Two Day Fine Art Sale on
Thursday 25th and Friday 26th March 2010
1. A GERMAN JUGENDSTIL ENAMELLED AND GILT GLASS LIQUEUR SET, POSSIBLY FRITZ HECKERT
enamelled with panels of flowers and gilt leafage, tray 23cm diam, marked on stopper 372/8, c1900 (10)£300-400
2. A LOETZ IRIDESCENT GLASS VASE
of organic inspiration and applied with a snake, 41.5cm h, c1905£100-150
3. AN ENGLISH ART NOUVEAU GLASS CENTREPIECE, STOURBRIDGE
the gilt brass frame supporting a detachable bowl, on domed foot with applied peacock trails, 28cm h, c1900
Several similar glass vases by Stuart & Sons are illustrated Hajdamach (Charles R) 20th Century British Glass, Woodbridge 2009, plt 68.£200-300
4. A LIBERTY & CO TUDRIC PEWTER AND ENAMEL INKWELL DESIGNED BY ARCHIBALD KNOX
the shaped square lid and base with a translucent enamel plaque or roundels, engraved Hel[len] 1915, 15.5cm w, marked TUDRIC 0141, c1902-5£150-250
5. A PAIR OF ARTS AND CRAFTS MOVEMENT SILVER TWO HANDLED VASES
of flared form, hammer textured and applied with entrelac, 20.5cm h, by Mappin & Webb Ltd, London 1906, 16ozs£300-500
5A. AN ARTS AND CRAFTS MOVEMENT SILVER SWEETMEAT STAND
the shallow hammer textured bowl on three curving struts and mamiform foot, 13cm h, by William Aitken and engraved for the retailer, Campbell & Lumby, Liverpool, Birmingham 1906, 11ozs 10dwts£150-200
6. AN ARTS AND CRAFTS MOVEMENT SILVER CHRISTENING CUP
the urnular hammer textured bowl with organic handle, 8cm h, by P H Abbott & Co and engraved for the retailer, Mappin & Webb, London 1909, 4ozs 10dwts£100-150
7. AN OMAR RAMSDEN SILVER BOWL
of hammer textured hemispherical form with scrolling handles and reeded rims, 7.5cm h, maker's mark and engraved OMAR RAMSDEN ME FECIT, London 1930, 7ozs 10dwts£300-500
8. AN ARTS & CRAFTS MOVEMENT SILVER-MOUNTED WOOD MAZER
the slightly everted rim with roll punch ornament and leaf border, 12cm diam, by Thomas Bradbury & Sons Ltd, Sheffield 1915
The engraved inscription reads: G.B.M. Wood from his Grandmother M Wood Sept 3rd 1916.£150-200
9. A PAIR OF GERALD BENNEY SILVER DWARF CANDLESTICKS
of heavy gauge, the domed base engraved ROEDEAN, 3cm h, maker's mark, London 1989, 5ozs£250-350
10. A MODERNIST SILVER CASTER
of torpedo form on disc foot, 17.5cm h, by S Blanckensee & Son Ltd, Chester 1937, 7ozs 10dwts£100-150
11. CLARICE CLIFF. AN A J WILKINSON INSPIRATION VASE
25cm h, moulded ISIS, painted Bizarre NEWPORT POTTERY BURSLEM ENGLAND, c1930£300-500
12. CLARICE CLIFF. AN A J WILKINSON SECRETS SHAPE 120 VASE
26cm h, printed Fantasque/Bizarre mark, c1933-37£100-150
13. CLARICE CLIFF. AN A J WILKINSON TULIPS SHAPE 565 VASE
11.5cm h, printed Bizarre mark, c1934£200-300
14. CLARICE CLIFF. AN A J WILKINSON MELON (PASTEL) SHAPE 497 (VARIATION) VASE
12cm h, printed Fantasque/Bizarre mark, c1930£250-350
15. CLARICE CLIFF. AN A J WILKINSON GAYDAY SHAPE 186 VASE
14.5cm h, painted Gayday/Bizarre mark, c1930£200-300
16. CLARICE CLIFF. AN A J WILKINSON FOREST GLEN SHAPE 572 VASE
10.5cm h, printed Bizarre mark, c1935
£200-300
17. CLARICE CLIFF. AN A J WILKINSON INSPIRATION ROSE CANDLESTICK
20cm h, printed Bizarre mark, painted Inspiration, c1929-31£150-200
18. CLARICE CLIFF. AN A J WILKINSON SECRETS ATHENS JUG
20.5cm h, printed Fantasque/Bizarre mark, c1933-37£150-250
19. CLARICE CLIFF. AN A J WILKINSON IDYLL PLATE
22.5cm diam, printed Bizarre mark, c1933£200-300
20. CLARICE CLIFF. AN A J WILKINSON CANTERBURY BELLS OCTAGONAL PLATE, JONQUIL CAKE STAND WITH PLATED FOOT, CAPRI OVAL DISH AND CELTIC HARVEST CAKE PLATE
dish 37cm w, printed Fantasque/Bizarre mark, the first also painted CANTERBURY BELLS, c1932 and later£150-200
21. CLARICE CLIFF. AN A J WILKINSON PINK PEARLS SHAPE 798 DISH AND A RHODANTHE BONJOUR COFFEE POT AND COVER
dish 22cm w, printed mark, c1934£100-200
22. CLARICE CLIFF. AN A J WILKINSON NASTURTIUM CONICAL CONDIMENT SET
casters 8cm h, printed Fantasque/Bizarre mark, c1932 (4)£100-200
23. CLARICE CLIFF. AN A J WILKINSON AUREA BONJOUR CONDIMENT SET
casters 6cm h, c1934 (4)£150-250
24. CLARICE CLIFF. TWO A J WILKINSON AUTUMN CROCUS BEEHIVE HONEY JARS AND COVERS AND A SMALLER HYDRANGEA BEEHIVE HONEY JAR AND COVER
10 and 7cm h, printed Bizarre mark, c1928 & 34£200-300
25. CLARICE CLIFF. TWO A J WILKINSON AUTUMN CROCUS CONICAL SUGAR CASTERS AND A HONEY JAR AND COVER
casters 14cm h, printed Crocus/Bizarre or Clarice Cliff marks, c1928 and later £250-350
26. CLARICE CLIFF. AN A J WILKINSON FOREST GLEN CONICAL SUGAR CASTER
14cm h, printed mark, c1935£400-600
27. CLARICE CLIFF. AN A J WILKINSON HYDRANGEA CONICAL SUGAR CASTER
14cm h, printed Bizarre mark, c1934£250-350
28. CLARICE CLIFF. AN A J WILKINSON MARGUERITE CONICAL SUGAR CASTER
14cm h, printed Bizarre mark, painted MARGUERITE, c1934£200-300
29. CLARICE CLIFF. AN A J WILKINSON MOWCOP (VARIANT) CONICAL SUGAR CASTER
14cm h, printed mark, c1937 £200-300
30. CLARICE CLIFF. AN A J WILKINSON IDYLL BONJOUR SUGAR CASTER
12.5cm h, printed Bizarre mark, c1933 £300-500
31. CLARICE CLIFF. AN A J WILKINSON GIBRALTAR OCTAGONAL BOWL
20.5cm w, printed Fantasque/Bizarre mark, c1932 £250-350
32. CLARICE CLIFF. AN A J WILKINSON ORANGE ROOF COTTAGE OCTAGONAL BOWL
20.5cm w, printed Fantasque/Bizarre mark, c1932£250-350
33. CLARICE CLIFF. TWO A J WILKINSON AUTUMN PLATES
25.5cm diam, printed Fantasque or Cafe-au-Lait/Bizarre marks, c1930-34£200-300
34. CLARICE CLIFF. AN A J WILKINSON LYDIAT BIARRITZ PLATE, A MOONFLOWER OCTAGONAL PLATE AND AN APPLIQUÉ IDYLL OCTAGONAL DISH
octagonal plate 22cm w, printed Delicia, Fantasque or Appliqué/Bizarre markS, c1930-33£150-200
35. CLARICE CLIFF. AN A J WILKINSON MELON SHAPE 268/9 VASE
20cm h, printed Fantasque mark, c1930£200-300
36. A MOORCROFT GRAPE AND LEAF GLOBULAR VASE DESIGNED BY WILLIAM MOORCROFT
15cm h, impressed marks, painted initials, 1928-c1935£200-300
37. A MOORCROFT FLORAL/POWDER BLUE BISCUIT BOX AND COVER DESIGNED BY WILLIAM MOORCROFT
16cm h, impressed mark, green painted signature, c1918£200-300
38. A MOORCROFT ANEMONE VASE DESIGNED BY WALTER MOORCROFT
21.5cm h, impressed mark, painted initials, c1975£100-150
39. A JAMES MACINTYRE & CO FLORIAN WARE VASE DESIGNED BY WILLIAM MOORCROFT
slip trailed with the Iris design, 25cm h, printed mark and Rd no, painted M1323 and green signature W Moorcroft des., c1900£500-600
40. A JAMES MACINTYRE & CO FLORIAN WARE VASE DESIGNED BY WILLIAM MOORCROFT
slip trailed with the Iris design, 20.5cm h, printed mark and Rd no, painted M1323 and green initials W.M. des., c1900£500-600
41. A JAMES MACINTYRE & CO FLORIAN WARE EWER DESIGNED BY WILLIAM MOORCROFT
slip trailed with the Tulip design, 16.5cm h, printed mark, painted M1707 and green signature W Moorcroft des., c1900
£500-600
42. A MOORCROFT SPANISH VASE DESIGNED BY WILLIAM MOORCROFT
of spool shape, 17cm h, impressed 375 MOORCROFT BURSLEM ENGLAND, green painted signature, c1916£400-600
43. THREE GEORGE HOWSON & SONS FLAMBÉ VASES BY EDWARD R WILKES
of double gourd or shouldered ovoid form, 15-33cm h, painted HOWSON'S and/or monogram, two dated 1912, the largest vase with the price £27, c1912£100-200
44. A PILKINGTON'S ROYAL LANCASTRIAN LUSTRE BOWL BY ERIC BRIDGES
of gently ribbed and widely flared shape, the striated glaze pooling slightly in the centre and transmuting to crimson at the rim, 23cm diam, impressed mark, incised artist's initials, 1948-57£100-150
45. A PAIR OF MAJOLICA OYSTER PLATES, ENGLISH OR CONTINENTAL
moulded with six fish heads around a central well, 23cm diam, one impressed R, painted T, c1880£200-300
46. A W T COPELAND MAJOLICA GARDEN POT
moulded with barbed ochre strapwork panels of butterflies and insects alternating with flowers, all in bright colours on a cobalt glaze, the interior turquoise, 25.5cm h, impressed mark, c1875£200-300
47. A MINTONS MAJOLICA SHELL AND DOLPHIN CONSERVATORY POT
glazed in olive green, 66cm h, impressed mark and date code for 1888£600-800
48. A W T COPELAND MAJOLICA SHELL AND DOLPHIN TAZZA
with three scaly green glazed dolphins and cobalt and ochre triform base, 13cm h, impressed mark and date code for July 1876£200-300
49. A GEORGE JONES & SONS MAJOLICA AESTHETIC JUG
moulded with storks and swallows in a watery landscape with bulrushes and bamboo on a turquoise and ochre glazed ground, the interior pink, 15cm h, painted 5241/80 on an unglazed reserve, c1875£400-600
50. AN ENGLISH MAJOLICA RUSTIC OVAL MATCHBOX AND COVER
moulded with matches, game and foliage, the interior ochre, 13cm l, c1880£100-150
52. A JOSEPH HOLDCROFT MAJOLICA AESTHETIC JUG
in the form of a moon flask, the sides moulded with fish in blue waters on a turquoise glazed ground with mottled ochre bamboo handle, 20cm h, impressed monogram and PODR lozenge shaped mark for 7 June 1877, c1880£100-150
53. TWO MINTON MAJOLICA VASES
in the form of a cornucopia held by a boy, in predominately green and ochre glazes, on oval base, 37cm h, impressed mark, 1148 and date code for 1867£1000-1500
54. A MINTONS MAJOLICA WATERLILY CENTREPIECE
with central flower and six buds on overlapping leaves, 15cm h, impressed mark, 1147 and date code for 1890£150-250
55. A RARE MAW & CO MAJOLICA VASE
of flared shape moulded with Bacchantes on a turquoise ground on lion monopodiae and plinth, the interior pink, 25cm h, impressed mark and No 3, c1875£150-200
56. A TROIKA WHEEL LAMP BASE
27.5cm h, painted mark and decorator's initials of Louise Jinks, 1976-81
£150-200
57. THREE TROIKA WHEEL VASES
12 and 16.5cm h, painted marks and decorator's initials of Honor Curtis or Sue Lowe, 1969-73 and 1976-77£150-200
58. A TROIKA CUBE, CYLINDER VASE AND MARMALADE POT
vase 14cm h, painted marks and initials of the decorators Avril Bennet or Annette Walters, the cube with early printed mark [only], 1973-1979, c1970 and 1960s respectively£150-200
59. A TROIKA COFFIN VASE
17cm h, painted mark and decorator's initials of Sue Lowe, 1976-77£100-150
60. TWO TROIKA SPICE JARS OR 'CHIMNEY' POTS
15cm h, painted mark and initials of the decorators M E Black or another, c1975£150-200
61. A SHELLEY REGENT COFFEE SERVICE
Swirls Pattern, coffee pot and cover 18cm h, printed mark and Reg No 781613, painted W12535/8, c1936 (16)£150-200
62. A CARTER, STABLER & ADAMS POOLE POTTERY TRADITIONAL CHARGER DESIGNED BY TRUDA CARTER
painted with stylised flowers in banded border and a rim of mauve spots, 40cm diam, impressed 528, printed mark, painted CS/Ex, 1952-55£100-150
63. A EWENNY SLIPWARE JARDINIERE
covered in green over ochre slip, modelled with volute handles issuing from sgraffito leaves and incised Os am orchfygu Maddeu, 20cm h, impressed JONES EWENNI BRIDGEND, c1900£200-300
64. A EWENNY SLIPWARE MODEL OF A SEATED PIG
covered in green slip with incised decoration and inscribed "Y. Mochyn", 9.5cm h, incised Ewenny Pottery 1901, 1901£300-400
65. THREE EWENNY SLIPWARE VASES AND A CACHE POT
in various glazes, three incised "Y gwir yn erbyn y byth", Crwn-Wreiddyn or Blodau Melus, 6-13.5cm h, incised Clay Pitts Pottery Ewenny, Ewenny Pottery or E Jenkins Ewenny, early 20th c£150-250
66. THREE EWENNY SLIPWARE VASES
one of inverted baluster shape with three loop handles and covered in blue, greenish-blue or green slip, one incised Nid Hawdd Dileu C..., the others incised Blodau Melus, 20.5-24cm h, incised Clay Pitts Pottery Ewenny, early 20th c£100-200
67. THREE EWENNY SLIPWARE CANDLESTICKS AND A BASKET
including a chamberstick, covered in ochre, green or blue slip and incised Nos Dawch, Nos Da or Ffrwythau, largest candlestick 14cm h, impressed or incised Clay Pits Pottery Ewenny, early 20th c£150-200
68. THREE EWENNY SLIPWARE JUGS AND TWO VASES
covered in yellow, tortoiseshell, blue or green slip and incised Gwr dieithr yw y foru, Dwfr P...r Rhodd Rad Duw, Cymru am Byth, Hir pob aros or Llaeth, largest jug 16.5cm h, incised JONES EWENI or EWENNY POTTERY or impressed [blue jug] CLAY PITS EWENNY, early 20th c£150-200
69. FOUR EWENNY SLIPWARE CREAM JUGS AND TWO SUGAR BOWLS
covered in green, mottled ochre or dark bluish-green slip and incised Gofelwch am yr hufen, Calon writh Galon, Melus yw y siwgr, Llaeth, Llaeth y bore or [inscription indistinct], largest jug 8cm h, incised or impressed JONES EWENI/EWENNY, Ewenny Pottery, or [smallest jug] unmarked, early 20th c£150-200
70. A DATED EWENNY SLIPWARE HEN-AND-CHICKS BANK
covered in ochre slip, of domed form surmounted by the hen, a fox and her chicks around the shoulder and incised Miss. Davies Penprisk 1894, the coin slot in the base, 18.5cm h, 1894£500-600
71. A DOULTON WARE THREE HANDLED CUP OF THE ROYAL CORINTHIAN YACHT CLUB BY ELIZA S SIMMANCE
enamelled and gilt with burgee and inscribed CREW PRIZE, the reverse incised with foliage on a cobalt glazed ground, 15.5cm h, impressed mark and 6799, incised artist's monogram and 557, and initial of the assistant, Catherine Francis, c1900£200-300
72. A DOULTON WARE SALTGLAZED BROWN STONEWARE ALE JUG
of onion form with moulded mask and motto GOOD MEASURE HEAVEN'S TREASURE above a band of olive acanthus leaves, pewter mount, 19cm h, impressed mark and 1446, incised initials of the decorator, Florrie Jones, c1900£100-150
73. SPORT. A DOULTON WARE CYCLING JUG DESIGNED BY JOHN BROAD
decorated in relief with three groups of cyclists entitled ROAD, PATH or MILITARY in slip trailed Art Nouveau frames, 18cm h,impressed marks, incised decorator's initials BW, c1900£100-150
74. A DOULTON AUTUMN FOLIAGE WARE VASE
of bulbous form with slightly flared cylindrical neck, 61cm h, impressed mark, 1902-c1914£250-350
75. A DOULTON WARE VASE
with scalloped neck, sprigged in shallow relief with five muses and glazed in cobalt between bands of formal foliage, 43cm h, impressed mark, incised initials of the decorator, Marion Holbrook, 1902-c1910£150-200
76. A DOULTON WARE VASE BY GEORGE HUGO TABOR
with fluted neck, incised with a wide band of foliage, urns and bows glazed in dark brown between cobalt and ochre stiff leaf borders, 44cm h, impressed mark and date 1884, incised artist's monogram and those of the assistants, Rosina Brown and Jessie Bowditch£100-150
77. A DOULTON WARE GLOBULAR VASE
sprigged with birds in flight and flowers on a streaky olive glazed Chiné band, 24cm h, impressed DOULTON & SLATER'S PATENT and mark of the assistant Jane Rumbol, incised decorator's initials of Mary Aitken, c1885-94£100-150
78. AN ENGLISH CREAM COLOURED EARTHENWARE BUST OF A CLASSICAL YOUNG WOMAN
with flowers in hair and clasping a bird and flowers to her bosom, on gilt socle, 37cm h, c1870£200-300
79. A CREAMWARE MUG
freely painted probably at Leeds in red, green and yellow with a hut, gate and trees, 9.5cm h, c1780£150-200
80. AN OUTSIDE-DECORATED WEMYSS WARE JAR AND COVER
painted with palmettes and anthemia in puce, green and blue, 17cm h, impressed WEMYSS, painted V in a circle, initials MSSF and date 4-7-27, 1927£150-200
81. AN UNUSUAL SALTGLAZED LIGHT BROWN STONEWARE INKWELL IN THE FORM OF THE HEAD OF THE DUKE OF WELLINGTON
with pen holder at the back, 6cm h, c1840£150-200
82. A SPODE PEARLWARE DESSERT SERVICE
transfer printed and enamelled with central 'famille rose' sprays, the blue printed border picked out in dark red and gilt, the service including a two handled oblong basket, 30cm w, impressed SPODE 42 and/or printed Spode, painted 2635, c1820 (8)£150-200
83. A BRAMELD EARTHENWARE INDIA PATTERN DESSERT SERVICE
including a sauce tureen, cover and stand, 17cm h, blue printed pictorial STONE CHINA/INDIA MARK, or unmarked, c1835-42 (19)£250-350
84. A STAFFORDSHIRE PEARLWARE BACCHUS AND PAN JUG MODELLED BY JOHN VOYEZ
in coloured glazes, the Roman god seated on a barrel in a lion's pelt, a monkey on his shoulder and bearing a green cornucopia with dolphin spout, 33cm h, c1780£400-600
85. A PEARLWARE WATCH-STAND, YORKSHIRE OR THE NORTH EAST
in the form of a longcase clock flanked by the crowned figures of Apollo and Ceres bearing their attributes and painted in a vivid 'Pratt' palette, on flat green base, 25cm h, c1820
£300-500
86. A SUNDERLAND EARTHENWARE ROLLING PIN, BALL'S DEPTFORD POTTERY
with two rust coloured transfer prints of a BRIG and THE SAILOR'S FAREWELL flanking the verse Sweet, Oh Sweet is that Sensation... in a garland, picked out in yellow, green and blue enamels, 37cm l, c1870£250-350
87. A PRATTWARE COILED SNAKE NOVELTY TOBACCO PIPE
the bowl moulded with oak leaves and acorns issuing from the creature's mouth and sponged in predominantly cobalt, green and yellow ochre, 26.5cm l, c1830£100-150
88. A SUNDERLAND PINK MARBLED LUSTRE EARTHENWARE TWO HANDLED CHAMBER POT
the interior with a shiny brown glazed frog, transfer printed in black with a man in a nightshirt and inscription USE ME WELL..., the exterior with the verses A PRESENT and To the WIFE framed by flowers and sponged in enamels, 21.5cm diam, c1850£100-150
89. A SUNDERLAND PINK MARBLED LUSTRE EARTHENWARE JUG, S MOORE & CO OR BALL'S DEPTFORD POTTERY
with three black transfer prints of the MARINER'S ARMS, SUCCESS TO THE FISHERMAN and the NORA CREINA STEAM-YACHT, heightened in enamels, 18cm h, c1880£100-150
90. A SUNDERLAND PINK LUSTRE EARTHENWARE PORTER MUG
transfer printed in black with a ship framed by bright enamels, 13cm h, mid 19th c£100-150
91. A SUNDERLAND PINK MARBLED LUSTRE EARTHENWARE FROG MUG, DIXON, AUSTIN & CO'S 'GARRISON' POTTERY
transfer printed in black with a ship and cartouche with the verse May Peace & Plenty..., 10.5cm h, c1840£100-150
92. A SUNDERLAND PINK MARBLED LUSTRE EARTHENWARE PLAQUE, PROBABLY SCOTT'S SOUTHWICK POTTERY
transfer printed in sepia with THE GREAT EASTERN STEAM-SHIP and with sponged enamel detail, 20 x 23cm, c1860£100-150
93. A DUTCH-DECORATED CREAMWARE TEA CANISTER
of cylindrical shape, painted in red enamel with a fisherman on a light blue glaze, 10.5cm h, c1780£100-150
94. A PRATTWARE MINIATURE FIGURE OF CERES
bearing attributes of a sheaf of corn and cornucopia and dressed in a blue and green robe, on circular base, 10cm h, c1830; a Staffordshire earthenware miniature figure of a soldier, in colours, c1860 (2)£100-150
95. A PRATTWARE WATCH-HOLDER, NORTH EAST, PERHAPS SUNDERLAND
in the form of a longcase clock, moulded in shallow relief with classical figures and flanked by children beside pedestals, on flat rectangular base brightly painted in yellow, ochre, green and sepia, 27.5cm h, c1820
A similar example marked Dixon, Austin & Co is illustrated Halfpenny (P) English Earthenware Figures 1780-1840, Woodbridge 1991, plt 27.£300-400
96. A PEARLWARE WATCH-STAND, YORKSHIRE OR THE NORTH EAST
in the form of a longcase clock, painted with stylised flowers and outlined in blue enamel, flanked by crowned figures of, probably, Apollo and Ceres, sponged in bright enamels on flat turquoise base with indented edge, 23cm h, c1820£100-200
97. A CREAMWARE SAUCE BOAT IN THE FORM OF A DUCK
crisply moulded and in coloured glazes, 11cm h, c1790£100-150
98. A PRATTWARE RODNEY MUG
moulded as the head of the admiral with hair en queue and inscription SUCCESS TO LORD RODNEY, glazed in green and manganese and painted in ochre enamel, 11cm h, c1785
Provenance: Leonard Russell.
