644 |
Follower of William Pether PORTRAIT OF A YOUNG WOMAN AS A SYBIL with contemporary inscription verso For Margaret Ellen Beven at her particular request, en grisaille, pastel, oval, 32 x 28cm, contemporary giltwood gadrooned frame £200-300 | Faint water stain over the lowest 1.5inches of the composition, otherwise fine and entirely undisturbed original condition | Nil |
|
200 |
| 645 | F Lindsay, 1847 HERNE BAY signed and dated, signed again and indistinctly inscribed with the artist's address on a label on the frame, pencil and watercolour heightened with white, 34 x 60cm £100-200 | In good condition with some light vertical time stains, in the original ornate giltwood and composition frame with small losses through damp | Nil |
|
100 |
| 646 | Munro School PICTURESQUE LANDSCAPE WITH A STONE BRIDGE pencil and watercolour, oval, 13.5 x 18.5cm, verre eglomisé mount and contemporary giltwood frame; an early 19th century lithograph of Woodland Castle Swansea Bay and a mezzotint of Sir Watkin Williams Wynn, Bart by Faber after Hudson (3) £60-100 | Watercolour - somewhat stained and with flaking of the black paint to the vers englomise mount. Woodland Castle printed - surface dust and grime. Mezzotint - in poor condition but in contemporary ebonised pair of frames | Nil |
|
|
| 647 | Alfred Edward Parkman (1852-1930) VIEW OF SWANSEA signed and dated 1885, pencil and watercolour heightened with white, 60 x 90cm £300-400 | In fine condition, some slight foxing. Undisturbed in the original giltwood and composition frame with losses to the mouldings. | Nil |
|
900 |
| 648 | Dame Laura Knight, DBE, RA (1877-1970) STUDY OF A WOMAN HOLDING A PLUMED HAT signed, charcoal, 32 x 23.5cm £200-400 | In fine condition | Nil |
|
480 |
| 649 | French School, 19th century AERONAUTICAL INCIDENTS WITH BALLOONS a set of four pencil and watercolour 22 x 30cm (4) £100-200 | In fine condition | Nil |
|
300 |
| 650 | Maria Gianni (fl early 20th century) THE CLOISTERS AMALFI signed, gouache, 12.5 x 31.5cm £100-150 | In fine condition, undisturbed in the original frame, with on the reverse the trade label of Henry Whitley Scarborough | Nil |
|
120 |
| 651 | John H Cole (fl 1870-1892) AUTUMN signed, pencil and watercolour heightened with white, 50 x 40.5cm £100-150 | In fine condition, the colours fresh and well preserved | Nil |
|
|
| 652 | Newcastle School, 19th century TYNEMOUTH PRIORY AND CASTLE, bears initials, pencil and watercolour with scratching out, 29.5 x 48cm £100-200 | Slightly faded and with the odd minor spot of time staining or foxing but still quite attractive | Nil |
|
130 |
| 653 | Sir Terry Frost, RA (1915-2003) ST IVES RED signed, gouache, 37 x 25.5cm Painted in the early 1950s. £800-1200 | In fine condition with on the backboards the labels of The Porthmeor Gallery St Ives and Fosse Gallery John Lindsey Fine Art Ltd Stow on the Wold | Nil |
|
2500 |
| 654 | Follower of Thomas Cooper Gotch WASHING DAY pencil and watercolour, 29 x 45cm £100-150 | An attractive realist watercolour in the Newlyn style and of the period. In fine condition | Nil |
|
180 |
| 655 | Ernest Herman Ehlers (1858-1943) A COTTAGE GARDEN signed and dated 1906, signed again and inscribed by the artist on a label preserved on the backboard, pencil and watercolour with bodycolour, 24.5 x 33cm £100-150 | In fine condition, bright and colourful | Nil |
|
|
| 656 | Follower of William Shayer WOODED LANDSCAPE WITH FIGURE ON A BRIDGE OVER A STREAM 49 x 59cm £150-200 | Cleaned and relined with some localised restoration in extreme upper and left corners, the colours a little dark but in overall presentable condition, in what could be the original ornate Victorian giltwood and composition frame with small loss | Nil |
|
480 |
| 657 | Cesare Auguste Detti (1847-1914) THE FALCONERS signed, dated '76 and inscribed Roma, panel, 40 x 30cm £2500-3500 | In fine condition the varnish yellowed by tobacco smoke over many years. Free from warping, splits, damage or repairs in 18th c style giltwood and composition frame. In the present local private family's ownership for two generations. Bought very likely from Frost & Reed in the 1950s or early 60s | Nil |
|
7000 |
| 658 | Cesare Auguste Detti (1847-1914) THE WELCOME signed and dated 80, panel, 28 x 45cm £2500-3500 | In exactly the same condition and of the same provenance as the preceding lot. This work retaining the label of Frost & Reed from whom the picture was bought by the vendor's family in the late 1950s or early 1960s with that firm's stock number 8750 | Nil |
|
6500 |
| 659 | James McIntosh Patrick, RSA, ROI (1907-1998) THE WHITE HOUSE LUNAN BAY ON THE COAST OF ANGUS signed, 49.5 x 59cm Provenance: The Fine Art Society Ltd, London, April 1959. £6000-8000 | In finely preserved untouched original condition, the canvas not cleaned, damaged, repaired or relined, undisturbed in the original giltwood and composition frame with on the reverse the original Fine Art Society label inscribed with the title and date | Nil |
