AN EDWARD VII SILVER KANGAROO NOVELTY PIN CUSHION, 4cm h, maker's mark rubbed, - M & Co in a shield shaped punch, Birmingham 1908 Estimate: 300-400
719.    SAMPSON MORDAN. AN EDWARD VII SILVER MODEL OF A PIG, realistically engraved, 6cm l, mark of S Mordan & Co Ltd, Chester 1909 Estimate: 150-250
720.    A GEORGE V SILVER AND SHAGREEN TRAVELLING TIMEPIECE, the eight- day keyless watch timepiece with enamel dial and luminescent chapters, in folding case, 9cm w, maker C & A, London 1929 Estimate: 250-350
721.    A FIN DE SIECLE SILVER AND NIELLO HANDLED CANE, PROBABLY FRENCH, the slender tapering curved handle decorated overall with intricate designs of flowers and foliage, stained wood shaft horn tip, 89cm, apparently unmarked, c1900 Estimate: 150-250
722.    AN AUSTRO-HUNGARIAN SILVER SNUFF BOX WITH CONCEALED MINIATURE, rectangular and engine turned, the underside of the lid with a 'secret' compartment revealing an amorous couple on a bed, 8 x 6cm, pre 1922 control marks Estimate: 800-1200
723.    SAMPSON MORDAN. A FINE AND RARE VICTORIAN SILVER LANTERN NOVELTY PROPELLING PENCIL, 13.5cm l extended, engraved S MORDAN & CO, No 58 and with PODR mark for 23 October 1873 Estimate: 1000-1500
724.    A VICTORIAN ROSEWOOD DRESSING CASE, the fitted interior retaining a complete set of faceted glass bottles and boxes and stoppers with plated lid or cap and a contemporary steel scent bottle bow-corkscrew, the case decorated with wirework and inlaid in mother of pearl and abalone, 30cm w Estimate: 250-350
725.    NORTHERN EUROPEAN SCHOOL, 19TH CENTURY - CHRIST AT GETHSEMANE, ivory, 23.5 x 15cm Estimate: 100-150
726.    FIVE CONTINENTAL DECORATIVE PORTRAIT MINIATURES, comprising Queen Marie Antoinette, The Dauphin (Louis XVII), the Empress Josephine and two other subjects, bear signatures, ivory, 4-5.5cm diam, giltmetal frames, early 20th c (5) Estimate: 150-200
727.    ENGLISH SCHOOL, EARLY 19TH CENTURY - A LADY with curly black hair in a black dress with lace ruff and gold earrings, ivory, 6.5 x 5cm, giltmetal frame with lock of hair and the names Elizabeth Charlotte in fine white glass paste beadwork; with a pendant portrait of a gentleman and a decorative miniature of Lady Hampden (3) Estimate: 150-200
728.    H OAKES-JONES (FL EARLY 20TH CENTURY) - EDYTH VIOLET M OAKES-JONES, in a fur wrap and green scarf, signed, ivory, oval, 7.5 x 6cm, papier mâché frame Estimate: 100-150
729.    FLINT (SIR WILLIAM RUSSELL) - BREAKFAST IN PERIGORD, 272 from the 525 signed and numbered copies, illustrated, quarter crushed black morocco lettered in gilt, white canvas with silhouette on the upper board and gilt Pegasus endpapers, by Mansell, London, marbled slip case, London: Charles Skilton for the artist, 1968 Estimate: 100-150
730.    ANOTHER COPY, EDITION DE LUXE (No 16) Estimate: 200-300
731.    ANOTHER COPY, EDITION DE LUXE (No 17) Estimate: 200-300
732.    FLINT (SIR WILLIAM RUSSELL) - THE LISPING GODDESS, 27 from the 275 signed and numbered copies, foolscap folio 4to, the text printed at the Stanbrook Abbey Press, Worcester, quarter navy morocco gilt and white canvas, the upper board in blind with gilt figurehead, marbled endpapers, by Sangorski & Sutcliffe, marbled slip case, London: privately printed for the author, 1968 Estimate: 100-150
733.    ANOTHER COPY (No 26) Estimate: 100-150
734.    ANOTHER COPY, EDITION DE LUXE (No 25) Estimate: 200-300
735.    ANOTHER COPY, EDITION DE LUXE (No 21) Estimate: 200-300
736.    ANOTHER COPY, ISSUED NOT FOR SALE (No 259) Estimate: 400-600
737.    FLINT (SIR WILLIAM RUSSELL ) - DRAWINGS, 8 from the 125 signed and numbered copies, illustrated and with an original drawing (of three naked young women) signed, dated 1952 and inscribed, red chalk, mounted, in sleeve, extra super royal 4to, tan crushed morocco backed beige cloth, glassine jacket, labelled slip case, London: Collins, 1950 Estimate: 600-800
738.    ANOTHER COPY, COLLECTOR'S EDITION (No 262) Estimate: 150-250
739.    FLINT (SIR WILLIAM RUSSELL) - IN PURSUIT Edition de Luxe, 34 from the 1050 numbered copies signed by Francis Russell Flint, small imperial 4to, illustrated, crushed navy morocco with raised bands, the upper board with an archer in gilt, marbled endpapers, by Mansell (Bookbinders) Ltd, slip case, London: privately printed for the artist and his executors, The Medici Society Ltd, 1969, boxed Estimate: 200-300
740.    ANOTHER COPY (No 124) Estimate: 200-300
741.    ANOTHER COPY (No 46) Estimate: 200-300
742.    ANOTHER COPY (No 122) Estimate: 200-300
743.    ANOTHER COPY (No 232) Estimate: 100-200
744.    FLINT (SIR WILLIAM RUSSELL) - DRAWINGS, signed by the artist on the half title, extra super royal 4to, illustrated, blue cloth gilt, glassine jacket, London: Collins, 1950 Estimate: 150-200
745.    GOLDEN COCKEREL PRESS. HERRICK (ROBERT) - ONE HUNDRED AND ELEVEN POEMS BY ROBERT HERRICK SELECTED ARRANGED & ILLUSTRATED BY SIR WILLIAM RUSSELL FLINT PRWS RA, Edition de Luxe, 23 from the 550 signed and numbered copies, accompanied by eight extra plates loose in chemise as called for, imperial 8vo, illustrated, white alum-tanned sheepskin gilt, with raised bands, by Sangorski & Sutcliffe, dust jacket, marbled slip case, London: 1955 Estimate: 150-250
746.    ANOTHER COPY (No 543) Estimate: 100-150
747.    FLINT (SIR WILLIAM RUSSELL) - SHADOWS IN ARCADY, 139 from the 500
signed and numbered copies, extra crown 4to, illustrated, quarter blue and black cloth gilt, glassine jacket, slip case, London: Charles Skilton Ltd, 1965 Estimate: 80-120
748.    ANOTHER COPY (No 267) Estimate: 80-120
749.    GOLDEN COCKEREL PRESS. FLINT (SIR WILLIAM RUSSELL) - MINXES ADMONISHED OR BEAUTY REPROVED , 538 from the 550 signed and numbered copies, extra crown 4to, pink cloth gilt, glassine jacket, London: 1955 Estimate: 100-200
750.    FLINT (SIR WILLIAM RUSSELL) - MODELS OF PROPRIETY, 422 from the 500 signed and numbered copies, imperial 8vo, illustrated, blue and yellow cloth gilt, title label to the upper board, glassine chemise, London: Michael Joseph Ltd, 1951 Estimate: 150-250
751.    FLINT (SIR WILLIAM RUSSELL), ILLUSTRATOR AND SUBJECT. ARNOLD (MATTHEW) - THE SCHOLAR GIPSY & THYRSIS BY MATTHEW ARNOLD WITH ILLUSTRATIONS BY W RUSSELL FLINT, small 8vo, illustrated, grey gloth gilt, London and Boston: The Medici Society, 1925; P de Mairobert - Memoirs of Madame du Barry, 1956; Sir Thomas Malory, Kt - Le Morte d'Arthur, reprinted 1935; - More Than Shadows, reprinted 1943; Ralph Lewis - Sir William Russell Flint 1880-1969, 1980; K S Gardner - Sir William Russell Flint, 1988; and two Frost & Reed Ltd Exhibition Catalogues (8) Estimate: 100-150
752.    WRIGHT (HAROLD J L) - ETCHINGS AND DRYPOINTS BY SIR WILLIAM RUSSELL FLINT... CATALOGUE RAISONNÉ, 77 from the 135 copies signed by the artist, illustrated and with signed drypoint of Manolita [frontispiece], blue cloth gilt, London: P & D Colnaghi & Co Ltd, 1957; The Studio - Modern Masters of Etching No 27 W Russell Flint ARA, 1931; Sir William Russell Flint RA RWS A Precis of Appreciations During Half a Century, 1963 (3) Estimate: 200-300
753.    ANOTHER COPY, EDITION DE LUXE (No 8) Estimate: 200-300
754.    EXHIBITION CATALOGUES. SIR WILLIAM RUSSELL FLINT ROYAL ACADEMY DEFINITIVE UNILLUSTRATED CATALOGUE, in yellow and white wrappers, four copies and Pictures from the Artist's Studio, eight copies [including two of each together bound in white cloth covered boards], pictorial wrappers bound in, 1962 (10) Estimate: 100-150
755.    GARDNER (KEITH S) - SIR WILLIAM RUSSELL FLINT.....CATALOGUE RAISONNÉ OF THE UNSIGNED LIMITED EDITION WORKS ....TOGETHER WITH A REVIEW OF FINE BOOKS AND OTHER COLLECTABLE EPHEMERA [VOL II], 294 from the 500 signed and numbered copies, illustrated, half navy leather gilt with raised bands, slip case, Bristol: Michael Stewart Associates, 1995 Estimate: 100-200
756.    ANOTHER COPY, EDITION DE LUXE (No 51) Estimate: 150-250
757.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - CARMELITA printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 1006 in 1961, 28 x 31.5cm Estimate: 250-350
758.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - THE PENDANT, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 856 in 1966, 53 x 71cm Estimate: 300-400
759.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - TWO MODELS, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 1012 in 1960, 39.5 x 29.5cm Estimate: 250-350
760.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - HOLIDAY AFTER RAMADAN CAIRO, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by Frost & Reed Ltd in an edition of 850 in 1965, 49 x 63cm Estimate: 300-500
761.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) -THE FOUR SISTERS CHAZALET, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by Frost & Reed Ltd in an edition of 675 in 1956, 48 x x 62.5cm Estimate: 300-400
762.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - LAVOIR LABASTIDE, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 856 in 1970, 51 x 68.5cm Estimate: 300-500
763.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - THE SHOWER, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 756 in 1961, 44.5 x 57cm Estimate: 250-350
764.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - THE LITTLE FLOWER GIRL SENLIS, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by Frost & Reed Ltd in an edition of 775 in 1961, 49 x 63.5cm Estimate: 250-350
765.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - SARA, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 856 in 1965, 42.4 x 64.5cm Estimate: 300-500
766.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - RECLINING NUDE I, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by Frost & Reed Ltd in an edition of 850 in 1965, 35 x 61cm Estimate: 400-600
767.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - ACT II SCENE ONE, printed in colour, publisher's blindstamp, published by Michael Stewart Fine Art in an edition of 850 in 1985, 42 x 58.5cm Estimate: 150-200
768.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - ACT II SCENE ONE, printed in colour, publisher's blindstamp, published by Michael Stewart Fine Art in an edition of 850 in 1985, 42 x 58.5cm Estimate: 100-150
769.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - SONNET XXIV, printed in colour, published by The Adam Collection in an edition of 750 in 1977, 35.5 x 48cm Estimate: 100-200
770.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - REPROOF ALMERIA, printed in colour, published by The Medici Society Ltd in an edition of 650 in 1973, 52 x 68cm Estimate: 150-200
771.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - THE DANCE OF A THOUSAND FLOUNCES, printed in colour, published by Frost & Reed Ltd in 1952, 45 x 61cm Estimate: 100-150
772.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - UNDER THE TERRACE BRANTOME, printed in colour, with WRF blindstamp, from an edition of 652, 40 x 53cm, unframed; another print (2) Estimate: 100-150
773.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - GROUP OF IDLERS printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 850 in 1967, 51 x 68cm Provenance: Bob Monkhouse, OBE. Estimate: 150-250
774.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - RECLINING NUDE II printed in colour, signed by the artist in pencil, with FATG blindstamp, published by Frost & Reed Ltd in an edition of 850 in 1966, 34.5 x 60.5cm Provenance: Bob Monkhouse, OBE. Estimate: 150-200
775.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - THE FOUR SISTERS CHAZALET printed in colour, signed by the artist in pencil, with FATG blindstamp, published by Frost & Reed Ltd in an edition of 675 in 1957, 48 x 62.5cm Provenance: Bob Monkhouse, OBE. Estimate: 300-400
776.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - ISABELLA OF LUCENAY printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 856 in 1969, 52.5 x 67cm Provenance: Bob Monkhouse, OBE. Estimate: 250-350
777.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) - ANNE MARIE BY THE LOIRE printed in colour, signed by the artist in pencil, with FATG blindstamp, published by Frost & Reed Ltd in an edition of 800 in 1954, 48.5 x 63cm Provenance: Bob Monkhouse, OBE. Estimate: 250-350
778.    SIR WILLIAM RUSSELL FLINT RA, PRWS, RSW (1880-1969) - THE SHOWER printed in colour, signed by the artist in pencil, with FATG blindstamp, published by The Medici Society Ltd in an edition of 756 in 1961, 46 x 58cm Provenance: Bob Monkhouse, OBE. Estimate: 250-350
779.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) THE CRITICAL MODEL signed, signed again, inscribed with the title and No 70 RA Diploma Gallery Exhibition 1962 Reproduced in colour in Pictures from the Artist's Studio Royal Academy 1962 on the backboard, watercolour, 16.5 x 21.5cm, in the artist's carved giltwood frame Exhibited: Royal Academy, Diploma Gallery, Exhibition of Works by Sir William Russell Flint, 1962, No70 (lent by the artist) Illustrated: Pictures From The Artist's Studio, p30. In the entry in the RA Catalogue, Sir William Russell Flint wrote about The Critical Model: A wise artist invites his model's criticism. He loses nothing and often gains, though occasionally the response may be shattering. The flaxen-haired girl in this tiny picture has been a model since she was fourteen. Her comments as far as pictures are concerned are invariably sensible and shrewd.
