550 |
HUMBER LIMITED
HUMBER THE ARISTOCRAT OF ALL BICYCLES
sixteen, various editions, one French, 1933-58, all illustrated, some oblong format, pictorial or other wrappers, Nottingham: 19[32 or] 33-58 (16)
Estimate: 50-100 |
++ |
Nil |
|
60 |
551 |
TRIUMPH COMPANY LIMITED
TRIUMPH CYCLES 1936, THE NEW TRIUMPH, TRIUMPH JUNIOR CYCLES [AND SIMILAR, ALL TRIUMPH]
fifteen, all illustrated, some in colour, some oblong format, two of poster type, Coventry: 19[35 or] 36-50s (15)
Estimate: 50-80 |
++ |
Nil |
|
50 |
552 |
RUDGE-WHITWORTH LIMITED
RUDGE BRITAIN'S BEST BICYCLE
approximately twenty-five, various editions, 1940s-50s, all illustrated, some in colour, various formats including two facsimiles of early catalogues, several of folding poster type, Nottingham: 1950 & c (approximately 25)
Estimate: 50-100 |
++ |
Nil |
|
140 |
553 |
BSA CYCLES LIMITED
BSA BICYCLES
Home and Export editions, Replacement Parts Seasons 1937-42 and nine other contemporary catalogues by other manufacturers including New Hudson Ltd, The Hercules Cycle & Motor Co, J A Phillips & Co Ltd and Carlton Cycles Limited, all illustrated, some in colour, some oblong format, two of folding poster type, Birmingham & Worksop: 19[25 or] 26-c1940 (12)
Estimate: 60-90 |
++ |
Nil |
|
110 |
554 |
VARIOUS BRITISH CYCLE MANUFACTURERS
CATALOGUES AND OTHER SALES LITERATURE
all illustrated, some of folding single sheet format, pictorial or other wrappers, 1930s-early 1940s and a Perpetual Price Ticket showcard of Raleigh Industries Ltd, c1950 (approximately 40)
Estimate: 50-80 |
++ |
Nil |
|
90 |
555 |
RALEIGH INDUSTRIES LTD
EIGHTY-FIVE COLOUR SHOW CARDS ADVERTISING RALEIGH, RUDGE OR HUMBER LADIES BICYCLES
mainly 8 x 10in (20 x 25cm) format, fifteen subjects all featuring two young women photographed in various locations, several in Wollaton Park, Nottingham, c1960
Estimate: 100-150 |
++ |
Nil |
|
|
556 |
RALEIGH INDUSTRIES LTD
HUMBER THE ARISTOCRAT OF ALL BICYCLES
lithograph by Hudson & Son Ltd, Birmingham, AD2174, 75 x 33cm and another, Own A Humber Chunkie Tricycle, filing creases (2)
Estimate: 100-150 |
++ |
Nil |
|
90 |
557 |
RALEIGH CYCLE CO LTD
THE NEW RALEIGH SUPERBE PATENT DYNO-LUXE MODEL
lithograph, 59 x 49cm and three other posters, Rudge Britain's Best Bicycle, I am a Silver Knight,You are on Velvet with a Humber thE Artistocrat of all Bicycles and Rudge Festival of Britain Cycling Girl Cash Prize Contest, various formats, all 1950s, filing creases (5)
Estimate: 100-150 |
++ |
Nil |
|
220 |
558 |
RALEIGH INDUSTRIES LTD
RALEIGH THE GREATEST NAME IN CYCLING; RALEIGH SAVES TIME AND MONEY
two, lithographs, AD321(D) and AD321(C), 75 x 32cm or the reverse, c1960, filing creases (2)
Estimate: 80-120 |
++ |
Nil |
|
120 |
559 |
RALEIGH INDUSTRIES LTD
RALEIGH FOR LUXURY CYCLING; SAFE CYCLING WITH THE HIGHWAY CODE
two,lithographs by Loxley Bros Ltd or anon, 74 x 32cm or the reverse format, c1950, filing creases (2)
Estimate: 80-120 |
++ |
Nil |
|
90 |
560 |
RALEIGH INDUSTRIES LTD
WE STOCK AND FIT PRECISION TESTED SPARES-RUDGE
offset lithograph by Howitt Nottingham, double crown poster and another, RUDGE BRITAIN'S BEST BICYCLE, 33 x 74.5cm, both c1950, filing creases (2)
Estimate: 100-150 |
++ |
Nil |
|
80 |
561 |
RALEIGH INDUSTRIES LTD
REG HARRIS WORLD'S PROFESSIONAL SPRINT CHAMPION 1949 RIDES A RALEIGH
lithograph, AD1038, double crown ' and another, Raleigh [young woman on a bicycle in Raleigh beret and smoking a cigarette] c1950 & 1938, filing creases, more severe on second (2)
Estimate: 100-150 |
++ |
Nil |
|
120 |
562 |
RALEIGH INDUSTRIES LTD
ROBIN HOOD CYCLES EASY ON THE ROAD - LIGHT ON THE PURSE