|
11000 |
| 660 | French School, early-mid 19th century STILL LIFE WITH ROSES AND OTHER FLOWERS IN A GLASS VASE oil on paper (?) laid on canvas 43 x 30cm £500-700 | Relined and with some peripheral overpainting where the original paint surface has been lost through chafing with the frame but most attractive and reminiscent of L-L Boilly's few flower-pieces in ornate 19th c giltwood and composition frame which requires some cleaning/restoration | Nil |
|
2200 |
| 661 | Follower of Claude Gellée, called Le Lorrain CLASSICAL HARBOUR SCENE 59 x 74cm, unframed £300-500 | An 18th or early 19th Grand Tour work, relined in presumably the later 19th or early 20th c and with some localised, mainly marginal touching in, the colours bright and attractive | Nil |
|
1100 |
| 662 | Frederick Henry Henshaw (1807-1891) THE FOREST OF ARDEN 70 x 120cm Provenance: Henshaw Collection Sale, May 12th 1892, lot 117. £1000-1500 | Relined and restored with some areas of overpainting and localised instability of the paint surface | Nil |
|
|
| 663 | After Sir Joshua Reynolds, PRA PORTRAIT OF 'ELIZABETH JOHNSON' 74 x 61cm £200-300 | Relined and restored with some slight instability of the paint surface and a solitary spot of flaking extreme lower margin | Nil |
|
150 |
| 664 | Bernard Benedict Hemy (1844-1910) SUNSET OVER A BAY WITH SHIPPING signed, 49 x 74.5cm £500-700 | In a fine state of preservation entirely undisturbed beneath glass in the original frame. The canvas has not been repaired or relined. In need of a light clean, the frame in need of some cleaning/cosmetic conservation | Nil |
|
500 |
| 665 | B B Clibborn TWO RACING YACHTS AND A PADDLE STEAMER OFF THE COAST signed, 50 x 75cm £400-600 | The varnish yellowed slightly and now requiring a clean, otherwise fine condition. On the original stretchers and in the original carved giltwood and composition bolection moulded frame | Nil |
|
600 |
| 666 | James Edwards (fl 1865-1909) A WINTER SCENE signed, 59 x 50cm £200-300 | The varnish heavily yellowed but in otherwise good condition, free from restoration. On the original stretchers in grey painted 18th c style carved and composition frame | Nil |
|
|
| 667 | English School, 19th century SHIPPING SCENES eleven, board, c7.5 x 10cm or the reverse format, framed together £100-200 | An attractive group in good condition, in modern frame | Nil |
|
200 |
| 668 | Arthur Joseph Meadows (1843-1907) A CONTINENTAL RIVERSIDE TOWN signed, 58.5 x 89cm £1500-2000 | In good condition, cleaned and relined but seemingly without any restoration although not verified under UV light | Nil |
|
1400 |
| 669 | Manner of Sir Peter Paul Rubens THE HEAD OF A MALE SAINT 67 x 54cm £800-1200 | Some localised instability of the paint surface, not relined and on the original 19th c stretchers, some possible localised restoration, in 19th c giltwood and composition frame which has been re-gilt in a bronzing paint | Nil |
|
|
| 670 | Michele Ricci (fl late 19th century) GOING TO MARKET signed, panel, 31 x 18.5cm £500-700 | In fine condition and painted in a typical bright palette, in contemporary gilt frame | Nil |
|
|
| 671 | English School, 19th century AN ITALIAN GOATHERD AT REST IN A LANDSCAPE signed with the initials WW, artist's board, 24 x 36.5cm £300-500 | Minor scratch extreme upper left but in otherwise good condition beneath glass in cream painted composition frame | Nil |
|
500 |
| 672 | Charles Thomas Bale (fl 1866-1890) STILL LIFE WITH PLUMS GRAPES A MELON AND OTHER FRUIT ON A GILT SALVER WITH A ROEMER AND STONEWARE FLAGON signed and dated 1888, 70 x 90cm £800-1200 | Minor bruise extreme upper right causing the loss of one or two square mms of the paint surface in an unimportant part of the composition, the canvas has not been relined and is on the original stretchers in need of a light clean and retaining the gilt inner slip (only) of the original Victorian giltwood frame | Nil |
|
1500 |
|
673 |
English School, early 19th century PORTRAIT OF A LADY bust length, seated in a sprigged white gown, with inscription on the stretcher Mrs William Turner Coraber nee Jane Helen Castleman, 25 x 22cm; and a portrait of a young woman by a follower of Lawrence, bust length in a black dress before a red drapery (2) £200-300 | First portrait general light craquelure and some discolouration of the varnish but not relined and on the original stretchers, in contemporary giltwood and composition cavetto frame. The portrait by a follower of Laurence cleaned and relined, in 18th c style giltwood frame, in attractive 'gallery' condition. |
Nil |
|
700 |