I have a weakness for choice old picture frames, especially small ones. Empty, they are useless and are apt to appear worthless. Therefore I have to exert myself, always willingly, to paint something to put into them. As antique carved frames become rarer and rarer a moment is bound to arrive when the pictures contained in them will be of less value than their frames. The caustic antique collector may feel inclined to murmur that that moment has already arrived. Estimate: 10000-15000
780.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) SONNET XX1V signed, inscribed with the title and Now all what good turns eyes for eyes have done: Mine eyes have drawn thy shape..., signed again and inscribed twice with the title and price 1200 gns on the backboard, watercolour, 35.5 x 48cm Estimate: 10000-15000
781.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) VARIATIONS I signed and dated 1960, signed and dated again and inscribed verso [according to a label on he backboard] Cecilia Painted with tremendous pleasure to celebrate Cecilia's return, watercolour, 49.5 x 67.5cm Provenance: Frost & Reed Ltd London, from which bought by the late owner in the early 1960s. Exhibited: Royal Academy, Diploma Gallery Exhibition of Works by Sir William Russell Flint, 1962, No 160. Published by Frost & Reed Ltd as a signed print in an edition of 850 in 1963. Estimate: 20000-30000
782.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) DANZA MONTANA signed, signed again and inscribed on the backboard, watercolour, 49.5 x 67.5cm Provenance: F L Oldham Esq; Frost & Reed Ltd, from which bought by the late owner, c1962. Exhibited: Royal Academy, Diploma Gallery Exhibition of Works by Sir William Russell Flint, 1962, No 156. Published by Frost & Reed Ltd as a signed print in an edition of 751 in 1960. In the entry in the RA Catalogue Sir William Russell Flint wrote about Danza Montana: Tani Morena deserves great credit. Without her admirable posing for the main figure the whole composition might have collapsed into artificiality. By the way, I have yet to read a really adequate description of Spanish dancing, not a technical but what I call a pictorial description. Estimate: 15000-20000
783.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) VARIATIONS IV signed, signed again and inscribed on the backboard, watercolour, 49.5 x 68.5cm Provenance: Frost & Reed Ltd. from which bought by the late owner, c1962. Exhibited: Royal Academy, Diploma Gallery Exhibition of Works by Sir William Russell Flint, 1962, No19 (lent by the artist ) Illustrated: Pictures From the Artist's Studio, p19. Published by Frost & Reed Ltd as a signed print in an edition of 850 in 1966. In the entry in the RA Catalogue, Sir William Russell Flint wrote about Variations IV: It tickles my fancy to notice how some commentators assume that whenever I paint a dark-haired girl she must be Spanish. I have not painted in Spain since before World War II, though I have visited it and often wish I could paint there again. France, not Spain, is my painting country. It is there I have spent a good many years of my life and though to my sorrow I shall never master her graceful tongue I always feel at home there. I know her varied regions far better than most Frenchmen. My sister and I agree that there still must be some sympathy and understanding inherited from 'The Auld Alliance' between France and Scotland. My wife, who had an amazing - and most amusing - knowledge of French history always felt the same, but then some of her forebears - plump parsons, if you please! - had gallivanted off to Paris and Bordeaux to enjoy themselves while their curates carried on at home on miserable pittances. As she had also been 'brought up' in France her liking was natural. Estimate: 20000-30000
784.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) EVE YASMINE AND AN UNFINISHED PICTURE signed, signed again, dated 1957 and inscribed with the title and No 1 on the label on the frame, canvas, 55.5 x 78.5cm. Provenance: Frost & Reed Ltd, London, from which bought by the late owner on 12 June 1964. Frost & Reed Ltd published a signed print of Eve Yasmine and an Unfinished Picture in an edition of 701 in 1958. Estimate: 20000-30000
785.    SIR WILLIAM RUSSELL FLINT, RA, PRWS, RSW (1880-1969) UNDER THE TERRACE BRANTOME signed, signed again and inscribed on the backboard, watercolour, 50 x 67.5cm Provenance: The Fine Art Society Ltd, January 1965. Estimate: 6000-8000
786.    SIR WILLIAM RUSSELL FLINT ra prws rsw THE FROG signed, watercolour, 42 x 49cm Provenance: Baron Fine Art of Chester, from which bought by the present vendor on 20 November 1997 for £21,000. Estimate: 7000-9000
786A.   JOHN SMITH (1652-1743) AFTER SIR GODFREY KNELLER, BT (1646-1723) THO: TOMPION AUTOMATOPAEUS mezzotint, lettered or second state, trimmed to within plate mark, 1697 Estimate: 100-200
787.    JOHN LEECH (1817-1864) - JOHN LEECH'S SKETCHES IN OIL: A NICE GAME FOR TWO OR MORE; THE MERMAIDS HAUNT; SCENE AT SANDBATH; GONE AWAY!; THE OLD FOX HUNTER; NOT A BAD IDEA FOR WARM WEATHER; NONE BUT THE BRAVE DESERVE THE FAIR!; YES MY DEAR! I KNOW THE SEA-BREEZE AFTER BATHING IS BENEFICIAL TO THE BACK HAIR; THE FAIR TOXOPHILITES, nine, chromolithographs with facsimile titles, various sizes to c55 x 74cm (9) Estimate: 1000-1500
788.    RICHARD EARLOM (1743-1822) AFTER JOHN ZOFFANY, RA (1733-1810) COLONEL MORDAUNT'S COCK MATCH mezzotint, partly coloured at later date, published by Laurie & Whittle 12 May 1794, 53 x 68cm, maple frame Estimate: 150-250
789.    WALTER CRANE, RI, ROI, RWS (1845-1915) THE FIRST OF MAY A FAIRY MASQUE, 14 from the 200 sets of India proofs (43 x 60.5cm), signed by Crane, 1881, photogravures, fifty six in (worn) portfolio Estimate: 150-200
790.    FRANCOIS DE VILLAIN (19TH CENTURY) - COLLECTION DES UNIFORMES DE L'ARMEE FRANCAISE DE 1814-1824, six [from the set of 48] lithographs coloured in a contemporary hand, 26 x 20cm, 19th c (6) Estimate: 100-150
791.    LAURIE & WHITTLE, PUBLISHER - ADMIRAL SR HORATIO NELSON KB GIVING THE COMMAND OF HIS SHIP THE VANGUARD TO CAPTN BERRY..., aquatint, coloured in a contemporary hand, published, 12 November 1798, 35 x 26cm; an early 19th c mezzotint under glass of The Noble Admiral LORD NELSON Falling in the Arms of Victory (2) Estimate: 300-400
792.    AFTER JOHN FREDERICK HERRING, SENIOR (1796-1865) FATHERS OF THE TURF (1683-1822) lithograph on wove coloured by hand, republished by Messrs Fores February 1st 1915, 62 x 89.5cm, mahogany frame
Estimate: 100-150
793.    JAMES BOSTOCK, RE, SWE (1917-2006) HYDROGEN (BALLOON OVER ST PAUL'S) 1949 wood engraving, a very fine impression on Japanese tissue, signed with initials in the block, 19 x 18cm Bostock's Hydrogen was commissioned by ICI together with Calcium (Limestone Quarry, Buxton) as illustrations for a promotional brochure entitled Elements of an Industry. In the event it was not used, being reproduced only as a line drawing. The present print is one of only five to ten signed proofs. James Bostock was born in the Potteries and studied mural and decorative painting and engraving at the Royal College of Art under Edward Bawden, Eric Ravilious and John and Paul Nash. Estimate: 100-200
794.    LIONEL MISKIN (1924-2005) - THE NEW MINOTAUR 1998, drypoint, signed in pencil, dated and inscribed, 29 x 41cm; with an unframed abstract ink composition by the artist recto and verso, signed and inscribed TOP END (2) Provenance: (the drawing) A gift from the atist to the present owner, Professor P H Plesch in 1945. Estimate: 100-200
795.    DAVID SHEPHERD, CBE (1931-) - COOL WATERS, printed in colour, signed by the artist in pencil, with FATG blindstamp, published by Solomon & Whitehead Limited in an edition of 850 in 1987, 50 x 82cm Estimate: 100-200
796.    DAVID SHEPHERD, CBE (1931-) - THE SENTINEL, printed in colour, signed by the artist in pencil with printed remarque and publisher's blindstamp, published in an edition of 1500 by Solomon & Whitehead Ltd in 1990, 51 x 78.5cm Estimate: 100-200
797.    DAVID SHEPHERD, CBE (1931-) - THE SENTINEL, printed in colour, signed by the artist in pencil with printed remarque and publisher's blindstamp, published in an edition of 1500 by Solomon & Whitehead Ltd in 1990, 51 x 78.5cm Estimate: 100-200
798.    DAVID SHEPHERD, CBE (1931-) - MRS P AND THE KIDS; EGGS SIXPENCE A DOZEN, two, printed in colour, both signed by the artist in pencil, with publisher's blindstamp, published in editions of 1500 by Solomon & Whitehead Ltd, c1992, 53.5 x 30cm (2) Estimate: 150-200
799.    ANTHONY GIBBS (1951-) - QUIZZICAL QUADRUPED; WHITE TIGERS EVER WATCHFUL; DAWN'S FIRST SCENT, three, printed in colour, all signed by the artist in pencil, with publisher's blindstamp, published in editions of 1500, 1550 and 1100 respectively by Soloman & Whitehead Ltd, 55.5 x 17cm and c (3) Estimate: 200-300
799A.   MUGHAL SCHOOL 19TH CENTURY A PRINCE HUNTING AND OTHER SUBJECTS, six miniatures, ink and bodycolour, various sizes (c18 x 11cm) (6, sold in portfolio) Estimate: 100-200
799B.   WATANABE SHOTEI (1851-1918) BIRDS AND LANDSCAPES ten, all signed and with red ink seal Seitei, ink and wash, various sizes to 56 x 76cm (sold in portfolio, 10) Estimate: 200-400
800.    HUBERT ERNEST BULMER (EXH 1901-1914) A CONNOISSEUR'S COLLECTION signed and dated 1892, pencil and watercolour with white heightening and gum arabic, ESK blindstamp, 48 x 58cm; with the Bronze Medal of the Science and Art Department named to the same, 1894, cased (2)
Estimate: 100-200
801.    MYLES BIRKET FOSTER (1825-1899) MEDITATION pencil and watercolour with bodycolour on coloured paper, 13 x 10.5cm Provenance: Thomas Agnew & Sons Ltd Estimate: 200-400
802.    JOSEPH EDWARD SOUTHALL, RWS (1861-1944) STUDIES OF TWO FASHIONABLE YOUNG WOMEN pencil, twice signed with monogram, dated 7-X-1911, inscribed No VI and Bond St, 17.5 x 10.5cm These studies on a leaf from a sketch book have not yet been identified with a painting and were presumably taken on the spot, in June and October 1911. Similarly young women à la mode are the decorous subject of Southall's most famous work, the fresco Corporation Street Birmingham in March 1914 in Birmingham Art Gallery. Sold with a copy of the Joseph Southall Exhibition Catalogue, 1980. Estimate: 100-200
803.    FOLLOWER OF PAUL SANDBY, RA (1725-1809) THE PROMENADE watercolour, 8.5 x 13.5cm Provenance: The Fine Art Society Ltd, October 1947 (as Paul Sandby, RA) Estimate: 100-150
804.    THOMAS UWINS, RA (1782-1857) FALSTAFF signed, pencil with touches of watercolour, 18 x 27.5cm Provenance: anonymous collector's stamp (Lugt, Supplement, No 486b.) Estimate: 200-300
805.    JOHN VARLEY, OWS (1778-1842) A RIVER GORGE signed, watercolour, 12.5 x 21cm Estimate: 400-600
806.    THOMAS FREDERICK COLLIER (1823-1885) A SPORTSMAN AT THE EDGE OF A WOOD signed and dated 1861, pencil and watercolour heightened with white, 24.5 x 34cm Estimate: 200-300
807.    ETHEL CHARLOTTE HATCH, SWA (1869-1975) SUMMER ROSES signed, watercolour, 24 x 35cm Ethel Hatch was born in Oxford and as a child, with her sister Evelyn, became one of the favourite models of the photographer and author of Alice in Wonderland, the Revd. Charles Lutwidge Dodgson (Lewis Carroll) Estimate: 300-500
808.    ROBERT ANGELO KITTERMASTER MARSHALL (1849-1926) A BEND IN THE RIVER signed, pencil and watercolour with bodycolour and gum arabic, 44.5 x 79.5cm Estimate: 1000-1500
809.    J CHATER (1867) LIVERPOOL DOCKS AND THE RIVER MERSEY a pair, both signed, dated and inscribed Liverpool, pencil and watercolour with white heightening and scratching out, 51 x 74cm (2) These interesting 19th century topographical watercolours of the bustling port viewed looking south from Prince's Landing Stage (with St Nicholas' Church on the left) and looking North from the entrance to Canning Half-tide Basin (with the spire of St Nicholas' Church n the right). Estimate: 2000-3000
810.    HARRY SUTTON PALMER, RBA, RI (1854-1933) VIEW IN THE HIGHLANDS signed, pencil and watercolour with bodycolour and scratching out, 37 x 53.5cm Estimate: 400-600
811.    BEATRICE PARSONS (1870-1955) THE ROSE GARDEN OF MICHELGROVE HOUSE signed, pencil and watercolour heightened with white, 25 x 17cm Estimate: 800-1200
812.    BERNARD FLEETWOOD WALKER, ROI (1893-1965) A SHEET OF FIGURE STUDIES signed, pencil and black and red chalk, 41.5 x 52cm Estimate: 400-600
813.    BERNARD FLEETWOOD WALKER, ROI (1893-1965) STUDY OF A SEATED GIRL pencil and red and black chalk, 40 x 45.5cm Estimate: 300-500
814.    BERNARD FLEETWOOD WALKER, ROI (1893-1965) STUDY FOR A PORTRAIT OF A YOUNG WOMAN kneeling full length, signed, pencil and black chalk, 52 x 39cm Estimate: 400-600
815.    BERNARD FLEETWOOD WALKER, ROI (1893-1965) STUDY FOR A GROUP PORTRAIT pencil and black chalk, 54.5 x 76cm Estimate: 400-600
816.    BERNARD FLEETWOOD WALKER, ROI (1893-1965) STUDY FOR A PORTRAIT OF A FAMILY pencil and black and red chalk with wash, squared for transfer, 62.5 x 68cm Estimate: 400-600
817.    JOHN REED (1838) AN EXTENSIVE EARLY INDUSTRIAL LANDSCAPE TAKEN IN CENTRAL EUROPE, with a dam and weir and the smoking chimney of an engine-house, signed, dated and inscribed Drawn on the spot Augt 15 1838, pen, ink and watercolour, 51.5 x 75cm Estimate: 600-800
818.    ATTRIBUTED TO MATTHEW JAMES MACNALLY (1874-1943) SETTLEMENT IN QUEENSLAND AUSTRALIA bears signature, watercolour, 21 x 27.5cm Estimate: 300-500
819.    MARY HILL (1930) THE OLD WHITE BEAR INN; FEEDING THE PIGEONS; STREET SCENE; ROOFTOPS; IN A MONASTERY GARDEN five, all signed or signed with initials, one inscribed and dated, pencil and watercolour heightened with white, various sizes to 28 x 38cm (5) Estimate: 300-500
820.    ENGLISH SCHOOL SYMBOLIST PORTRAIT OF A YOUNG WOMAN bears initials, pencil and watercolour, circular, 22.5cm diam Estimate: 350-450
821.    WILLIAM PROBYN OF LONGHOPE (FL C1830) TWO PORTRAITS AND A SILHOUETTE OF JOHN PROBYN (D 1863) OF THE MANOR HOUSE LONGHOPE AND A SMALLER DOUBLE PORTRAIT OF MR AND MRS PROBYN four, one signed on a label re-mounted on the backboard, all inscribed, 26 x 18.5cm and smaller (4) Estimate: 400-600
822.    WILLIAM PROBYN OF LONGHOPE (FL C1830) CARICATURES AND SILHOUETTES thirty-five, many signed, mostly inscribed, including the notorious Sir Matthew Wood, an amusing self portrait (?) inscribed I was very handsome once when I was young - indeed I am thought so now by the ladies, One of the Beauport family [reading the lesson] and others in a similar vein, pencil and watercolour or pen and ink, c28 x 21cm and smaller (sold in portfolio, 35) Estimate: 200-300
823.    JOHANN LUDWIG BLEULER (1792-1850) VIEW OF BINGEN signed and inscribed on the grey mount Vue de Bingen..., gouache, 35.5 x 49cm Estimate: 400-600
824.    JEAN HIRREL (1969) PERSONAGES DANS LE CIRQUE; CONTOURNANT LA PAROI ROUGE two, both signed, dated (one 1970) and inscribed, mixed media, 57.5 x 79cm (2) Estimate: 200-300
825.    E DELAGOUE, EARLY 20TH CENTURY LA SEDUCTION DE LA FEMME a set of four, all signed, graphite and gouache, 37.5 x 26cm (4) Estimate: 300-500
826.    H HARDING, EARLY 19TH CENTURY PORTRAIT OF A YOUNG GIRL; A GIRL IN A HEADSCARF a pair, one signed, pencil and watercolour with gum arabic, circular, 12cm diam (2) Estimate: 150-200
827.    LUCIUS ROSSI (1846-1913) LADY SNEERWELL'S DRESSING ROOM IN "THE SCHOOL FOR SCANDAL", signed, pencil and watercolour heightened with white, 14 x 18.5cm Estimate: 300-500
828.    ENGLISH SCHOOL, 19TH CENTURY THE WAY TO THE CHURCH pencil and watercolour with gum arabic, 23 x 17cm Estimate: 100-200
829.    J H HAWKSWORTH (1856) FIGURES ON A ROAD PASSING A BARN; FIGURES AT A CASTLE GATE a pair, both signed and dated, pencil and watercolour, 16 x 24cm (2) Estimate: 150-200
830.    EDWARD LOXTON KNIGHT, RBA (1905-1993) EVENING LIGHT AT RICHMOND ON THAMES signed, gouache, 49 x 73cm Estimate: 300-500
831.    EDWARD LOXTON KNIGHT, RBA (1905-1993) THE ARCHWAY signed, gouache, 70 x 49cm Estimate: 200-300
832.    EDWARD LOXTON KNIGHT, RBA (1905-1993) NEAR NOTTINGHAM; EXTENSIVE LANDSCAPE; THE YORKSHIRE DALES three, all signed, pastel, 15 x 22.5cm (3) Estimate: 150-250
833.    EDWARD LOXTON KNIGHT, RBA (1905-1993) ON THE RIVERBANK; LANDSCAPE; BOATS IN AN ESTUARY three, all signed, pastel, 19.5 x 29.5cm (3) Estimate: 250-350
834.    EDWARD LOXTON KNIGHT, RBA (1905-1993) SILVER LIGHT ON THE SEA; HARVEST TIME; SUNSET three, all signed, pastel or pencil and watercolour, 30.5 x 45.5cm (3) Estimate: 200-300
835.    HESKETH RAOUL LEJARDERAI MILLAIS (1901-1999) STUDY OF A HORSE pen, brush, bistre and black ink and bodycolour, signed, 38.5 x 25cm Estimate: 200-300
836.    ALFRED J BENNETT (1861-C1930) THE BLUMLISALP FROM KANDERSTEG signed, gouache, 41 x 30cm Estimate: 200-300
837.    ALFRED HERBERT (C1820-1861) FISHERFOLK ON A DUTCH BEACH signed with initials, pencil and watercolour with white heightening and gum arabic, 42.5 x 68cm Estimate: 350-450
838.    MISS JULIA JAQUES (FL 1826-1836) ROCKING THE CRADLE; PREPARING DINNER a pair, both with inscriptions and dates verso, watercolour and bodycolour with gum arabic, 33.5 x 28.5cm (2) Estimate: 250-350
839.    THOMAS HOLLOWAY (1749-1827) PORTRAIT OF A BOY in a blue suit with silver buttons, signed on a label on the backboards and inscribed with the artist's address Beaches Row Nr...arles Square Hoxton, pastel, oval, 54.5 x 44cm Holloway exhibited portraits from his address 11 Beaches Row at the Royal Academy from 1781 to 1792. Estimate: 250-350