Illustrated: Lewis (J & G) Pratt Ware... 1780-1840, revised edition, Woodbridge 1993, p144.£100-150
99. A PEARLWARE MUG
transfer printed in sepia and enamelled with an oval medallion of Neptune, emblems and green swags, 13cm h, c1780£100-150
100. A PRATTWARE TOBY JUG, PROBABLY YORKSHIRE
with jug and glass, in cobalt coat with ochre collar, buttons and caryatid handle, standing on a mound sponged in ochre, blue and black, 19.5cm h, c1830£100-200
101. A PEARLWARE PARSON, CLERK AND SEXTON JUG
moulded with a continuous scene sponged in bright enamels between wheatear borders, the shell moulded neck picked out in pink-puce and with rustic handle, 16cm h, c1800£100-200
102. A LIVERPOOL-PRINTED CREAMWARE JUG
finely printed in black with two scenes of putti dancing or harvesting in scrolling frames with festoons and painted in black enamel with the initials E W above the verse Virtue is the chiefest Beauty in neo-classical oval cartouche, the rim outlined in green enamel, 24cm h, c1800£100-150
103. A STAFFORDSHIRE WHITE EARTHENWARE JUG
transfer printed in outline in black and painted in enamels with naive scenes of bull baiting and various figures, the rims and handle gilt, 19.5cm h, impressed 79/7, c1870 £100-150
104. A WHITE EARTHENWARE REFORM JUG
with puce transfer prints and sprays, 12.5cm h, c1830; a creamware mug, transfer printed in red with a portrait of ADMIRAL LORD NELSON and inscription, 9cm h (2)£100-150
105. A BLUE PRINTED EARTHENWARE VASE AND COVER OF UNUSUAL SIZE
and shield shape having acanthus clad handles and knopped cover, with romantic river scenes framed by a bower painted with birds and shells, on square foot, 72cm h, c1830£500-700
106. SADDLERY TRADE. A BLUE PRINTED PEARLWARE BRIDGE OF LOCARNO PATTERN JUG
enamelled with the initials G.R.Mc, a royal crown, saddler's knife and sprig in an oval black medallion, the rims outlined in rust enamel, 14.5cm h, painted decorator's mark X, c1825£250-350
107. A SPODE BLUE PRINTED EARTHENWARE MARBLE OR CRACKED ICE AND PRUNUS PATTERN SCENT JAR AND COVER
of two handled ovoid form with pierced cover and inner cover, 36cm h, printed SPODE, c1825£400-600
108. A JONES & SON BLUE PRINTED EARTHENWARE BRITISH HISTORY SERIES DISH WITH THE DEATH OF LORD NELSON
36.5cm w, printed mark, c1826-28£100-150
109. A PAIR OF STAFFORDSHIRE EARTHENWARE MODELS OF SPANIELS
in gilt collar and chain, 39cm h, late 19th c£100-150
110. A STAFFORDSHIRE EARTHENWARE FLATBACK PORTRAIT GROUP OF THE PRINCESS ROYAL AND FR[EDERIC]K OF PRUSSIA
well decorated in bright enamels and gilt, 39cm h, c1857£150-200
111. REFERENCE BOOKS. HARDING (A & N)
VICTORIAN STAFFORDSHIRE FIGURES 1835-1875
three vols, illustrated, cloth, dust jackets, Atglen: 1998, P D Gordon Pugh, Staffordshire Portrait Figures of the Victorian Era, 1992, A W Coysh & R K Henrywood, The Dictionary of Blue and White Printed Pottery 1780-1880, two vols, 2001, Michael Gibson, 19th Century Lustreware, 1999 and Lincoln Hallinan, British Commemoratives Royalty Politics War and Sport, 1995 (8) £100-150
112. A STAFFORDSHIRE PORTRAIT FIGURE OF JAMES QUINN (1693-1766) AS SIR JOHN FALSTAFF
the portly cavalier bearing a sword, in plumed hat, blue and gilt coat, floral waistcoat and puce breeches, the base with scrolls and title FALSTAFF, 41cm h, c1850 £100-150
113. A DERBY SPIRALLY FLUTED TEACUP AND SAUCER
painted and finely gilt with scattered sprigs, the rims and handle also gilt, saucer 14cm diam, painted crown, crossed batons, D, 129 and gilder's number 17 in puce, c1790; a small group of Derby teawares in various cobalt, salmon pink and gilt or other set patterns, c1790-1820 (14)£150-250
114. A PAIR OF DERBY GROUPS OF THE PRUDENT MOTHER AND THE MADONNA AND CHILD
in gilt costume seated on a turquoise chair on neo classical gilt square cavetto base, 21cm h, incised No 137 or N138, one also incised B, c1790£400-600
115. A TRIO
Near Duffield Derbyshire and Near Mackworth Derbyshire£200-300
116. A TRIO
Near Radbourn Derbyshire, Near Langley Derbyshire and Near Allestree Derbyshire£200-300
117. A TRIO
Near Breadsall Derbyshire, Near Makeney Derbyshire and Near Coxbench Derbyshire£150-200
118. A TRIO
On the River Dove and In Dovedale Derbyshire£200-300
119. A COFFEE CAN AND SAUCER
Near Thorp Derbyshire and Near Holbrook Derbyshire £100-150
120. A COFFEE CAN AND SAUCER
On the River Trent and Near Winster Derbyshire £200-300
121. A COFFEE CAN
Near Eton [sic] Derbyshire£100-150
122. TWO TEACUPS AND A COFFEE CAN
On the River Rhine, View in North Wales and View in Switzerland £100-200
123. A TRIO
Near Dolgelly Wales, Near Glasgow and View in Westmoreland£200-300
124. A TRIO
Near Edinburgh, View in Cumberland and Near Rothbury Northumberland£200-300
125. A TEACUP AND SAUCER
Near Palermo and Near Bologna Italy£200-300
126. A TEACUP AND SAUCER
Near Messina and On the River Arno Italy£100-150
127. A TRIO
Near Naples, Near Terni Italy and Near Tivoli Italy£100-150
128. A TRIO
Near Salerno, Near Verona Italy and View near Florence£150-200
129. THE PAIR OF SAUCER-DISHES
Near Belper Derbyshire and View in Westmorland £200-300
130. THE CREAM JUG AND SLOP BASIN
Near Como Italy and On the River Tiber, and Near Como Italy and Near Cromford Derbyshire£200-300
131. THE SUCRIER AND COVER
In Allestry Derbyshire and View near Grenoble£200-300
132. THE TEAPOT, COVER AND STAND
View in Switzerland, Near Naples and Near Abergelvie [sic] Scotland£400-600
133. A PAIR OF ROYAL CROWN DERBY IMARI DOLPHIN CANDLESTICKS
27cm h, printed mark, 1128 and date code for 1979£250-350
134. A ROYAL CROWN DERBY OLD DERBY WITCHES PATTERN TEA SERVICE AND A DISH EN SUITE
printed mark, 2451 and date code for 1937 or 38 (41)£300-400
135. A ROYAL CROWN DERBY IMARI OCTAGONAL PATTERN BOWL
21cm w, printed mark and date code for 1986£200-250
136. A ROYAL CROWN DERBY AESTHETIC TEA SERVICE
printed in red with birds on flowering boughs in dog tooth borders, the rims and handles gilt, the service including five egg cups, largest plate 20cm diam, printed mark and date code for 1895-97 (65)
£200-300
137. A ROYAL CROWN DERBY OLD DERBY WITCHES PATTERN TEA SERVICE
including a pair of plates 23cm diam, printed mark, 2451 and date code for 1915 or 16 (41)£300-500
138. A ROYAL CROWN DERBY MINIATURE OLD DERBY WITCHES PATTERN COAL SCUTTLE
of helmet shape, 6.5cm h, printed mark and date code for 1913, painted 6299£100-150
139. A ROYAL CROWN DERBY TWO HANDLED COBALT GROUND VASE
of shield shape, painted with a band of single roses framed by raised gilt grapevines, 15cm h, printed mark and date code for 1920, painted 9389/1719£150-250
140. A CROWN DERBY FLUTED LOZENGE SHAPED DESSERT DISH
painted by Edwin Trowell with an oval landscape panel of the Crow Trees at Barrow [on Trent] in neo classical Smith's blue and gilt festoon border encircled by paterae, 32cm w, printed mark and date code for 1887, painted title and artist's monogram in red script£250-350
141. A CROWN DERBY KIDNEY SHAPED DESSERT DISH
en suite with the preceding lot, painted by Edwin Trowell with Tissington Spires, Dovedale, 27cm w, printed mark and date code for 1886, painted title and artist's monogram in red script£250-350
142. A PAIR OF CROWN DERBY DESSERT PLATES
en suite with the two preceding lots, painted by Edwin Trowell with Cheedale or Pickering Tor, 22cm diam, printed mark and date code for 1887, painted title and artist's monogram in red script£250-350
143. A ROYAL CROWN DERBY COBALT GROUND GARNITURE
painted with a central floral panel in raised gilt scroll work, the sides and reverse with grapevines, vases 17cm h, printed mark and date code for 1908, painted 8260/1550 (or 1551) one also with gilder's initials HR, the jardiniere incised with the shape number 1546 (3)£600-800
144. A ROYAL CROWN DERBY COBALT GROUND JAPAN PATTERN DESSERT SERVICE
including two stands 22.5cm diam, printed mark and date code for 1921, painted 4591 (10)£250-350
145. A PAIR OF SAMPSON HANCOCK FIGURES OF A BOY AND GIRL
in lilac jacket or bodice, rose strewn waistcoat and striped breeches or rose patterned skirt, the boy holding a posy, his companion with a basket of fruit over her arm, on circular gilt base, 16.5cm h, painted crown, crossed swords, SH and D in purple, c1900£150-250
146. A PAIR OF SAMPSON HANCOCK FIGURES
of a boy and girl with a puppy or lamb, standing barefoot on a sprigged mound and painted in bright enamels and gilt, pierced gilt base, 17.5cm h, painted crown, crossed swords, SH and D in red, late 19th c
£100-150
147. TWO FIRST PERIOD WORCESTER TEA BOWLS, TWO SAUCERS, A COFFEE CUP AND A FLIGHT SAUCER-DISH
transfer printed in underglaze blue with the Bandstand, Three Flowers and Royal Lily patterns, one tea bowl in the Gold Queen's pattern, the other with 'clobbered' decoration, saucer-dish 18cm diam, printed or painted mark, or unmarked, c1770-85 £100-150
148. A FIRST PERIOD WORCESTER SAUCE TUREEN, COVER AND STAND
with turquoise and gilt artichoke knop and gilt shell handles, painted in purple monochrome with trailing sprays, that to the centre of the stand in polychrome, in blue and gilt shell-edged border and dentil rim, stand 24cm w, painted open crescent, c1780
A Worcester chocolate cup, cover and stand with the same unusually restrained blue- bordered decoration is illustrated Spero (S) and J Sandon, Worcester Porcelain 1751-1790 The Zorensky Collection, Woodbridge 1996, plt 343.£600-800
149. A FIRST PERIOD WORCESTER TUREEN-STAND
with gilt crabstock handles and gadrooned rim, painted in Dry Blue with loose bouquets and scattered sprigs, 21.5cm w, c1770£150-200
150. A FIRST PERIOD WORCESTER BARREL SHAPED AND REEDED TEAPOT, COVER AND STAND
enamelled in Dry Blue with loose bouquets and scattered sprigs in gilt dentil rim, 13cm h, c1770 £150-250
151. A FIRST PERIOD WORCESTER BARREL SHAPED AND REEDED SCARLET JAPAN PATTERN TEAPOT, COVER AND STAND
enamelled with four panels of flowers and prunus alternating with kiku and diaper, 12cm h, collector's label, c1775-78
Provenance: Sir Jeremy Lever Collection.£400-600
152. A FIRST PERIOD WORCESTER IMARI TEAPOT AND COVER
of globular form, the scalloped cover with flower knop, painted in underglaze blue and enamelled in iron red and gilt with upright panels of flowers alternating with bands of diaper, the spout and handle heightened in red enamel, 13cm h, c1770-80£150-200
153. TWO FIRST PERIOD WORCESTER COFFEE CUPS AND SAUCERS
painted in underglaze blue and enamelled with different versions of the Queen Charlotte pattern, saucer 11.5 and 13.5cm diam, painted fretted square in underglaze blue, c1770-80£100-150
154. A FIRST PERIOD WORCESTER SLOP BASIN
painted in the atelier of James Giles in Dry Blue with European style trailing sprays and scattered flowers and sprigs, 16.5cm diam, painted crossed swords and 9. in underglaze blue, c1768-79£100-150
155. A FIRST PERIOD WORCESTER SUCRIER AND COVER
of urnular form with gilt flower knop, painted in Dry Blue with loose sprays and scattered sprigs, 12cm h, c1770£200-250
156. A FIRST PERIOD WORCESTER FLUTED POLYCHROME COFFEE CUP AND SAUCER
painted with three trailing sprays in blue and gilt trailing border with 'C' scrolls, dentil rim, saucer 13.5cm diam, painted open crescent, dealer's label, c1780-85
Provenance: with Roderick Jellicoe, London.£150-200
157. A FIRST PERIOD WORCESTER FLUTED COFFEE CUP AND SAUCER
enamelled with a version of the Earl of Dalhousie pattern, the central landscape medallion in turquoise and gilt frame within three sprigs and butterflies beneath the blue and gilt border and dentil rim, saucer 13.5cm diam, painted open crescent in underglaze blue, c1780-85£200-300
158. A FIRST PERIOD WORCESTER FLUTED TEA BOWL AND SAUCER
similarly decorated to the preceding lot, saucer 14cm diam, painted open crescent in underglaze blue, c1780-85£200-300
159. A FIRST PERIOD WORCESTER FLUTED POLYCHROME TEACUP AND SAUCER
painted with three loose sprays of scattered flowers around a central turquoise framed medallion, in blue and gilt trailing border and gilt dentil rim, saucer 14cm diam, painted open crescent in underglaze blue, c1780-85£200-250
160. TWO FIRST PERIOD WORCESTER TEA BOWLS AND SAUCERS
in the style of Chinese export porcelain, enamelled with famille rose sprays and scattered flowers, in puce diaper border and gilt rim, saucers 12.5cm diam, c1775£200-250
161. A FIRST PERIOD WORCESTER COFFEE CUP AND SAUCER
painted in Meissen style in bright carmine pink with flowers, sprigs and gilt cartouches, the rim also gilt, saucer 12.5cm diam, dealer's label, c1770
Provenance: with Brian Haughton Antiques, London.£150-200
162. A FIRST PERIOD WORCESTER TEA BOWL AND SAUCER
enamelled in the style of Chinese export porcelain with a famille rose spray tied with a gilt ribbon and single flowers, in iron red line-and-dot border, 12.5cm diam, c1775-90£150-200
163. A FIRST PERIOD WORCESTER POLYCHROME TEA BOWL AND SAUCER
in Chinese export porcelain style, enamelled with famille rose flowers and a central spray encircled by an undulating red and gilt ribbon and the entwined border, saucer 12.5cm diam, c1775-80£150-200
164. A FIRST PERIOD WORCESTER FLUTED TRIO
enamelled in green monochrome and gilt with stylised flowers and sprigs, the handle and rims conforming, saucer 13cm diam, c1775£150-200
165. A FIRST PERIOD WORCESTER TEA BOWL AND SAUCER AND COFFEE CUP AND SAUCER
the first painted in Dry Blue and gilt with sprays and sprigs, the second with a ribbon on turquoise and gilt band, saucers 12 or 14cm diam, c1770-75£200-250
166. A FIRST PERIOD WORCESTER OLD JAPAN FAN PATTERN TEA BOWL AND SAUCER
painted in underglaze blue and enamelled in iron red and green and richly gilt, saucer 13cm diam, painted pseudo oriental mark in underglaze blue, c1768-75£200-250
167. A FIRST PERIOD WORCESTER OLD RICH MOSAICK JAPAN PATTERN TEA CUP AND SAUCER
painted in underglaze blue and enamelled and gilt with eight radiating panels of mon around a peony, the handle picked out in red enamel, the rims gilt, saucer 12cm diam, c1768-75£300-400
168. A FIRST PERIOD WORCESTER FLUTED TEA BOWL AND SAUCER
attractively enamelled with a Hop Trellis type pattern around a central turquoise framed medallion edged with gilt 'C' scrolls, the rims also gilt, saucer 12.5cm diam, c1780-85£400-600
169. A FIRST PERIOD WORCESTER FLUTED TEA BOWL AND SAUCER
enamelled with a version of the Hop Trellis pattern between turquoise scale borders and the scalloped gilt rim, saucer 14cm diam, c1775£200-300
170. A FIRST PERIOD WORCESTER FLUTED COFFEE CUP AND SAUCER
painted with a Hop Trellis type pattern in blue and gilt border and dentil rim, saucer 13.5cm diam, c1780£400-600
171. TWO FIRST PERIOD WORCESTER FLUTED TEACUPS AND SAUCERS
painted in Dry Blue with a loose spray and scattered flowers, in feathered blue or gilt dentil rim, saucers 12 or 13cm diam, painted fretted square in underglaze blue, or unmarked, the larger with dealer's label, c1770 and c1775-78
Provenance: (one) with Albert Amor Ltd, London.£150-200
172. A FIRST PERIOD WORCESTER APPLE GREEN GROUND TEACUP AND SAUCER
painted with a single group of fruit and berries flanked by insects in gilt rococo frame, saucer 13cm diam, painted crossed swords and 9. in underglaze blue, c1765-75£250-350
173. A FIRST PERIOD WORCESTER FLUTED TEA CUP AND SAUCER
enamelled in Sèvres style with Fancy Birds, the green diaper border panels linked by puce swags and festoons, the handle with a puce sprig, the rims gilt, saucer 13.5cm diam, c1772-75£250-350
174. TWO FIRST PERIOD WORCESTER SCALE BLUE GROUND TEA AND COFFEE CUPS AND SAUCERS
enamelled with Dishevelled Birds and insects or a kakiemon inspired pattern in gilt scrolling panels, saucers 12 and 13cm diam, painted fretted square in underglaze blue, c1775-80£300-400
175. A FIRST PERIOD WORCESTER POLYCHROME CHOCOLATE CUP AND STAND
of ogee form, attractively enamelled with Fancy Birds and flowers, with gilt handle and dentil rims, stand 15cm diam, c1770£250-350
176. A FIRST PERIOD WORCESTER IMARI TEACUP AND SAUCER
painted in underglaze blue and enamelled and gilt with peony and chrysanthemum flowers and prunus blossom, the handle gilt, saucer 12cm diam, painted fretted square in underglaze blue, c1768-70£200-300
177. A FIRST PERIOD WORCESTER FLUTED TEA BOWL AND SAUCER
gilt with paterae and husk festoons in trailing border and scalloped gilt rim, saucer 13.5cm diam, c1780-85£150-200
