661 |
Charles Turner, ARA after Thomas Gainsborough - The Little Cottager; Interior of a Cottage, a pair, mezzotints, c1787, 55 x 41cm, verre eglomisé mounts (2) £100-200 | Nil |
|
120 |
| 662 | English School, early 20th century - Miss 1925 Shops at Glave's, double-crown poster (77 x 50cm) lithograph by the D M A Co Ltd, Derby £100-150 | Nil |
|
|
| 663 | Eric Gill - Eve; Westward Ho!, two, wood engravings, originally published 1926 & 1921, re-issued c1983, 25 x 13cm and smaller; three books on Gill comprising Skelton (C) - The Engravings of Eric Gill Special Edition, slip case, 1983, J Collins - Eric Gill, The Sculpture and Fiona MacCarthy - Eric Gill (5) £150-200 | Nil |
|
200 |
| 664 | William Walcot, RE, RBA - The National Gallery in St Martin in the Fields; Piccadilly Circus; The Banqueting House; The Bank of England; Westminster Bridge, five, etchings, all signed in pencil, 25 x 31.5cm & c, unframed (5) £1000-1500 | Nil |
|
1200 |
| 665 | Peter Newcombe - February; September, lithographs, a pair, both signed, inscribed and numbered from editions of 75 in pencil, 40 x 54.5cm (2) £80-120 | Nil |
|
30 |
| 666 | Thomas William Ward, RE, RWS - Hillside Madonna; The Passing of Aunt Eliza; The Bathers; Nets Drying, four, etchings, all signed and dated 1958 in pencil, 32 x 36cm and smaller; a drawing of a harbour by the artist, pencil,signed and dated 1956, squared for transfer, 28.5 x 45cm (5) £200-300 | Nil |
|
200 |
| 667 | Stephen Frederick Gooden, RA, RE - Juno and the Peacock; The Etcher, two, etchings, signed and dated 29 or 1932 in pencil, 14.5 x 8.5cm and 5 x 11.5cm respectively, unframed (2) £150-200 | Nil |
|
200 |
| 668 | Samuel Prout - [Italian Scenery] thirteen, tinted lithographs, from Prout's Sketches.., published by Hodgson & Graves, 1839, 28 x 39.5cm & c, or the reverse format (13) £150-250 | Nil |
|
320 |
| 669 | Cecil Charles Windsor Aldin - Chips off the Old Block, lithograph in colours for children, published by Lawrence & Bullen Ltd, 1903, 47 x 60cm £80-120 | Nil |
|
230 |
| 670 | William Heath - Theatrical Characters in Ten Plates, etched caricatures, Plates 1-9 (only), published by Thomas McLean 1829, 38 x 26cm and twenty three similar contemporary caricatures by Heath, George Cruickshank and John Doyle, some in bright contemporary colour and including several issues of McLean's Monthly Sheet of Caricatures, sold in portfolio £100-150 | Nil |
|
160 |
| 671 | Cecil Charles Windsor Aldin - Rugby School, lithograph in colours from the set of four Public Schools by by The Welbeck Publishing Co Ltd, signed in pencil, numbered 64 and with FATG blindstamp, 48 x 55.5cm, unframed £80-120 | Nil |
|
220 |
| 672 | John Harris after Charles Cooper Henderson - Fores's Coaching Recollections, a set of four, aquatints, printed in colour and finished by a contemporary hand, January 1st 1842 and January 2nd 1843, 50.5 x 71.5cm, contemporary maple frames (4) £700-900 | Nil |
|
1300 |
| 673 | Anne Redpath, OBE, RSA, ARA, ROI - Corsican Village, lithograph signed and inscribed in blue chalk, 26.5 x 37cm One of Redpath's few lithographs, published in a small edition, c1955. £500-700 | Nil |
|
|
| 674 | Philip William May, RI, RP, NEAC (1864-1903) A TIPPLER AND OTHER CARICATURES five, all signed, pen and ink, 19.5 x 12.5cm & c (5) £100-150 | Nil |
|
70 |
| 675 | Attributed to Josef Herman, RA (1911-2000) STREET SCENE pen, pencil, ink and wash, 19 x 24.5cm £100-200 | Nil |
|
350 |
| 676 | Walter Stuart Lloyd, RBA (exh 1880-1924) LINCOLN CATHEDRAL AND BRAYFORD POOL AT EVENING signed and dated 1905, pencil and watercolour heightened with white, 29 x 64cm £800-1000 | Nil |
|
|
| 677 | S G W Roscoe (exh 1880-1914) WARWICK CASTLE signed and dated 91, pencil and watercolour heightened with white, 48 x 73.5cm £500-600 | Nil |