840.    AUGUST XAVER KARL RITTER VON PETTENKOFEN (1822-1889) TWO STUDIES OF A PEASANT WOMAN graphite on coloured paper, with the studio stamp, 12.5 x 17cm Estimate: 100-200
841.    THOMAS GROVES (EXH 1881-1894) LUDLOW CASTLE signed and dated 1889, pencil and watercolour with white heightening and scratching out, 51 x 74cm Estimate: 200-300
842.    IDA VERNER (EXH 1882-1921) PORTRAIT OF CONSTANCE VESEY bust length, signed Ida Verner Fecit, dated 1923 and inscribed, pastel on coloured paper, 50 x 39cm Exhibited: The Pastel Society. Estimate: 250-350
843.    JOSEPH HARRISON (1843) PORTRAIT OF A LADY seated three quarter length at a table with a book, signed Jo Harrison Pinxit 1843, pencil and watercolour with bodycolour, 23.5 x 19cm Estimate: 100-150
844.    MYLES BIRKET FOSTER, RWS (1825-1899) SHREWSBURY signed with monogram and inscribed to LMB, watercolour heightened with white, 9.5 x 13cm Estimate: 700-900
845.    MICHAEL DAVID BARNFATHER (1934-) FOWEY signed, dated '70 and inscribed, gouache on blue paper, 29.5 x 44cm Estimate: 150-250
846.    THOMAS MILES RICHARDSON, RWS (1813-1890) THE DRACHENFELS ON THE RHINE signed and dated 1857, pencil and watercolour heightened with white, 30 x 49cm Estimate: 400-600
847.    THOMAS FREDERICK COLLIER (1823-1885) STILL LIFE WITH PLUMS GOOSEBERRIES AND STRAWBERRIES signed and dated 1876, pencil and watercolour heightened with white Estimate: 150-250
848.    JONATHAN HALBERT (20TH CENTURY) STUDIES OF BIRDS IN THEIR NATURAL HABITAT, ten, all signed, several dated 1974, 1978 and c, pen, ink and watercolour heightened with white, various sizes to 30 x 40cm (10)
Estimate: 200-300
849.    FOLLWER OF SIR GODFREY KNELLER (1646-1723) PORTRAIT OF THE DUKE OF YORK bust length in armour and lace jabot, 31 x 23cm Estimate: 200-300
850.    FOLLOWER OF SIR GODFREY KNELLER (1646-1723) PORTRAIT OF KING JAMES II bust length, wearing the Order of the Garter, in a feigned oval, 25 x 21cm Estimate: 400-600
851.    FOLLOWER OF JAN VAN HUCHTENBURG (1647-1733) A CAVALRY SKIRMISH panel, 16 x 21cm Estimate: 400-600
852.    ROBERT SMIRKE, RA (1752-1845) DON QUIXOTE AND SANCHO PANZA; SCENE FROM "VENICE PRESERVED"; PROSPERO IN HIS CELL; CINDERELLA four, oil sketches, all but the first panel, 23 x 19.5cm and smaller (4) Provenance: Thomas Agnew & Sons Ltd. Estimate: 200-400
853.    FRENCH SCHOOL, 19TH CENTURY STILL LIFE WITH FLOWERS INCLUDING ROSES TULIPS AND CHRYSANTHEMUMS IN A SCULPTED URN ON A LEDGE canvas laid on panel, oval, 65 x 53cm Estimate: 300-500
854.    WILLIAM A NEWMAN (EXH 1885-1895) WILFORD NEAR NOTTINGHAM; HAYMAKING NEAR NOTTINGHAM two, both signed, panel, 28 x 44cm and smaller (2) Estimate: 250-350
855.    ENGLISH SCHOOL, 17TH CENTURY PORTRAIT OF BISHOP BRADFORD (c1510-1555) bust length holding a book, with inscription upper right and left JOHN BRADFORD MARTIR, panel, 54.5 x 42.5cm Estimate: 400-600
856.    JAMES FRASER TAYLOR (FL 1877-1913) FEEDING THE DUCKS signed and dated 1880, 60 x 43.5cm
Estimate: 2000-3000
857.    ARTHUR TREVOR HADDON, RBA (1864-1941) A VENETIAN CANAL signed, canvas-board, 39.5 x 29cm Estimate: 800-1200
858.    HENRY DAWSON (1811-1878) A PEACEFUL BACKWATER signed with monogram and dated 1856, prepared panel, 29 x 44.5cm Estimate: 500-700
859.    FOLLOWER OF JOHN COLLIER, CALLED 'TIM BOBBIN' THE GOOSE THAT LAID THE GOLDEN EGG panel, 21 x 17cm Estimate: 200-300
860.    BESSIE BAMBER (FL C1895-1910) SIX KITTENS signed and dated '09, walnut panel, the edges chamfered, 30 x 95cm, unframed Estimate: 1000-1500
861.    MATHIAS ROBINSON (FL 1856-1884) IN THE BARBER'S CHAIR signed with initials and dated '66, 34.5 x 29cm Estimate: 800-1200
862.    HARRY COLLS (FL 1878, D1890) THE FISHING FLEET AT SUNSET signed and dated 90, 29.5 x 59.5cm Estimate: 300-400
863.    WILLIAM BROMLEY (C1815-1888) THE SPRING signed, 34 x 44.5cm Estimate: 800-1200
864.    BRITISH SCHOOL, 20TH CENTURY JERSEY JOE WALCOTT V. JOE LOUIS MADISON SQUARE GARDENS NEW YORK CITY 1947 signed with initials VF, 39 x 59.5cm Estimate: 200-300
865.    GEORGE PERCY JACOMB-HOOD, RBA, RE (1857-1929) VENETIAN FISHERMEN signed and dated 98, board, 12.5 x 20cm, contemporary gilt Watts frame Estimate: 200-300
866.    ENGLISH SCHOOL, BEFORE 1812 PORTRAIT OF A SERGEANT OF THE EAST YORK MILITIA, half length in uniform, 58 x 48cm Estimate: 600-900
867.    ENGLISH (?) SCHOOL 16TH CENTURY SCENES FROM THE PASSION OF CHRIST panel, now in three sections, largest c134 x 51cm, unframed (3)
These interesting fragments from an early sequence of paintings of the Passion include Christ washing St Peter's feet before the Last Supper and Christ before Herod. Although unprovenanced, there is a tenuous connection with Norfolk, but it is not known whether the panels were decoration originally from a church (for example a screen) or some substantial dwelling house Estimate: 3000-5000
868.    FOLLOWER OF WALTER RICHARD SICKERT (1860-1942) THE GARRET signed indistinctly, 49 x 38.5cm Estimate: 200-300
869.    J LESLEY (FL LATE 19TH CENTURY) MORNING IN THE HIGHLANDS signed, 44 x 65cm Estimate: 100-200
870.    CECIL ROCHFORT D'OYLY-JOHN (1906-1993) CAP FERAT NEAR NICE; THE BOOKSHOP OF SAINT PAUL DE VENCE two, both signed and inscribed verso, 21.5 x 36cm and 24 x 34cm respectively (2) Estimate: 300-500
871.    CECIL ROCHFORT D'OYLY-JOHN (1906-1993) BENEATH THE PALMS; UNLOADING THE BOATS two, both signed, the first board, 21.5 x 36cm and 24 x 34cm respectively (2) Estimate: 250-350
872.    HENRY HARRIS BROWN, RP, NPS (1864-1949) THE YELLOW FAN signed and dated 1889, 60 x 50cm Estimate: 500-700
873.    ENGLISH SCHOOL, 19TH CENTURY PORTRAIT OF A WHITE STALLION signed with initials JEB, inscribed verso Jericho n t, zinc panel, 20 x 25cm, unframed Estimate: 150-250
874.    LESLIE SMYTH (FL LATE 19TH CENTURY) EVENING MOEL SIABOD signed and dated 1875, inscribed verso Moel Sibode [sic] N Wales, 70.5 x 122cm Estimate: 1000-1500
875.    CHARLES ARCHER (1855-1931) STILL LIFE WITH ROSES AND IVY ON A MOSSY BANK signed, arched top, 52 x 42cm Estimate: 1000-2000
876.    ENGLISH SCHOOL, EARLY 19TH CENTURY A VIEW OF CLUMBER HOUSE NOTTINGHAMSHIRE FROM THE PARK, board, 20.5 x 28cm Estimate: 200-300
877.    EDWARD BROWN OF COVENTRY (1823-1877) PORTRAIT OF A HORSE IN A LANDSCAPE signed and dated 1876, 56.5 x 70.5cm Estimate: 500-700
878.    TONY CARDELLA (1898-1976) PORTOFINO signed, 59 x 71cm Estimate: 250-350
879.    SIR FRANCIS CYRIL ROSE, BT (1909-1979) THE HARLEQUIN signed, dated 1963 and inscribed The Harlequin: Alan Helm, signed, dated [1962] and inscribed again verso, 74.5 x 59.5cm Estimate: 800-1200
880.    FOLLOWER OF ANTON MAUVE (1838-1988) FEEDING THE SHEEP IN WINTER bears signature, panel, 17 x 26cm Estimate: 200-400
881.    JOHN EMMS (1843-1912) STUDY OF A BULLFINCH ON APPLE BLOSSOM incised signature Jno Emms, circular, 20cm diam Estimate: 600-800
882.    WILLIAM JAMES LAIDLAY, NEA, RBA (1846-1912) COASTAL SCENE signed, board, 28 x 37cm Estimate: 200-300
883.    JAMES GOMME (1817) ASKEATON CASTLE ON THE RIVER DEEL COUNTY LIMERICK, signed, dated 1817, inscribed ASKEYON [sic] and Hammersmith verso, panel 12 x 17.5cm The artist could well be identified with James Gomme (1726-1825) a furniture maker of High Wycombe and Hammersmith and a keen member of the Society of Antiquaries. A somewhat eccentric figure, he was a friend of Edmund Burke and issued his own token coinage. Clearly by an untrained hand, but given the amount of detail depicted, the present panel is obviously by one interested in the architectural heritage so beloved of that learned society. It is likely that it was copied, perhaps from an engraving, which may explain the misspelt title. A remarkably similar view of the castle, painted by Samuel Frederick Brocas (c1792-1847) is illustrated Laffan (W, editor), Painting Ireland: topographical views from Glin Castle, 2006, plt 45. Mellors & Kirk is very grateful for the assistance of Andrew Moore of the National Gallery of Ireland in the cataloguing of this lot. Estimate: 300-500
884.    ANNE SHINGLETON (1953-) SUNFLOWERS signed and dated '91, 53.5 x 43.5cm Estimate: 200-300
885.    FOLLOWER OF SALOMON KONINCK (1609-1656) A PHILOSOPHER 99 x 79cm
Estimate: 300-400
886.    PIERRE DE CLAUSADE (1910-1976) DUNES DU NORD signed, 58 x 79cm Provenance: G M Lotinga, London, from whom bought by the late owner in the early 1960s. Estimate: 800-1200
887.    G BENNETT-OATES (1928-) PINK AND WHITE HOLLYHOCKS signed and dated '81, panel, 58.5 x 51cm Provenance: E Stacy-Marks Ltd, Eastbourne, from which bought by the late owner in 1981. Estimate: 700-1000
888.    FOLLOWER OF ADAM PYNACKER (1622-1673) A SOUTHERN WOODED LANDSCAPE WITH PEASANTS AND ANIMALS BY A RIVER panel, 46 x 62.5cm There are several wax impressions of an unidentified seal on the reverse of the support. Estimate: 3000-5000
889.    FOLLOWER OF JAN BRUEGHEL THE ELDER (1568-1625) AND HENDRIK VAN BALEN (1575-1632) ALLEGORY OF EARTH 33.5 x 46cm
An early copy of a composition much favoured by Jan Brueghel the Elder and continued by his son, Jan Brueghel the Younger. The earth, represented by Ceres, the goddess of agriculture is attended by two satyrs and putti Estimate: 2000-4000
890.    FOLLOWER OF JACOB ISAACKSZ. VAN RUISDAEL (C1628-1682) WOODED LANDSCAPE WITH FIGURES ON A SANDY ROAD BEFORE A DISTANT TOWN with signature, 34.5 x 39.5cm Estimate: 2000-3000
891.    PAULUS CONSTANTIJN LA FARGUE (1729-1782) SCENE AT HALFWEG signed and dated P C la Fargue pinx 1777, panel, 32 x 44cm
Provenance: Sold at auction in The Hague (Kann), 24 August 1803, lot 58 (as 'Een Gezicht op Halfweegen Haarlem, ryk gestoffeerd en Meesterlyk geschildert door P.C. La Fargue, op paneel, hoog 13, breed 15 duim [34 x 39.3cm]), bt. I Kann for f14.15; anon sale (the property of Mrs E Asscher, deceased), Christie, Manson & Woods, 6 May 1938, lot 41 (as P C LA FARGUE. A VIEW OF HALFWEG, HAARLEM, with figures on a road in the foreground. signed, and dated 1777. On panel 12 ½ in. by 17 ½ in [ 31.8 x 45.5cm]), bt. Knoedler for £54.12.0. Paulus Constantijn la Fargue (and his younger brother Jacob Elias) made several sketches of Halfweg. A highly finished wash drawing en grisaille of 1778 (the year after the present painting) now in the Amsterdam Historical Museum is taken from precisely the same spot and has very similar staffage. It is illustrated I Oud and L van Oosterzee, Oude tekeningen in het bezit van het Amsterdams Historisch Museum, waaronder de collectie Fodor. Deel 5. Nederlandse tekenaars geboren tussen 1660 en 1745, Zwolle 1999, p86, no 68. The picturesque village of Halfweg (midway between Amsterdam and Haarlem) was popular with 18th century contemporaries of the brothers la Fargue, including Jan ten Compe, Jan Ekels the Elder and Johannes Janson, the last of which painted it at least three times. The fine classical building on the left, with its swan capped piers is the Huis Swanenburg, the seat of the Hoogheemraadschap van Rijnland built in 1645-8 by the architect, painter and printmaker Pieter Post (1608-1669) (see J J Terwen and K A Ottenheym, Pieter Post (1608-1669), Architect, Zutphen 1993, pp155-160). To the right is the Spaarndammer-dijk behind which is the 'IJ' (a broad river, originally a bay). In the distance can be seen the Haarlemmertrekvaart (Haarlem ship canal). Following the reclamation of the Haarlemmermeer the Huis Swanenburg became a sugar factory. Only its classical façade remains today. Mellors & Kirk is very grateful for the assistance of Dr Charles Dumas of the Netherlands Institute for Art History, The Hague in identifying the topography. The work will be included in Dr Charles Dumas' forthcoming Catalogue Raisonné of the La Fargue family.
Estimate: 3000-5000
892.    RICHARD HILDER (1813-1848) A VIEW ON MOUSEHOLD HEATH NEAR NORWICH panel, 26.5 x 42.5cm Estimate: 800-1200
893.    FOLLOWER OF WILLEM KALF (1619-1693) LUXURIENT STILL LIFE WITH ROSES A PEELED ORANGE GOOSEBERRIES AND OTHER FRUIT A HERRING GARLIC A ROEMER AND TWO BUTTERFLIES, 53 x 44cm Estimate: 3000-5000
894.    STUDIO OF SIR GODFREY KNELLER (1646-1723) PORTRAIT OF A LADY three quarter length in an ivory satin gown, bears signature, 124 x 101cm, giltwood cavetto frame Estimate: 2000-3000
895.    GERARDUS HENDRIKS (1804-1859) THE FERRY; SCENE IN A DUTCH ESTUARY a pair, both signed, 40 x 54cm (2) Estimate: 2000-3000
896.    GERARDUS HENDRIKS (1804-1859) THE FERRY signed, 40.5 x 54.5cm Estimate: 800-1200
897.    GERARDUS HENDRIKS (1804-1859) THE FERRY signed and dated 1848, 69.5 x 98.5cm Provenance: W H Patterson, London, from whom bought by the late owner. Estimate: 5000-7000
898.    FOLLOWER OF SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF MRS SARAH VAUGHAN AND HER CHILDREN 90 x 69cm, in 18th c giltwod frame The sitter was the daughter of Philip Portheroe, MP for Bristol. Estimate: 2000-3000
899.    ADRIEN WULFFAERT (1804-1873) THE MARRIAGE CONTRACT signed and dated 1843, panel, 70.5 x 84.4cm Estimate: 3000-5000
900.    JANE NASMYTH (1778-1867) NEAR LOCH LOMOND DUMBARTON indistinctly signed ...AS..., 44 x 59cm Jane Nasmyth exhibited a similar landscape at the Royal Society of British Artists in 1864 (sold 10gns); it was sold Christie's Edinburgh, 27 October 2005, lot 12. Estimate: 2000-3000
901.    AFTER JAN STEEN (C1626-1679) THE FEAST OF ST NICHOLAS 52.5 x 43cm Provenance: W H Patterson, London, from whom bought by the late owner. Estimate: 1000-1500
902.    CIRCLE OF GEORGE HENRY HARLOW (1787-1819) PORTRAIT OF A LADY; A GENTLEMAN a pendant, both seated half length before drapery, panel, 32 x 27cm (2) Estimate: 600-800
903.    EVERHARDUS KOSTER (1817-1892) BREAKING THE ICE signed, 27.5 x 37cm Provenance: W H Patterson, London, from whom bought by the late owner. Estimate: 800-1200
904.    ERWIN EICHINGER (1892-1950) HIS FAVOURITE PIPE; A GOOD DRINK a pair, both signed, board, 26 x 19cm (2) Provenance: G M Lotinga, London, from whom bought by the late owner. Estimate: 600-900
905.    WILLIAM MELLOR (1851-1931) SKELWITH FORCE WESTMORLAND; POSFORTH GHYLL YORKSHIRE a pair, both signed, inscribed verso, 44.5 x 34cm (2) Estimate: 4000-6000
906.    Michael Barnfather's panoramic English landscapes, especially those of his native Derbyshire have long been keenly collected, although few appear at auction as owners tend to keep them. Always easy on the eye whatever the season, they are carefully composed, with no particular element allowed to dominate, or detract from the expanse of the gently rolling countryside. He was born in Ilkeston and after national service in the Royal Air Force trained at Derby and Shrewsbury Colleges of Art before working for a time at Rolls Royce as a technical artist. He became a professional artist in 1964. MICHAEL DAVID BARNFATHER (1934-) AUTUMN COLOUR AT ALSOP-EN-LE-DALE DERBYSHIRE signed and dated '79, inscribed on the selvedge, 36.5 x 105cm Estimate: 300-400
907.    MICHAEL DAVID BARNFATHER (1934-) DECEMBER MORNING AT PILSLEY DERBYSHIRE signed and dated '77, inscribed on the selvedge, 37 x 105.5cm Estimate: 300-400
908.    MICHAEL DAVID BARNFATHER (1934-) SNOW NEAR TETBURY signed and dated 1978, inscribed on the selvedge, 36 x 106cm Estimate: 300-400
909.    MICHAEL DAVID BARNFATHER (1934-) SPRING NEAR WESTONBIRT signed and dated '78, inscribed on the selvedge, 36.5 x 75cm Estimate: 300-400
910.    MICHAEL DAVID BARNFATHER (1934-) A COOLING DIP WHARFDALE YORKSHIRE signed, 38.5 x 54cm Estimate: 300-400
911.    MICHAEL DAVID BARNFATHER (1934-) GRINTON ON THE RIVER SWALE YORKSHIRE signed and dated '77, inscribed on the selvedge, 25 x 35cm Estimate: 200-300
912.    MICHAEL DAVID BARNFATHER (1934-) WINTER ON A LAKE DISTRICT SMALLHOLDING signed and dated '77, inscribed on the selvedge, 49 x 100cm Estimate: 400-600
913.    CHARLES ARCHER (1855-1931) STILL LIFE WITH APPLES GRAPES DAMSONS AND A WALNUT ON A MOSSY BANK signed, panel, 33 x 47cm Estimate: 800-1200
914.    EDWIN HAYES, RHA, RI, ROI (1819-1904) THE FISHING FLEET OFF THE IRISH COAST
signed E Hayes A.R.H.A and dated 1852, 39 x 59cm Estimate: 2000-3000
915.    ENGLISH NAIVE ARTIST, 19TH CENTURY PORTRAIT OF A PRIZE SHORT HORN BULL IN A LANDSCAPE, inscribed [on the tree] BRED & FED BY MR EVANS ALLPORT BAKEWELL 4 YEAR & 7 MONTHS, 50.5 x 72.5cm Estimate: 800-1200
916.    J C BUCHMANN (1826) PORTRAIT OF A CHILD seated full length, holding a rose in a landscape, signed J C Buchmann pinxt and dated verso, 74.5 x 62.5cm Estimate: 800-1200
917.    FOLLOWER OF JOHN FREDERICK HERRING, SENIOR (1795-1865) PORTRAITS OF THE RACEHORSES TARRARE AND BIRMINGHAM a pair, one bears signature, 30 x 41.5cm (2) Estimate: 500-700
918.    A MAORI WHALEBONE HAND CLUB, PATU/MERE, of characteristic spatulate form with grooved handle and a small circular hole, 44cm l, 19th c Provenance: Acquired in New Zealand in the 1860s by the Rev J S Wright of Nottinghamshire. He travelled extensively throughout Polynesia and Africa and retired from missionary work before 1888 as he attended the re-opening of Southwell Minster in that year; acquired by his cousin, W H Bonser Esq and thence by descent to the present vendor. Estimate: 1000-1500
919.    A WEST AFRICAN CARVED WOOD CEREMONIAL PADDLE, the blade carved on one side with two figures, a bird and knot, the other side with teeth, having chip carved and pierced terminal, 150cm l, early 20th c; a carved spoon, ladle and two headrests (5) Estimate: 100-150
920.    A MAORI NEPHRITE CLUB, of spatulate form, the handle with hole and three grooves, 20cm l, 20th c Estimate: 100-150
921.    TWO ASSEGAIS, with long or spatulate blade, wood shaft and iron spike, 178cm & 187cm, late 19th c Estimate: 100-150