178. A FIRST PERIOD WORCESTER FLUTED KAKIEMON TEA BOWL AND SAUCER
enamelled with panels of flowering plants alternating with prunus blossom and radiating orange and gilt kiku around a central iron red medallion, the rim gilt, saucer 13cm diam, painted fretted square in underglaze blue, c1768-75£100-150
179. A FIRST PERIOD WORCESTER TEA BOWL AND SAUCER
painted in underglaze blue with the Royal Lily pattern around a central iron red and gilt sprig, saucer 12cm diam, collector's label, c1785
Provenance: Sir Jeremy Lever Collection.£100-150
180. A FLIGHT WORCESTER ICE PAIL
of urnular form with angular handles, painted in underglaze blue with the Royal Lily pattern in gilt border and pale red lined rim, 15cm h, c1780£200-300
181. THREE FIRST PERIOD WORCESTER TEA BOWLS AND SAUCERS
two printed and one painted in underglaze blue with the Birds in Branches, Mother and Child or Cannonball pattern, saucer 12cm diam, printed hatched or painted open crescent, c1775-80£250-350
182. A FIRST PERIOD WORCESTER APPLE GREEN GROUND PLATE
enamelled with the Marchioness of Huntley pattern of two pendulous sprays in gilt rococo frame and scalloped rim, 22cm diam, c1770£150-200
183. A CHAMBERLAIN'S WORCESTER OVAL SUCRIER AND COVER
enamelled with kakiemon style panels reserved on a cobalt ground of gilt seaweed, 11.5cm h, painted mark and 541 in red script; a Minton Japan pattern oval sucrier and cover, 12cm h, painted Sèvres style mark and 518, both c1820 (4) £200-300
184. A FLIGHT & BARR COFFEE CAN AND THREE BARR, FLIGHT & BARR COFFEE CANS
the first painted in rich brown monochrome and gilt with a wide band of trailing foliage, the others with salmon pink ground and gilt decoration of palmettes and seaweed, marbling and trailing strawberries, 6cm h, incised B or impressed marks, c1805-10£150-200
185. A CHAMBERLAIN'S WORCESTER COBALT GROUND BOTTLE SHAPED VASE
printed and painted with Malvern Abbey Church in gilt scrolling frame and with gilt rims, 13cm h, printed CHAMBERLAIN'S WORCESTER and title in puce, c1840 £150-200
186. A CHAMBERLAIN'S WORCESTER SWAN-HANDLED VASE
with pierced gilt lattice neck and everted rim, painted with a Chinese bowman carrying a bird, the reverse with a dignitary and attendant in a landscape, on gilt socle and square foot, 26cm h, c1825£250-350
187. A CHAMBERLAIN'S WORCESTER COBALT GROUND VASE AND PEDESTAL
of campana shape, painted with a rectangular panel of flowers in gilt frame and with grapevine loop handles, on square base, 22cm h, painted Chamberlain's Worcester in red script, c1825£150-200
188. A PAIR OF ROYAL WORCESTER SHIELD SHAPED EWERS
painted with scattered groups of flowers between turquoise and raised gilt bands, the cobalt and gilt handle terminating in a mask, on square foot, 24cm h, printed mark, Rd number, 1944 and date code for 1897 or 1903, painted monogram of the gilder, Charley Deakins£200-300
189. A HADLEY'S WORCESTER POT POURRI VASE AND COVER
of lobed ovoid form painted with naturalistic flowers in autumnal tints framed by blue and coral tinted clay strapwork heightened in gilt, 15.5cm h, printed mark, painted 169A/43, 1900-02£150-200
190. A PAIR OF ROYAL WORCESTER FIGURES OF EASTERN WATER CARRIERS
MODELLED BY JAMES HADLEY
standing barefoot on a rocky base emptying a vessel into a large bowl, decorated in Old Ivory and gilt, 42cm h, moulded modeller's signature, printed mark, 594 and date code for 1899£700-900
191. A PAIR OF ROYAL WORCESTER TWO HANDLED VASES AND COVERS
decorated with flowers on a shaded apricot ground and gilt, 25cm h, printed mark, numbered 84 of an edition limited to 200, late 20th c; a Royal Worcester two handled vase decorated with a goldfinch and flowers (5)£100-150
192. A ROYAL WORCESTER VASE AND COVER
of ogee form on tall foot with upswept grotesque handles, painted with flowers in lightly moulded, shaded apricot and gilt borders, 25cm h, printed mark, Rd number, 2298 and date code for 1906£200-300
193. A ROYAL WORCESTER GLAZED PARIAN RETICULATED POT POURRI VASE AND COVER
supported by a gilt eagle on rocky mound and circular base, 23.5cm h, printed mark, c1890£150-200
194. A MILWYN HOLLOWAY OVAL PLAQUE
painted with sheep in a winter landscape at sunset, signed, 14.5 x 22cm, printed mark, late 20th c, framed
Milwyn Holloway (b1940) was apprenticed to Harry Davis (1885-1970) on his employment at the Worcester Royal Porcelain Co, which he joined in 1955. He left the factory in 1971.£300-400
195. A MILWYN HOLLOWAY OVAL PLAQUE
painted with pheasants in a winter landscape at sunset, signed, 22 x 15cm, printed mark, late 20th century, framed
See footnote to the preceding lot.£300-400
196. A SET OF ELEVEN ROYAL WORCESTER DESSERT PLATES
printed and painted with rural scenes by C Creese, signed, reserved on a pink ground in shaped gilt border, 22.5cm diam, printed mark, title and date code for 1936, painted Z1479; a Coalport pink ground plate and comport, painted with an extensive landscape or irises in gilt border, c1860 (13)£200-300
197. A PAIR OF ROYAL WORCESTER CANDELABRA MODELLED BY JAMES HADLEY WITH A BOY OR A GIRL IN THE MANNER OF KATE GREENAWAY
resting in the fork of a tree, the sconces and drip-pans formed of oak leaves, on rocky circular base decorated in ivory and pastel hues heightened in gilt, 21.5cm h, impressed and printed marks, Rd number and date code for 1884£300-500
198. A ROYAL WORCESTER GLAZED PARIAN QUEEN ANNE COMPORT MODELLED BY JAMES HADLEY IN THE MANNER OF KATE GREENAWAY
with a boy seated on the edge of a shallow wicker basket with enamelled features and heightened in gilt, 17cm h, impressed and printed marks including 775 and date code for 1881£150-200
199. A PAIR OF ROYAL WORCESTER VIOLET VASES
of fenestrated spherical shape decorated with trailing roses and other flowers heightened in gilt on an ivory ground, 8.5cm h, printed mark, Rd number, 991 and date code for 1891 or 92£100-150
200. A ROYAL WORCESTER EWER
of shield shape, decorated with wild flowers on a shaded apricot ground in moulded gilt borders of masks and strapwork, with gilt tusk shaped neck and stepped foot, 44cm h, printed mark, Rd number, 1472 and date code for 1901£600-800
201. A ROYAL WORCESTER COBALT GROUND JARDINIERE
after a Sèvres vase pot pourri à vaisseau, painted with a scrolling panel of Fancy Birds beneath the fenestrated cavetto shoulder, on domed, four-footed base with turquoise reserves and raised gilt oak leaves and acorns, 24cm h, printed mark, 664 and date code for 1897£1000-1500
202. A ROYAL WORCESTER APPLE GREEN GROUND GRIFFIN-HANDLED VASE AND COVER
of ogee form and moulded with strapwork, decorated after Edward Raby, printed monogram, with chrysanthemums and trailing flowers outlined in raised gilding, with gilt handles and knopped cover, on stepped foot, 34cm h, printed mark, Rd number, 1674 and date code for 1894£600-800
203. A ROYAL WORCESTER YELLOW GROUND GLOBULAR VASE
with urnular neck, painted by A C Lewis, signed, with Golden Pheasants in a wooded landscape, the shoulder encircled by raised gilt cornucopiae and swags, 15cm h, printed mark H, F123/H [painted] 86.21 and date code for 1908£300-400
204. A GRAINGER WORCESTER COBALT GROUND VASE
of flared shape with reticulated gilt rim and stepped foot, painted with a panel of sheep in rococo frame, the reverse with a raised gilt bough, 19cm h, printed mark, G706 and date letter for 1902£300-400
205. A PAIR OF ROYAL WORCESTER DRUMSTICK VASES
decorated with wild flowers on a shaded apricot ground, the neck with gilt collar, 16.5cm h, printed mark, 1215 and date code for 1912£200-250
206. A ROYAL WORCESTER BOY FERN POT MODELLED BY JAMES HADLEY IN THE MANNER OF KATE GREENAWAY
the child in coral and gilt costume standing beside a rustic tub, 14.5cm h, printed mark, Rd number, 1242 and date code for 1895£200-300
207. A ROYAL WORCESTER TWO HANDLED VASE
of shield shape, decorated with flowers on a shaded apricot ground, with flared gilt neck and square foot, 31cm h, printed mark, Rd number, 1969 and date code for 1899, painted mark of the gilder, Charley Baldwyn£200-300
208. A ROYAL WORCESTER TWO HANDLED VASE
of shield shape, decorated with flowers on a shaded apricot ground with flared green, coral and gilt neck and square foot, 31cm h, printed mark, Rd number, 1969 and date code for 1900 or 01£250-350
209. A PAIR OF ROYAL WORCESTER DOLPHIN-HANDLED VASES
with fluted neck, decorated with wild flowers on a shaded apricot ground in lightly moulded gilt borders of strapwork and stiff leaves, 22cm h, printed mark, Rd number, 1626 and date code for 1903 or 04, painted mark of the gilder, Henry William Sheppard£300-500
210. A ROYAL WORCESTER VASE
ornamented in coloured clays heightened in gilt and painted with four panels of daffodils, violets and dragonflies, 12cm h, printed mark, Hadley Ware and date code for 1905, painted 171/101.38£200-300
211. A HADLEY'S WORCESTER PERSIAN VASE
of bottle shape, ornamented in coloured clay and painted in green with naturalistic sprays on a shaded ground, in gilt borders, 25cm h, printed mark, painted F102/5, 1897-1900£200-300
212. A HADLEY'S WORCESTER TWO HANDLED VASE
with lobed body and flared neck, decorated in green and sepia with stylised flowers in tinted borders and gilt rims, 17.5cm h, printed mark, painted F115/14, 1897-1900£150-200
213. A ROYAL WORCESTER CLARET JUG
decorated with flowers on an ivory ground with moulded gilt prunus blossom issuing from the bound handle, 23cm h, printed mark, Rd number, 1047 and date code for 1892, painted initials of the gilder, George Topham Roberts£200-250
214. A ROYAL WORCESTER GRIFFIN-HANDLED VASE
of ogee form, decorated with wild flowers and grasses on a shaded apricot ground, with waisted gilt neck and domed foot, 28cm h, printed mark, Rd number and 1674, painted mark of the gilder, Wallace Southall, c1890£150-250
215. A ROYAL WORCESTER DRAGON-HANDLED VASE
of compressed form, decorated with wild flowers after Edward Raby, printed monogram, on a shaded apricot ground in moulded gilt borders of arabesques, on four gilt feet, 16cm h, printed mark, Rd number, 1176 and date code for 1891£150-200
216. A LOCKE & CO POT POURRI VASE AND COVER
of compressed circular shape, painted with pheasants on a shaded apricot ground, the domed cover with pierced gilt knop, 16.5cm h, printed mark, painted 242, c1900£250-350
217. A ROYAL WORCESTER TWO HANDLED VASE
painted by H Martin, signed, with Hadley style roses, fluted gilt neck and foot, 28cm h, printed mark, H179 and date code for 1909, painted 15.74£250-350
218. A ROYAL WORCESTER PLAQUE
painted by J Stinton, signed, with highland cattle by a loch, 10.5cm diam, printed mark and date code for 1918, framed
Provenance: anon. sale, Bonhams, 2 June 2004, lot 426.£2000-2500
219. A ROYAL WORCESTER PLATE
painted by A Shuck, signed, with ripening apples and black grapes with blossom in raised gilt, bright yellow and pale pink border and lobed gilt rim, 23cm diam, printed mark, that of the retailer, BROCK & CO LOS ANGELES, CALIF. and date code for 1925, painted W8346£300-400
220. A HADLEY'S WORCESTER TWO HANDLED VASE
of bottle shape, painted in green monochrome with flowers and stiff leaves on a tinted ground and gilt, 22.5cm h, printed mark, painted 144/2, 1897-1900£200-300
221. TWO ROYAL WORCESTER SPILL VASES
painted by H Ayrton or Moseley, both signed, with still lifes of ripening apples and blackberries or peaches and plums on a woodland bank between shaded gilt borders, 15cm h, printed mark, G923 and date code for 1939 or 41£300-400
222. A ROYAL WORCESTER SHIELD SHAPED VASE AND COVER
painted by Freeman, signed, with fruit on a mossy bank, the reverse with three cherries, in moulded gilt borders and with grotesque mask handles, on square foot, 27cm h, black printed mark and 1572, c1970£600-800
223. A ROYAL WORCESTER PLATE
painted by R Sebright, signed, with pears, grapes and blossom in a cobalt and gilt border and shaped gilt rim, 23cm diam, printed mark and date code, painted W9872, c1918£200-300
224. A PAIR OF HADLEY'S WORCESTER TWO HANDLED VASES
ornamented in coloured clays and heightened in gilt, decorated in red and green with waterlilies, 27.5cm h, printed mark, painted F109a/18, 1897-1900
£300-500
225. TWO HADLEY'S WORCESTER VASES
of inverted pear shape, painted with storks and plants on a tinted ground between palmettes, 22cm h, painted F106/10, 1897-1900£300-500
226. A HADLEY'S WORCESTER VASE
of compressed form with flared neck, ornamented in coloured clays and painted with irises, 10cm h, printed mark, painted F110/38; another Hadley's Worcester vase, of sack shape, painted with a rose, printed mark, painted 178/15, 1902-1905 and 1900-1902 respectively (2)£100-150
227. A HADLEY'S WORCESTER TWO HANDLED VASE
of baluster shape, painted in sepia with flowers on a shaded ground with gilt handles and rims, 15cm h, printed mark, painted F124/15, 1897-1900£100-200
228. A HADLEY'S WORCESTER VASE
of shouldered form and decorated in sepia and green with naturalistic flowers on a tinted ground, in moulded gilt borders, 11.5cm h, printed mark, painted F112/42, 1897-1900£100-200
229. A PAIR OF HADLEY'S WORCESTER VASES
of slender oviform design with upswept handles and ornamented in coloured clays, painted with egrets in a watery landscape with gilt detail, 28cm h, printed mark, painted 179/85.52, 1902-05£500-700
230. A HADLEY'S WORCESTER JARDINIERE
applied with three warthogs' heads and ornamented in coloured clays, decorated in sepia and pink with wild flowers on a tinted ground, and gilt, 21cm h, printed mark, painted 157/1, 1897-1900£500-700
231. A HADLEY'S WORCESTER TWO HANDLED VASE
of quatrelobed form with tall neck, decorated in green with wild flowers on a tinted ground, the branching bud handles and rims gilt, 22cm h, printed mark, painted 144/2, 1897-1900£150-200
232. A HADLEY'S WORCESTER TWO HANDLED VASE
of bottle shape with reticulated neck, ornamented in coloured clays and decorated with a bird on hawthorn, the rims and handles gilt, 16.5cm h, printed mark, painted F127/12, 1897-1900 £100-200
233. A HADLEY'S WORCESTER VASE
ornamented in coloured clays and painted with wild flowers on a tinted ground, the rims gilt, 11.5cm h, printed mark, painted F112/15, 1897-1900£100-150
234. A PAIR OF PARIAN WARE BUSTS OF MIRTH AND GRIEF
in the style of Francois Duquesnoy, on socle, 23cm h, c1870
Literature: Another pair is illustrated Atterbury (P), editor, The Parian Phenomenon, Shepton Beauchamp, 1989, Fig 904.£200-300
235. SEVEN ENGLISH PORCELAIN COFFEE CANS
including Minton, Coalport and Grainger and Chamberlain's Worcester examples, in various set patterns, painted mark or pattern number, or unmarked, c1805-15£200-250
236. A SPODE TRIO
finely painted in purple monochrome and gilt with stylised flowers on a light brown band of gilt foliage, 14cm diam, painted 185(?); a Machin trio, with ring handle and overpainted bat printed decoration in gilt rim, painted 189; a New Hall teacup and saucer, painted in bright enamels with stylised sprays and scattered blue springs, printed circular New Hall mark, all early 19th c (8)£100-150
237. A COALPORT TEACUP AND SAUCER
of Bute shape, outside-decorated, finely painted en puce camaieu with studies of young women in the manner of Angelica Kauffmann, the gilt border of stylised foliage, saucer 14cm diam, c 1810£100-150
238. A ROCKINGHAM GREEN GROUND HELMET SHAPED BASKET
moulded with gilt acanthus leaves and with scroll handle, 20cm h, puce printed griffin mark, painted C.19 in red, c1830-42£150-200
239. A PAIR OF ROCKINGHAM FRENCH GREY GROUND TRIOS
of single spur handle shape, painted with a central vignette framed by seaweed gilding, saucer 14.5cm diam, painted 1131, or unmarked, c1830-42£150-200
240. A RARE PAIR OF ROCKINGHAM CANDLESTICKS
the double knopped pillar on domed foot, transfer printed in pale grey and gilt with seaweed and shells in gilt borders, 30cm h; a matching Rockingham teapot of single spur handle shape and a plate, c1830-42 (4)£150-200
241. A MINTON COBALT GROUND TEA SERVICE
of Bute shape, painted in pale grey and gilt with a wide band of roses and foliage, the service including a saucer-dish, 20cm diam, painted Sèvres style mark and 843, c1820 (18) £100-150
242. A ROCKINGHAM GILT TEA AND COFFEE SERVICE