|
|
| 678 | Henry John Kinnaird (fl c1880-1920) HARVEST TIME signed and inscribed View Nr Brancaster Sussex, pencil and watercolour heightened with white, 47.5 x 36.5cm £1000-1500 | Nil |
|
1000 |
| 679 | Henry John Sylvester Stannard, RBA, RSA (1870-1951) HAYMAKING signed, pencil and watercolour heightened with white, 26 x 26cm £250-350 | Nil |
|
420 |
| 680 | Albert Goodwin, RWS (1845-1932) DUNSTER signed and inscribed, watercolour and bodycolour over pencil, 24 x 34cm £2500-3500 | Nil |
|
|
| 681 | Emily S Percy (fl late 19th century) STILL LIFE WITH CHRYSANTHEMUMS; STILL LIFE WITH DANDELIONS, ROSEHIPS AND WILD FLOWERS, two, pencil and watercolour heightened with white, 12.5 x 17cm and c (2) £250-350 | Nil |
|
300 |
| 682 | Henry Duffield (näive artist) (fl 1826) A SOUTH WEST VIEW OF THE CASTLE AND VILLAGE OF CRAIKE IN THE COUNTY PALATINE OF DURHAM signed, dated 29 June 1826 and inscribed, pen, pencil, ink and watercolour, 28 x 36cm £400-600 | Nil |
|
400 |
| 683 | Albert Henry Fullwood (1863-1930) WESTMINSTER ABBEY signed and dated 09, pencil and watercolour heightened with white, 24.5 x 34.5cm The Australian painter, etcher and illustrator A H Fullwood was born in Birmingham and emigrated in 1881. By 1892, two of his watercolours had been early purchases by the National Gallery of Australia. He soon became an influential figure in the artistic life of Sydney and travelled widely. His work was exhibited in America and Europe. He lived in London for the first few years of the new century (when the present and following lot were painted) and exhibited regularly at the Royal Academy. He served in the Australian forces during World War One and was appointed an official Australian War Artist. He returned to Australia after the War and lived in Sydney for the last ten years of his life (Source: Dictionary of Australian Biography). £350-450 | Nil |
|
2000 |
| 684 | Albert Henry Fullwood (1863-1930) THE PALACE OF WESTMINSTER FROM THE RIVER THAMES signed and dated 09, pencil and watercolour heightened with white, 25 x 35cm See footnote to the preceding lot. £200-400 | Nil |
|
1100 |
| 685 | John Hassall, RI, RMS (1868-1948) THE LADY IN RED signed, pencil and watercolour with bodycolour, 59 x 44cm The important British illustrator John Hassall studied in Antwerp and Paris after having made unsuccessful attempts to enter Sandhurst and gaining a living from farming in Manitoba. In art he found his metier and soon became successful. Influenced by Alphonse Mucha, hs many memorable posters include the Jolly Fisherman (1908) with its 'Skegness is so Bracing' slogan. £800-1200 | Nil |
|
1500 |
| 686 | William Stephen Coleman (1829-1904) A SUMMER AFTERNOON signed and dated -3, pencil and watercolour heightened with white, 19 x 26cm £1500-2000 | Nil |
|
|
| 687 | Robert Winchester Fraser (1848-1906) LANDSCAPE IN THE FENS signed with initials, pencil and watercolour heightened with white, 21.5 x 33cm £200-300 | Nil |
|
|
| 688 | Attributed to William Daniell (1769-1837) A VIEW OF ST VINCENT'S ROCK NEAR THE HOT WELLS AT CLIFTON pencil and wash, 7.5 x 10cm; a view of a cliff top castle and rock tombs by an artist in the circle of William James Muller; a watercolour of a figure on a bridge in the manner of George Chinnery; a watercolour of Peterborough Cathedral in the manner of William Evans of Eton, 1849 and two others (6) £100-200 | Nil |
|
|
| 689 | Thomas Hearne (1744-1817) THE MANOR HOUSE AT FOXLEY WILTSHIRE pencil and watercolour, on the original mount with inscription, possibly in Hearne's hand, verso, 15 x 22cm £200-300 | Nil |
|
300 |
|
690 |
Attributed to Jacob More (1740-1793) VIEW OF ROME pencil and bistre ink, 27.5 x 21.5cm £100-200 |
Nil |
|
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