922.    A GEORGE III SILVER GILT-HILTED SMALL-SWORD, the hollow triangular blade engraved with scrolling foliage, oval guard, pair of arched arms, quillon, knuckle-guard, wire grip and ovoid pommel, blade 77cm, by Charles Freeth, Birmingham 1779 Estimate: 250-350
923.    AN ENGLISH BASKET-HILTED BACKSWORD, the associated tapering blade faintly inscribed ANDR[EA]/FERARA in twin fullers, the 'mortuary'-type basket-guard chiselled with a man on horseback, two grotesques and foliage, ovoid pommel, blade 84cm, mid 17th c Estimate: 400-600
924.    AN ENGLISH DISH-HILTED RAPIER, the associated blade of hexagonal section, the dish-guard retaining traces of gilding and chiselled with a cruciform design and six masks, faceted pommel, blade 82.5cm, mid 17th c Estimate: 300-500
925.    A 1796 PATTERN LIGHT CAVALRY OFFICER'S SWORD AND SCABBARD, the single-fullered etched blade with cutler's signature H OSBORN, with steel stirrup hilt and wire bound leather grip, blade 83.5cm Estimate: 300-400
926.    A SINHALESE DAGGER, PIHA-KAETTA, with steel and chiselled brass blade and carved horn grip, 25cm h, 19th c; a Continental knife, possibly a vendetta knife, 19th c; three Victorian socket-bayonets and three other bayonets (12) Estimate: 200-300
927.    A FRENCH DOUBLE-BARRELLED FLINTLOCK GUN, the 32cm barrels decorated in gold with sunburst foresight, trophies and inscribed ESCALER RUE DE TOURNON A PARIS and with illegible barrelsmith's stamp, the locks also signed ESCALER PARIS, the chiselled and engraved steel mounts comprising tang, trigger-guard with pineapple finial and backstrip, cartouche and two ramrod pipes, the walnut half stock carved with rocaille and with detachable butt, associated horn-tipped ramrod, 67cm, c1780 Estimate: 300-500
928.    A FLINTLOCK TRAVELLING PISTOL, with 9.5cm turn-off cannon barrel and box-lock action, engraved with scrolls, signed Willmore London and with engraved tang and trigger guard, the walnut butt inlaid with silver wire scrolls and initialled oval escutcheon, chased mask butt cap, by Charles Freeth, Birmingham hallmark, 24.5cm, Birmingham view and proof marks, c1785 Estimate: 200-300
929.    A FLINTLOCK TRAVELLING PISTOL, with 9.5cm turn-off cannon barrel and box-lock action, engraved with scrolls, signed Hall London, and with engraved tang and trigger guard, the walnut butt inlaid with silver wire scrolls and with chased mask butt cap, by Charles Freeth, Birmingham hallmark, 24.5cm, Birmingham view and proof marks, c1785 Estimate: 120-250
930.    A FLINTLOCK BLUNDERBUSS PISTOL, the 15cm swamped brass barrel belled at the muzzle, engraved on the top flat LONDON and signed on the stepped and engraved lock CLARK, the brass trigger guard with pineapple finial and two ramrod pipes with a ramrod, walnut full stock, 26cm, Birmingham view and proof marks, c1810 Estimate: 300-400
931.    A FLINTLOCK PISTOL, with 12cm turn-off cannon barrel, box-lock action engraved with scrolls and signed STATON LONDON, the tang and trigger guard also engraved, the flat sided walnut butt profusely inlaid with silver wire scrolls and a shell, 30cm, Birmingham view and proof marks, c1780 Estimate: 200-300
932.    A WATERS PATENT FLINTLOCK BLUNDERBUSS PISTOL, the swamped brass barrel belled at the muzzle and with brass box-lock action signed WATERS & CO PATENT No 931 in bright cut borders, with two ramrod pipes and a horn-tipped ramrod, sliding steel safety latch, spring bayonet, trigger guard with bayonet release and flat sided walnut butt, 32cm, Birmingham view and proof marks, c1790 Estimate: 600-800
933.    A FLINTLOCK POCKET PISTOL, with 5.5cm turn off cannon barrel engraved at the breech, signed BUCKMASTER LONDON and with engraved tang and trigger guard with rose, the walnut butt carved with a shell, 19cm, London view and proof marks, maker's initials and 1, mid 18th c Estimate: 200-300
934.    A FLINTLOCK TRAVELLING PISTOL, the 9.5cm browned octagonal barrel with fore sight and inscribed on the top flat BURY [ST EDMUNDS], signed on the stepped and bevelled lock C Parker, with sliding safety catch, engraved tang and trigger guard with pineapple finial, ramrod pipe and silver escutcheon, the walnut full stock with chequered grip, 21cm, c1800 Estimate: 250-350
935.    A FLINTLOCK POCKET PISTOL, the 7cm turn-off cannon barrel numbered 2 with engraved box-lock action signed on a scroll KETLAND and with an engraved tang, folding trigger and bottom-mounted sliding safety catch, the walnut stock inlaid with silver wire scrolls and with chased silver mask butt cap, by Charles Freeth, Birmingham hallmark, 21.5cm, view and proof marks, c1785 Estimate: 200-300
936.    A FLINTLOCK POCKET PISTOL BY HENRY NOCK, the 4cm turn-off barrel engraved at the muzzle with leaves, the box-lock action with a sunburst before the signature NOCK LONDON and decorated with trophies, the folding trigger with finely engraved sliding safety catch also locking the steel, with chequered walnut butt and silver vacant lozenge escutcheon and butt cap engraved with the Sun in splendour, 15.5cm, Birmingham proof marks, c1780 Estimate: 200-300
937.    A DOUBLE-BARRELLED FLINTLOCK PISTOL, with 10.5cm engraved barrels, the steel mounts including chiselled trigger guard with moulded finial and spurred butt cap, the walnut full stock carved with scrolling foliage and with silver armorial escutcheon, 22cm l, c1770 Estimate: 200-300
938.    A 120 BORE PERCUSSION KNIFE-PISTOL BY JAMES RODGERS, the nickel frame with horn scales and enclosing the action, surmounted by an octagonal nickel barrel with folding trigger, the graduated steel blades stamped JAMES RODGERS SHEFFIELD, the butt fitted with track, bullet mould and pair of tweezers, 25cm overall, Birmingham proof marks, c1865 Another example was sold, Thomas Del Mar Ltd in association with Sotheby's, London 25 June 2008, lot 459. Estimate: 300-500
939.    A FLINTLOCK DUELING PISTOL, the 23.5cm octagonal swamped barrel with engraved breech and tang, signed on the stepped and bolted lock Ryan & Watson, the figured walnut full stock with brass mounts including trigger guard with pineapple finial, pair of ramrod pipes, side nail cup and vestigial side plate, 37cm, Birmingham proof marks, c1800 Estimate: 250-350
940.    AN ENGLISH BRASS POWDER-TESTER, the wheel calibrated from 1 to 6 and engraved with a flower, with steel spring and raised vent for hand ignition, walnut butt, 17cm l, 18th c Estimate: 100-200
941.    AN ENGLISH FLINTLOCK TINDER-LIGHTER, of steel and engraved brass decorated with foliage, one side with stamped signature W SI..FIELD, with vertical steel hook on inverted 'Y' shaped foot and chequered boxwood half-stock, 19cm l, early 19th c Estimate: 100-200
942.    A FLINTLOCK POCKET PISTOL, the 6.5 cm turn-off cannon barrel stamped on the underside of the breech I PEARSON PRESTON, with broad plain trigger guard and walnut butt, 19.5cm, c1780 Estimate: 150-250
943.    A FLINTLOCK POCKET PISTOL, the 12cm rifled barrel with spring-bayonet beneath, the box-lock action engraved on an oval BATH and decorated with trophies, having sliding thumbpiece safety catch and sliding bayonet-release, the trigger guard engraved with a rose, the chequered walnut butt with silver escutcheon, view and proof marks stamped in an engrailed oval, 26cm, c1820 Estimate: 250-350
944.    A FLINTLOCK PISTOL, the 19cm moulded turn-off cannon barrel with engraved breech and tang, signed on the engraved lock I JENKINS, the carved walnut half-stock with brass mounts comprising chiselled trophy sideplate, cartouche, trigger guard and finial and mask butt cap, further decorated with silver wire stringing, 33cm, London view and proof marks, mid 18th c Estimate: 150-250
945.    A FLINTLOCK BLUNDERBUSS PISTOL, the 20.5cm swamped brass barrel belled at the muzzle and engraved at the breech with foliage, the spring-bayonet released by a catch on the tang, signed on the stepped and engraved lock WILSON, with brass trigger guard, pineapple finial and two ramrod pipes, chequered walnut stock, 34cm, Birmingham view and proof marks, c1820 Estimate: 500-700
946.    A NEWLAND PATTERN FLINTLOCK PISTOL, of Regulation type, the 22.5cm barrel stamped with ordnance, view and proof marks, the stepped lock stamped TOWER GR and crown, the walnut stock with brass mounts, the trigger guard engraved A NYC 9 and with stirrup ramrod, 38.5cm, early 19th c Estimate: 200-300
947.    A PAIR OF FLINTLOCK POCKET PISTOLS, with brass 6.5cm turn-off cannon barrel and engraved box-lock action signed Kingdon and decorated with festoons, steel sliding safety catch and engraved trigger guard with walnut butt, 19cm, view and proof marks, c1780 Estimate: 300-400
948.    A BRASS-MOUNTED HORN POWDER FLASK, with spring cap, wood stopper and two iron loops, 33cm l, late 18th c Estimate: 100-150
949.    A FLINTLOCK MUSKET, with 114cm swamped barrel, the lock engraved with elephant device of The Honourable East India Company and stamped WARRANTED, with brass sideplate, trigger guard, four ramrod pipes and butt plate, the walnut three quarter stock with steel loops and ramrod, 158cm l, Birmingham view and proof marks, c1800 Estimate: 200-300
950.    AN 1853 PATTERN ENFIELD PERCUSSION CARBINE, with folding sight, the lock stamped 1861 TOWER, VR and crown, the stock with circular branded stamp dated 1861, 124cm, with socket bayonet and scabbard Estimate: 600-800
951.    AN INDIAN EMBOSSED HIDE SHIELD, DHAL, with bands of comb pattern and crosses, 58cm diam, 19th c Estimate: 100-150
952.    TWO ITALIAN MORIONS, formed in one-piece with almond shaped crown and vestigial 'stalk', integral stepped rim or cable rim and fourteen rivits with flower shaped washers, gilt on one, 22 & 26.5cm h, c1600 Estimate: 600-800
953.    A VICTORIAN OFFICERS FULL-DRESS SILVER-MOUNTED SHOULDER-BELT AND POUCH, with prickers and chain, both by Bent & Parker, Birmingham 1871 & 91; another shoulder-belt pouch, Birmingham 1901; a Victorian silver Inkerman chain and whistle, maker's mark poorly struck, Birmingham 1885 (4) Estimate: 200-300
954.    A SMALL COLLECTION OF THIRD REICH MEMORABILIA, comprising an officer's summer tunic with silver thread insignia, an armband, the device of the RAD in embossed aluminium, an Allach porcelain teacup and saucer and a presentation plate of The National Hunting Association by Wellmer, silver, all c1940-45 (6) Estimate: 300-500
955.    A GERMAN IRON STRONG BOX, of braced and riveted construction with lock to the underside of the lid, twisted handle to either end, 42cm h; 77 x 43cm, 17th c Estimate: 400-600
956.    AN ENGLISH STAINED AND TURNED WOOD CAT, 23cm h; a Victorian brass mounted mahogany pill machine and part of another (4) Estimate: 100-150
957.    AN ENGLISH LEAD/BRONZE COOKING POT OR CAULDRON, the tapered, slightly bellied form with flared rim, moulding lines and two angled handles, on three short reeded legs with moulded feet, 19cm h, 17th c Estimate: 200-300
958.    A GEORGE III BRASS-BOUND ELM BEER COASTER, on four iron castors, 50cm l Estimate: 150-200
959.    AN EARLY VICTORIAN CAST-IRON BOOT SCRAPER, in the form of addorsed griffins, mounted on siena marble with brass base plate, 26cm h; a pair of Victorian cast-iron boot scrapers (3) Estimate: 80-120
960.    A VICTORIAN GILT BRASS LION RAMPANT DOOR PORTER, 38cm h; a Coalbrookdale Co cast-iron door porter in the form of a medieval knight, marked THE COALBROOKDALE COMPANY REGISTERED OCTOBER 28TH 1841 NO 893; another, in the form of a cat (3) Estimate: 100-200
961.    A GEORGE III BRASS DOG COLLAR, with rolled and stamped edges and substantial leash ring, approx 15cm diam, traces of engraving and black leather lining Estimate: 100-200
962.    AN ENGLISH OAK OFFERTORY BOX, of octagonal form with iron nailed lid and hinged hasp with coin slot and iron handles, 43cm h, 17th c Estimate: 150-250
963.    A TREEN CORN SHAUL, 72cm w; an iron bound bentwood bushel; an oak hanging candle box, all early 19th c (3) Estimate: 100-200
964.    AN ENGLISH LEAD-BRONZE SKILLET, the handle cast with the inscription Ye WAGES OF SIN IS DEATH, with arrowhead device at the tip and rough notched wedge-shaped bracket, on three feet, bowl 18cm diam, 42cm l, 17th c The arrowhead device may be that of the founder, John Fathers. Estimate: 100-200
965.    AN ENGLISH LEAD-BRONZE SKILLET, the handle cast with the inscription PRAIES GOD FOR ALL..., with shallow wedge-shaped bracket, on three tapered feet, bowl 16.5cm diam, 39.5cm l, 17th c Although now worn, the handle tip bares the arrowhead device thought to be that of the founder John Fathers. Estimate: 200-300
966.    AN ENGLISH LEAD-BRONZE SKILLET, the handle cast with the inscription IOHN [the N reversed] FATHERS, with triangular wedge-shaped bracket, on three tapered feet, bowl 20cm diam, 45cm l, 17th c John Fathers and successors, founders of Montacute, Somerset, fl 1660-1749. Estimate: 300-500
967.    AN ENGLISH LEAD-BRONZE SKILLET, the cast handle moulded with two lines, the bowl with the initials MH, on three tapered feet, bowl 23.5cm diam, 54.5cm l, 17th c Estimate: 400-600
968.    AN ENGLISH LEAD-BRONZE SKILLET, the cast handle moulded with two lines, on three slightly outsplayed feet, bowl 11.5cm diam, 25.5cm l, 17th c Estimate: 200-300
969.    AN ENGLISH LEAD-BRONZE SKILLET, the handle cast with the inscription C V[reading U] B LOYAL TO HIS MAGISTE with arrowhead device at the tip and notched triangular wedge-shaped bracket, on three tapered feet, bowl 19.5cm diam, 47cm l, 17th c The arrowhead device may be that of the founder, John Fathers. A similar example is illustrated Gentle (R) & R Feild, Domestic Metalwork 1640-1820, revised edition, Woodbridge 1994, p244. Estimate: 300-500
970.    SKITTLES. AN UNUSUAL VICTORIAN PAINTED AND GILTWOOD TABLE OF RULES OF THE GAME, as a green trompe l'oeil banner inscribed with seven numbered rules (including "Swearing & Betting Strictly Prohibited") hanging from a gilt pole carried by foxes, 74 x 49cm, framed Estimate: 600-800
971.    A VICTORIAN CARVED AND DARK STAINED OAK HERALDIC BEAST IN THE FORM OF A HOUND, 50cm h Estimate: 100-150
972.    A PAIR OF VICTORIAN CARVED MAHOGANY LION MONOPODIAE, 86cm h; a carved and polychromed oak panel, of St Michael, 42 x 27cm; a carved oak mask corbel and various carved oak appliqués and architectural elements, 17th-early 20th c; (15)
Estimate: 200-300
973.    A GEORGE III MAHOGANY WRITING BOX, with stepped and fitted interior and enclosed by a tambour shutter, a drawer below, the brass handle original, 20cm h; 29 x 27cm Estimate: 200-300
974.    A GEORGE III MAHOGANY CHEESE COASTER, on brass castors, 43cm l Estimate: 100-150
975.    AN OAK MINIATURE CHEST, the front carved with two flowerheads flanking a nulled tablet and stamped with the initials IP, having trestle ends and iron lockplate, with walnut lid, 25cm h; 44 x 19cm, parts 17th c Estimate: 100-150
976.    AN ITALIAN CARVED GILTWOOD TABLE-CABINET, the glazed lid and sides carved with leaves, on volute feet, lined in purple velvet, 33cm h, 56cm w, late 19th/early 20th c Estimate: 100-150
977.    A VICTORIAN EBONISED AND GILTWOOD AND COMPOSITION OVAL BOX- FRAME, containing a mounted collection of wax seal impressions of royalty, 51cm h Estimate: 80-120
978.    AN EARLY VICTORIAN GILT BRONZE INKSTAND, of boat shape, with double snake handles looped to form the feet, 30cm l Estimate: 100-200
979.    A VICTORIAN SILVERED AND GILT BRONZE DESK-BOX, in the form of a bread basket carried on the head of a baker's boy and with hinged mother of pearl-inset lid, on turned slate base, 12.5cm h Estimate: 150-200
980.    AN ONYX AND GILT BRONZE CACHE POT, the pairs of handles mounted on the rim and supported by cherub masks, on draped plinth with finials, paterae and beaded feet, 32cm h, late 19th c Estimate: 700-900
981.    TWO CHLORITE VASES, with tall flared neck, on stepped foot, c15cm h, 20th c Estimate: 300-500
982.    A SET OF SIX GEORGE III PEWTER PLATES, with folded rim, 24.5cm diam, by Yates, Birch & Spooner of Birmingham, c1800 Estimate: 200-250
983.    A FRENCH GILT-TOOLED LEATHER DOCUMENT CASE, rectangular with provision for a wax seal impression, stencilled paper lining, gilt brass hasp and keyplate, 95.5cm w, late 17th or early 18th c; a carved serpentine presse papier in the form of a dolphin, 19th c (3) A similar document case is in the Victoria & Albert Museum (W25-1987). Estimate: 250-350
984.    A PAIR OF CONTINENTAL CARVED BRECCIA MARBLE CANDLESTICKS, in Baroque style, 17.5cm h, 18th/19th c Estimate: 100-150
985.    A SET OF FIVE FRENCH BRONZED METAL UNIFACE PORTRAIT AND OTHER MEDALLIONS, various subjects including ARRIVÉ DU ROI A PARIS LE 6 OCTOBRE 1789, 8cm diam and smaller, 19th c, framed; a prisoner of war carved bone cribbage box, early 19th c (6) Estimate: 200-300
986.    A PAIR OF VICTORIAN BRASS JARS, with 'pagoda' cover, on square base, 23cm h Estimate: 100-150
987.    VINTAGE MOTOR SPORT. FIVE PEWTER PRIZE MUGS, each applied with the enamelled badge of the Sunbeam M[otor] C[ar] C[lub] and engraved as Speed Trial prizes, all won by H J Bacon, 9.5 - 13cm h, 1932 Estimate: 100-200
988.    THREE MEZZOTINTS UNDER GLASS OF KING CHARLES I, JAMES I AND JAMES II, coloured in a contemporary hand, 35.5 x 25.5cm, similar stained pearwood frames Estimate: 100-150
989.    A PAIR OF OTTOMAN MOTHER OF PEARL AND WIRE INLAID WOOD TURBAN-STANDS, the shelf before an arch in the backplate and surmounted by flowers and the star and crescent, 87cm h, late 19th c Estimate: 150-250
990.    A BIDRI WARE VASE, INDIA, of two handled form with flared neck on spreading foot, inlaid with urns and trailing flowers in lappet and dash border, 19.5cm h, 19th c Estimate: 100-150