lithograph, AD1580B, 31.5 x 74cm and another, New-Elizabethan Models Cycling's Crowning Achievement, AD2807, 1953 & c, filing creases, second with marginal tear (2)
Estimate: 100-150 |
++ |
Nil |
|
90 |
563 |
RALEIGH INDUSTIRES LTD
WHY TRUDGE GO BY RUDGE, HUMBER CARRIERS FOR TRADERS, THE 1946 HUMBER ROYAL DYNO-LUXE MODEL AND SIMILAR SUBJECTS
eleven, lithographs by A G Reynolds & Co Ltd and others, c1950, various sizes and formats, filing creases (11)
Estimate: 150-200 |
++ |
Nil |
|
130 |
564 |
THE RALEIGH CYLING CO LTD
THE RALEIGH CRUISING GAME
board game, lithographed in colour by Hundson & Son Ltd, the obverse in green and sepia with young woman on a bicycle, 29 x 48.5cm, Nottingham, c1935
Estimate: 40-60 |
++ |
Nil |
|
90 |
565 |
ARCHBALD THORBURN (1860-1935)
KINGFISHER
reproduction, printed in colours, signed by the artist in pencil, published by W F Embleton, 1928 and with FATG blindstamp, 38 x 28.5cm
Estimate: 300-400 |
In fine condition, in moulded oak frame with on the reverse the label of John Mathieson & Co Edinburgh |
Nil |
|
|
566 |
FRANCESCO BARTOLOZZI, RA (1727-1815) AFTER ANGELICA KAUFFMAN, RA (1741-1807)
CORNELIA MOTHER OF THE GRACCHI
stipple engraving printed in colour, 1785, 31 x 39cm
Estimate: 150-200 |
In excellent condition, unexamined out of the frame, undisturbed in good quality late Victorian mahogany frame with carved gilt slip and with on the reverse an old Christie's stencil number and hand written label dated 1892, also labelled "library", with trade label of F B Daniell & Son, Dealer in Old Engravings Leicester Square |
Nil |
|
150 |
567 |
BY AND AFTER RICHARD WESTALL, RA (1765-1836)
CROSSING THE BURN
soft ground etching coloured by the artist or his assistant, 64 x 49cm
Estimate: 100-200 |
Generally rather time stained but the colours still reasonably well preserved, a few very minor surface blemishes, some staining in the lower margin, mounted to plate mark in the original Regency giltwood and composition frame with small losses |
Nil |
|
110 |
568 |
JOHN JONES (C1745-1797) AFTER WILLIAM REDMORE BIGG, RA (1755-1828)
BLACK MONDAY OR THE DEPARTURE FOR SCHOOL
mezzotint, 1790, 42.5 x 59cm
Estimate: 250-350 |
In apparently good condition tightly framed to just within the image. Unexamined out of the flat mat black and gilt frame |
Nil |
|
|
569 |
WILLIAM LIONEL WYLLIE, RA, RI, RE (1851-1931)
CANNON STREET STATION FROM THE THAMES; LONDON AND TOWER BRIDGE FROM THE THAMES
a pair, etchings, both signed by the artist in pencil, 12.5 x 32.5cm (2)
Estimate: 300-500 |
Both in fine condition with good margins in matching window mounts and limed oak frames as supplied to the late owner by the Barry M Keene Gallery, Henley on Thames |
Nil |
|
750 |
570 |
AUGUSTUS EDWIN JOHN, OM, RA (1878-1961)
SELF PORTRAIT IN A STRAW HAT
etching, signed in the plate, one of an edition of 50, signed by the artist in pencil, 10 x 7.5cm
Estimate: 100-200 |
In fine condition with wide margins, very slight staining from the mount around the periphery of the margin; unexamined out of the frame
|
Nil |
|
650 |
571 |
SIR WILLIAM RUSSELL FLINT, RA, PRWS, RE (1880-1969)
NURSEMAIDS IN THE PIAZZA VENICE
drypoint, signed by the artist and numbered XIII in ink, 24.5 x 37cm
Published in a small edition in 1929.
Estimate: 150-200 |
mounted to just within the plate mark; in apparently very good condition with slight marginal staining from the mount, unexamined out of the frame |
Nil |
|
200 |
572 |
SIR FRANK WILLIAM BRANGWYN, RA, RWS, RE (1867-1956)
THE BEER SHOP (LE MASTROQUET)
etching on japon, a particularly fine, rich impression, signed by the artist in pencil, 42.5 x 30cm
Etched in 1919. Gaunt 269.