of three spur handle shape, with stylised flowers and tendrils in borders of 'C' scrolls and stylised leaves, the service including a sucrier and cover, 14.5cm h, puce printed griffin mark and/or painted 2/31, or unmarked, c1830-42 (28)£100-150
243. A COALPORT TEA AND COFFEE SERVICE
painted with colourful sprays in gilt festoons and lightly moulded leafy gilt rim, the service including three square plates, 25.5cm w, painted 4/244, c1840 (24)£150-200
244. A RARE ROCKINGHAM BISCUIT FIGURE OF A PAYSANNE DES ENVIRONS DE BAYONNE
carrying a basket of fruit and flowers on her head, on sprigged circular mound, 21cm h, incised No 114, c1826-42
Literature: Another example is illustrated, Cox (A & A), Rockingham 1745-1842, Woodbridge 2001, plt 287.£250-350
245. A STAFFORDSHIRE FLUTED VASE
painted with a panel of flowers reserved on a moulded azure blue ground with gilt scrolling handles and everted rim, 23cm h, c1835; a Staffordshire cobalt ground miniature vase of two handled campana shape, painted with flowers, c1825 (2)£200-300
246. A GILT BRONZE-MOUNTED ENGLISH PORCELAIN VASE
the ovoid cobalt ground vase painted with panels of Putto on clouds in cisélé gilt frames, on square foot, adapted as a lamp, 24cm h excluding fitment, c1860£500-600
247. A PAIR OF COALPORT VASES
after a Sèvres cuvette a fleurs 'Verdun', painted in bright carmine pink with a ribbon of flowers and pendulous sprays, the rim and handles gilt, 13cm h, painted gilt ampersand mark, c1860
£150-250
248. A COALPORT CAMPANA SHAPED LAVENDER GROUND VASE
with gilt double lion mask handles, painted with an octagonal gilt framed landscape, the reverse with blue classical foliage, on flared foot, 17.5cm h, c1810£200-300
249. A PAIR OF COALPORT APPLE GREEN GROUND VASES
with gilt rococo handles, painted with exotic birds and a group of flowers in puce and gilt panels, flared gilt neck and foot, 22cm h, c1860£200-300
250. AN ENGLISH PORCELAIN VASE
of empire shape with upswept gilt palmette handles, painted with figures at a waterfall in a classical landscape beneath green and gilt swags, on square foot, 25cm h, c1820£150-200
251. A PAIR OF MINTON BISCUIT FIGURES
of a female with garland and male companion, standing beside a pillar set with a flower- filled vase, on circular base, 19.5cm h, c1830
Numbers 32 and 43 in the Minton Design Book. An enamelled example of the male figure is illustrated Godden (G A), Minton Pottery and Porcelain of the First Period 1793-1850, 1968, plt 142.£200-300
252. A COALPORT CACHE POT AND STAND
with fixed gilt ring handles, painted with gilt diamond shaped panels of single roses and hexagonal sepia reserves centred by gilt ovals between red and blue ribbon borders, 11cm h, c1810£150-200
253. A COALPORT VASE AND COVER
in Sèvres style, painted by William Cook with fruit and flowers in cisélé gilt frames reserved on a chrome green ground and with upswept gilt handles, on square foot, 26cm h, c1860£200-250
254. A CAUGHLEY CHELSEA EWER AND SCALLOP SHELL-SHAPED DISH
transfer printed in underglaze blue with the Fenced Garden and Fishermen patterns respectively, ewer 6cm h, c1780-85£200-250
255. A MINTON COBALT GROUND DRESDEN SCROLL VASE AND COVER
the domed cover with the seated figure of a boy with a hat full of fruit, painted to either side with exotic birds or flowers in moulded or highly burnished gilt frames of 'C' scrolls and spume, 32cm h, c1835
No 77in the Minton Design Book. Another example, with its pair, is illustrated Godden, op cit, plt 117.£700-900
256. A BOW COFFEE CUP
of conical form, enamelled with flowers and foliage, the rim outlined in brown, 4.5cm h, c1760£200-250
257. A GROUP OF SPODE AND NEW HALL LILAC GROUND SPRIGGED WARES
comprising a punch bowl, three ale and other jugs and two mugs, the mugs inscribed in gilt Janet Wilson 1833 or SARAH ATKINS, bowl 26cm diam, all c1830
£200-300
258. A VICTORIAN GLASS FRUIT STAND
the trumpet shaped vase and graduated dishes etched with grasses, on faceted stem and star cut foot, 57cm h£100-150
259. A MOULDED GLASS MAGNUM DECANTER AND STOPPER
of tapered form, engraved with swags, 37cm h, 19th c£100-150
260. FOUR GLASS SULPHIDE MARBLES
the smallest of amber glass, the subjects comprising a bear, lion, horse and squirrel, 2.8-5.5cm diam, late 19th c£150-200
261. AN ENGLISH ENGRAVED GLASS COMMEMORATIVE RUMMER
the cup shaped bowl engraved with two ships of the line off Gibraltar and inscribed CAPTURE OF GIBRALTAR BY THE BRITISH FLEET 1704, on knopped stem and spreading foot, 12cm h, 19th c£100-150
262. A BOHEMIAN WHITE OVERLAY GLASS DECANTER AND STOPPER
encircled by a gilt band with armorials and a monogram divided by entwined roses, in faceted gilt borders, 27cm h, c1860£400-600
263. A PAIR OF VICTORIAN LAVENDER GLASS LUSTRES
with white enamel 'jewelled' and gilt borders, hung with prismatic cut beads and pendants, 36cm h£250-350
264. A SAMUEL CLARKE CUT GLASS AND GILT BRASS-MOUNTED CRICKLITE FLOWER-STAND
of three lights with moulded glass pans and ogee lampshades with maker's giltmetal collar, the lower part of the knopped stem with three further branches containing two [only] cut glass posy vases, on star cut foot, 53cm h overall, mount stamped Clarke's/Trade/Cricklite, c1880£150-250
265. A CLICHY GLASS SWIRL PAPERWEIGHT
with central green, white and pink cane and radiating vivid blue and white swirls, 6cm diam, mid 19th c£150-250
266. A BACCARAT GARLANDED FLOWER PAPERWEIGHT
the yellow and red flower with six petals and white star centre and five green leaves showing behind, the stalk with three further leaves and a single red bud, underside star- cut, 8cm diam, mid 19th c£100-200
267. A PAIR OF ENAMELLED BLUE OVERLAY GLASS VASES, POSSIBLY BACCARAT
in the manner of Jean-Francois Robert, theoval white panel painted with tightly packed flowers framed by gilt strapwork, 31cm h, c1860£250-350
268. AN ENGLISH APPLE GREEN, OPAL AND GILT GLASS PAPERWEIGHT IN THE FORM OF A CROWN, ATTRIBUTED TO W H, B AND J RICHARDSON
on cushion base, 9cm h, c1855
£150-250
269. A BOHEMIAN RUBY FLASHED AND WHEEL ENGRAVED GLASS GOBLET
the waisted bowl with a continuous wooded scene with a deer and hound, on faceted stem and scalloped foot, 15.5cm h, mid 19th c £200-250
270. TWO PINO SIGNORETTO GLASS SCULPTURES, MURANO
of a pelican and its chick, engraved signature, pelican 76cm h, late 20th c
£1000-1500
271. A CREUSSEN SALTGLAZED STONEWARE FLASK
moulded on five faces with allegorical figures divided by flowers and framed by swags, on slightly flared foot turned with grooves, pewter mount, 23cm h, late 17th/early 18th c£250-350
272. A DUTCH DELFTWARE JAR AND COVER
painted in cobalt with lovers or shipping scenes in moulded manganese cartouches reserved on a ground of trellis, 42cm h, painted pseudo axe and G, c1900£150-200
273. A PAIR OF QUIMPER FAIENCE VASES
of flared octagonal shape, painted with peasant musicians or dancers and to the reverse flowers beneath the arms of Brittany and Quimper reserved on a lemon and cobalt ground, the scrolling handles with trailing flowers, 39cm h, painted HR conjoined, QUIMPER and painter's number 3 (unscored) in cobalt, c1920£400-600
274. A RARE SET OF ELEVEN GIEN FIAENCE ARMORIAL CREAM COLOURED EARTHENWARE PLATES
printed in sepia and enamelled with the arms of de Longueuil impaling another's in a border of grotesques, 21.5cm diam, impressed I, printed mark, painted 16 in yellow, late 19th c£150-250
275. A DUTCH DELFTWARE PLAQUE
painted in cobalt with scenes of skaters above a floral cartouche in integral marbled frame, 56 x 46cm, painted monogram, c1900
£200-300
276. A SAMSON GROUP OF DANCERS
in lace trimmed colourful 18th c costume on oval gilt scrolling base, 22cm h, painted pseudo crossed swords; another Continental group of a gallant and girl with a dog, early 20th c and later (2)£100-150
277. A SET OF NINE LITHOPANES, PROBABLY FRENCH
one a portrait of a young woman, the others scenes with children, 13.5 x 11cm, impressed PR, sickle and number, contemporary giltmetal frames and hinged hook, c1880£150-250
278. A PAIR OF MEISSEN RETICULATED DESSERT BASKETS
the flared stem painted outside the factory with birds in branches and butterflies in gilt border, impressed 21 or 23, incised S70, painted crossed swords, c1900£200-300
279. A MEISSEN TEA BOWL AND SAUCER
with osier moulded border, painted with loose groups and deutsche Blumen, the rim gilt, saucer 10cm diam, painted crossed swords, c1750£150-200
280. A RUSSIAN PLATE FROM THE SERVICE OF THE ORDER OF ST ALEXANDER NEVSKII, IMPERIAL PORCELAIN MANUFACTORY, ST PETERSBURG, PERIOD OF ALEXANDER II
the centre decorated with the star of the Order, the border with the red moiré sash and cross, in moulded and lobed gilt rim, 23cm diam, underglaze green mark, 1855-81
An Alexander II period plate from the Alexander Nevskii Order Service was sold Christie's, Russian Art, 2 December 2009 (£9,375)
£2000-4000
281. A MEISSEN FIGURAL DOUBLE-SALT
in the form of a boy with a posy seated on a pair of baskets and painted in predominantly tones of blue with gilt detail, 13cm h, impressed 154, incised 3014, painted crossed swords; a similar double-salt with the figure of a girl, both early 20th c (2)£150-200
282. A PAIR OF BERLIN VASES
with bronze green and tooled matt and burnished gilt snake handles, finely painted en grisaille with a mermaid reclining before moonlit waves beneath the starry sky, on gilt foot and octagonal plinth, 49cm h, sceptre and printed circular mark in underglaze blue, c1870£400-600
283. A LIMOGES PORCELAIN BUST OF YOUNG WOMAN, HENRI ARDANT & CIE, MODELLED BY ALBERT-ERNEST CARRIER-BELLEUSE
a gilt rose and pink ribbon in her long blond hair, on marbled socle, 37cm h, moulded modeller's signature mark impressed on an applied pad, gilt monogram PPD, 1865-80£600-800
284. A SÈVRES STYLE GILT BRONZE-MOUNTED VASE AND COVER
painted with panels of a young woman and child, a group of flowers to the reverse, in raised gilt frames reserved on a cobalt ground, the domed cover with cone knop, the handles issuing from masks, on slender stem and square foot, 31cm h, late 19th c£800-1200
285. A CONTINENTAL FLORAL ENCRUSTED APPLE GREEN GROUND BASKET after a Coalport model, 16cm h, printed pseudo puce griffin mark, early 20th c£80-120
286. A FRENCH YELLOW GROUND COFFEE CAN AND STAND
the octagonal gilt panels painted with flowers on a ledge in trailing border, the rims and handle gilt, stand 13.5cm diam, impressed A.M or M, the can incised Mav[?], painted Sèvres in puce script, 19th c£200-300
287. A VIENNA STYLE GILT BRASS-MOUNTED TANKARD
of tapered cylindrical shape, painted with Diana awoken by an attendant in raised gilt frame reserved on a chocolate ground of polychrome foliage between apricot and gilt borders, 27.5cm h, painted shield in underglaze blue and title Diana in red script, c1900£500-700
288. A KINKOZAN SATSUMA DISH
enamelled with a rectangular panel of a musician standing in a landscape, the cobalt border gilt with a profusion of butterflies and flowers in gilt rim, 14 x 11cm, gilt Kinkozan zo seal, Meiji £200-300
289. A JAPANESE CLOISONNE ENAMEL WINE POT AND COVER
decorated with auspicious emblems and mon in translucent and other enamels and tightly coiled gilt cloisons, the cover with kiku knop, the underside with flowers and waves over mottled light green, 14cm h, Meiji£200-300
290. A LONGQUAN CELADON CENSER, DING
of stoutly potted form with unglazed centre, the pendant base also unglazed, lightly incised on the gently rounded sides with a band of scrolling foliage between double lines, the porcelaneous body covered in a crackled, vitreous green glaze, the underside unglazed, 6cm h, 10cm diam, 13/ 14th c
Provenance: English Private Collection since, at least, the early 20th century.£300-400
291. A PAIR OF CHINESE EXPORT PORCELAIN OCTAGONAL DISHES
painted in underglaze blue with a spotted hound and another near a riverside hut, the border with trailing sprays, 33.5cm w, c1780£200-300
292. A CHINESE IVORY SEAL
the upper part of the square block finely carved to the top and all four sides with one or pairs of dragons and cloud scrolls, the underside carved in sealed script, 9cm h, 19th/ 20th c£5000-6000
293. A CHINESE IVORY BUDDHIST VOTIVE PLAQUE
finely carved with Avalokitesvara, the eighteen-armed bodhisattva bearing various attributes and seated on a lotus, the reverse with an inscription tablet surrounded by eight bats on cloud scrolls, 16cm h, 20th c£1500-2000
294. A CHINESE IVORY VASE
of tapering section, carved in shallow relief with landscapes beneath a poetic inscription, 15cm h, 20th c£800-1000
295. A CHINESE CARVED ROOTWOOD GROUP OF PEASANTS AND A BUFFALO
on rocky base, 53cm h, c1900 £1500-2000
296. AN OLD SHEFFIELD PLATE TANKARD
the domed lid
with pierced thumbpiece, moulded girdle and foot, crested, 15.5cm h£100-150
297. A VICTORIAN COLUMNAR LAMP
the gadrooned square foot embossed with flower filled vases and swags, 43.5cm h, c1900£150-200
298. A PAIR OF VICTORIAN CANDELABRA
of two lights on reeded branches and embossed with scrolling foliage, 48cm h£100-200
299. A SET OF THREE VICTORIAN GOTHIC ELECTROTYPE DESSERT STANDS
to support a (damaged) glass dish, one also with a flower trumpet, largest 35cm h excluding glass£200-300
299A. A TABLE SERVICE
Georgian B) pattern, initialled B, in walnut two drawer cabinet, 50cm w, early 20th c; with a quantity of other flatware (qty)
Provenance: George Brough (1890-1969).£100-200
300. A PAIR OF CONTINENTAL SILVER GILT-MOUNTED GLASS DECANTERS AND STOPPERS
the sleeve cast with 'Teniers' scenes, birds and scrolling foliage, 24cm h, import marked, sponsor's mark ABE, London 1926, 13ozs weighable£200-300
301. A GERMAN RECTANGULAR GLOVE BOX
stamped with 'Teniers' scenes in borders of rocaille, 22.5 x 8cm, by Ludwig Neresheimer & Co, of Hanau, import marked, Berthold Muller & Son, Chester 1900, 12ozs 10dwts£100-150
302. THREE SIMILAR SILVER-MOUNTED GLASS SPIRIT DECANTERS AND STOPPERS
the largest 31cm h overall, one marked STERLING, early 20th c£100-200
303. AN INDIAN SILVER CHRISTENING MUG
of flared cylindrical shape, engraved with foliage, on foliate foot with leaf capped handle, 10cm h, by Hamilton & Co of Calcutta, c1860
The inscription reads: Evelyn Emma Pinckney [b 13 June 1866, d1957] from her Godfather C H Reilly £100-200
304. A SET OF EIGHT SOVIET RUSSIAN SILVER GILT AND NIELLO TABLESPOONS
floral decorated, cyrillic maker's and control marks; a set of five Russian silver and niello teaspoons, Fiddle pattern, Moscow 1908-17, 21ozs (13)£200-300
305. A POLISH JUGENDSTIL CANDELABRUM
of five lights on twin tubular branches, tapered stem and domed base with four fins, 49.5cm h, maker's mark SH in an oval punch and post 1920 control mark, 29ozs£300-500
306. LAWN TENNIS. THE PRIZES OF THE BRITISH PLAYER JOHN SHELDON OLIFF (1908-1951)
comprising three trophies, two cups, a salver and two continental beakers, salver 25.5cm diam, by James Dixon & Sons Ltd, Sheffield 1932, 30ozs weighable (8)
Engraved with presentation inscriptions of, amongst others, The International Lawn-Tennis Club and the Lawn Tennis (Hard Court) Championships. The group also includes the Lawn Tennis (Hard Court) Mens Doubles Champions Cup won by Olliff and his partner F[red] J Perry. Between 1928 and 1947 Oliff played in the Wimbledon Championships, US Open and other international tournaments. On several occasions he made it to the 4th Round, and in the 1929 Wimbledon defeated Fred Perry (6-4 6-2 2-6 6-3) in the 3rd Round.£500-700
307. A GEORGE V WAITER AND AN ELIZABETH II WAITER
both with moulded border and on volute feet, 20.5 and 21cm diam, by William Lister & Sons, Sheffield 1910 and another, London 1967, 21ozs£150-200
308. A GEORGE VI FOUR-PIECE TEA SERVICE
of oblong form with fluted angles, on bun feet, lidded jug 22cm h, by S Blanckensee & Son, Chester 1937 and 39, 42ozs£350-450
309. DERBYSHIRE. A GEORGE VI SHAPED SQUARE SALVER
engraved with the insignia of the Notts & Derby Regiment, on reeded feet, 30.5cm w, by William Hutton & Sons Ltd, Sheffield 1944, 34ozs
The inscription reads: 9 H[OME] G[UARD] A[NTI] A[IRCRAFT] REGT PRESENTED TO COL P C COOPER-PARRY, MC COMMANDING 9 HG AA REGT BY ALL THE OFFICERS IN RECOGNITION OF HIS EFFICIENT FORMATION OF THE BATTERIES HIS UNFAILING FRIENDLINESS AND HIS LEADERSHIP 1942-1944.