991.    A SNAKESKIN-COVERED WOOD AND CARVED IVORY BOW-HARP, PROBABLY NIGERIAN, of five strings, 78cm l, 19th c Estimate: 250-350
992.    A BRONZE BOX, PROBABLY INDIAN, of octagonal shape with moulded lid and reeded borders, 27cm w, 19th c Estimate: 100-150
993.    AN INDIAN IVORY MODEL OF A CAVALCADE, with a nawab drawn in a bullock cart, the howdah carved with arabesques, on rectangular base with six foot soldiers, 16.5cm h, 29cm l, late 19th c Estimate: 350-450
994.    AN ALLCOCK & CO 4.5 INCH AERIAL MATCH FISHING REEL, maker's metal label marked REGD NO 365019, c1960 Estimate: 100-200
995.    A PAIR OF VICTORIAN CARVED WALNUT GROTESQUE WALL BRACKETS, the scalloped shelf supported by a demonic gaping mask and foliage, 55cm h Estimate: 400-600
996.    A GLASS SILHOUETTE CONVERSATION PIECE, of a family taking tea, heightened in polychrome and gilt, 30.5 x 37.5cm, early 20th c, giltwood cavetto frame Estimate: 200-300
997.    A WEST AFRICAN CARVED WOOD FIGURAL AMULET, in the form of a kneeling woman, 8cm h, 19th/early 20th c Estimate: 100-200
998.    AN AFRICAN IVORY HORN, PROBABLY CONGOLESE, with single aperture and conical knop, 63cm l, late 19th/early 20th c Estimate: 100-200
999.    SIX VICTORIAN COPPER SAUCEPANS, including four with lid, all with iron handle, largest 26cm diam, several marked, one by BENHAM & SONS WIGMORE ST LONDON Estimate: 100-150
1000.   A SWISS LIMEWOOD CARVING OF A ST BERNARD DOG, on rocky base, 23cm h, late 19th c Estimate: 200-300
1001.   A BRONZE STATUETTE OF FORTUNE AFTER GIAMBOLOGNA, on slate plinth with bronze bas relief, even light to dark brown patina and rubbed in places, 82cm h, late 19th c Estimate: 200-300
1002.   SAMUEL TONKISS (1909-1992) - HEAD OF LAURENCE STEPHEN LOWRY, RA, bronze, cast by the Maurice Singer Foundry London, in 1975, on slate plinth, 33cm h Samuel Tonkiss was born in Shropshire and moved to Todmorden in West Yorkshire, where he worked as a journalist. In 1959 he began to sculpt a series of portrait busts, some of which were cast in small editions. An earlier head of Lowry sculpted in 1971 is in the National Portrait Gallery, London. The present bust would appear to be extra to the edition of 36. Tonkiss wrote two autobiographies, Just for the Record and Raking Amongst the Embers. Estimate: 800-1200
1003.   A RARE WOVEN ENDOWING PURSE, ENGLISH OR FRENCH, woven in gold thread and with four shield-shaped sides embroidered in coloured silks with floral bouquets, plaited silk drawstring with 'turks head' knots, 10cm h, second half 17th c; a straw work embroidered 'X' shaped pin cushion with black ground; a watch holder and a spectacles case, early 19th c (4) A very similar drawstring 'marriage' purse in the Lady Lever Art Gallery Port Sunlight is illustrated Brooke (X), Catalogue of Embroideries, Stroud 1992, p254. Estimate: 100-200
1004.   A FINE CHARLES II OVAL SILK-WORK PICTURE OF CHARLES I
worked in a variety of stitches with a three quarter length portrait of the monarch in lace collar and wearing the Order of the Garter on an ivory ground, in metal thread border, 12.5 x 9.5cm, later pearwood frame with dealer's label Provenance: Stoner & Evans, 3 King St, St James's Square, London SW. Estimate: 200-300
1005.   AN ENGLISH CANVAS-WORK PICTURE embroidered in coloured silks in tent stitch with "Adam and Eve in Paradise" flanking the Tree of Knowledge, a castle beyond, 53 x 42cm, early 18th c Estimate: 400-600
1006.   A CHARLES II NEEDLEWORK PICTURE OF THE SACRIFICE OF ISAAC, embroidered in coloured silks in long, short, running and other stitches on a linen ground with Isaac in prayer whilst Abraham is restrained from striking the fatal blow by an angel in a cloud, a ram caught in bush to the left, the fire for the sacrifice blazing in the foreground, the two servants and the donkey in the upper left corner, the scene surrounded by flowers and foliage, all on a linen ground, 34.5 x 45.5cm Estimate: 300-500
1007.   FREEMASONRY. AN UNUSUAL PRINTED LINEN SQUARE, with figures of Freemasons, emblems and four verses of a song to be sung to the tune of Attic Fire, signed in the plate Slack Sc, 52 x 57cm, early 19th c, framed Estimate: 100-200
1008.   A PAIR OF ENGLISH EMBROIDERED SILK MAP SAMPLERS, with the counties or countries delineated and named, a flowering scroll bearing the title A MAP OF ENGLAND & WALES or A MAP OF EUROPE, the latter including THE FROZEN OCEAN and PART OF AFRICA, in ribbon tied trailing floral border on a ground of ivory silk, 48 x 40cm, contemporary giltwood and composition gadrooned and beaded cavetto frames Estimate: 100-150
1009.   QUARNDON, DERBYSHIRE. A GEORGE III LINEN SAMPLER, finely worked by Eliza - Quarndon Boarding School near Derby 180-, with verse, alphabet and number bands in floral zig-zag border, 27.5 x 24cm; a George IV linen sampler, worked by Mary Heath Feby th 5 1824 with "Lines on the Life and Death of Wm Bradshaw", flowers, trees and other motifs, in zig-zag surround and trailing border, 42 x 76.5cm; a Victorian Berlin woolwork picture of two dogs in a landscape, all framed (3) Estimate: 300-500
1010.   AN ENGLISH LINEN SAMPLER, worked by Eliza Dell aged 9... with a house with smoking chimneys, a couple and shepherd beneath trees with parrots, a goat and swans in the foreground beneath a tablet and alphabet in floral zig-zag border, the pigments faded to predominantly green and brown, 38.5 x 31cm, early 19th c
Estimate: 400-600
1011.   A WILLIAM IV LINEN SAMPLER, worked by Mary Ann Helmcken [?]... 1832, with a rustic scene of a thatched cottage and castle, trees, vases of flowers, tablet and verse in trailing floral border, 42 x 29.5cm, framed Estimate: 400-600
1012.   A VICTORIAN TORTOISESHELL TEA CADDY, the domed lid and serpentine front inlaid in mother of pearl and wire with stylised foliage, the divided interior with a pair of tortoiseshell covers, on vegetable ivory feet, 20cm w Estimate: 150-250
1013.   A VICTORIAN TORTOISESHELL TEA CADDY, with double cavetto front and domed lid outlined with wire stringing, the divided interior with a pair of covers, on vegetable ivory feet, 13cm h, 19.5cm w Estimate: 400-600
1014.   A MAHOGANY WATCH COLLECTOR'S CABINET, the velvet lined interior with hooks enclosed by a narrow rectangular glazed door beneath the open pediment, 80.5cm h; 16 x 7cm, late 19th c; a similar, smaller cabinet for portrait miniatures (2) Estimate: 150-250
1015.   A GEORGE III MAHOGANY CUTLERY BOX, with sloping lid and serpentine front, the fitted interior with stringing, 36cm h; 22 x 30cm Estimate: 150-250
1016.   A VICTORIAN SAILOR'S WALNUT AND MARQUETRY WORK-BOX, the lid and sides with panels of a British ship off the coast, with fort, windmill and other buildings, 31cm w Estimate: 500-700
1017.   A REGENCY YEW-WOOD SYCAMORE AND PARQUETRY WORK-BOX, of octagonal shape, the fitted interior lined in green paper, 20.5cm w, early 19th c Estimate: 100-150
1018.   A PAIR OF ENGLISH CAST IRON ANDIRONS, with guilloche ornament on arched foot with brackets, 56cm h, probably 19th c Estimate: 100-150
1019.   A VICTORIAN CAST BRASS FENDER, with rounded ends, of open guilloche design with beaded rim and paw finials, 17cm h; 142 x 25cm Estimate: 250-350
1020.   AN EARLY VICTORIAN PIERCED BRASS FENDER, the rolled rim with four button finials, 19cm h; 101 x 23cm Estimate: 150-200
1021.   A VICTORIAN SILVER PLATED BRASS OIL LAMP AND STAND, on tripod with MESSENGERS ANNULAR BURNER, detachable fount and contemporary cut and etched glass domed shade, 54cm h, stamped Rd 570458 Estimate: 100-150
1022.   A GEORGE III IRON RUSH NIP AND CANDLE-HOLDER, on arched tripod, 26cm h; another, with wrythen shaft, on rough hewn oak conical shaped block; a wall mounted iron adjustable rush nip and candle holder (arm only), 18th/early 19th c (3) Estimate: 200-300
1023.   TWO ENGLISH CANDLE-HOLDERS, similarly formed from a flat strip of iron as a spiral with hook and device for adjusting the height of the candle, on fruitwood foot, 20cm h, 18th c For a similar example see Lindsay (J Seymour), Iron & Brass Implements of the English House, 1927, p138. Estimate: 100-200
1024.   A PAIR OF GILT AND BLACK PAINTED BRONZE WALL LIGHTS, in Empire style and of quiver design with urn finial, 43cm h, 20th c Estimate: 200-300
1025.   A PAIR OF GILT BRASS CORRIDOR CHANDELIERS, hung with two tiers of prismatic cut glass beads and pendants, the corona with acanthus leaves, 29cm h, 20th c Estimate: 100-150
1026.   AN OXIDISED COPPER HALL LANTERN, the frosted glass and fluted ovoid shade crowned by festoons and guilloche, suspended from a substantial ring, 72cm h, early 20th c Estimate: 300-400
1027.   A PAIR OF ART DECO BRONZE WALL LANTERNS, of tall, stepped hexagonal form with fins beneath a double lappet cornice, the base with hinged door, 91.5cm h; 30 x 22cm, c1940 Estimate: 200-400
1028.   A PAIR OF FRENCH GILT BRONZE WALL LIGHTS, the two slender foliate clad fluted sconces on leafy drip pans and entwined branches issuing from the conforming wall plate, 53cm h, stamped C couronné poincon in several places, 19th c Provenance: Professor Janos and Mrs M Plesch of Berlin by the early 20th century. Estimate: 400-600
1029.   A PAIR OF NORTHERN EUROPEAN GILT BRONZE WALL LIGHTS, the five scrolling branches and acanthus clad wallplate festooned with glass swags, beads and pendants, 67cm h, late 19th c Provenance: Professor Janos and Mrs M Plesch of Berlin by the early 20th century. Estimate: 300-500
1030.   A PAIR OF GILT BRONZE WALL LIGHTS, in the form of a naked child seated on a spiralling upturned branch, with glass pear shaped drops and faceted beads hanging from the three frosted drip pans, 25cm h, late 19th c Estimate: 200-300
1031.   A FRENCH TOLE PEINTE CHANDELIER, of four lights with conical shades issuing from a central vase surmounted by a lyre, gilt with palmettes on a green ground, 48cm h, late 19th/early 20th c Estimate: 250-350
1032.   A SET OF FIVE CONTINENTAL GILTWOOD GIRANDOLES, carved with putti and scrolling foliage with polychrome detail, 49cm h, mid 20th c Estimate: 200-300
1033.   ESSERY (R J) AND D JENKINSON - THE LMS COACH 1923-1957, illustrated, cloth, dust jacket, Sheperton 1969; C Garratt - The Golden Years of British Steam Trains, 1994; G Morrison - Scottish Railways Then & Now, 1999 and about forty others, steam railways, particularly Scottish (approximately 45) Estimate: 80-120
1034.   FOUR 'O' GAUGE BING AND HORNBY CLOCKWORK LOCOMOTIVES AND A COLLECTION OF 'O' GAUGE WAGONS, COACHES, TRACK AND ACCESSORIES, including two Hornby lithographed tinplate stations, all pre and post war (several 100s) Estimate: 400-600
1035.   A 7MM FINESCALE MODEL OF THE LNER CLASS A1/A3 4-6-2 LOCOMOTIVE AND TENDER NO 4479, probably built by J S Beeson, with fine external detailing, but without backhead fittings, electric motor, finished in LNER livery and lining, 49cm l Estimate: 400-600
1036.   A 7MM FINESCALE LIVE STEAM TINPLATE MODEL OF THE LMS 2-6-0 LOCOMOTIVE AND TENDER NO 13043, probably built by J S Beeson, based on the Hughes Crab, with some external detail and reverse, finished in LMS livery and lining, 44.5cm l Estimate: 300-500
1037.   RAILWAYANA. AN L & NWR CO CAST-IRON OVAL BRIDGE NUMBER PLATE 8 AND A RAILWAY WORKS NUMBER PLATE LNER 21 TONS 1947 DARLINGTON 302246, 45cm and 28cm w, early 20th c Estimate: 200-300
1038.   A HORNBY 'O' GAUGE PRIVATE OWNER VAN - PALETHORPE'S ROYAL CAMBRIDGE [SAUSAGES] VG+; various Hornby 'O' gauge locomotives, rolling stock, track, signals, buffers; etc (quantity) Estimate: 100-150
1039.   A VICTORIAN CHILD'S PAINTED WOOD WHEELBARROW, with iron shod four spoke wheel, 33cm h, late 19th/early 20th c Estimate: 100-150
1040.   A PAINTED WOOD NOAH'S ARK, the light grey sides with windows and pair of doors at one end beneath decorative geometric tape, containing about forty-five contemporary animals and five figures, ark 36cm l, 19th c Estimate: 200-300
1041.   A GEORGE I/II BRONZE STONE OR 14LB WOOL WEIGHT, cast with the royal arms and stamped 14, A[voirdupois], London Guildhall dagger (twice) Founders' Company laverpot and royal cipher verification marks, turned recess on the reverse, 19cm h Estimate: 600-800
1042.   A QUEEN ANNE BRONZE CLOVE OR 7LB WOOL WEIGHT, cast with the royal arms and stamped with the date 1708, VIII, royal cipher verification marks and the initials RM, perhaps of a tronager, lead plug, tooling marks on the reverse, 16.5cm h Estimate: 500-700
1043.   SIX PAIRS OF ENGLISH SILVER SPECTACLES, one with round lenses, several with sliding arms, London & Birmingham, by various makers including Bate, all late 18th/early 19th c; two pairs of giltmetal spectacles; a pince nez, a monocle, two lorgnettes and a Victorian giltmetal decorated leather spectacles case containing a pair of brass spectacles (14) Estimate: 200-300
1044.   A DUTCH GOLD COIN-BALANCE, of equal arm type, the steel beam with upward pointing index, hook-ends and brass round or triangular pans, one stamped with the maker's mark IK, three crowns above and flanked by the date 1768, in fitted wooden box with fourteen spaces for weights (one present), with brass hooks, stamped decoration and an engraved label to the underside of the lid with an allegorical scene and depictions of coins signed Aertus van Dunwalt, in guilloche border, box 16 x 9cm, c1768 Estimate: 100-200
1045.   A GEORGE III SILVER POCKET COMPASS, of watchcase form with enamel dial with fleur de lys at North and fifteen lettered points with subdivisions and edge-bar needle, 4.3cm diam, incuse casemaker's mark poorly struck, probably IW, London 1803, contemporary silk lined scarlet morocco covered case Estimate: 150-200
1046.   A GEORGE III MAHOGANY DOMESTIC MEDICINE CHEST, the fitted interior containing twelve contemporary glass bottles and stoppers, brass handle, 16cm h, 28cm w Estimate: 200-300
1047.   A VICTORIAN BRASS SEXTANT, the three hole frame with engraved silver inset scale and signed Crichton London 3907 made for J B... Sunderland, with two sets of three and four glass filters, telescope and two telescopes, ebony handle, radius 19cm, fitted mahogany case Estimate: 100-150
1048.   A BRASS STANDARD IMPERIAL YARD, the rod with turned ivory grip (cracked) and stamped 26, the base engraved SOUTH DIVISION OF LINDSEY COUNTY OF LINCOLN 1825, stamped verification marks, mahogany case, 1825 Estimate: 250-350
1049.   A VICTORIAN SHEET BRASS SPEAKING TUBE, 17.5cm l; a mahogany and brass mounted mechanical lantern slide of a watermill in kaleidoscopic border, a brass snuff box, the cover embossed with Sir Ralph Abercrombie, KB; a carved meerschaum cheroot holder (4) Estimate: 100-150
1050.   A BOXWOOD 24 INCH RULE, calibrated for chords, sines, tangents and other calculations, marked G & T BRADBURN MAKERS BIRMINGHAM WARRANTED BEST BOX, 19th c; another boxwood rule (2) Estimate: 50-100
1051.   A RARE ENGLISH BRASS QUADRANT BY JOHN BIRD the brass plate of lattice framework with fixed and pivoted telescopes, two scales divided into 90° and 96°, vernier, clamp and micrometer tangent screw, on columnar shaft with radial feet and levelling screws, 60.5cm h, fitted mahogany case with further parts and original accessories including a miniature spanner, brass handles, with contemporary iron double-column stand, c1760 John Bird (w. 1745, d.1776) was the most highly regarded London maker of astonomical instruments, especially the quadrant, in the mid 18th century. Jean Bernouilli (Lettres Astronomiques…, Berlin 1771) observed of Bird's portable quadrant that "one always receives these instruments equipped with everything that belongs to them…" The present example, which is in entirely original state but requires repair and conservation because of the effects of long term storage in damp conditions, is of the exact type for which Bird charged the high price of 35gns. See Turner (A), Early Scientific Instruments, 1987, pp204-8. Estimate: 600-800
1052.   A BONSA STEEL TOOL-INSTRUMENT, the penknife shaped handle with brass pinned rosewood scales, complete with nine bright steel accessories including a corkscrew, knife, saw, file, chisel and screwdriver, 9.5cm l, stamped Bonsa and REGISTERED No 146827, leather wallet inscribed The "Bonsa" Tool-Instrument, early 20th c Estimate: 100-150
1053.   AN ENGLISH BRASS 1 1/4 INCH REFRACTING TELESCOPE, with reeded horn-sleeved barrel, engraved on the last of seven draw-tubes R Mills 49 Southampton St Pentonville London, on folding tripod with compass joint, lens cap Estimate: 300-400
1054.   AN ENGLISH BRASS DEMONSTRATION GYROSCOPE, with hardened steel bearings, engraved on the foot NEWTON & CO 3 Fleet Street London, 21cm h, wood box with sliding lid, late 19th c Estimate: 250-350
1055.   AN ENGLISH BRASS EIDOGRAPH, engraved Elliott Bros Strand London, the brass beam with central lead weighted foot and a pair of phosphor bronze wheels, each with fine adjustment and a belt of tensioned steel wires, 85cm l, fitted mahogany case with printed label and TABLE FOR REDUCING OR ENLARGING, 19th c
Estimate: 300-400
1056.   AN ENGLISH BRASS PROTRACTOR, engraved Troughton & Simms London, with pivot-lens, crosswires, finely engraved scale and vernier, the index inscribed T Carrick, 30.5cm diam, 19th c Estimate: 100-150
1057.   A CHINESE BOXWOOD COMPASS, with coloured needle and concentric penwork scales of triglyphs and Chinese characters, 22cm diam, painted reign mark of Qianlong and bearing inscription "ANTIQUE COMPASS FROM THE SUMMER PALACE PEKING", 19th c Estimate: 100-150
1058.   A PALE GREEN AND WATER-WHITE GLASS GEISSLER TUBE, of bulb and twist pattern 21cm l; a Crookes' 'Railway Tube'; another with Mica plate; another, all early 20th c (4) Estimate: 100-150