Estimate: 150-250 |
In very good condition, mounted approximately 1cm clear of the platemark, unexamined out of the frame |
Nil |
|
200 |
573 |
LUIGI SERVOLINI (1906-1981)
I PREDESTINATI
woodcut, signed and dated 32 in the block, signed by the artist and inscribed in ink, 21.5 x 21.5cm, an etching by Josef Israels (1824-1911) of an elderly lady and a drypoint by Sidney Tushingham, ARE (1884-1968), The Madonna of San Remo, one of an edition of 75, both signed (3)
Estimate: 150-200 |
All in apparently very good condition, none examined out of the frame |
Nil |
|
220 |
574 |
VICTOR VASARELY (1906-1997)
AXO
serigraph on aluminium, signed by the artist in ink and numbered 9 of an edition of 250, hexagonal, 64 x 64cm
Provenance: Galerie Denise René, Paris.
Estimate: 700-900 |
In fine condition, never hung and kept in the original plywood packing crate as supplied to Pallas Gallery Ltd by Galerie Denise Rene, Paris |
Nil |
|
900 |
575 |
CHARLES WILLIAMS (FL LATE 18TH/EARLY 19TH CENTURY)
A SHREWD GUESS OR THE FARMERS DEFINITION OF PARLIAMENTARY DEBATES (BM 12143)
etching in fresh contemporary colour, numbered 311 in upper right margin, published by T Tegg [?1831] watermarked 1822, 25 x 35cm, and THE FALL OF THE TEMPLE ! - OF ROME (BM 10722) April 20th 1807, Paul Pry [W Heath] A QUARTETTE IN CHARACTER (BM 15746) May 1829 and about forty others, all early 19th c caricatures, unframed (approximately 44)
Estimate: 150-250 |
Condition poor to good; mostly 'average' with minor creases, handling marks etc |
Nil |
|
550 |
576 |
NOTTINGHAM SUBJECTS. ISAAC CRUIKSHANK (1756-1811) AFTER GEORGE MOUTARD WOODWARD (C1760-1809)
PRIDE AND EXALTATION IN A SEDAN CHAIR (BM 9147)
etching in fresh contemporary colour, Plate 84 in upper left margin, published by Allen & Co, April 1 1797, 20.5 x 27cm and James Parry (1805-1871) after David Henry Parry (1793-1826) - MR PHILIP WOOTTON OF NOTTINGHAM [the steeeplejack], etching in contemporary colour, published by H Parry, Salford, 36.5 x 21.5cm, both unframed (2)
The first print depicts a rainy night in The High Pavement and was issued as a response to the near impossibility of being able to procure a sedan chair in Nottingham (see R Ilffe & W Baguley, Victorian Nottingham, Vol 2, 1971, p14.)
Estimate: 80-120 |
Both in good condition with minor handling marks; the first cut to just outside the platemark and with marginal browing; the second with reasonable margins. Both scarce. |
Nil |
|
350 |
577 |
ROBERT DIGHTON (1752-1814)
A VIEW FROM JESUS COLLEGE OXFORD (BM 11071)
etching in contemporary colour, published May 1808, 28 x 20.5cm and twenty-three similar caricatures by the same and Richard Dighton (1795-1808) unframed (24)
Estimate: 150-200 |
All in good/average condition, with good margins, handling marks and creases; some light surface dirt |
Nil |
|
250 |
578 |
CHARLES ANSELL (?) (1752-?)
THE DANGER OVER OR BILLY'S RETURN TO JOHN BULL (BM 9225) AND BLOODY NEWS-BLOODY NEWS OR THE FATAL PUTNEY DUEL (BM 9218)
etchings in fresh contemporary colour, published by S W Fores, June 4th 1798 and May 26 1798, the both watermarked 1797, 36 x 25.5cm and 25.5 x 41cm and three other caricatures including another of Pitt, comprising Charles Williams, THE EX-MINISTER AND THE METEOR (BM 10235) April 13th 1804, Isaac Cruikshank - CHURCH PROMOTION, OR HOW TO SCALE A PULPIT! (BM 11224), Febry. 25 1809 and John Cawse (?), A PLEASANT DRAUGHT FOR LOUIS... (BM 12268) [?May 1814] unframed (5)
Estimate: 150-250 |
Variable condition - defects all visible on the scans of all 5, available on request. Mostly trimmed to, or within, platemark |
Nil |
|
250 |
579 |
[CHARLES WILLIAMS (FL LATE 18TH/EARLY 19TH CENTURY)]
ANTI-DANDY INFANTRY TRIUMPHANT OR THE VELOCIPEDE CAVALRY UNHOBBY'D (BM 13412)
etching in fresh contemporary colour, number 353 in upper right margin, published by T Tegg, 1819, 24 x 33cm
Estimate: 80-120 |
Solitary spot of foxing, vertical crease, minor surface grime, generally very good |
Nil |
|
80 |
