614 |
French School, early 19th century - A Gentleman, in a striped blue/grey coat and floral waistcoat, ivory, oval, 6.5 x 5.5cm, satinwood frame £200-300 | In good condition | Nil |
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|
| 615 | Lord Nelson. An unusual commemorative miniature, painted with a figure kneeling before Neptune while a naval battle rages beyond, the scene framed by the inscription Monsieur invoking Neptune to give up his trident to Nelson, in blue and white foliate border, ivory, oval, 4 x 3.2cm, contemporary giltmetal frame and glazed back enclosing plaited hair, c1800 £600-800 | The back detached from the hinge but without damage and in entirely fine, original condition | Nil |
|
2200 |
| 616 | Alfred J Bennett - Spring, etching, eight, all signed and inscribed in pencil and with FATG blindstamp, 15 x 20cm; various other 19th and 20th c prints, mainly British etchings and steel engravings, sold in portfolio £100-200 | Nil |
|
250 | |
| 617 | Various British Artists, 19th and 20th century - Portraits, Genre and Topographical prints, mainly engravings on copper and steel and etchings, many signed in pencil, various sizes, sold in portfolio £100-200 | Nil |
|
280 | |
| 618 | William Lionel Wyllie - Old Waterloo Bridge from the South Bank, etching, signed by the artist in pencil, 19 x 35cm John Rennie's Waterloo Bridge was built in 1817 and after being affected by subsidence in the 1920s, was demolished in 1936. The present structure was built between 1937 and 1942. £350-450 | In fine condition in what is presumable the original plain ebonised frame with on the backboards the label of Wm Whiteley W2. | Nil |
|
450 |
| 619 | Laurence Stephen Lowry - Burford Church, photolithograph, signed in pencil and numbered 635/850, published by Grove Galleries Ltd, Manchester, 63 x 47cm £500-600 | In good condition in 1970s ? frame with some staining on the card mount | Nil |
|
|
| 620 | By and After Robert Dodd - No1 A British Squadron....; No 2 The British Squadron....; No 3 The Renewed Action by Night...; No 4 The Port and Settlement Tamatave, a set of four, aquatints printed in colour, 40 x 66cm (4) £700-900 | Somewhat faded and even light time staining but attractive and entirely unrestored in contemporary giltwood and composition cavetto frames | Nil |
|
1200 |
| 621 | By and After Robert Dodd - An Outward Bound East Indiaman Sailing from the Downs, aquatint, 43.5 x 67.5cm £80-120 | Trimmed to platemark and with some minor surface loss extreme left and damage extreme right just touching the image but undisturbed in the original giltwood and composition frame with the printed trade label on the reverse of Dickie Stationer Pocket-Book-Maker A Paper Hanger, No120 Strand opposite Exeter Chain | Nil |
|
150 |
| 622 | Edward Loxton Knight - Landscape near Nottingham, colour woodcut, signed in pencil and numbered 39 from an edition of 50, 25 x 28cm £100-200 | In fine condition, in contemporary plain oak frame | Nil |
|
140 |
| 623 | Edward Loxton Knight - The Trent Valley, colour woodcut, signed in pencil and numbered P/6, from a small edition, 22 x 29.5cm £100-200 | Minor foxing, mainly confined to the lower margin, colours fresh and free from fading, in contemporary plain oak frame with cracked glass | Nil |
|
250 |
| 624 | Samuel Dukinfield Swarbreck - Sketches in Scotland, nine (only) , lithographs, in contemporary colour, published 1837-39, 29 x 41cm or the reverse format, one slightly smaller (9) £150-250 | In fine condition | Nil |
|
350 |
| 625 | After W C M - The Up and Down Lines, lithograph by Riddle & Couchman, published by The Railway Mission and Marshall Bros [1895], 62 x 48cm £80-120 | In good condition with very minor dust staining etc, in contemporary oak fraem | Nil |
|
220 |
| 626 | An album of watercolours, including caricatures, by Dudley Dexter Watkins (exh 1919-34), Allan B Ashbourne, F Schiess (exh 1930-34), A Yates, Stanley Wood (a linocut), A C Cheshire, J W Hindle (his caricature of Harry Makepeace signed by the cricketer, June 1926) and James Johnstone (exh 1910-22), 20 x 16cm, twenty approx £100-150 | In fine condition | Nil |
|
130 |
| 627 | Thomas Stothard (1755-1834) - CELIA AND ROSALIND WITH TOUCHSTONE, from "As You Like It" Act 1 Scene 2, pencil and grey wash, oval, 15 x 11cm £100-200 | One or two spots of localised foxing do not detract | Nil |
|
50 |
| 628 | M Cunat-Barberel (fl late 19th century) THE BLUE VEIL signed, pastel, 90 x 63cm £1000-1500 | In fine condition, in good quality 18th c style giltwood and composition frame | Nil |
|
|
| 629 | Charles Edward Wilson (1845-1941) A GAME OF MARBLES signed, pencil and watercolour heightened with white, 25 x 37cm £3000-4000 | In fine condition, free from fading, a particularly well preserved and relatively large example | Nil |
|
3500 |
| 630 | English School, 19th century HUNTING SCENES: NOT THE HALF OF TIMBER JUMPED; YOU ARRIVED LATE MY LADS; GOING HOME a set of three, all inscribed, pencil and coloured chalk on brown paper, 25 x 35cm (3) £100-150 | Restored; some time staining/foxing | Nil |