1059.   AN ENGLISH BRASS SURVEYOR'S COMPASS, engraved Cary London and with the cardinal points in a degree circle with steel needle, in folding mahogany case with two brass bubble levels and two sights fitted in the lid, 19.5cm w Estimate: 300-400
1060.   A LANCASHIRE BRASS SECTOR, with engraved scale for MACHINE WHEELS or MILL GEER [sic] WHEELS and signed Wright Manchester, on three milled feet, radius 36.5cm, fitted mahogany box Estimate: 400-600
1061.   A BRASS MICROMETER, the enamelled dial with 360 degree scale and blued steel index, steel lever and bright steel jaws, on three turned feet, 8.5cm w, plush lined case, 19th c Estimate: 100-150
1062.   A ENGLISH SILVER-MOUNTED SHAGREEN INSTRUMENT CASE, 14.5cm h, 18th c; a Victorian fleam of three blades and a brass handled lancet with horns scales, cutler's stamp ATKIN/SON; two silver instruments (4) Estimate: 100-150
1063.   A POLAROID LAND CAMERA MODEL 95, with maker's instruction booklet, mid 20th c Estimate: 50-100
1064.   THE SALOP FIRE OFFICE, lead, to policy numbers 2465 and 12234, 1804 and c1820 Estimate: 100-150
1065.   THE SUN FIRE OFFICE, lead, to policy numbers 446368 and 592047, c1782 & 1792; The Newcastle upon Tyne Fire Office, lead, policy number 4742; The Westminster Insurance Office, lead, policy number 49921 (4) Estimate: 100-150
1066.   THE ROYAL EXCHANGE ASSURANCE, lead, six, various, one mounted on a mahogany shield; The Hand in Hand Fire Office, lead, policy number 5286, c1705 (7) Estimate: 200-300
1067.   THE PHOENIX ASSURANCE COMPANY, copper, policy number 157956, c1800; The West of England Fire Insurance Company, tinned iron, early 19th c; The Nottinghamshire & Derbyshire Fire & Life Assurance Company, copper, 19th c (3) Estimate: 100-150
1068.   THE MANCHESTER FIRE AND LIFE ASSURANCE COMPANY, THE ROYAL INSURANCE COMPANY AND THE ALLIANCE BRITISH AND FOREIGN FIRE AND LIFE INSURANCE COMPANY, three, painted copper, 19th c (3) Estimate: 100-150
1069.   VARIOUS INSURANCE COMPANIES, twenty-two, mainly copper, some painted, all 19th c; Norwich Union Society, a silver-over-base metal badge, numbered 4, maker S H (incuse) Birmingham 1817 (23) Estimate: 200-300
1070.   NOTTINGHAM. AN EXTENSIVE COLLECTION OF POSTCARDS, mainly early 20th c, including real photographic, street and other scenes and social history including the River Trent, bridges, hotels and other commercial buildings, the Arboretum, churches, hospitals, decorated trams, hockey and football teams, the Lady Window Cleaners of Nottingham, celebrities, proclamation of George V, windmill, Bulwell, Clifton, Wollaton and other Halls, Wilford, Bulcote, Draycott and other nearby villages and a quantity of similar views of local towns including Mansfield and Heanor, some postally used, modern binder (approximately 500) Estimate: 400-600
1071.   WILHELM II, GERMAN EMPEROR (1859-1941) - A PORTRAIT PHOTOGRAPH, seated at his desk, signed on the mount Wilhelm FR and inscribed and dated [Huis] Doorn 1931 in violet crayon, 18 x 23cm Provenance: Given by Wilhelm II to Professor J Plesch of Berlin; thence by descent. Estimate: 100-150
1072.   GILBERT (CHRISTOPHER) - THE LIFE AND WORK OF THOMAS CHIPPENDALE, two vols, illustrated, slip case, London: Cassell Ltd, 1978; David Green - Grinling Gibbons His Work as Carver and Statuary, 1964; Oliver Brackett - English Furniture Illustrated Revised Edition, 1950; Ralph Edwards - The Shorter Dictionary of English Furniture, 1964; Margaret Jourdain - English Interior Decoration 1500 to 1830, 1950; Peter Ward Jackson - English Furniture Designs of the Eighteenth Century, 1958; six others on related subjects (13) Estimate: 100-200
1073.   SYMONDS (R W) - FURNITURE MAKING IN SEVENTEENTH AND EIGHTEENTH CENTURY ENGLAND, 19 from the signed edition of 100, illustrated, vellum by Edward Hiscox, slip case, London: The Connoisseur, 1955 Estimate: 100-150
1074.   STEWART (J DOUGLAS) - SIR GODFREY KNELLER AND THE ENGLISH BAROQUE PORTRAIT, illustrated, cloth, dust jacket, Oxford: 1983, scarce Estimate: 100-150
1075.   PAVIERE (S H) - FLORAL ART GREAT MASTERS OF FLOWER PAINTING, one of 500 copies, illustrated, folio, cloth, dust jacket, Leigh-on-Sea: F Lewis, 1965; uniform with - M H Grant - Jan van Huysum 1682-1749 including a Catalogue Raisonné of the Artist's Fruit & Flower paintings, one of 500 copies, 1954; - Flower Paintings Through Four Centuries a Descriptive Catalogue of the Collection formed by Major the Honourable Henry Rogers Broughton, 321 of 500 copies, 1952; Daphne Foskett - Miniatures Dictionary and Guide, 1990; Christopher Wood - A Dictionary of Victorian Painters, second edition, 1978; twelve others, fine art reference (17) Estimate: 150-200
1076.   CUNEO (TERENCE) - THE MOUSE AND HIS MASTER THE LIFE AND WORK OF TERRANCE CUNEO, signed copy, oblong 4to, illustrated, white buckram, slip case, London: 1977 Estimate: 100-150
1077.   BARRIE (J M) - PETER AND WENDY, illustrated by Edmund Blampied, fawn cloth, London: Hodder & Stoughton, 1939 Estimate: 80-120
1078.   A COLLECTION OF POSTCARDS OF PRINCIPALLY BRITISH TOPOGRAPHY, early 20th c, including London, Leicester, Scarborough, cats and dogs, Co-Op. Wholesale Society's packet teas adverts. (chromo.), ships, bandstands and places of entertainment, real photographic including the opening of Langsett Reservoir Oct 1904, harbours, Busby Railway Station, street scenes and social history including trams, Scotland, royalty, school room and other groups, many postally used, in album (approximately 400 in album) Estimate: 200-300
1079.   A GEORGE III MAHOGANY EXPOSED-TUBE CISTERN BAROMETER, signed on the engraved brass scales P RABALIO Fecit and with vernier, turned cistern cover, 91cm h Estimate: 250-350
1080.   A BAROGRAPH, in lacquered brass, the recording drum containing the clockwork mechanism with platform lever escapement and stamped on the top plate PATENT 371502, with nickel plated diaphragm, on oxidised base, the oak case with drawer and bevelled glass lights, 21cm h, c1900 Estimate: 200-300
1081.   A GEORGE III MAHOGANY CISTERN BAROMETER, signed on the engraved brass scales GILDON RABY, having break-arched cornice, fluted finials, pillars and pendants, the plain stem with exposed tube and lobed and fluted cistern cover, 102cm h Estimate: 400-600
1082.   A GEORGE IV MAHOGANY WHEEL BAROMETER, signed on the engraved and silvered dial Mark Salla PRESTON, with brass index, bezel and alcohol thermometer, the line inlaid case with shell and flower paterae beneath an open pediment, 97cm h Estimate: 200-300
1083.   A GEORGE III MAHOGANY WHEEL BAROMETER, signed on the silvered dial VECCHIO NOTTINGHAM, with blued steel hand, brass index, and alcohol thermometer in line inlaid case with pairs of sycamore ground flower and shell paterae beneath an open pediment, 97cm h Estimate: 200-300
1084.   A LOUIS PHILIPPE GILT BRONZE CLOCK, designed as the facade of a church with steps and clustered columns beneath an ogee arch containing the enamelled dial, the movement with silk suspension and engraved on the backplate Bechat, on siena marble base and arched feet, 47cm h Estimate: 700-900
1085.   A BRASS ELECTRIC TIMEPIECE, the enamelled dial signed EUREKA CLOCK CO LTD LONDON ONE THOUSAND DAY ELECTRIC CLOCK, with Breguet hands, brass bezel and pillars supporting the armature, the balance with blued steel spring, the backplate with regulation and numbered 409, on bell shaped foot with glass dome, 25cm h, early 20th c Estimate: 100-150
1086.   A FRENCH GILTMETAL CLOCK, the porcelain dial painted with a trophy on a blue ground with gilt chapters in swept case draped with chains and mounted with martial trophies, on scalloped base with oval porcelain cabochon, the movement with circular plates and striking on a bell, affixed giltwood plinth, 43cm h, c1875 Estimate: 200-300
1087.   A WILLIAM IV ROSEWOOD TIMEPIECE, the silvered square dial with roman chapters and floral spandrels having blued steel hands, the fusee movement with shouldered pates in figured case with lobed pediment, on bun feet, 29cm h Estimate: 200-300
1088.   AN ENGLISH TWO-DAY MARINE CHRONOMETER signed on the silvered dial Robt Roskell Liverpool 869/50195, with subsidiary seconds dial and Up/Down sector, roman chapters and blued steel Breguet hands, the movement with spotted plates, chain fusee, Earnshaw detent escapement with helical blued steel spring and Dent staple balance in brass bowl with moulded bezel, 11cm diam, gimbled in brass-mounted mahogany case with ivory roundel numbered 869, 16cm w, 17.5cm h, c1820 Estimate: 1500-2000
1089.   AN ENGLISH EIGHT-DAY MARINE CHRONOMETER signed on the silvered dial Brockbanks London No 3533, with subsidiary seconds dial, roman chapters and blued steel hands, the movement with fenestrated backplate on burnished steel baluster pillars, chain fusee, Earnshaw detent escapement and blued steel spring in brass bowl with moulded bezel, 14cm diam, early 19th c
Estimate: 1500-2000
1090.   A GEORGE III OAK LONGCASE CLOCK, signed on the break-arched and painted dial HENY BUNYAN LINCOLN, with twin subsidiary dials, pierced hands, raised gilt spandrels and a rustic scene to the arch, having eight day movement, the case with swan neck pediment and turned pillars, the trunk enclosed by a moulded door, on (reduced) base, 210cm h Estimate: 400-600
1091.   AN OAK LONGCASE CLOCK, the brass dial signed on the silvered chapter ring F H Pratt Derby Fecit, with engraved centre, cast spandrels and brass movement striking on a bell, in crossbanded case with turned pillars, 187cm h, early/mid 20th c Estimate: 350-450
1092.   A VICTORIAN OAK LONGCASE CLOCK, signed on the break-arched and painted dial JOHN HALLIWELL WAKEFIELD, with subsidiary seconds dial and pierced brass hands, ruins and a watermill to the spandrels and arch, having eight day movement in crossbanded and line inlaid case with swan neck pediment, pillars, pilasters and panelled base, 230cm h Estimate: 400-600
1093.   A GEORGE III MAHOGANY LONGCASE CLOCK, with brass break-arched dial, silvered chapter ring, matted centre signed on a tablet Willm Webster Exchange Alley London, subsidiary seconds dial and date aperture, the Strike/Silent ring to the arch, having pierced steel hands, rococo spandrels and eight day movement in finely figured case with stop fluted pilasters and moulded door, on panelled base, 227cm h excluding finial Estimate: 2000-3000
1094.   AN ANTIQUE KIRMAN PICTORIAL RUG, 211 x 140cm Estimate: 1500-2000
1095.   A SAROUK RUG, 192 x 129cm Estimate: 200-300
1096.   AN 'AMERICAN' SAROUK RUG, 155 x 107cm Estimate: 150-200
1097.   AN 'AMERICAN' SAROUK RUG, 160 x 105cm Estimate: 200-300
1098.   A PAIR OF CENTRAL PERSIAN RUGS, 200 x 130cm Estimate: 300-500
1099.   A TABRIZ RUG, 236 x 135cm Estimate: 150-250
1100.   A TABRIZ CARPET, 354 x 270cm Estimate: 400-600
1101.   A MAHAL CARPET, 305 x 210cm Estimate: 300-500
1102.   A TABRIZ CARPET, 510 x 350cm Estimate: 1000-1500
1103.   A GEORGE III MAHOGANY TRIPOD TABLE, the dished circular top on moulded baluster pillar and shaped legs with pointed pad feet, 72cm h, 81.5cm diam Estimate: 700-900
1104.   AN ENGLISH CARVED MAHOGANY CONSOLE TABLE, the rectangular marble slab on guilloche frieze with leafy blocks and acanthus capped volute legs with lion's paw feet, 84cm h; 121 x 47cm, fragmentary printed depository label... BOURNMOUTH, 19th c Estimate: 2000-3000
1105.   A GEORGE III MAHOGANY DRESSING CHEST, the top drawer with slide, adjustable mirror and lidded compartments above three further drawers with gilt brass handles, on bracket feet, 82.5cm h, 92 x 55.5cm Estimate: 3500-4000
1106.   A GEORGE III MAHOGANY BREAKFRONT BOOKCASE, with dentil cornice and fitted with moulded and adjustable shelves enclosed by four doors with stepped octagon glazing bars, the lower part with a secretaire and three further drawers flanked by panelled doors, on skirted base, 212cm h; 214 x 52cm Estimate: 2000-3000
1107.   A FRENCH KINGWOOD VITRINE, with gilt bronze mounts and enclosed by a pair of doors, the lower part with 'Vernis Martin' panels of 18th century scenes, on slightly outsplayed legs, 200cm h; 119 x 41cm, late 19th/early 20th c Estimate: 2000-3000
1108.   TWO VICTORIAN MAHOGANY PIANO STOOLS, on lotus turned and reeded legs with outsplayed feet, 46 and 50cm h Estimate: 150-200
1109.   A GEORGE III MAHOGANY FOLDING FIRESCREEN, of two leaves, the panel of Victorian printed scraps in scratch moulded frame, 105 x 110cm Estimate: 100-200
1110.   A VICTORIAN MAHOGANY TORCHERE, the circular top on stop fluted pillar with carved vase knop and three legs with flowers and claw-and-ball feet, 153cm h, c1900 Estimate: 100-200
1111.   A FRENCH PAINTED AND GILTWOOD VITRINE IN THE FORM OF A SEDAN CHAIR, decorated with 18th c scenes and trailing flowers, the back with roses on a trellis with giltmetal mounts, the velvet lined interior above a music compartment, 130cm h; 61 x 48cm, c1900 Estimate: 1000-1500
1112.   A WALNUT MURAL SPICE CUPBOARD, the crossbanded and figured door centred by an inlaid star, the architectural interior with arcading and three rows of drawers, 62cm h; 55 x 62cm, late 19th c, incorporating some earlier elements Estimate: 300-400
1113.   A DUTCH OAK HANGING CABINET, of splay fronted form with undulating cornice and enclosed by a door, two moulded drawers below, on cavetto base, 99cm h; 83 x 25.5cm, late 18th/early 19th c Estimate: 300-500
1114.   A REGENCY MAHOGANY CABINET, the pediment with figured tablet and carved rosettes, fitted with an adjustable shelf and enclosed by a pair of glazed doors secured by the sliding centre section, 64cm h; 113 x 21.5cm Estimate: 100-150
1115.   A SCOTTISH VICTORIAN CARVED ROSEWOOD CABINET, the swan-neck pediment above a dentil cornice and cushion moulded frieze, crisply carved with an urn and scrolling foliage, fitted with serpentine shelves enclosed by a pair of doors with bevelled glass lights, the breakfront base with three drawers to the apron, on slender square tapering legs with undertier, 172cm h; 63 x 35cm , ink stamp of John Laird & Son Upholsterer and Cabinet Makers 207 Dunbarton Road Glasgow Estimate: 250-350
1116.   AN EDWARD VII MAHOGANY AND LINE INLAID HANGING CORNER CABINET, with swan-neck pediment and fitted with shelves, on bracket support, 111cm h; 46 x 26cm Estimate: 100-200
1117.   THE REPLEY BENCH. A VICTORIAN PITCH PINE PATENT METAMORPHIC WRITING TABLE, in the form of a 'Glastonbury' chair, with maroon velvet covered slip seat, 87cm h, inset cast brass medallic trade label of SAMUEL MEAD SPARKBROOK BIRMINGHAM incorporating the royal crown and cipher Estimate: 200-300
1118.   A VICTORIAN MAHOGANY BUTLER'S TRAY, oval in plan and with brass hinges to each side, on contemporary folding stand with webbing, 95cm h; 73 x 49cm (2) Estimate: 200-300
1119.   A GEORGE IV MAHOGANY GOTHIC BOOKCASE, with triangular pediment and fitted with adjustable shelves enclosed by a pair of doors with lancet shaped lights and gilt brass bead, 102cm h; 77 x 21cm Estimate: 150-250
1120.   A WILLIAM IV MAHOGANY OVERMANTEL MIRROR, with inverted breakfront and beaded cornice and panelled frieze, the three-section plate with ebonised mouldings flanked by pilasters, 64 x 127cm Estimate: 100-150
1121.   THREE GEORGE III AND EARLY VICTORIAN MAHOGANY AND OTHER HANGING CABINETS, with fixed or adjustable shelves enclosed by a door or pair of doors, various sizes, the smallest 64cm h; 47 x 21cm Estimate: 100-200
1122.   A VICTORIAN MAHOGANY AND LINE INLAID WINE COOLER, of rectangular form with canted corners on moulded base, the interior divided into six compartments, brass handles, 50cm h; 44 x 31cm Estimate: 200-300
1123.   A GEORGE III MAHOGANY CORNER CABINET, of splay fronted form with Greek Key cornice and later nulled and inlaid frieze, fitted with serpentine shelves enclosed by a glazed door with later brass pierced hinges, 116cm h; 95 x 58cm Estimate: 200-300
1124.   A NORTHERN EUROPEAN WALNUT SPALTED ASH AND LINE INLAID WORK TABLE, the octagonal top with a drawer to the frieze, on later legs and stretchers, 75cm h; 63 x 38cm, early 19th c Estimate: 150-250
1125.   A VICTORIAN MAHOGANY URN-STAND, the square top with a slide, on chamfered legs with fretted brackets and stretchers, 73cm h; 26.5 x 26.5cm Estimate: 100-200
1126.   A VICTORIAN MAHOGANY ARMCHAIR, in close nailed and buttoned green hide with armpads and 'X' shaped frame with fan fluting, on brass castors, 83cm h Estimate: 200-300
1127.   A FRENCH MAHOGANY MUSIC STAND, of telescopic form with lotus turned pillar and three legs carved with stiff leaves, 79cm h unextended, mid 19th c Estimate: 100-200
1128.   A WILLIAM IV GRAINED ROSEWOOD OPEN BOOKCASE, with beaded frieze and moulded uprights, on turned feet, 91cm h; 60 x 34cm Estimate: 150-200
1129.   A VICTORIAN MAHOGANY COLLECTOR'S CABINET, probably for medals or portrait miniatures, enclosed by a pair of figured doors with gilt fillets, 104cm h; 76 x 8.5cm Estimate: 150-250
1130.   CARTER'S LITERARY MACHINE. A VICTORIAN WALNUT GILT BRASS AND CAST-IRON READING TABLE, the telescopic top with adjustable rest on ball and compass joints, reeded pillar and ornate four-footed base with castors, 110cm h unextended, 37cm diam, engraved trade label with 6A NEW CAVENDISH ST PORTALND PLACE LONDON address and stamped 35845 Estimate: 250-350
1131.   A WILLIAM IV MAHOGANY BERGERE, with lotus carved terminals to the back and conforming arms with half flower blocks, on incurved square tapered legs with rosettes and brass castors, 98cm h Estimate: 200-300