Sold with the leather bound book of the signatures of the officers with which the salver was presented to Col Cooper-Parry.£250-350
310. A GEORGE V VASE AND A SIMILAR WINE CUP
chased and engraved with stiff leaves or grapevines, cup 19cm h, both London 1923, by The Goldsmiths & Silversmiths Co Ltd and Edward Barnard & Sons Ltd respectively, 14ozs 10dwts£100-150
311. A GEORGE V OCTAGONAL ROSE BOWL
with flying scroll handles, on stepped foot, 18.5cm h, by Walker & Hall Ltd, Sheffield 1921, 29ozs£200-300
312. NOTTINGHAMSHIRE. A GEORGE V SALVER
with moulded border, on three volute feet, 31.5cm diam, by Walker & Hall Ltd, Sheffield 1922, 26ozs
The inscription reads: PRESENTED TO CHARLES LANGLEY MALTBY ON HIS RETIREMENT BY THE MEMBERS OF THE SOUTHWELL TRADERS ASSOCIATION AS A MARK OF ESTEEM 1923£200-300
313. AN EDWARD VII DRESSING TABLE SET
embossed with entwined floral border and engraved Ernestine, by J Drew & Sons, London 1909 and 10 (8)
Provenance: Ernestine Bowes-Lyon (1891- 1981); thence by descent.£100-200
314. A GEORGE V SALVER
the engine turned field in moulded border, on three plain feet, 34.5cm diam, by Joseph Gloster Ltd, Birmingham 1936, 30ozs 10dwts£200-300
315. A GEORGE V SALVER
with moulded border, on four volute feet, 35.5cm diam, by James Dixon & Sons Ltd, Sheffield 1933, 45ozs£300-400
316. GOLD. AN ELIZABETH II WINE CUP
the ogee bowl engraved with scrolling foliage, on slender stem and domed foot, 12cm h, 9ct, by C S Green & Co Ltd, Birmingham 1967, 80g £500-600
317. A GEORGE V MASK JUG
of shouldered form with cavetto neck and angular handle, 14.5cm h, by Elkington & Co Ltd, Birmingham 1914, 16ozs 10dwts£150-250
318. A GEORGE V REEDED OBLONG TEAPOT AND SUCRIER AND A GEORGE V OVIFORM HOT WATER JUG
the jug 21cm h, by Barker Bros, Chester 1917 and another, Sheffield 1918, 42ozs£250-350
319. A GEORGE V OVAL TEA CANISTER AND COVER
with reeded borders, 10cm h, by Atkin Brothers, Sheffield 1911, 4ozs£100-150
320. AN ELIZABETH II WAGER CUP
in the form of a woman, her arms upraised to support a smaller cup pivoted on scrolling foliate branches, 20cm h, by Barrowclift Silver Craft, Birmingham 1977, 13ozs£150-200
321. AN ELIZABETH II CIGAR BOX
the lid engine turned, cedar-lined, 24cm w, maker JP, Birmingham 1966/69£150-250
322. A GEORGE V VASE AND COVER
of shield shape with upscrolled acanthus handles and applied with swags, the domed cover with acorn knop, 36cm h, by William Comyns & Sons, London 1911, 56ozs£800-1200
323. A GEORGE VI CIGAR BOX
rectangular with flared sides, engine turned lid and husk borders, on outset acanthus feet, cedar-lined, 29.5 x 21cm, by Edward Barnard & Sons Ltd, London 1938£500-700
324. AN EDWARD VII MONTEITH
the pierced and moulded rim of 'C' scrolls above a girdle, with lion mask handles, on domed foot, 20cm h, by The Goldsmiths & Silversmiths Co Ltd, Sheffield 1909, 56ozs£1800-2000
325. A GEORGE V FRUIT BOWL
of shallow panelled circular shape with undulating beaded rim, on flared foot, 23.5cm diam, by Adie Bros Ltd, Chester 1926, 19ozs£200-250
326. AN ELIZABETH II CANDELABRUM AND A PAIR OF MATCHING CANDLESTICKS
with nozzle in reeded vase shaped sconce on slender hexagonal stem and flared and lobed foot, 28.5 and 26cm h, by A Smith, Birmingham 1957, 39ozs£500-700
327. AN EDWARD VII OVAL TRAY
engraved with a band of foliage in pierced gallery with gadrooned handles, on outset bun feet, 44.5cm over handles, by Walker & Hall, Sheffield 1904, 39ozs£400-600
328. AN ART NOUVEAU FOUR-PIECE TEA SERVICE
of lobed ogee form, lidded jug 25cm h, by Walker & Hall, Sheffield 1911 & 19, 66ozs gross£600-800
329. A PAIR OF VICTORIAN SAUCE TUREENS AND COVERS
compressed circular with lion mask and ring handles between beaded palmette borders, the domed cover with pineapple knop, crested, 16cm h, by Hunt & Roskell and marked HUNT & ROSKELL LATE STORR & MORTIMER 3193, London 1864, 56ozs£1500-2000
330. A VICTORIAN QUATRELOBED OVAL FRUIT BOWL
of ogee form, embossed with a wide textured band of cherub masks, cornucopiae and foliage beneath an undulating saw pierced and engraved border, on domed foot, 11cm h, by Wakely & Wheeler, London 1890, 13ozs£250-350
331. A VICTORIAN ETRUSCAN REVIVAL COFFEE POT
of vase shape engraved with a procession bordered by anthemia and the beaded rims, having domed lid with urn finial, 29cm h, PODR lozenge mark for 2 january 1868, by W & G Sissons, Sheffield 1870, 25ozs 10dwts£300-400
332. A VICTORIAN CAKE BASKET
of lobed circular shape, engraved with panels of flowers divided by scroll piercing within applied openwork rim and conforming handle, 31cm diam, by Thomas Smily, London 1874, 31ozs£300-500
333. A GEORGE III BRIGHT CUT OVAL TEA CADDY
with dished top, divided interior, twin lids and swing handle, 11.5cm h excluding the handle, by John Emes, London 1800, 15ozs 10dwts£300-500
334. A SET OF FOUR VICTORIAN COLUMNAR CANDLESTICKS
with beaded nozzle and stop fluted shaft on square cavetto foot embossed with lion masks and swags, 25cm h, by Hawksworth, Eyre & Co Ltd, Sheffield 1892, loaded£600-800
335. AN IRISH GEORGE III OLD ENGLISH PATTERN SOUP LADLE
with shell bowl, crested and engraved contemporary initials T R M, by James Shields, Dublin 1788, 3ozs
£100-200
336. A PAIR OF IRISH GEORGE III WAITERS
engraved in the 19th c with festoons and foliage in gadrooned rim with shells, on three feet, 16.5cm diam, by William Townsend, Dublin, c1760, 14ozs 10dwts£250-350
337. A VICTORIAN COMPOSED TEA SERVICE
compressed circular, the teapot with integral hinge, engraved with a wide band of scrolling foliage, contemporary armorials and crest of Grant, teapot 13.5cm h, by William Elliott, London 1841 & 42, the sugar bowl by Reilly and Storer, 1843, 41ozs (3)
Provenance: The arms are those of Charles William Grant, 5th Baron de Longueuil (1782-1848); thence by descent.£250-350
338. TWO GEORGE III CHAMBERSTICKS
one with shield shaped sconce and rope rim, the other with gadrooned rim, one nozzle associated, with an extinguisher, 9cm h, maker IC, presumably John Carter, London 1772 and 75, 17ozs£200-300
339. A GEORGE III SUGAR BOWL AND A COVER
the flared bowl and footed cover later chased with flowers and scrolls, crested, 10.5cm h, both London, by William Bennett, 1812, the cover by Gabriel Sleath, 1745, 9ozs 10dwts
Provenance: The crest is that of Grant for Captain David Alexander Grant who m. in 1781 Marie-Charles le Moyne de Longueuil, Baronne de Lonueuil (1756-1841); thence by descent..£200-300
340. A GEORGE III SOUP LADLE
Old English pattern with shell bowl, by John Robertson II and John Walton, Newcastle 1793, 4ozs 10dwts
Provenance: The crest is that of Maltby for Edward Maltby, Bishop of Durham (1770-1859); thence by descent.£100-150
341. A GEORGE III LOBED OVAL SUGAR BASKET
with reeded swing handle, on scalloped foot, 17cm h, by Henry Chawner, London 1790, 8ozs
Provenance: Engraved in the early 19th century with the initials of Grant de Longueuil and a coronet for Marie-Charles le Moyne de Longueuil, Baronne de Longueuil (1755-1841); thence by descent.£250-350
342. A SET OF SIX GEORGE III TWO HANDLED OVAL SALTS
with beaded rims, 7.5cm h, by Thomas Chawner, London, three 1784, three 1785, 16ozs
Engraved in the early 19th century with the initials of Grant de Longueuil and a coronet for Marie-Charles le Moyne de Longueuil, Baronne de Longueuil (1755-1841); thence by descent.
£200-300
343. A GEORGE III BRIGHT CUT CREAM JUG
with reeded handle and rim, on ball feet, 11cm h, marks rubbed, London c1800, 3ozs£100-150
344. A GEORGE III PAP BOAT
with reeded rim, gilt interior, 14cm l, underside stamped 1557, maker's mark worn, possibly Jonathan Hayne, London 1804£100-150
345. A GEORGE III WAITER
the moulded border with gadrooned rim with leaves and shells at intervals, on three hoof feet, engraved with contemporary armorials, 17.5cm diameter, maker WI presumably William Justis [Grimwade 3889] London 1760
The arms are those of Chrichton of Ruthven.£300-500
346. A PAIR OF GEORGE III WINE COASTERS
with beaded rim and straight gadrooned mount, inset turned wood base, 15cm diameter, by J T Younge & Co, Sheffield 1810£700-900
347. A GEORGE III BALUSTER MUG
with leaf capped double scroll handle, on moulded foot, 14cm h, by Thomas Wallis, London 1797£300-400
348. A WILLIAM IV MELON SHAPED TEAPOT
with naturalistic melon finial, on four palmette feet, 14cm h, by Joseph & John Angell, London 1833£200-300
349. THREE GEORGE III WINE LABELS
MADEIRA, RUM and WHITE WINE, octagonal and bright cut within pierced border,chained, 4.5cm w, comprising a pair by Phipps & Robinson, London, one no date letter, the other 1791, the Madeira label maker JS, probably Josiah Snatt, date letter rubbed £200-300
350. TWO GEORGE III DIE-STAMPED CHERUB, SCROLL AND MASK WINE LABELS
MADEIRA, chained, 6cm w, both Birmingham, one by Matthew Linwood, 1814, the other by Thomas Willmore, 1818£100-150
351. A GEORGE III OCTAGONAL WINE LABEL
TENERIFE, with reeded border, chained, 4.5cm w, maker CF, London 1819£80-120
352. FOURTEEN WINE LABELS, MAINLY GEORGE III
comprising octagonal, crescent, gorget and bean shaped examples, mostly chained, various sizes£200-300
353. A SET OF FOUR GEORGE III CONDIMENT LABELS
CHILLI-VINEGAR, HARVEY, KETCHUP and SOY, of gadrooned oblong form, 2.5cm w, by Matthew Linwood, Birmingham 1812£100-150
354. A GEORGE II MARROW SCOOP
by Charles Belasyse, London 1740£100-150
355. A PAIR OF GEORGE II CANDLESTICKS
the waisted sconce on 'mushroom' knopped stem and dished and moulded foot, crested, 20cm h, by John Cafe, London 1744, 33ozs£2000-3000
356. TWO GEORGE III BRIGHT CUT CREAM JUGS
one oblong on ball feet, the other fluted, 10 & 11cm h, both London, maker -W, 1807 and maker WS, probably William Stephenson, 1793; a George IV gadrooned cream jug, by Reid & Son, Newcastle, date letter rubbed, 15ozs (3)£150-250
357. A VICTORIAN FISH SLICE
Fiddle pattern, engraved with armorials, by Mary Chawner & Co, London 1841, 5ozs£80-120
358. A GEORGE III PORRINGER
with cable girdle and partly wrythen lobed and fluted, the cartouche pricked with contemporary initials and the date 1768, with plain scroll handles, 8cm h, maker IM [Grimwade 3658], London 1767, 2ozs£250-350
359. A PAIR OF VICTORIAN SALTS
of plain, almost hemispherical form, the flat rim with punched ornament, the base inset with an earlier silver threepence, 5.5cm diam, by F B Thomas & Co, London 1878, 2ozs£100-150
360. A GEORGE III WAITER
with plain field, the cavetto embossed with husks in gadrooned rim, on three feet, 19cm diam, maker IC, presumably John Carter, London 1768, 12ozs 10dwts£100-150
361. A VICTORIAN SALVER
the field engraved with a wide band of scrolling foliage and trellis work in moulded rococo border, on three feet, 32.5cm diam, by John, Daniel & Charles Houle, London 1843, 32ozs£300-400
362. A VICTORIAN TEA AND COFFEE SERVICE
of vasular form applied, embossed and chased in high relief with masks and festoons over engraved swags, the lower body with acanthus leaves, in beaded rims with conforming handles and pineapple knop, coffee pot 24cm h, by Sibray, Hall & Co, Sheffield 1880, 86ozs (4)£1000-1500
363. A VICTORIAN MUSTARD POT
of cylindrical form with domed lid, engraved with strapwork and festoons, on moulded foot, 7.5cm h, by Richard Sibley, London 1843, 4ozs£200-250
364. A VICTORIAN OPENWORK MUSTARD POT
of foliate design, the engraved lid with shell thumbpiece, 6.5cm h, by Charles Boyton, London 1864, 2ozs 10dwts£150-200
365. A FINE VICTORIAN PARCEL GILT SILVER-MOUNTED CUT GLASS CLARET JUG
of flared shape, the gadrooned lip chased with the masks of Melpomene and Thalia, the lid with a satyr mask, the scrolling handle in the form of a caryatid, crested, 36.5cm h, by Reilly and Storer, London 1845£1500-2000
366. A PAIR OF GEORGE III NAVETTE SHAPED SALTS
with volute handles issuing from the reeded rim, on flared foot, 7.5cm h , by George Smith II and Thomas Hayter, London 1798, 6ozs 10dwts£200-250
367. AN UNUSUAL VICTORIAN SILVER FIGURAL DESK WEIGHT AS A STATUETTE OF THE DUKE AND DUCHESS OF YORK
later King George V and Queen Mary, the duke in highland dress, his consort seated on a gothic throne, on moulded oval base and wood plinth, 14cm h overall, apparently unmarked£200-300
368. A VICTORIAN PHOTOGRAPH FRAME
the pierced border inset with panels of blue glass over silver foil, 15.5cm h, 11cm w, by John Batson & Sons, London 1897£400-600
369. A VICTORIAN FOUR-PIECE TEA SERVICE FOR ONE
flared oblong with fluted corners, lidded jug 13cm h, by W Hutton & Sons Ltd, London 1897 & 98, 18ozs 10dwts gross £200-300
370. A VICTORIAN SILVER GILT BEAKER
engraved with ferns and an inscription dated 1896, 9.5cm h, by Thomas Smily, London 1872, 2ozs, cased£100-150
371. A PAIR OF GEORGE III SAUCE BOATS
with leaf capped flying scroll handle and gadrooned rim, engraved with contemporary armorials, 12.5cm h, by William Bruce, London 1814, 37ozs
The arms are those of Crosbie.£1500-2000
372. A VICTORIAN SILVER-FITTED COROMANDEL DRESSING CASE BY CHARLES ASPREY & SON
lined in navy morocco and velvet and with engraved gilt brass mounts and quarter beading, retaining the full compliment of cut glass bottles and boxes with engraved silver cap or lid, 32cm w, maker's mark, London 1876, marked on the box, lock and blade of the knife
Always renowned for the superb quality of their dressing cases, the present example was made during the partnership of Charles Asprey Senior (1813-1892) and his son Charles Asprey Junior (1845-1916). The firm was so styled from c1872 until about 1879 when they were joined by Charles Senior's other son, George Edward Asprey (1851-1918).£2000-2500
373. ROYAL. A SET OF FOUR GEORGE III SILVER GILT BEAKERS
of slightly flared cylindrical shape with wide textured band, crested, 9.5cm h, by William Holmes or Hall, London 1801, 23ozs
The crest is that of a junior member of the Royal family who was also a Knight of the Garter, possibly Prince William, 2nd Duke of Gloucester (1776-1834) who lived at Bagshot Park, Surrey. He was made a KG in 1794.
Provenance: Sotheby, Parke-Bernet & Co's sale on the premises of the Contents of Britwell House, Oxfordshire by Direction of Mr David and the Lady Pamela Hicks, 20-22 March 1979, lot 902, £1,320, bt. N Bloom & Son Ltd, from which bought by the present private vendor, c1980.£2000-3000
374. ROYAL. A SET OF FOUR GEORGE III SILVER GILT BEAKERS
almost identical to the preceding lot, 9.5cm h, by William Holmes or Hall, London 1802, 22ozs 10dwts
The crest is that of a junior member of the Royal family who was also a Knight of the Garter, possibly Prince William, 2nd Duke of Gloucester (1776-1834) who lived at Bagshot Park, Surrey. He was made a KG in 1794.
Provenance: Sotheby, Parke-Bernet & Co's sale on the premises of the Contents of Britwell House, Oxfordshire by Direction of Mr David and the Lady Pamela Hicks, 20-22 March 1979, lot 903, £1,320, bt. N Bloom & Son Ltd, from which bought by the present private vendor, c1980.£2000-3000
375. A SET OF FOUR GEORGE III SILVER GILT BEAKERS
very similar to the two preceding lots, crested, 9.5cm h, by John Clarke II, London 1809, 23ozs
The crest is that of a baron.