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|
| 631 | Robert Angelo Kittermaster Marshall (1849-1926) LANDSCAPE WITH FIGURES BY A MEANDERING RIVER signed, pencil and watercolour heightened with white, 44 x 69cm £1200-1800 | In fine condition, the colours strong and well preserved, free from fading or foxing. An attractive and typical example | Nil |
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|
| 632 | Arthur Claude Strachan (1865-1938) FEEDING THE DUCKS signed, pencil and watercolour heightened with white, 28 x 44cm £2500-3500 | In fine condition, the colours fresh and bright, in what is likely to be the original ornate early 20th c giltwood and composition frame with small loss | Nil |
|
2200 |
| 633 | Follower of John Mogford PEVERIL POINT DORSET pencil and watercolour heightened with white, 24 x 70.5cm £200-300 | In fine condition, the colours fresh and bright in modern gilt frame | Nil |
|
220 |
| 634 | William Leighton Leitch, RI (1804-1883) FIGURES ON THE SHORE OF AN ITALIAN LAKESIDE TOWN signed and dated 188- , pencil and watercolour heightened with white, 15 x 24.5cm £500-700 | In fine condition, the colours fresh and strong, free from fading, foxing or restoration | Nil |
|
680 |
| 635 | William Leighton Leitch, RI (1804-1883) A SCENE IN THE ITALIAN LAKES signed and dated 1882, pencil and watercolour heightened with white, 13 x 22cm £500-700 | In fine condition, the colours retaining their full freshness and luminosity | Nil |
|
600 |
| 636 | John Phillip, RA (1817-1867) THE BROKEN TOY signed with monogram and dated 1864, pencil and watercolour with bodycolour, 38 x 52.5cm £500-700 | In good condition and colourful, in ornate contemporary Victorian giltwood and composition frame | Nil |
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|
| 637 | Alfred Augustus Glendening (1861-1907) SUMMER UNDER THE RAMPARTS OF BOULOGNE signed with monogram and dated 1902, signed and inscribed in the artist's hand on labels verso with the title, No 1, his address, 1 Manor Villas, Chiswick Lane, W and Price £210, pencil and watercolour heightened with white, 60 x 90cm £2500-3500 | In fine condition, undisturbed in the original ornate gilt wood and composition exhibition frame, some losses to the mouldings | Nil |
|
4200 |
| 638 | Colonel H Harris, 1908 AFTER RAIN signed with initials and dated, pencil and watercolour heightened with bodycolour, 18 x 24.5cm £150-200 | In fine condition the RI exhibitors back label preserved. | Nil |
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|
| 639 | Henry John Sylvester Stannard, RBA (1870-1951) A THATCHED COTTAGE signed, pencil and watercolour heightened with white, 25.5 x 34cm £1000-1500 | In finely preserved condition, the colours fresh and bright | Nil |
|
1500 |
| 640 | Follower of Giovanni Battista Cipriani, RA SPRING AUTUMN AND WINTER PERSONIFIED AS YOUNG WOMEN a set of three, signed or inscribed in a contemporary hand Platt Del Jany 1792 and SPRING [or] AUTUMN [or] WINTER, red chalk, oval, 15 x 10.5cm, contemporary giltwood and composition frames with engraved trade label of Tomkins STATIONER and PRINTSELLER 49 New Bond Street, London (3) The artist may be identified as William Platt, an engraver, who exhibited to 'Poetical' subjects at the Royal Academy in 1793 and 1796. £250-350 | In very good condition, an attractive in the original frames, the labels on the back very scuffed and discoloured, the frames re-gilt with a cheap bronzing paint. Interesting examples | Nil |
|
|
| 641 | Edward Bevan (1854-1898) PANNING OUT THE GOLD signed and dated 1895, with contemporary inscription on the label of Edward Parkers Fine Art Gallery and Artist's Depository, Cheltenham "Wash Dirt" and "Panning our the Gold" artist Edward Bevan £26.5.0, pencil and watercolour heightened with white, 55.5 x 88cm £500-700 | In fine condition, free from fading with very mild odd spots of foxing in the sky which are hardly noticeable. Undisturbed in the original giltwood and composition Rosetti frame | Nil |
|
650 |
| 642 | Richard Simkin (1840-1926) ROYAL HORSE ARTILLERY signed, pencil and watercolour heightened with white, 41.5 x 79cm £300-400 | Some light easily treated foxing, free from fading the colours strong and well preserved and a particularly good example of Simpkin's familiar military uniform studies featuring over 30 mounted soldiers. Undisturbed in the original gadrooned frame with on the reverse the label of T Stanley Johnson Hereford | Nil |
|
1000 |
|
643 |
Wiliam Pether (c1738-1821) PORTRAIT OF DR TROUGHTON signed on the backboard Wm Pether Delint. and dated 1796 inscribed in another's hand Dr Troughtongiven by Miss Dorny, bust length in clerical dress, pastel, 36.5 x 28.5cm £300-400 | In the original giltwood and composition cavetto frame; some areas rather dark; possibly some 'cracking' of the medium as a result of damp |
Nil |
|
550 |