1132.   A DUTCH WALNUT HANGING CORNER CABINET, of splay fronted form, the velvet lined interior fitted with serpentine shelves and enclosed by a square shaped door, on cavetto base, 79cm h; 100 x 26cm, 19th c Estimate: 150-250
1133.   A VICTORIAN MAHOGANY FULL-SIZED BILLIARD TABLE BY ORME & SONS, on lobed cup and cover legs, maker's ivorine trade label and that of the retailer, Padmore & Sons, Birmingham, maker's trade label; with maker's printed RULES OF THE GAME OF BILLIARDS, in decorative border, this copy ink stamped 12507, framed; with various cues, rests and balls, etc Estimate: 500-700
1134.   A VICTORIAN MAHOGANY BILLIARD SCOREBOARD BY ORME & SONS, with ivory mounted slides, black and gilt labels of the colours and painted rollers above and below, 58.5cm h, 94cm w, stamped ORME & SONS MANCHESTER 2628 Estimate: 300-500
1135.   A PAIR OF SINHALESE WOOD ROUND CHAIRS, of 'burgemeester' type, the flared back with three carved oval splats of flowers and foliage between balusters, having caned circular seat on six leaf carved and scrolling legs with stretchers, 90cm h, early 19th c Estimate: 2500-3500
1136.   A MUGHAL IVORY-INLAID FALL-FRONT CABINET, GUJARAT OR SINDH, decorated with stylised flowerheads, the fall front with cypress trees and flowering plants, the interior with pierced and red or green-stained ivory panelled drawer fronts, 31cm; 57 x 35.5cm, c1700 A very similar cabinet was sold, the property of a lady, Sotheby's Art of the Islamic World, 28 April 2004, lot 171. Estimate: 10000-15000
1137.   AN EDWARD VII CARVED MAHOGANY CABINET, with triangular pediment and festooned frieze, enclosed by a door with lozenge glazing bars, the lower part fitted with two drawers on fluted square legs with undertier, 186cm h; 69 x 40cm, early 20th c Estimate: 250-350
1138.   A WALNUT CABINET, with Greek Key cornice, fitted with glass shelves enclosed by a pair of thirteen-pane doors, on cabriole legs, 160cm h; 194 x 33cm, early 20th c Estimate: 150-200
1139.   A GEORGE IV MAHOGANY EXTENDING DINING TABLE, on eight reeded tapering turned legs with brass castors, 72cm h; 210 [but extending to 365] x 115cm Estimate: 1000-1500
1140.   A VICTORIAN MAHOGANY TRIPOD TABLE, the rope-edged circular top on acanthus carved pillar and legs with claw-and-ball feet, 75cm h, 68cm diam, c1900 Estimate: 150-200
1141.   A REGENCY BRASS-INLAID ROSEWOOD WORK-TABLE, with writing drawer to the frieze, on plain trestles and tapered legs with stretcher and brass acanthus castors, 73cm h; 53 x 38cm Estimate: 200-300
1142.   A PAIR OF EARLY VICTORIAN MAHOGANY ELBOW CHAIRS, with carved back rail, scroll arms and slip seat, on faceted forelegs, 86cm h Estimate: 200-300
1143.   A GEORGE III MAHOGANY CARD TABLE, the semi-circular top crossbanded in rosewood and line inlaid, having figured frieze above square tapered legs with spade feet, 74cm h; 92 x 45cm Estimate: 200-300
1144.   A VICTORIAN MAHOGANY BOW FRONTED SIDEBOARD, crossbanded and line inlaid, fitted with a drawer, cellaret and door with brass lion mask handles, on square tapered legs with spade feet, 78cm h, 106 x 54cm Estimate: 150-250
1145.   A GEORGE III MAHOGANY BOOKCASE, with dentil cornice and fitted with adjustable shelves enclosed by a pair of doors with ogee arched glazing bars, the lower part with further shelves, the doors with figured oval panels, on bracket feet, 217cm h; 123 x 40cm Estimate: 400-600
1146.   A PAIR OF VICTORIAN PAPIER MÂCHÉ CHAIRS, the cusped and scrolling openwork back inlaid in mother of pearl and gilt with leafy strapwork, on slender tapering legs, 80cm h, painted Y1320 or Y1341 Estimate: 100-150
1147.   A WALNUT AND FEATHERBANDED MINIATURE CHEST OF DRAWERS, the moulded top in matched veneers above three graduated drawers with brass drop handles, on bracket feet, 44cm h; 44 x 23.5cm, late 19th/early 20th c Estimate: 150-200
1148.   2 MAHOGANY BERGERES , 1 19th century, with reeded frame and padded arms, on tapering forelegs with brass castors, 92cm h, early 20th c one is 19th century Estimate: 200-300
1149.   A VICTORIAN MAHOGANY DESK, the rectangular leather inlet top on pedestals of four drawers with panelled sides and bracket feet, 74cm h; 119 x 71cm Estimate: 200-300
1150.   A GEORGE III MAHOGANY CARD TABLE, on chamfered legs, 75cm h; 93 x 46cm Estimate: 100-200
1151.   A GEORGE IV MAHOGANY SOFA TABLE, fitted with drawers and opposing blind drawers with ivory lozenge keyplate and brass drum handles, on channelled trestles with leaf carved and reeded stretcher, 72cm h; 143 x 71cm Estimate: 500-700
1152.   A SET OF EIGHT GEORGE IV MAHOGANY DINING CHAIRS, line inlaid at later date, with reeded stiles and bar splat, having stuffed over seat on tapering turned forelegs, 84cm h Estimate: 200-300
1153.   A CHARLES X MAHOGANY WORK TABLE, the fitted interior with folding candlestick and pin cushion, a mirror to the underside of the lid, the cisélé bronze mounts of figures or classical foliage, on scrolling 'X' trestles with stretcher and bronze cloven hoof sabots, 77cm h; 51 x 35cm Estimate: 500-700
1154.   A GEORGE III MAHOGANY LOWBOY, the figured top in matched veneers and with three drawers to the apron, having pierced brackets on tapering turned legs and pad feet, 72cm h; 76 x 49cm Estimate: 200-300
1155.   A GEORGE III MAHOGANY TRIPOD TABLE, with circular top and 'birdcage' action on vase knopped pillar and moulded legs with pad feet, 71cm h, 78cm diam Estimate: 150-250
1156.   A GEORGE III GILTWOOD SOFA, the curved back in beaded frame with swept arms, on fluted tapering forelegs headed by stiff leaves and patera-blocks, 92cm h, 70cm deep, 167cm wide Estimate: 400-600
1157.   A PAIR OF EDWARD VII CARVED MAHOGANY ARMCHAIRS, the carved, pierced and padded back flanked by oval splats, 83cm h Estimate: 150-200
1158.   A MAHOGANY ELBOW CHAIR, in George II style, carved to the back and pierced splat with leafage and rocaille crested by a shell and on leaf carved cabriole legs with claw-and-ball feet, 110cm h, early 20th c Estimate: 100-150
1159.   A WALNUT SERPENTINE SIDEBOARD, with crossbanded top and fitted with drawers flanked by doors, on shell carved cabriole legs with claw-and-ball feet, 90cm h; 210 x 63cm, early 20th c; a walnut and featherbanded three-pillar dining table, the top in matched veneers with semi-circular ends, on vase turned pillars with three or four scrolling legs and pad feet, 74cm h; 122 x 388cm, early 20th c (2) Estimate: 600-800
1160.   A SET OF EIGHT GEORGE IV MAHOGANY AND LINE INLAID DINING CHAIRS, applied with roundels and with horizontal splat on sabre legs, the set including a pair of elbow chairs, 88cm h Estimate: 400-600
1161.   A GEORGE IV MAHOGANY BREAKFAST TABLE, the crossbanded top on baluster pillar and four brass-inlaid square tapered legs with acanthus castors, 72cm h; 151 x 115cm Estimate: 400-600
1162.   A FLEMISH OAK CHEST, the geometrically moulded drawer applied with split mouldings above a pair of conforming doors enclosing three further drawers, the sides panelled on stiles, 105cm h; 105 x 63cm, late 17th c Estimate: 500-700
1163.   A NORTH ITALIAN WALNUT CHEST OF DRAWERS, the half hinged top and fall front revealing a fitted interior with two rows of moulded drawers, the lower part with three conforming drawers, the gilt brass lockplates and mask loop handles original, the sides panelled, on bracket feet, 95cm h; 114 x 64cm, late 17th c Provenance: Professor Janos and Mrs M Plesch of Berlin by the early 20th century; thence by descent. See illustration of lot 1163 in the Berlin residence of Professor and Mrs Plesch, c1920. Estimate: 400-600
1164.   A SOUTH GERMAN WALNUT AND ASH CHEST the panelled lid with three moulded lozenges, the architectural front with three break-arched panels divided by pilasters, the carved capital with a grotesque and with tablets bearing the date 1617, having engraved and silvered hinges and lockplate, the panelled sides with handles, on turned feet, 64cm h; 170 x 59cm, parts 17th c Provenance: Adolf and Martha Gans of Frankfurt; thence by descent. Estimate: 500-700
1165.   AN OAK WARDROBE, SOUTH GERMAN OR ITALIAN, the arched and moulded cavetto cornice crested by a carved urn and foliage, the panelled doors carved with scrolling foliage and rocaille, the sides also panelled, on moulded base, 232cm h; 173 x 53cm, 18th c Provenance: Adolf and Martha Gans of Frankfurt; thence by descent. Estimate: 1000-1500
1166.   A CONTINENTAL CHESTNUT WARDROBE, the scrolling cornice with volutes and enclosed by a pair of twin panelled doors, the sides also panelled, on carved feet, 197cm h; 142 x 54cm, 19th c Provenance: Adolf and Martha Gans of Frankfurt; thence by descent. Estimate: 100-200
1167.   A CHESTNUT ARMCHAIR, PROBABLY GERMAN, the pierced back with scratch moulded splat and wings, the arms terminating in volutes, with serpentine rails on cabriole legs and pointed feet, 111cm h, 18th c Estimate: 150-250
1168.   A FINE NORTH ITALIAN GILTWOOD MIRROR, the moulded frame crested by a cartouche and carved with flowers, open scrolls and rocaille, 160cm h, 88cm w, mid 18th c Literature: A similar mirror, ascribed to Turin, is illustrated Morazzoni (G), Il
Mobile Veneziano del '700, Milan 1958, vol II, plt 246. Provenance: Professor Janos and Mrs M Plesch of Berlin by the early 20th century; thence by descent. See illustration of lot 1168 in the Berlin residence of Professor and Mrs Plesch, c1920. Estimate: 3000-5000
1169.   A GERMAN GILTWOOD CONSOLE TABLE, the marble slab above a deep apron of shells with cartouche and scrolling foliage, on leaf wrapped legs and cloven hoof feet, painted cream and gilt, 80cm h; 85 x 48cm, 19th c, the marble slab earlier Provenance: Professor Janos and Mrs M Plesch by the early 20th century. Estimate: 250-350
1170.   AN ITALIAN WALNUT TABLE-CABINET, the sides and hinged front inlaid with stylised foliage in trailing borders, with pierced and chiseled iron circular lockplate and pillared hasp, the architectural fitted interior with moulded drawers and decorated in penwork with a double headed eagle and grotesques in borders of linked 'S' scrolls, 38cm h; 49 x 30cm, late 17th/early 18th c Provenance: Bought by the present owners, Mrs Traudi Plesch, OBE and Professor P H Plesch in the Portobello Road, London, c1960. Estimate: 400-600
1171.   A GERMAN CREAM AND GILTWOOD SUITE, the cartouche shaped and moulded back crested by stylised foliage, with padded arms, stuffed over seat and scrolling legs, comprising settee and six armchairs, settee 105cm h, 145cm w, c1900 (7) Provenance: Professor Janos and Mrs M Plesch of Berlin by the early 20th century; thence by descent. See illustration of lot 1171 in the Berlin residence of Professor and Mrs Plesch, c1920. Estimate: 800-1200
1172.   A GERMAN CARVED BEECH SERPENTINE DUET STOOL, the rail carved with stylised flowerheads and leaves on six moulded legs with leaf feet, 44cm h; 121 x 42cm, early 20th c; a pair of German carved beech chairs with padded cartouche shaped back, 18th c (3) Provenance: Professor Janos and Mrs M Plesch of Berlin by the early 20th century; thence by descent. Estimate: 150-250
1173.   AN ITALIAN WALNUT CHAIR, with padded back and seat on turned baluster and block legs with arched stretcher, 112cm h, 18th c; a Northern European oak chair, with carved and padded splat between turned uprights with finials, late 17th c (2) Provenance: Professor Janos and Mrs M Plesch of Berlin by the early 20th century; thence by descent. Estimate: 150-250
1174.   A NORTH ITALIAN CHESTNUT TABLE, with rectangular top, a drawer in the frieze, on bobbin turned legs with central block and flat stretchers, 75cm h; 122 x 71cm, 19th c Provenance: Professor Janos and Mrs M Plesch of Berlin by the early 20th century; thence by descent. Estimate: 500-700
1175.   A VICTORIAN CARVED OAK BOOKCASE, the nulled frieze with three drawers divided by grotesques and in three sections with adjustable shelves flanked by caryatids, on turned feet, 109cm h; 240 x 32cm Estimate: 300-500
1176.   A DUTCH FLORAL MARQUETRY CORNER CUPBOARD, the top decorated with a bird, butterflies and vase of flowers, the frieze with trailing flowers above a tambour shutter flanked by fluted pilasters, 86cm h; 83 x 58cm, engraved trade label of JOHN LANE CABINETMAKER 174 SLOANE STREET MAKER TO THEIR SERENE HIGHNESSES THE PRINCE AND PRINCESS OF TECK, 19th c Estimate: 600-800
1177.   A GEORGE IV MAHOGANY TABLE, the oblong top, on plain tapered trestles with turned stretchers and square tapered legs with brass paw castors, 71cm h; 72 x 54cm Estimate: 200-300
1178.   A GEORGE II MAHOGANY BUREAU, with stepped and fitted interior and one long, two short and two further graduated drawers, on bracket feet, 96cm h; 76 x 43cm Estimate: 300-500
1179.   A PAINTED MAHOGANY BREAKFRONT CABINET, with inlaid cornice and enclosed by a central door with curved glazing bars, the frieze with swags and a drawer, on tapered legs with serpentine undertier, 184cm h; 106 x 30cm, ivorine trade label of HAMPTON'S PALL MALL LONDON, early 20th c Estimate: 300-500
1180.   A VICTORIAN ROSEWOOD BREAKFAST TABLE, the figured circular top on bulbous knop and carved and scrolling legs with cabochons and vine leaf feet, 73cm h, 128cm diam Estimate: 400-600
1181.   A MAHOGANY BREAKFRONT CABINET, with rosette cornice and fluted frieze centred by a tablet of carved swags, fitted with adjustable shelves and enclosed by a pair of doors with carved glazing bars flanked by fluted pilasters, on paw feet, 180cm h; 181 x 37cm, c1900 Estimate: 800-1200
1182.   A MAHOGANY CABINET, the carved cornice above a pair of doors with thirteen-pane glazing bars enclosing glass shelves flanked by fluted pilasters, on carved dwarf cabriole legs and claw-and-ball feet, 194cm h; 120 x 42, stamped JOHN JONES & SONS DERBY, early 20th c Estimate: 500-700
1183.   A MAHOGANY SIDE TABLE, the frieze with blind trellis carved drawers flanked by paterae, on square tapered and stop fluted legs with stretchers and spade feet, 75cm h; 121 x 57cm, c1900, some elements earlier Estimate: 250-350
1184.   A GEORGE III MAHOGANY DUMB WAITER, of three graduated trays on tapered pillar with wrythen fluted knops and leaf carved legs with volute feet, 106cm h, BADA label Estimate: 700-900
1185.   A GEORGE III MAHOGANY BUREAU, the fitted interior centred by a door between sliding pilasters above four graduated drawers, on bracket feet, 100cm h; 99 x 56cm Estimate: 700-900
1186.   A GEORGE III MAHOGANY SERPENTINE SIDEBOARD, fitted five drawers flanked by oval mouldings and fluted pilasters, on square tapered legs and spade feet, 91cm h; 149 x 75cm Estimate: 2000-3000
1187.   A GEORGE III MAHOGANY TEA TABLE, the rectangular figured top with plain frieze on carved cabriole legs and volute feet, 72cm h; 86 x 42cm Estimate: 400-600
1188.   A GEORGE III MAHOGANY SERPENTINE COMMODE, the quarter veneered top above four graduated drawers in matched veneers, that to the top with a slide and fitted interior including an ink drawer to one side, flanked by blind fret pilasters, the gilt brass handles probably original, on bracket feet, 82cm h; 106 x 57cm Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 1 February 1962 for £575. Estimate: 4000-6000
1189.   A PAIR OF IRISH GEORGE III MAHOGANY AND BRASS-BOUND PEAT BUCKETS, of ribbed form with substantial swing-handle pivoted on conforming faceted and inverted 'T' shaped brackets, 41cm h, 62cm h overall, 38cm diam, later brass liners Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 1 November 1969 for £750. Estimate: 7000-9000
1190.   A GEORGE III MAHOGANY WINE COOLER AND COVER, of inverted bell shape with nulled frieze and gilt brass mask handles, the domed cover with flambeau finial, on square base, lead lined, 66cm h, 31cm diam Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 29 November 1971 for £275. Estimate: 2500-3500
1191.   A GEORGE I WALNUT AND FEATHERBANDED CHEST OF DRAWERS, the flush-moulded top in matched veneers above two short and three long graduated drawers, the brass handles and keyplates probably original, on bracket feet, 77cm h; 76 x 37cm Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 1 November 1969 for £2000. Estimate: 4000-6000
1192.   A VICTORIAN MAHOGANY SERPENTINE COMMODE, fitted four graduated drawers in matched veneers flanked by stop fluted pilasters with brass handles, on bracket feet, 84cm h; 114 x 55cm Estimate: 1000-2000
1193.   A QUEEN ANNE WALNUT AND FEATHERBANDED BACHELOR'S CHEST OF DRAWERS, the fold-over top in matched veneers above three short and three long moulded drawers with brass handles and keyplates, on bracket feet, 76cm h; 76 x 38cm Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 21 September 1964 for £775. Estimate: 3000-5000
1194.   A QUEEN ANNE WALNUT AND FEATHERBANDED KNEEHOLE DRESSING TABLE, the quarter veneered top with two hinged leaves on lopers and fitted with seven drawers around the break-arched kneehole, with engraved brass handles and keyplates, on moulded feet, 71cm h; 76 x 52cm Provenance: Almost certainly bought by the late owner from Charles Lumb & Sons Ltd, Harrogate in the 1960s. Estimate: 6000-8000
1195.   A FINE GEORGE II MAHOGANY BUREAU-CABINET, with fretted swan neck pediment, the door with bevelled ogee mirror enclosing adjustable shelves above candle-slides, the fitted interior of the bureau with chequer stringing, having four graduated drawers, the gilt brass handles and keyplates original, on ogee feet, 219cm h; 71 x 49cm, labelled EXHIBITED AT THE 1953 ANTIQUE DEALER'S FAIR GROSVENOR HOUSE PARK LANE W1 Estimate: 10000-15000