Provenance: Sotheby, Parke-Bernet & Co's, sale on the premises of the Contents of Britwell House, Oxfordshire by Direction of Mr David and the Lady Pamela Hicks, 20-22 March 1979, lot 904, £1,375, bt N Bloom & Son td, from which bought by the present private vendor, c1980.£2000-3000
376. A VICTORIAN SILVER GILT DESSERT SERVICE FOR TWELVE
of doubly struck and pierced foliate pattern, the blades of the knives finely chased, crested, by Mary Chawner & Co (the knife hafts by R & S Garrard & Co), London 1841; a pair of silver gilt Vine pattern grape shears, crested, by Reilly and Storer, London 1837, 52ozs (excluding knives) (37)
Ian Pickford (Silver Flatware... 1660-1980, Woodbridge 1983) illustrates, but does not identify, a set of ice cream spades and spoons of the same pattern also by Chawner & Co, their marks overstruck by R & S Garrard & Co, London 1866-67.£1000-1500
377. A GEORGE II TANKARD
with scroll thumbpiece, later chased with flowers and rocaille, engraved with armorials, 18cm h, by Henry Morris, London 1754, 22ozs
The engraved inscription reads: THIS CUP WAS PRESENTED TO THOMAS ALLIBONE BY CHARLES DOUGLAS COMPTON [3RD] MARQUIS OF NORTHAMPTON AS A RECOGNITION OF THE ADMIRABLE METHOD WITH WHICH HIS FARM WAS CULTIVATED DECR 1864.£400-600
378. A GEORGE III CASTER
of ogee form on square foot, 15cm h, marked on body and cover, by Crispin Fuller, London 1802, 2ozs 10dwts£120-180
379. A VICTORIAN SILVER-FITTED ROSEWOOD DRESSING CASE BY MECHI & BAZIN, LONDON
lined in gilt ruled morocco and green velvet with six glass bottles and containers, with silver lid or cap, a jewel drawer and Bramah lock, 30.5cm w, maker's mark London 1863
Provenance: The Wynne-Finch family of Cefnamwlch and Voelas, North Wales (see p ).£150-250
380. AN AMERICAN GOLD PLATED KEYLESS LEVER WATCH
signed on the enamel dial AMERICAN Waltham Watch Co, the 12-24 hour ring in red and with subsidiary seconds dial, the plain case with milled bezel and engraved on the back with a steam train, late 19th c£100-150
381. AN OMEGA 9CT GOLD KEYLESS LEVER HUNTING CASED WATCH
the movement numbered 5957220, the dust cap engraved with an inscription and date 9th April 1927, Birmingham 1924£200-300
382. A ROLEX 9CT GOLD KEYLESS LEVER HALF-HUNTING CASED WATCH
with enamel dial and subsidiary seconds dial, the spotted movement signed ROLEX LEVER SWISS MADE, Birmingham 1924£400-500
383. A ROLEX 18CT GOLD KEYLESS LEVER HALF-HUNTING CASED WATCH
the enamel dial with subsidiary seconds dial, the spotted movement signed ROLEX LEVER SWISS MADE, Birmingham 1923£700-900
384. THIRD REICH. A LEONIDAS SILVER GERMAN MILITARY-ISSUE CHRONOGRAPH
the enamel dial and movement signed LEONIDAS, having twin subsidiary dials and luminescent chapters and hands, the back engraved with eagle and swastika device, M and Artl. 1730, control marks, rectangular boxed FFBA 45 and numbered 66664, c1940£1000-1500
385. AN ANGELUS 18CT GOLD CHRONODATO WATCH
with day and date, and gold hands, mid 20th c£350-450
386. A JAEGER LE COULTRE 18CT GOLD GENTLEMAN'S WRISTWATCH
signed on movement and champagne dial, the former numbered 491031, with subsidiary seconds dial and arabic and bar chapters, control marks, back numbered 401234, mid 20th c£500-700
387. A JAEGER LE COULTRE 9CT GOLD GENTLEMAN'S WRISTWATCH
signed on movement and dial, the former numbered 673050, with subsidiary seconds dial, alternate arabic and dot chapters, import marked Birmingham 1950, back marked 12872/234671£250-350
388. AN INTERNATIONAL WATCH CO 18CT GOLD GENTLEMAN'S WRISTWATCH
signed on movement and dial, with centre seconds and arabic and dart chapters, in plain case, control marks, case numbered 1308900, mid 20th c£700-900
389. A CARTIER 18CT TWO COLOUR GOLD ROUND GODRON WRISTWATCH
signed on movement and dial, the former marked 17 RUBIS SWISS, on black alligator hide strap with maker's gold deployant buckle, maker's and control marks, the back engraved 7821 10219, late 20th c£700-900
390. A SWISS 9CT GOLD CHRONOGRAPH
the movement marked 18 JEWELS SWISS MADE, the enamel dial with twin subsidiary dials, gold hands and red and black roman chapters, the back engraved MY GRATEFUL THANKS Decr 25th 1921, import marked, London 1918£350-450
391. TWO LIMOGES PORCELAIN VIDE-POCHES COMMISSIONED BY PATEK PHILIPPE
decorated in red or marbled blue, black and richly gilt with designs inspired by watches in the Patek Philippe Museum, 20 x 15.5cm, printed marks, title Le Vase Grec or Ornaments Moyen-Age and date 2003 or 2006£150-250
392. A DIAMOND ETERNITY RING
platinum mount£200-300
393. A DIAMOND THREE-STONE RING AND A DIAMOND FIVE-STONE RING
the first with platinum hoop£250-400
394. A DIAMOND SOLITAIRE RING
with a round brilliant weighing approximately 0.85ct£1000-1500
395. A DIAMOND FIVE-STONE RING
with a line of old cut cushion shaped diamonds graduated slightly from the centre, 18ct gold hoop, London 1935£600-800
396. A DIAMOND THREE-STONE RING
white gold hoop£400-600
397. AN AQUAMARINE AND DIAMOND RING
the larger rectangular aquamarine flanked by evenly sized diamond collets, gold hoop£200-250
398. A SAPPHIRE AND DIAMOND FIVE-STONE RING
the three oval sapphires divided by old cut diamonds, 18ct gold hoop, London 1886£150-200
399. A SAPPHIRE AND DIAMOND RING
the line of five sapphires set on a textured mound outlined with diamonds, 18ct gold hoop£150-200
400. A DIAMOND SOLITAIRE RING
gold hoop£400-450
401. A TURQUOISE AND DIAMOND CLUSTER RING
the oval cabochon encircled by two lines of diamonds, gold hoop£1000-1500
402. A TOPAZ AND DIAMOND RING
the rectangular step cut topaz flanked by diamond shoulders, gold hoop£400-600
403. A RUBY AND DIAMOND CLUSTER RING
with baguette diamond set shoulders, white gold hoop, c1930£600-800
404. AN INDIAN GOLD AND ENAMEL RING
the tablet with octagonal foiled pink stone between tear shaped diamond shoulders, the chased hoop and back in translucent and other enamels, 19th/early 20th c£400-600
405. A CULTURED PEARL RING
of five cultured pearls graduated in size from the centre and divided by diamond points, gold hoop, early 20th c£300-400
406. A DIAMOND SOLITIARE RING
the round brilliant cut diamond weighing approximately 2cts, platinum hoop with diamond shoulders£3000-3500
407. A DIAMOND SOLITAIRE RING
the emerald cut diamond weighing approximately 2cts, platinum hoop£3000-4000
408. CARTIER. A DIAMOND RING
flush set with a rectangular diamond, white gold hoop, signed, maker's red leather box, late 20th c£400-600
409. A DIAMOND DART BROOCH
pavé set in 18ct gold; a pair of diamond earrings (3)
£250-350
410. A FINE ANTIQUE RUBY AND DIAMOND BROOCH IN THE FORM OF AN EARL'S CORONET
with round and cushion shaped old cut diamonds and two cushion shaped rubies, marked A & W and 15ct, c1900
Provenance: Ernestine Bowes-Lyon (1891-1981); thence by descent (see p ).£800-1200
411. A BELLE EPOQUE SAPPHIRE AND DIAMOND BROOCH
of ribbon design with four larger cushion shaped sapphires and lines of diamonds, mounted in silver and gold
Provenance: Ernestine Bowes-Lyon (1891-1981); thence by descent (see p ).£400-600
412. A VICTORIAN SILVER AND SCOTTISH HARDSTONE BRACELET
the panels made up of four squares of variegated stones, with matching buckle, unmarked£100-200
413. SUFFRAGETTE JEWELLERY. AN AMETHYST, PERIDOT AND SEED PEARL BROOCH-PENDANT
in gold, c1910 £200-300
414. A DIAMOND AND SEED PEARL BAR BROOCH
with a cluster of four central collets, early 20th c£100-200
415. A HOLBEINESQUE GEM SET GOLD AND ENAMEL JEWEL
the pendant of oval shape with garnet cabochon encircled by an entwined ribbon of red and green guilloche enamel set with diamonds flanked by blue scrolls enamelled en basse taille, with pearl cluster drop, the reverse engraved, c1870£2500-3500
416. A PAIR OF DIAMOND AND CULTURED PEARL CLUSTER EARRINGS
mounted in white gold£1000-1500
417. A VICTORIAN GOLD FOB SEAL
the hardstone matrix with Hebrew inscription encircled by a snake with emerald eyes and clasped by four chased lion's paws, 2.7cm h£400-600
418. A DIAMOND BROOCH
of scrolling openwork design with old cut diamonds mounted in white gold, French control mark, early 20th c£1000-1500
419. BOUCHERON. A DIAMOND, SAPPHIRE AND GOLD BROOCH
the diamond-centred cluster with five radiating gold leaves, signed BOUCHERON PARIS, mid 20th c£400-600
420. A DIAMOND FLOWER BROOCH
with cushion shaped old cut diamonds, mounted in silver and gold, late 19th/early 20th c£800-1200
421. A PAIR OF ANTIQUE CORAL CAMEO EARRINGS
carved with the head of a young woman, in gold with pointed drop, 19th c£400-600
422. A PAIR OF PERIDOT AND SEED PEARL EARRINGS
in the form of a fully articulated line of peridots alternating with pairs of seed pearls, in gold£300-400
423. A PAIR OF ANTIQUE FOILED GARNET EARRINGS
the articulated line of garnet trefoils ending in a pear shaped drop, in gold, 19th c£400-600
424. AN ART DECO JADE, DIAMOND AND ONYX BROOCH
millegrain set in white gold, c1940£500-700
425. A SAPPHIRE AND DIAMOND BROOCH
of shuttle shape, the central line of nine step cut sapphires flanked by rows of diamonds, mounted in platinum, c1940£800-1200
426. TWO GRADUATED DIAMOND AND ONYX ARROW BROOCHES
millegrain set, c1940£700-900
427. AN ANTIQUE CAMEO BROOCH
the oval shell finely carved with the head of a bacchante and dolphin symbol, in gold mount with rope and twisted wire border, 19th c£600-800
428. AN ANTIQUE LAVA CAMEO BROOCH
carved in high relief with a young woman holding a basket of flowers, in later gold mount, 19th c£250-350
429. A HARDSTONE CAMEO BROOCH
with an agate carving of a warrior, his helmet surmounted by a dragon, in gold mount£300-400
430. A PAIR OF DIAMOND AND TURQUOISE CLUSTER EARRINGS
of asymmetrical design with larger oval turquoise cabochon£800-1200
431. A PLIQUE A JOUR ENAMEL NECKLACE AND PENDANT
the pendant of 'rose window' design in red, blue and green enamel, control marks, late 20th c£1000-1500
432. AN ANTIQUE PINCHBECK NECKLACE
of textured round links with barrel clasp, early 19th c£300-400
433. A PAIR OF EMERALD, BAROQUE PEARL AND GOLD EARRINGS
of articulated form with larger irregular emerald bead en cage£200-300
434. A PAIR OF VICTORIAN AMETHYST, SEED PEARL AND GOLD EARRINGS
fully articulated, the larger drop surmounted by wire scrolls£400-600
435. A GEORG JENSEN SILVER BROOCH 53
designed by Georg Jensen, maker's marks£150-200
436. A PAIR OF PEARL NECKLACES
with rectangular emerald and diamond set clasp£600-800
437. A PAIR OF DIAMOND LEAF-SHAPED BROOCHES
with round and cushion shaped old cut diamonds, early 20th c£2500-3500
438. A SUITE OF GEORG JENSEN SILVER JEWELLERY DESIGNED BY HENNING KOPPEL
comprising necklace, bracelet, earrings, pendant and brooch, maker's marks and 190 or 368, import marked London 1988, 1992 and c (6)£800-1200
439. A SUITE OF GEORG JENSEN SILVER JEWELLERY DESIGNED BY HENNING KOPPEL
comprising necklace, bracelet, earrings and brooch, maker's marks, designer's initials and 88B, 118 or 321, bracelet boxed (5)£800-1200
440. A GEORG JENSEN SILVER BROOCH 340 DESIGNED BY HENNING KOPPEL
maker's marks, import marked London 1966£100-150
441. A DIAMOND BAR BROOCH
the pavé set crescent and star flanked by swallows, set in silver and gold, late 19th c£350-450
442. AN ANTIQUE CAMEO BROOCH
the oval shell carved with the head of a classical woman encircled by leaves tied with a bow and festooned with chains, 19th c£250-350
443. A PAIR OF VICTORIAN GOLD, ENAMEL AND AGATE EARRINGS
the oval cabochon in enamel border with pointed drop£400-500
444. A PAIR OF ART DECO GOLD AND ENAMEL CUFF-LINKS
c1930£250-350
445. A VICTORIAN GOLD SERPENT NECKLET
set with round, oval and other foiled amethysts on integral Brazilian chain, c1860£200-300
446. A FRENCH ART DECO DIAMOND SET SILVER GILT AND BLACK ENAMEL COMPACT
the hinged spine incorporating a watch (in gold case) with rectangular dial and exaggerated chapters, 8 x 5.5 x 1.5cm, by Auguste Peyroula, with inventory number 3279, c1930£2500-3500
447. A FINE GOLD EVENING BAG
the 'invisible' lid with integral hinge and edged with a curved line of forty-nine diamonds released by a diamond catch, trompe l'oeil engraved with flowers overall, 15cm h, unmarked, mid 20th c, 523g£6000-8000
448. AN EDWARD VII SILVER NOVELTY PLAYING CARD BOX IN THE FORM OF A SEDAN CHAIR
stamped with flowers and trellis work, 9.5cm h, by Jacob & Sons, London 1901 and stamped Rd 345787, 4ozs£200-250
449. SAMPSON MORDAN. THREE SILVER NOVELTY PIN CUSHIONS
in the form of a newly-hatched chick, 2.5-4cm h, mark of S Mordan & Co Ltd, Chester, two 1908, the other 1914£150-200
450. AN ART DECO GILT GLASS SCENT BOTTLE AND STOPPER
of octagonal shape, moulded with the crescent moon and stars, the frosted stopper in the form of a seated cat, 10cm h, c1930£100-150
451. FREDERICK THE GREAT. A CONTINENTAL ENAMEL COMMEMORATIVE SNUFF BOX
the lid gilt with the royal cipher and enamelled in puce and green with the names and dates of battles of the Silesian wars, the underside of the lid with an allegorical figure, martial trophy and inscription Breslaw et Schweidnitz, the sides and underside with further trophies and inscriptions, including Vivat Schiesien, 8.5 x 6.5cm, 19th c£600-800
452. A GEORGE V NOVELTY SILVER AND RUBY GLASS SHIP'S PORT LIGHT INKWELL
10cm h overall, maker HBS and marked for the retailer, BENZIE COWES, London 1923£150-250
453. TWO VICTORIAN SILVER-MOUNTED PORCELAIN BIRD'S EGG NOVELTY SCENT BOTTLES
one in the form of the egg of a robin, the other a sandpiper, plain bun shaped cap, 3 & 4.5cm h, printed Rd no 20772, by Saunders & Shepherd, Birmingham and London, both 1885£100-150
454. A VIENNESE SILVER GILT-MOUNTED AND ENAMELLED EGG-SHAPED VINAIGRETTE
painted with continuous scenes, 2.5cm h, control mark, c1900£100-150
455. A VICTORIAN SILVER 'CASTLE TOP' VINAIGRETTE
die-stamped with Abbotsford House, the interior with foliate grille, the underside engine turned, 3.7cm w, by Nathaniel Mills, Birmingham 1837£300-400
456. AN UNUSUAL RUSSIAN SILVER PLATED MEDALLIC GOBLET, PERIOD OF ALEXANDER II
the slightly flared bowl applied with three plated copper electrotype shells of commemorative medallions including Catherine II as Minerva and the Obituary Medal of Nicholas I, the foot with further portraits of the two rulers and the three intervening monarchs, 20cm h, c1855-60£100-200
457. A WILLIAM IV SILVER BABY'S RATTLE
of six bells with whistle and chased with foliate scrolls, coral handle, 11.5cm l, by Taylor & Perry, Birmingham 1834£100-200
458. A GEORGE III SILVER VINAIGRETTE
engine turned, the engraved grille of two larger leaves and other foliage, 3.5 x 2.5cm, fully marked, maker WE, London 1813£100-150
459. A NORTHERN EUROPEAN CARVED IVORY MINIATURE STATUETTE OF A SLEEPING CHILD AND ANOTHER OF PUTTO
8.5cm l or high, both 19th c£100-150
460. A PAIR OF GEORGE III SOUTH STAFFORDSHIRE ENAMEL CANDLESTICKS
with wavy nozzle, painted in polychrome with scattered flowers on a white ground, giltmetal mounted rims, 27cm h£250-350
461. A WILLIAM III SILVER TOBACCO BOX AND COVER
of moulded oval form, the cover engraved with contemporary armorials, 10 x 8cm, marked on box and cover, by Edmund Townsend, maker's mark and lion's head erased only, 5ozs 10dwts
The arms are those of Bray or Braye.£600-800
462. A PAIR OF FRENCH GILTMETAL AND ENAMEL OPERA GLASSES
the barrels and hinged handle painted with continuous watteauesque scenes, mother of pearl mounted-handle 11.5cm l, red plush bag, early 20th c£300-400
463. A FRENCH SILVER CARD CASE
die stamped with a church and scrolling foliage on a textured ground, 9cm h, boar's head control mark, mid 19th c £150-250
464. A FRENCH SILVER AND ENAMEL-MOUNTED ROCK CRYSTAL GLASS INKWELL
the circular lid with a translucent golden yellow enamel medallion of a musical trophy in white frame and foliate border, 9 x 9cm, maker's poincon and control mark, early 20th c£300-400
465. SHOOTING. A VICTORIAN SILVER PEG OR PLACE MARKER CASE
the plain rectangular case dividing to reveal a pivoted compartment, 5.5cm h, by The Goldsmiths & Silversmiths Co Ltd, London 1894£100-150
466. A COLLECTION OF VINTAGE FOUNTAIN PENS
including a Parker Duofold Big Red, inscribed Sir Malcolm Watson, four various Jumbo pens, 18ct and 9ct gold and silver Swan pens by Mabie, Todd & Co Ltd, Lolndon, 1938, 1936 and probably 1938 and an 18ct gold pencil, all early-mid 20th c (approx 30)£600-800
467. A FRENCH FOUR-COLOUR GOLD PATCH BOX
compressed circular, the domed lid applied with a shield engraved with a coronet and engine turned, a mirror to the underside of the lid, 3.7cm diam, eagle's head control mark, 19th c£400-600
468. A FRENCH GILT BRONZE, LIMOGES ENAMEL AND TAN LEATHER STRUT TIMEPIECE RETAILED BY TIFFANY & CO
of cartouche shape, signed on the enamel dial Tiffany & Co A Paria framed by elaborate foliate scrollwork enclosing a plaque of a nymph and putti, 34cm h, c1910£600-800
469. A RUSSIAN SILVER AND CLOISONNE ENAMEL CIGARETTE CASE
decorated with arabesques on a turquoise ground bordered by white pellets, chain handle, 9 x 5cm, by Gustav Klingert, Moscow 1893£700-900
470. ENGLISH SCHOOL, C1820
A GENTLEMAN IN SILHOUETTE
seated full length holding a pair of spectacles, ink and wash with gold and gum arabic on card, 25.5 x 20cm, contemporary rosewood frame£100-150
471. AFTER VARIOUS HANDS, 18TH/19TH CENTURY
SIX MINIATURES AND FOUR SILHOUETTES OF MEMBERS OF THE ANDERSON FAMILY
including Sir William Anderson, 6th Baronet (1722-1785) all inscribed or on the mount, oval, pencil, c8.5 x 6.5cm, the silhouettes rectangular, in five frames (5)£100-200
471A. ABRAHAM DANIEL (c1760-1806)
A LADY
in a lace trimmed cap tied with a bow and black dress, ivory, oval, 5 x 4cm, contemporary gold bracelet slide, the reverse with inset lock of hair£300-500
472. KIPLING (RUDYARD)
JUST SO STORIES FOR LITTLE CHILDREN, ERNESTINE BOWES-LYON'S COPY PRESENTED BY P G WODEHOUSE
illustrated, half title, inscribed (in pencil) on the endpaper To Teenie with best love from P G Wodehouse (of Pimlico) Dec 19 1902, pictorial red cloth, London: McMillian & Co Ltd, 1902; Hector McPherson - The Romance of Modern Astronomy, new edition, illustrated, signed on the front pastedown Ernestine de Longueuil from Effie 1943, pictorial cloth, London: Seeley, Service & Co Ltd, 1927; Lt Col F S Brereton - With Allenby in Palestine, inscribed on the pastedown Malcolm Bowes-Lyon from his Great Grandmother with all good wishes Xmas 1919 and signed Cadet R C Grant de Longueuil, London: Blackie & Son Limited [nd] (3)
Provenance: Ernestine Bowes-Lyon (1891-1981); thence by descent.£700-900
473. WODEHOUSE (SIR PELHAM GRENVILLE) (1881-1975)
A SERIES OF FOUR TYPED LETTERS SIGNED
to Teenie [Bowes-Lyon] Remsenburg, Long Island, 5 January 1972-3 February 1975, three 1.5s the fourth 1s, on the author's notepaper, all signed in black felt-tip pen Plum, one enclosing a signed photograph, one with envelope addressed Baroness de Longueil [sic] 64190 Navarenne [sic] France (6)
Provenance: Ernestine Bowes-Lyon (1891-1981); thence by descent.