1196.   A GEORGE III MAHOGANY SERPENTINE DRESSING CHEST, fitted four graduated drawers, that to the top with a brushing slide, hinged mirror and lidded compartments flanked by acanthus carved corbels and flower pendants, on rounded ogee feet, 83cm h; 107 x 62cm Estimate: 10000-15000
1197.   A VICTORIAN MAHOGANY TRIPOD TABLE, the figured and moulded circular top on stop fluted pillar with acanthus carved knop, conforming legs with cabochons and hairy paw feet, 58cm h, 58cm diam Estimate: 500-700
1198.   A GEORGE III MAHOGANY TORCHERE, the concave sided top with fretwork gallery and rounded corners on clustered shaft and crisply carved scrolling legs with fluting and moulded volute feet, 113cm h, 40cm w Estimate: 800-1200
1199.   A GEORGE III MAHOGANY TORCHERE, the figured octagonal top with fretwork gallery on stop fluted tapering shaft with baluster and wrythen fluted knops and carved legs, 124cm h, 28cm w Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 1 October 1992 for £4300. Estimate: 2000-3000
1200.   A GEORGE III MAHOGANY URN-STAND, with fretwork gallery and frieze with slide on cluster-column legs with pierced brackets and stretchers with urn finial, guttae feet, 69cm h, 30cm w Provenance: Cook of Marlborough Fine Art Ltd, from which bought by the late owner on 1 October 1990 for £4200. Estimate: 1500-2500
1201.   A GEORGE III MAHOGANY URN-STAND, with fretwork gallery and brackets, a slide in the frieze, on chamfered legs with stretchers and flambeau finial, block feet, 66cm h; 29 x 29.5cm Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 21 September 1965 for £240. Estimate: 600-800
1202.   A GEORGE III GILTWOOD MIRROR, the oval plate in a gadrooned surround crested by foliage and festoons hanging from 'C' scrolls extending to the apron, 97cm h, 55cm w Estimate: 1000-2000
1203.   A PAIR OF GILTWOOD MIRRORS, the oval plate in a moulded surround crested by foliage and flanked by flowers, 'C' scrolls and spume, 103cm h, 60cm w, late 19th/early 20th c Estimate: 1000-1500
1204.   A GEORGE III CARTON PIERRE MIRROR, the oval plate in a ribbon surround crested by a swagged urn raised on foliage and with festoons of flowers entwined in the scrolling foliate apron, 111cm h, 64cm w Estimate: 600-800
1205.   A GEORGE III NEO CLASSICAL GILTWOOD MIRROR, the beaded oval cavetto frame crested by an urn with ears of wheat above acanthus leaves and festooned with husks, the apron with a pineapple, 76cm h, 37cm w Provenance: Charles Lumb & Sons Ltd, Harrogate from which bought by the late owner in the 1960s. The backboard bears two printed trade labels, one with engraved rococo border, of Thomas Cotton [1773-1808] Picture Frame Maker Carver & Gilder The Corner of Mincing Lane in Fenchurch St London, the other slightly later, of W Baker [1794-1840] Carver and Gilder Thames-St Windsor. Estimate: 500-700
1206.   A GEORGE III MAHOGANY CHEST-ON-CHEST, with Greek Key cornice and beaded frieze above two short and three long graduated drawers, the lower part with three further drawers flanked by conforming pilasters, on ogee feet, 179cm h; 129 x 54cm Estimate: 1000-2000
1207.   A GEORGE III MAHOGANY LINEN PRESS, with dentil cornice and a pair of doors with figured panels and inlaid rosettes to the angles enclosing a tray and two drawers, the lower part fitted two short and two long drawers with brass handles, on bracket feet, 210cm h; 141 x 61cm Estimate: 800-1200
1208.   A WALNUT BERGERE SUITE, of sofa and a pair of armchairs with arched and caned back and double-walled arms, on dwarf cabriole legs, loose cushions, sofa 87cm h, 161cm w, c1930 Estimate: 400-600
1209.   TWO ARMCHAIRS BY MAPLE & CO, upholstered in fringed deep pink velvet, on walnut dwarf legs, 87cm h, Maple metal trade label, mid 20th c Estimate: 200-300
1209A.  A SET OF THREE MAHOGANY DINING CHAIRS, including an elbow chair with carved and pierced splat, 95cm h, late 18th c and later; another dining chair (4)
1210.   TWO CLOSE-NAILED BROWN HIDE ARMCHAIRS, one with oak dog tooth rail, on turned feet, one 67cm h, c1930 Estimate: 200-300
1211.   A MAHOGANY BOW FRONTED WARDROBE, enclosed by a pair of quarter veneered doors, on splayed feet, 195cm h; 129 x 61cm, early 20th c Estimate: 200-300
1212.   A MAHOGANY SERPENTINE CHEST-ON-CHEST, fitted with seven graduated drawers and a brushing slide flanked by blind fretwork, on bracket feet, 156cm h; 80 x 48cm, c1935 Estimate: 300-500
1213.   A WALNUT CHEST OF DRAWERS, with quarter veneered top, fitted four crossbanded drawers with brass drop handles above an arched apron, on cabriole legs and pad feet, 129cm h; 92 x 49cm; a walnut dwarf chest of four drawers en suite, both early 20th c (2) Estimate: 300-500
1214.   A WALNUT CORNER CABINET, the arched, moulded top above a pair of doors enclosing three shelves to the green painted interior, the lower part with a pair of figured doors, on bracket feet, 180cm h; 73 x 39cm, c1930 Estimate: 300-500
1215.   A WALNUT AND FEATHERBANDED LOWBOY, with quarter veneered top and fitted three drawers to the arched apron, the back also veneered, on shell carved cabriole legs and pad feet, 76cm h; 104 x 58cm, early 20th c Estimate: 300-500
1216.   A WALNUT AND FEATHERBANDED BUREAU, in matched veneers, the stepped and fitted interior with a well and leather inlet writing surface, the moulded front fitted two short and two long drawers, on bracket feet, 94cm h; 68 x 47cm, early 20th c Estimate: 400-600
1217.   A WALNUT CHEST-ON-CHEST, in matched veneers and fitted with four graduated drawers flanked by blind fretwork, the base with three further drawers, on bracket feet, 132cm h; 76 x 43cm, mid 20th c Estimate: 300-400
1218.   A GEORGE III MAHOGANY TRIPOD TABLE, the figured top with moulded edge on stop fluted pillar and wrythen fluted knop, carved legs and elongated claw-and-ball feet, 55cm h, 31cm diam Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 29 August 1969 for £640. Estimate: 1500-2000
1219.   A GEORGE III MAHOGANY URN-STAND, the moulded octagonal top with slide on turned pillar with urnular knop, the legs carved with anthemion and husks, 69cm h, 32cm w Provenance: Charles Lumb & Sons Ltd, Harrogate, from which bought by the late owner on 27 July 1990 for £3650.
Estimate: 1000-1500
1220.   A GEORGE III MAHOGANY CHAIR, the padded cartouche back and stuffed over seat in close nailed bronze-green hide, on reeded tapering turned forelegs, 89cm h Estimate: 250-350
1221.   A GEORGE III MAHOGANY TRIPOD TABLE, the dished top on turned pillar with lotus knops, 58cm h, 48cm diam Estimate: 200-300
1222.   A GEORGE III MAHOGANY READING TABLE, with adjustable top and slides, the frieze with ebony line inlaid drawer on square tapered legs, 72cm h; 60 x 47cm Estimate: 400-600
1223.   A GEORGE IV MAHOGANY WORK-TABLE, the swivelling drop-leaf top with ovolo lip, a drawer and opposing blind drawer, on waisted trestles with curved base and turned stretchers, 69cm h; 62 x 53cm Estimate: 300-500
1224.   A GEORGE III ROSEWOOD CARD TABLE, the top crossbanded in yew-wood and line inlaid throughout, with beaded frieze on tapering turned legs with reeded feet, 68cm h; 89 x 44cm Estimate: 400-600
1225.   A GEORGE III MAHOGANY SERPENTINE STOOL, on moulded legs with stretchers, 45cm h; 58 x 49cm Estimate: 250-350
1226.   A GEORGE III MAHOGANY SERPENTINE TEA TABLE, the figured top with rounded outset corners, on moulded legs, 76cm h; 90 x 45cm Estimate: 300-500
1227.   A VICTORIAN ROSEWOOD STOOL, the rail carved with a central flowerhead, on cabriole legs and knurl feet, 44cm h; 54 x 54cm
Estimate: 250-350
1228.   A VICTORIAN ROSEWOOD DUET STOOL, rectangular with hollowed sides, on open moulded, kidney centred trestles with turned stretcher, 49cm h; 104 x 47cm Estimate: 500-700
1229.   A GEORGE III MAHOGANY AND LINE INLAID SEMI-CIRCULAR TEA TABLE, on moulded square tapering legs headed by ovals, 74cm h; 96 x 45cm Estimate: 300-500
1230.   A GEORGE III MAHOGANY TRIPOD TABLE, the dished top on turned pillar with vase knop, 58cm h, 55cm diam Estimate: 200-300
1231.   A NORTHERN EUROPEAN MAHOGANY MINIATURE CHEST OF DRAWERS, with stepped top above two short and four graduated drawers flanked by pilasters, 53cm h; 44 x 21cm, c1870 Estimate: 100-150
1232.   A PAIR OF CUSTOM-MADE TEAK-VENEERED COLLECTORS' CABINETS, with adjustable glass shelves, the lower part enclosed by a pair of doors, minor variations, 250cm h; 109 x 46cm (originally built-in) Estimate: 100-200
1233.   A PAIR OF CUSTOM-MADE TEAK-VENEERED COLLECTORS' CABINETS, similar to the preceding lot, with adjustable glass shelves, the projecting lower part enclosed by sliding doors, minor variations, c101cm h, 96 x 45cm (originally built in) Estimate: 100-200
1234.   A PAIR OF CUSTOM-MADE TEAK-VENEERED COLLECTORS' CABINETS, similar to the two preceding lots, the projecting lower part fitted with a shallow drawer and slide above sliding doors, 248ch h; 128 x 46cm (originally built in) Estimate: 100-200
1235.   A PAIR OF CUSTOM-MADE TEAK-VENEERED COLLECTORS' CABINETS, en suite with the preceding lot, 250cm h; 128 x 45cm (originally built in) Estimate: 100-200
1236.   A 'MOUSEMAN' OAK TABLE BY ROBERT THOMPSON OF KILBURN, the adzed kidney shaped top on four chamfered outsplayed legs, one with carved mouse 'signature', 39cm h; 74 x 30cm, c1940 Estimate: 350-450
1237.   A WYLIE & LOCKHEAD STAINED OAK CHAIR DESIGNED BY E A TAYLOR, with pierced rail and tapered splat between turned uprights, the caned seat on turned legs with stretchers, 106cm h, c1905 Estimate: 100-200
1238.   A CHARLES II JOINED OAK SETTLE, the panelled back crested by zoomorphic ornament above three chip carved lozenges, the notched arms on ring turned uprights and with boarded seat on conforming forelegs, 137cm h; 60 x 42cm Estimate: 500-700
1239.   A GEORGE III OAK DRESSER, the rack with three shelves with stepped cornice, the base with raised top and fitted three moulded drawers having pierced and ogee arched apron, on chamfered stiles with pot board, 112cm h; 152 x 44cm Estimate: 800-1200
1240.   A WELSH GEORGE III OAK COFFR BACH, with moulded lid and drawer with brass handles and oval keyplates, on ogee feet, 29cm h; 46 x 27.5cm Estimate: 200-300
1241.   THREE GEORGE III FRUITWOOD AND OAK DINING CHAIRS, with panelled or boarded seat, pierced, shaped or raised-and-fielded splat and square or baluster-and- block legs, 86-98cm h Estimate: 100-200
1242.   A WILLIAM III JOINED OAK CHAIR, LANCASHIRE/CHESHIRE, the pierced back of carved strapwork beneath a rudimentary cresting and finials, having panelled seat and channelled frame, on spiral legs with stretchers, 99cm h Estimate: 200-300
1243.   A PAIR OF WILLIAM III JOINED OAK PANEL-BACK CHAIRS, LANCASHIRE/CHESHIRE, the break-arched back and panel carved with stylised flowers and leaves between rudimentary finials, having boarded seat on turned legs with stretchers, 113cm h Estimate: 250-350
1244.   AN ENGLISH BOARDED OAK CHEST, with moulded lid and front on trestles, 46cm h; 69 x 34cm, 18th c Estimate: 100-200
1245.   A CHARLES II JOINED OAK CHEST, with moulded lid and twin panelled front in channelled frame, on stiles, 52cm h; 81 x 42cm Estimate: 150-200
1246.   AN ENGLISH BOARDED OAK CHEST, with moulded lid and iron lockplate, on trestles, the interior with a till, 63cm h; 114 x 77cm, 18th c Estimate: 100-200
1247.   A CHARLES II JOINED OAK TABLE, with boarded top and fitted with a drawer to the apron, on bobbin turned legs with stretchers, 55cm h; 56 x 34cm Estimate: 150-200
1248.   A GEORGE III OAK CUPBOARD, with cavetto cornice, the interior fitted with shelves and enclosed by a door with ogee raised-and-fielded panel, 77cm h; 65 x 29cm Estimate: 100-200
1249.   A CHARLES II JOINED OAK CHEST, carved at later date with arcading and stylised foliage, on stiles, the interior with a till, 71cm h; 117 x 55cm, Estimate: 100-200
1250.   A GEORGE III OAK CORNER CUPBOARD, of splay fronted form, crossbanded in fruitwood, the interior fitted with serpentine shelves enclosed by a panelled door with oval paterae, a drawer below, 120cm h; 76 x 43cm Estimate: 150-200
1251.   A GEORGE IV ELM ARMCHAIR, DATED 1825, with solid winged back and boarded sides beneath curved arms on ring turned uprights, the massive seat on conforming turned legs with stretchers, 103cm h, the underside of the seat inscribed JANY 1 1825 Estimate: 200-400
1252.   A CHARLES II JOINED OAK LIVERY CUPBOARD, the panelled front and pair of doors carved with stylised leaves and 'S' scrolls in channelled frame, the sides also panelled, on columnar legs with boarded undertier, 121cm h; 124 x 47cm Estimate: 200-300
1253.   A GEORGE III FRUITWOOD AND LINE INLAID CORNER CABINET, of splay fronted form with cavetto cornice, the dark green painted interior with serpentine shelves enclosed by a glazed door, 105cm h; 81.5 x 42cm Estimate: 100-200
1254.   A GEORGE III OAK CRICKET TABLE, with moulded rails and on chamfered legs of triangular section with boarded undertier, 70cm h, 64cm diam Estimate: 150-250
1255.   A GEORGE III ELM STOOL, the pierced top on shaped trestles, 44cm h; 40 x 25cm; two ash dairy stools, 19th c (3) Estimate: 100-200
1256.   A GEORGE III OAK LOWBOY, the scrolling apron fitted with three drawers, the engraved brass handles probably contemporary, on cabriole legs; 71cm h; 78 x 54cm Estimate: 150-250
1257.   A CHARLES II JOINED OAK TABLE, the semi-circular foldover top on triangular columnar underframe with stretchers, 79cm h; 132 x 101cm Estimate: 200-300
1258.   A GEORGE III FRUITWOOD DRESSER-RACK, with moulded cornice and undulating frieze and stiles, the lower part centred by a spice cupboard with panelled door, 124cm h; 150 x 17cm Estimate: 200-400
1259.   A GEORGE III OAK CHEST OF DRAWERS, fitted two pairs of moulded drawers flanking a break-arched, star-inlaid door, three further drawers below having pierced brass handles, 91cm h; 81 x 48cm Estimate: 200-300
1260.   AN ENGLISH JOINED OAK GATELEG TABLE, with oval top, on baluster-and-block underframe, 68cm h; 155 x 137cm, 18th c Estimate: 200-300
1261.   AN ASH WINDSOR CHAIR, the pierced splat with plume of feathers, the armbow on incurved supports, having elm seat on turned legs with stretchers, 100cm h Estimate: 150-200
1262.   A CHARLES II JOINED OAK CHEST, with three-panel lid, the panelled front carved with guilloche and lunettes, on conforming stiles, 69cm h; 129 x 49cm Estimate: 200-300
1263.   A GEORGE II JOINED OAK TABLE, the oversailing boarded top above a drawer to the frieze on baluster-and-block legs with stretchers, 70cm h; 76 x 50cm Estimate: 150-250
1264.   AN ENGLISH JOINED OAK CHEST, with two-panel lid and front, the frieze carved with stylised foliage flanking an iron lockplate, on channelled stiles, the interior with part of a till, 64cm h; 78 x 45cm, late 17th c Estimate: 100-200
1265.   AN ENGLISH BOARDED OAK CHEST, with iron hasp and lockplate, on trestles, 47cm h; 88 x 32cm Estimate: 100-200
1266.   AN ENGLISH CARVED AND INLAID OAK BUFFET, the strapwork cornice on cup-and-cover pillars and architectural back inlaid with arched panels of birds and foliage, the lower part fitted with doors and drawers, 181cm h; 136 x 51cm, 17th c and later Estimate: 600-800
1267.   A GEORGE II WALNUT BUREAU-CABINET, with cavetto cornice and pair of doors with ogee raised-and-fielded panels enclosing a fitted interior above candle slides, the the bureau with stepped and fitted interior with central break-arched door above two short and three long graduated moulded drawers, on turned feet, 214cm h; 92 x 54cm Estimate: 4000-6000
1268.   A NEO CLASSICAL STYLE BURNISHED STEEL FIRE GRATE, of serpentine form with vase finials and pierced apron on square tapered legs, 75cm w, early 20th c Estimate: 200-300
1269.   A VICTORIAN NEO CLASSICAL STYLE CARVED AND INLAID SATINWOOD CHIMNEYPIECE OF EXHIBITION QUALITY, crossbanded in tulipwood and line inlaid, with vase finials, panelled and galleried mantelshelf on modillions and panelled jambs flanked by fan fluted and arched recesses, the lower part and wings with large oval paterae, swags and ribbons, 267cm h; 262 x 72cm, c1900 Estimate: 4000-6000
1270.   A VICTORIAN NEO CLASSICAL STYLE BURNISHED STEEL FIRE GRATE, of serpentine form, the break-arched fireback cast with an urn and swags and having vase finials, beaded wings and pierced apron on square tapered legs, 93cm w, late 19th/early 20th c Estimate: 1000-1500
1271.   A GEORGE III MARBLE CHIMNEYPIECE, the moulded shelf above a fluted frieze with siena marble stops and carved tablet of disporting putti flanked by billing doves on a swagged pedestal, the columnar jambs with volutes and fluted shaft, 133cm h; 168 x 22cm Provenance: Crowther of Syon Lodge Ltd, from which bought by the late owner in the 1960s. Estimate: 6000-8000
1272.   AN ARTS AND CRAFTS MOVEMENT STONEWARE SUNDIAL-PEDESTAL, the rope bordered octagonal capital moulded with stylised hearts, the shafts with a collar of leaves, on square plinth, 92cm h, the top impressed NO 21; with a contemporary bronze garden sundial, both early 20th c (2) Estimate: 100-200
1273.   A VICTORIAN CAST IRON REPLICA OF THE MEDICI VASE, on square pedestal, 117cm h overall Estimate: 200-400
1274.   A LEAD FIGURAL BIRD BATH IN THE FORM OF A CHILD, standing on a shell shaped basin supported by three dolphins, 71cm h, mid 20th c Estimate: 250-350
1275.   A LEAD GARDEN STATUETTE OF A CHILD, standing on a mound, 54cm h, early 20th c Estimate: 100-200
1276.   A VICTORIAN CAST IRON GARDEN VASE OR FOUNTAIN BY ANDREW HANDYSIDE & CO LTD OF DERBY, the shallow lobed campana shaped bowl supported by three dolphins on concave sided plinth, 115cm h, 100cm diam, late 19th c Estimate: 1000-1500