Four affectionate, entertaining and highly characteristic letters by Wodehouse, the last written only eleven days before his death, to one of the dedicatees of The Pothunters, published sixty years before. Wodehouse, who was thrilled to receive his only, and many thought long overdue, honour (a Knighthood) in the 1975 New Years Honours List, mentions in his last letter the Queen Mother (Teenie's cousin) concluding with the perhaps rueful, but touching reflection "I always remember you and Joan and Effie coming back from Glamis and saying 'Little Elizabeth was sweet'. She still is."
£400-600
474. WODEHOUSE (P G)
WILLIAM TELL TOLD AGAIN, ERNESTINE BOWES-LYON'S COPY
illustrated in colour by Philip Dadd, half title, inscribed on the endpaper To Teenie with grovelling respects of the author P G Wodehouse Nov 1904 and signed on the front pastedown Cadet R C Grant de Longueil, pictorial ivory cloth, teg, London: Adam & Charles Black, 1904, box
Provenance: Ernestine Bowes-Lyon (1891-1981); thence by descent.£800-1200
475. CAVENDISH (WILLIAM)
LA METHODE ET INVENTION NOUVELLE DE DRESSER LES CHEVAUX
three etched plates [only nos 17, 38 & 39] by Theodor van Kessel or Lucas Vorsterman the younger after Abraham van Diepenbeke, from an 18th c edition, 40 x 53cm, laid down (3)£300-400
476. DEERING (CHARLES)
NOTTINGHAMIA VETUS ET NOVA OR AN HISTORICAL ACCOUNT OF THE ANCIENT AND PRESENT STATE OF NOTTINGHAM
plates and plans, some folding, these backed on linen, some browning, contemporary calf rebacked, Nottingham: George Ayscough and Thomas Willington, 1751; R C Chicken - An Index to Deering's Nottinghamia Vetus et Nova, copy no 81, 1899 (2)£300-400
477. POPULAR SCIENCE, SUBJECT (PERIODICAL). THE ENGLISH MECHANIC A RECORD OF MECHANICAL INVENTION SCIENTIFIC AND INDUSTRIAL PROGRESS...
annual vols 1-104, profusely illustrated with wood engravings, green cloth gilt (one defective) or half maroon cloth, generally worn with losses, March 1865-January 1917 (91)£200-400
478. HEISTER (LAURENCE)
A GENERAL SYSTEM OF SURGERY IN THREE PARTS...
7th edition, folding plates, recent calf, London: J Clarke [et al] 1763; W Cheselden - The Anatomy of the Human Body, 3rd edition 1726; Charles Scudamore - A Treatise on the Nature and Cure of Gout and Rheumatism..., 2nd edition, 1817, and twelve others on related subjects including microscopy(15) £200-300
479. CLARE (P)
AN ESSAY ON THE CURE OF ABSCESSES BY CAUSTIC AND THE TREATMENT OF WOUNDS AND ULCERS
first edition, early ownership signature to title of B[enjamin] L Clayton, 19th c engraved bookplate of Plowman Young, contemporary calf, London: T Caddell, 1779, box £200-300
480. CHURCHILL (WINSTON L SPENCER)
THE STORY OF THE MALAKAND FIELD FORCE
second issue, half title, maps, one folding with tipped-in errata slip preserved, 32pp adverts. at end, occasional oval ink stamps of HEREFORD PUBLIC LIBRARY, recent crushed green half morocco with raised bands, spine gilt, teg, London: Longmans, Green, & Co, 1898£150-250
481. CHURCHILL (WINSTON SPENCER)
THE RIVER WAR
first edition, two vols, maps, some folding, illustrations, some in the text and portraits, occasional oval ink stamps of BROMLEY PUBLIC LIBRARY, recent half green morocco en suite with the preceding lot, London: Longmans, Green, & Co, 1899 & 1900 (2)£150-250
482. CHURCHILL (WINSTON SPENCER)
LONDON TO LADYSMITH VIA PRETORIA
first and second editions, half titles, maps, two folding, original pictorial sand coloured cloth rubbed or worn, London: Longmans, Green, & Co, 1900, the first in quarter green morocco box en suite with the two preceding lots; - My African Journey, first edition with 16pp adverts., 1908 (3)£200-300
483. CHURCHILL (WINSTON S)
THE SECOND WORLD WAR
first edition, six vols, illustrated, London: Cassell & Co Ltd, 1948-54 and - Marlborough: His Life and Times, first edition in two vols, 1947, uniform recent half green morocco en suite with the three preceding lots (8)£200-300
484. CHURCHILL, SUBJECT
CHURCHILL HIS PAINTINGS A CATALOGUE COMPILED BY DAVID COOMBS
illustrated, cloth, dust jacket, London 1967, Mary Soames -Winston Churchill His Life as a Painter, 1990, The Political Cartoon Society - Churchill in Caricature, 2005, Randolph S Churchill (and Martin Gilbert) - Winston S Churchill, eight vols and seven Companion vols, and approximately 55 others, by or about Churchill (approximately 65)£250-350
485. COMICS. EAGLE [MAGAZINE]
Vol 3 Nos 1-22, 24-30 and 32-52, strip cartoons, some printed in colour, London: Hulton Press Ltd, 1952-53 (50)£200-250
486. POSTAGE STAMPS. A MINT AND USED COLLECTION IN SEVEN ALBUMS AND STOCK BOOKS
comprising Great Britain 1840 1d black (4), all 3-4 margins cancelled with red or black maltese cross, many 1841 1ds and 2ds, 1d red, most plate numbers generally better examples (ex 225), 1/2d most plates, surface printed, Jubilee to 1s, 1883-84 5s, 10s and £1, overprints, EVII inc 2/6d and 5s, Mackennals 1912-22, seahorses 2s 6d (10) 5s (2) 10s and re-engraved to 10s, both Wembleys, PUC £1, wmks, Jubilee, GVI inc comprehensive study of coronation 1/2d controls, high vals inc both 10s, 1948 Silver Wedding £1 (2m, 1u and FDC), 1951 high vals (m, 2 sets), QEII 1953 almost to date (many um), and the Empire (including Australia and New Zealand) and foreign ranges on leaves, loose stamps on paper and an extensive collection of GB FDCs in binders, offered intact by order of the executrix, in two large cardboard cartons£1000-1500
487. [AUDOT (LOUIS EUSTACHE)]
FIGURES POUR LE BON JARDINIER
seventh edition, small 8vo, half title, engraved plates as called for in contemporary colour, mottled cloth backed boards, Paris [1818]
£150-200
488. POTTER (BEATRIX)
THE TALE OF MR TOD
first edition, first or second printing, half title, coloured illustrations and pictorial endpapers, grey boards, neat early signature (Vera C P Bacon from Miss Foster Xmas 1912) on reverse of frontispiece, London: F Warne & Co, [October or November] 1912
It is not possible to differentiate between the first and second printings, of which 25,000 and 10,000 copies respectively were printed (see Linder, A History of the Writings of Beatrix Potter, 1971, p429).£150-250
489. POTTER (BEATRIX)
THE TALE OF THE FLOPSY BUNNIES
first edition, first or second printing, half title, coloured illustrations and pictorial endpapers, Notice Board in market garden scene on p 14, dark green boards, neat early signature (Vera [C P] Bacon from Miss Foster September 1910) on reverse of frontispiece, London: F Warne & Co, [July or October] 1909
Linder (op cit) states that the Notice Board in the illustration on p14 was removed soon after publication since a 1909 copy, probably a third printing, had been seen without it.£250-350
490. POTTER (BEATRIX)
THE TALE OF PETER RABBIT
early edition, half title, coloured illustrations and pictorial endpapers, neat early signature (Vera [C P] Bacon from Miss Foster Xmas 1910) on reverse of frontispice London: F Warne & Co [April 1904-1910]; with two others of the same provenance, The Tale of Benjamin Bunny and The Roly-Poly Pudding (the inscriptions dated Zmas 1910 and Xmas 1917) (3)£100-200
491. CHANNEL TUNNEL, SUBJECT. CHANNEL TUNNEL CO LTD REPORTS BY BRITISH AND FRENCH ENGINEERS PAPERS ON NATIONAL DEFENCE BY SIR WILLIAM BUTLER SIR ALFRED E TURNER AND SIR CHARLES CAMPBELL
illustrated, 56pp, light blue wrapper preserved, ink library stamps, later blue cloth, Westminster, February 1907; Channel Tunnel Deputation to the Prime Minister Full Details of the Present Scheme - Military Engineering Financial. Special Articles. Benefit of the Channel Tunnel to British Trade The Late Sir Robert Giffen's Evidence, folding section of the tunnel, illustrated, 135pp, wrapper preserved, ink library stamps, later blue cloth, [Westminster] December 1913 (2)£100-200
492. KELLY & CO, PUBLISHER
KELLY'S DIRECTORY OF LINCOLNSHIRE WITH THE TOWN OF HULL AND NEIGHBOURHOOD
scarlet cloth gilt, rebacked, spine largely preserved, London: 1889£50-80
493. NOTTINGHAM. THE BATTLE OF THE FOUNTAIN!!
three humorous broadsides on the proposed fountain for Nottingham Market Place, printed by "Job Workhard" [et al] 48 x 73.5cm [c1855] with the contemporary hand coloured lithograph of NOTTINGHAM MARKET PLACE WITH A FOUNTAIN by Mahon Long Row, 35 x 45.5cm, both framed (2)£100-150
494. NOTTINGHAM. A PAINTING AND A SMALL GROUP OF PRINTED EMPHERA
comprising a painting of three shops at 19-23 Bridlesmith Gate, c1900, board, 41 x 23cm, the Freeman's Annual Report May 12 1848, the Returning Officer's Notice of THE ELECTION OF A COUNCILLOR MAPPERLEY WARD, 23 November 1877, Notice of the Results of the Election of the Guardians of the Poor, April 1861 and a First Class Certificate of Merit awarded at the Nottingham Horticultural Society, 12 September 1855, embossed card with royal arms printed in blue and gold, all framed (5)£100-150
494A. NOTTINGHAM MANUSCRIPT.
MR [WILLIAM] STRETTON'S REPORT UPON THE PLUMPTRE HOSPITAL ESTATE 1819
survey of the Estate with detailed descriptions of the buildings,their condition, tenants and estimates of the cost of improvement or rebuilding, written in ink on quires (245 x 190mm) by Stretton or his assistant, marbled boards with title label (worn), two other items of Nottingham interest comprising the Schedule of William Scott's Petition of Bankruptcy 1846, an apprenticeship Indenture, 1815 and a printed Navy Fiver percent Annunity for £1000, 1814 (4)
Rare, since most if not all of the papers which survive of the collector of the well-known Stretton Manuscripts (Nottingham 1910) are held by Nottinghamshire Archives. The architect-builders William Stretton (1755-1828) and his father Samuel (1731 or 32-1802) were highly influential in the development of the Nottingham townscape during the second half of the 18th c and Regency. This success enabled William Stretton to indulge his antiquarian interests to the full. He created a private museum in his house, the neo-gothic Lenton Priory, which he opened to other antiquaries, and collected minerals, medieval tiles, coins and objets de vertu.
The Plumptre Hospital was founded by John de Plumptre in 1392 and the charity is still in existence. His house was on the site of the Flying Horse Hotel and it is not surprising that it is this building in The Poultry which is the first in Stretton's Report. He comments that it is "the third in respectability in the Town", that he had rebuilt half of the "very ancient" building in about 1784 and that the other half "still ought to be taken down and rebuilt" (at a cost of £1,465). He added that there is "a great want of stabling" at the inn and that building rooms for soldiers over the stables would add £140 to the cost.£200-400
495. KELLYS DIRECTORIES LTD, PUBLISHER
KELLY'S DIRECTORY OF NOTTINGHAMSHIRE
two editions, map, scarlet cloth gilt, London 1904 (very worn) and 1912 (2)£70-90
496. NAPOLEON, SUBJECT.
JUNOT [(LAURE)] DUCHESSE D'ABRANTES
MEMOIRES OF NAPOLEON HIS COURT AND FAMILY
two vols, engraved plates, extra illustrated, engraved bookplate of Prof Freitas Simoes, crushed scarlet morocco by Root & Son, London, ruled in gilt and with the crowned imperial initial and emblems, the spine with raised bands, crimson silk doublures, aeg, London: Richard Bentley, 1836; M V Arnault [et al] - Memoires of the Public and Private Life of Napoleon Bonaparte with Copious Historical Illustrations..... translated.... by W Hamilton Reid, original boards, 1826; Lady Morgan-France, contemporary calf rebacked, 1817; [L-A-F] de Bourrienne - Memoirs of Napoleon Bonaparte, four vols, original embossed green cloth, London 1836; [Nelson] - Copies of Original Letters from the Army of General Bonaparte in Egypt Intercepted by the Fleet under the Command of Admiral Lord Nelson, 1798; P F F J Giraud - The Campaign of Paris in 1814 to which is prefixed a sketch of the campaign of 1813..... and the Dethonement and Abdication of Buonaparte..... translated from the French, with 4pp of adverts., original boards, 1815; [Louis Dubrocq] - Life of Bonaparte First Consul of France from his Birth to the Peace of Luneville.... translated from the French, 1802; Louis Adolphe Thiers - History of the Consulate and the Empire of France under Napoleon, twelve vols, engraved plates, navy cloth, 1893 and 94; - The History of the French Revolution, five vols, engraved plates, black cloth, 1881; eight others, Napoleon (36)£300-500
497. AIRY (OSMOND)
CHARLES II
no 719 of 1250 copies on fine paper, coloured plates and gilt linen-hinged portrait after Samuel Cooper, engraved bookplate of Horace Walpole, fine crushed scarlet morocco gilt by Harrison & Sons with royal arms, emblems and date 1901, raised bands, teg, London: Manzi, Joyant & Co, 1901£100-150
498. RIEFENSTAHL (LENI)
SCHONHEIT IM OLYMPISCHEN KAMPF
first edition, illustrated text in German and four other languages, half title, ink signature verso (Gordon Bryan, 1938), orange cloth gilt, dust jacket, slip case, Berlin 1937
Issued to coincide with Riefenstahl's film Olympia, the book is a remarkable pictorial record of the 1936 Olympic Games.£400-600
499. ROYAL EPHEMERA.
THE PRINTED INVITATIONS, OFFICIAL PASSES AND RELATED DOCUMENTS ISSUED TO A MISS THYNNE
including the finely etched invitation to the Coronation of Edward VII, 26 June 1902 and Entrance and Carriage Passes, all sealed, with OHMS envelopes of the Earl Marshal's Office addressed to the same, franked 27 May and 11 June '02, Admission to the Funeral of Queen Victoria and bound Order of Service, purple cloth gilt, Westminster Abbey and St George's Chapel, Windsor, 2 February 1901, and various dress and other regulations
Provenance: Wynne-Finch family of Cefnamwlch and Voelas, North Wales.£100-200
500. AUTOGRAPH (?) PREACHING MANUSCRIPT.
[SERMONS]
the twenty-one sermons written in ink in a clear and easily legible hybrid secretary-italic hand on 542 leaves, paginated, the contents and textural references listed in "A catalogue of the Sermons contained in this Boke" including The Godlie Mans Guide, The husbands happiness, A Muzzle for ye mouth and Whordoms Wages, each ending with 1p. invocation, catchwords, references and marginalia, several with preaching dates from the 1630s to 1650s, preceded and followed by two p. of prayers (one of those at the front missing) including one for Charles [I] and Prince Charles, the latter's name struck out presumably during the Commonwealth, and THE WHOLE BOOK OF PSALMES. Collected into English meeter by Thomas Sternhold, John Hopkins and others, black letter, text in two columns, title within woodcut border, large woodcut initial letter at head of first psalm, some with music, ending with a final MS leaf of "The Psalmes Digested into a breefe Table... accordinge to... Mr Beza", London: Printed for the Companie of Stationers, 1620, two works in one volumne, 8vo (195 x 147mm) contemporary calf centrepiece binding (worn, frayed and wanting spine) tooled in blind with frame and fleurons
Provenance: B[arnabas] Pool, Rector of Brailsford (ownership inscription on end pastedown).
According to Lichfield Diocesan Registers, Barnabas Pole was given the living of Brailsford, Derbyshire on 18 June 1668, which he held until his death on 6 December 1698. On his monument in the church, his name is spelt Poole and the stone lintel over the door of the early 16th c (former) rectory at Brailsford is inscribed "Restored by/Rev'd J G Croker/1883/Rev'd B Pool/1682".
Several of the sermons share titles with those of Immanuel Bourne (1590-1679) whose published sermons appeared between 1617 and the mid 17th c. A preacher at St Christopher's Church, London, he held the living of the nearby parish of Ashover from 1622 until his pronounced sympathies for the Puritan cause compelled him to return to London on the outbreak of the Civil War in 1642. There he was appointed preacher at St Sepulchre's Church. Whilst it is conceivable that the present lot is Bourne's own preaching manuscript, Pool could well have obtained it from a scribe, who carefully copied at least some of Bourne's published sermons. Hardly any manuscript material by Bourne is known to have survived other than two hastily written letters to Sir John Gell, 1st Baronet (1593-1671) of Hopton Hall (Derbyshire Record Office) and his signature on a document dating from the end of his life (British Library).
£300-500
501. POPULAR MUSIC. THE BEATLES BOOK MONTHLY MAGAZINE
numbers 1-19 complete, illustrated wrappers, London: Beat Monthly Publication, August 1963-February 1965, a souvenir booklet of The Beatles printed in colour, PYX Publications, nd, two early Beatles 45 rpm records and one of Manfred Mann, the sleeve signed in ballpoint pen by Mann, Mike Hugg, Mike Vickers, Tom McGuinness and Paul Jones (23)£100-200
502. AN ALBUM OF PHOTOGRAPHS OF JAPAN
including river and street scenes at Yokohama, Tokyo and elsewhere, group and other portraits including yount women sharing a bath, temples, gardens and the countryside, fifty-one mounted whole plate [c21 x 27cm] hand coloured albumen prints, mainly numbered or captioned in the negative on linen hinged leaves with painted lacquer boards, the upper board inset with a cloisonne enamel dragon plaque, c1900£150-250
503. MOSHEIM (JOHN LAURENCE VON)
INSTITUTES OF ECCLESIASTICAL HISTORY ANCIENT AND MODERN... A NEW AND LITERAL TRANSLATION... BY JAMES MURDOCK
new edition, four vols, russia gilt, London: Longman, Brown, Green and Longmans, 1845; W Shakespeare - The Plays [with] a History of the Stage & a Life of Shakespeare by Alexander Chalmers, new edition, eight vols, contemporary russia, 1847 (12)£100-150
504. PRESCOTT (WILLIAM H)
HISTORY OF THE CONQUEST OF MEXICO - THE CONQUEST OF PERU - THE REIGNS OF PHILIP II, CHARLES V AND FERDINAND AND ISABELLA - [AND] BIOGRAPHICAL AND CRITICAL MISCELLANIES
twelve vols, the Library Edition, engraved portrait, half titles, bookplate of E & J Duplessis Beylard, uniform half calf, teg, London: George Routledge & Sons, 1843, 47, 55 & c (12) £100-150
505. DICKENS (CHARLES)
THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY
illustrated by 'Phiz' and with engraved portrait, later half calf, London: Chapman & Hall, 1839; John Forster - The Life of Charles Dickens, three vols, portraits, contemporary half calf, teg, London: Chapman & Hall, 1874 (4)£100-150
506. MACKENZIE (DONALD A) [ET AL]
MYTH AND LEGEND IN LITERATURE AND ART [SERIES TITLE]
eight, including the Indian and Egyptian vols, illus, pictorial green cloth gilt, teg, London: The Gresham Publishing Co, nd (8)£100-150
507. DETMOLD (E J) ILLUSTRATOR
FABRE'S BOOK OF INSECTS
plates with tissue guards, half title, green cloth gilt, pictorial dust jacket and box, New York: Tudor Publishing Co, 1921; eleven others, mainly illustrated, including R Kipling and L Edwards (12)£100-150
508. MEDICINE, SUBJECT. THE SYDENHAM/NEW SYDENHAM SOCIETY
YEAR-BOOK OF MEDICINE [AND OTHER TITLES]
an extensive collection [full details at www.mellorsandkirk.com] occasional library stamps of LEICESTER INFIRMARY, half titles, uniform brown cloth gilt rebacked, London 1849-94 (34)£200-400
509. [THE BOOK OF COMMON PRAYER]
the Kalender printed in red and black wanting title, woodcut initials and headpieces, separate title for The Forme and Manner of Making and Consecrating Bishops, Priests and Decons, earlier pages with corner loss or repairs, London: Robert Barker and the Assignes of John Bill, 1636 and THE WHOLE BOOK OF PSALMS COLLECTED INTO ENGLISH MEETER BY THOMAS STERNHOLD, JOHN HOPKINS, AND OTHERS, woodcut initials, some psalms with music, wanting title, last few pages with worm holes and corner loss, London: Robert Barker and the Assignes of John Bill, 1636, two works in one volume, 4to (270 x 180mm), black letter, occasional marginalia, contemporary panelled calf rebacked, w.a.f.
Provenance: Thomas Goodman (signature, 18th c)£200-300
510. BIBLE. KING JAMES VERSION.
THE HOLY BIBLE CONTAINING THE OLD TESTAMENT AND THE NEW
engraved architectural title by R Vaughan, with separate title, Cambridge: John Field, 1657 and THE WHOLE BOOK OF PSALMS collected into English meetre by Thomas Sternhold, John Hopkins, and others, Cambridge: John Field, 1657, two works in one volume, 8vo (169 x 110mm) text in two colums, near contemporary black morocco devotional style binding (worn, lacking part of spine) with gilt concentric fillets joined at the corners with fleurons, a.e.g.
Herbert 656.
Provenance: signed and inscribed by Robert Emmerton on the pastedown "Given me by my Aunt ye Lady Vyner [viner] about the time my Brother David Dyed 1671" and engraved bookplate of F Byron. In 1696 John Emmerton of London, to whom it had been mortgaged, acquired the Thrumpton estate in Nottinghamshire. The bookplae is either that of his descendent, the Hon. Frederick Byron (1822-1861) or his son, the Rev'd Frederick Byron, 10th Baron (1861-1949).£200-300
511. BIBLE, GENEVA VERSION.
THE HOLY BIBLE
two engraved titles and a separate title for the Two right profitable and fruitfull Concordances..., with woodcut device and ornaments, the calendar printed in red and black, double page map of Canaan and another of the Holy Land, London: Deputies of Christopher Barker, 1594 (NT, Christopher Barker 1582) and THE WHOLE BOOK OF PSALMES COLLECTED INTO ENGLISH METER BY T STERNHOLD, I HOPKINS AND OTHERS...WITH APT NOTES TO SING THEM WITHALL, woodcut initials, some psalms with music, London: Iohn Daye, 1581, two works in one volume, 4to (212 x 154mm), black letter, text in two colums, marginalia (mainly estimates of dates of biblical events) contemporary blocked calf with stamped brass mounts, spine defective
Provenance: Michaell Batterson (1699 and 1705), Rabeckah Allin, Christopher Cheadinole "of this Towne of Helston in the County of Corn[w]ell 1729" (ownership inscriptions)£1000-1500
511A. Sold by Order of Bleasby Parochial Church Council
BASKERVILLE PRINTING. BIBLE, KING JAMES VERSION
THE HOLY BIBLE... WITH ANNOTATIONS
first engraved plates, text in double columns, general title, first two or three and last leaves detached/frayed else very clean and sound, Apocrypha, separate title for NT (dated 1771) folio [403 x 248mm] Birmingham: John Baskerville, 1772, contemporary reversed calf with impressed 'butterfly' border within fillets, raised bands£200-300
512. THE TRANBY CROFT AFFAIR.
THE PROFUSELY ILLUSTRATED VISITORS ALBUM OF DELIGHTFUL CARICATURES WATERCOLOURS ALBUMEN PRINTS AND PHOTOCOLLAGES BY SUSANNAH WILSON
the approximately 1000 signatures (many occuring more than once) collected on numerous occasions at Tranby Croft, Yorkshire at and house parties and balls throughout England, Monte Carlo and elsewhere between December 1890 and August 1897 including those of the Wilsons, Lycett-Greens, their extended families, many of their millieux and eight of the witnesses in the trial that became known as the 'Royal Baccarat Scandal', Prince Albert Victor "Eddy" Duke of Clarence (1864-1892) (including an extremely rare example of a photograph taken by the Prince and, beside his repeated signature, a curious pictogram of unknown significance) and Maharajah Prince Duleep Singh (1838-1893) and his second wife and family, the seats including Bramham, Sandbeck and Escrick Parks, Yorkshire and Renishaw Hall, Breadsall Priory and Bretby Park, Derbyshire, on fifty nine linen-hinged card leaves (290 x 225mm) aeg, tooled green morocco (worn) [c1890]
Provenance: Found in a locked bureau purchased at a Derbyshire farm sale by the present owner in the early 1980s.
This unusually elaborate example of an album illustrated with photocollage is of a type created by many aristocratic young women from the mid 1860s to the 1890s. In their leaves the conventions of photography are wittily flouted, with often highly amusing results. The Princess Alexandra Album (Royal Collection) of the Princess of Wales and those of ladies of the Paget, Sackville-West and Jocelyn families are other notable examples. This one is of unique interest for it is from Tranby Croft, the house where the Prince of Wales illegally played at Baccarat. The sensational trial that resulted from an unsuccessful cover-up of an allegation of cheating that night was presided over by the biased Lord Chief Justice Coleridge from 1st-9th June 1891. A media frenzy ensued since the Prince was required to attend as a witness, much to the displeasure of Queen Victoria, and it remains one of the most notorious trials for slander in British legal history. The owner of the album, Susannah West Wilson, subsequently Menzies then Holford, always known as "Tottie" (1864-1943) must have kept an earlier one since, during the trial, it emerged that the unsuccessful plaintiff, Sir William Gordon-Cumming had asked the Prince of Wales on the 11th September 1890 to put his signature "in Miss Wilson's Birthday Book". The first entry in the present album is dated three months after the incident on 11th September 1890, but there is a tantalising possible reference to the outcome for, when the Wilsons were briefly at their London house, 17 Grosvenor Place, where they stayed during the trial, there is a tiny watercolour of a carriage making its way in celebration along a street of public rejoicing above the perhaps cryptic caption "The Return fr. Crystal Palace Fireworks".
The album brings vividly to life the hectic whirl and leisured lives of the arriviste Wilsons. Their colossal fortune from ship building had been amassed from nothing in a couple of generations. Their ultimate acceptance in Society but also, paradoxically, their fate, was to be sealed by the future King Edward VII on his fateful visit to Tranby Croft. A double portrait of Tottie Wilson and her sister Ethel, painted by James Sant, RA and exhibited at the Royal Academy in 1881 was sold by Order of the Executors of the late Sir Edward Stephen Lycett-Green, Bt, Christie's, Contents of Ken Hill, Norfolk, 13 September 1999, lot 610.
(Principal Sources: Havers (Sir M), E Grayson and P Shankland, The Royal Baccarat Scandal, 1977, Attwood (G M), The Wilsons of Tranby Croft, 1988 and Siegel (E), Playing with Pictures the Art of Victorian Photocollage Catalogue of the Exhibition at the Art Institute of Chicago, 10 October 2009 - 3 January 2010).
£800-1200
513. EISENHOWER (DWIGHT DAVID) (1890-1969) 34TH PRESIDENT OF THE UNITED STATES
TYPED LETTER SIGNED
Supreme Headquarters Allied Expeditionary Force, 12 December 1944, in reply to a request for his autograph, with envelope addressed Chislehurst with censor's cachet and APO datestamp, 16 Dec 1944 (2)£100-150
514. VICTORIAN ARTISTS AND ENTERTAINERS.
TWELVE AUTOGRAPH LETTERS SIGNED
comprising Jacques Emile Blanche (2), Frits Thaulow, Charles Hazelwood Shannon (also signed by Charles Ricketts), Charles Wellington Furse, John Macallan Swan, Charles Paul Renouard [ans], Sir Alexander Campbell MacKenzie, Pauline Donalda (2), Mrs Patrick Campbell and Sir Frank Crisp £100-200
515. HUNTING AND RACING.
THE EDWARDIAN AUTOGRAPH MANUSCRIPT HUNTING DIARY OF THE HONOURABLE WILLIAM REGINALD WYNDHAM
1907-10 Seasons, with full accounts of days hunting with various packs, in particular the Duke of Rutland's, copiously illustrated with quarter plate [100 x 140mm] photographs, invitations, press cuttings, mainly relating to Wyndham's success as a breeder of racehorses, written in ink, 276p (200 x 160mm), some autograph letters tipped in, quarter tan morocco gilt (split) t.e.g., c1910
Captain the Hon. William Reginald Wyndham (1876-1914) was the third son of Henry Wyndham, 2nd Baron Leconfield. He served in the South African War but returned to service in 1914 as a Captain in the Lincolnshire Yeomanry attached to the 1st Life Guards. He was killed in action on 6 November 1914 and left an estate of £325,000.
516. WORLD WAR TWO.
THE AUTOGRAPH MANUSCRIPT WAR DIARY OF THOMAS CLORAN, RAF WHEN A PRISONER OF WAR IN STALAG LUFT VII
written in soft pencil (subsequently carefully written over in black ink by his wife) in a Wartime Log for British Prisoners issued by the YMCA, 116 pages (170 x 120mm) illustrated with drawings of camp life and his German identity card, an account of his bailing out of a burning Lancaster over France, capture and arrival at the camp, followed by occasional entries from 22 August 1944-22 April 1945 and the following few days, the last two leaves with details of his fellow allied prisoners, with his group of three campaign medals comprising 1939-1945 Star, Air Crew Europe Star and War Medal, in franked card box of issue, a wristwatch and album of press cuttings
An extraordinary account of life in Stalag Luft VII in the closing months of the war. Thomas Henry Cloran (1913-1981) volunteered for the RAF in 1939. He was the navigator on board a blazing Lancaster bomber over France and bailed out at 02.15 hrs on 31 May 1944. Before doing so he noticed another of the crew who was crouching in the aircraft's nose and had no parachute. Although both men were severely burned, Cloran told him to cling to his waist and they would jump together. Tragically the man eventually lost his grip and fell to his death. Two French women sheltered Cloran but, realising that he needed life saving treatment, handed him over to a German medical unit. In later life Cloran sought out the surviving woman, then of great age, who had been ostracised by her village in the mistaken belief that she had collaborated with the Germans over his arrest. A deeply religious man, he was born at Royton, Lancashire and as a young man moved to Bletchley, Herfordshire where he managed a butcher's shop for the local Co-Op.
Stalag Luft VII was opened in 1944 in what is now Poland. In September of that year the 230 RAF crew were joined by men captured at the Battle or Arnhem. On 19 January 1945, with the approach of the Red Army the Germans marched the by then 1500 prisoners, including Cloran, west, crossing the Oder and on 5 February put them on a train to Stalag III-A. There 20,000 allied prisoners were liberated by the Russians. £1000-1500
517. CHARGE OF THE LIGHT BRIGADE.
A FINE VICTORIAN PHOTOGRAPH OF LT-COL JOHN DOUGLAS
three quarter length in full dress beside his horse, wearing the star and badge of The Order of the Bath (hung from his pouch belt) as a CB, THE Star of the Order of the Medjidie, the Crimea Medal with four clasps, the Turkish Crimean Medal and the French Legion d' Honneur, mounted whole plate albumen print, hand tinted, arched top, 27 x 20cm, in the original pierced and engraved gilt brass frame surmounted by the sitter's crest and monogram, 48 x 37.5cm overall, engraved on the backplate ORTNER & HOULE 3 ST JAMES'S ST
Col John Douglas commanded the 11th ("Prince Albert's Own) Regiment of Hussars (Lord Cardigan's old regiment) in the Charge of the Light Brigade on 25 October 1854. He died a Major-General on 10 May 1871.
Ortner & Houle, Heraldic Seal, Die and Medal Engravers to the Queen and Royal Family, are listed in London directories from 1873-1889.
£600-800
518. BOWEN (EMANUEL) THOMAS KITCHEN AND OTHERS
THE LARGE ENGLISH ATLAS OR A NEW SET OF MAPS OF ALL THE COUNTIES IN ENGLAND AND WALES DRAWN FROM THE SEVERAL SURVEYS WHICH HAVE BEEN HITHERTO PUBLISHED
folio, forty-six [only] mainly double page fine engraved maps (wanting North Wales), hand coloured in outline, title in red and black (corner repaired), later half brown morocco gilt with gilt tooled maroon label, London: T Bowles [et al, c1760-61] £2000-3000
519. CARY (J)
CARY'S SURVEY OF THE HIGH ROADS FROM LONDON... ON A SCALE OF 1 INCH TO A MILE
engraved maps (one folding) neatly coloured in a contemporary hand and title, with early ownership signature J Herries Jr, recent half calf, London: J Cary, July 1st 1790, box£200-300
520. HALL (SIDNEY)
A NEW BRITISH ATLAS COMPRISING A SERIES OF MAPS CONSTRUCTED FROM THE MOST RECENT SURVEYS
engraved maps and one linen backed folding map in neat contemporary colour and title, morocco backed boards gilt, London: Chapman & Hall, 1836, box£200-300
521. WALCOT (W)
ARCHITECTURAL WATER-COLOURS & ETCHINGS OF W WALCOT
no 155 of 275, half title, colour and black and white illustrations and with signed etching by Walcot, brown cloth gilt, London: H C Dickins, 1919£150-200
522. VHAY (A L MURPHY AND DAVID)
ARCHITECTURAL BYWAYS IN NEW SPAIN: MEXICO
illustrated, cloth, dust jacket, New York: Architectural Book Publishing Co Inc, 1939; W G Newton - The Work of Ernest Newton RA, 1925; H Ahlberg - Swedish Architecture of the Twentieth Century, 1925; I J G Wattjes - Nieuw-Nederlandsche Bouwkunst, Amsterdam, 1929 (two copies); - Moderne Architectuur, Amsterdam, 1927; and ten others, architecture including American Architecture of the Twentieth Century edited by O Reagan and L Mumford, plates in six folios (23)£300-500
523. ART DECO, SUBJECT.
REPORTS ON THE PRESENT POSITION AND TENDENCIES OF THE INDUSTRIAL ARTS AS INDICATED AT THE INTERNATIONAL EXHIBITION OF MODERN DECORATIVE AND INDUSTRIAL ARTS PARIS 1925
plates, cloth [London:] Department of Oversees Trade [1925]£80-120
524. BUTLER (A S G)
THE LUTYENS MEMORIAL THE ARCHITECTURE OF SIR EDWIN LUTYENS, T CECIL HOWITT'S COPY
folio, three vols, illustrated, half titles, green cloth gilt, part dust jackets; - complete with Christopher Hussey - The Life of Sir Edwin Lutyens, London: Country Life Ltd,1950 (4)£600-800
525. THOMAS CECIL HOWITT (1889-1968) ARCHITECT
HOWITT'S ARCHIVE
comprising:
i) approximately 1,100 fine professional photographs of Howitt's most prestigious civic and other buildings many by the leading architectural photographer Stewart Bale Ltd of Liverpool, 1920s-1950s, arranged alphabetically in sixty files and catalogued, including: The Exchange Buildings and Council House, Nottingham, the Portland Building at the University of Nottingham, the College of Technology for Nottingham and Derby Regional Board [subsequently Nottingham Trent University], alms houses, the one thousandth council house for Eastwood UDC, Pearson Brothers' department store, offices for The Raleigh Cycle Co, the Maudsley Building and Goldsmith House both for Trent Polytechnic, Staythorpe and other power stations, [the rebuilding of the tower of] Morley Town Hall, Leeds, the Bairnswear factory worksop, BTH offices and factory, Leicester, Birmingham Municipal Bank Headquarters, Newport, Birmingham and Oldham Civic Centres, Manvers School, Nottingham, chapels, churches, public and private houses including Howitt's own ("The Thatch", Wollaton), interior and exterior views and progress photographs, mainly mounted whole plate [c24 x 29cm] and half-plate [c17 x 22cm] vintage silver prints and a similar file of large format photographs of the work of the Liverpool stonemason John Stubbs [when tendering for the Exchange Buildings, Nottingham contract]; a large quantity of miscellaneous photographs of the Howitt practice's architectural projects, c1930s-70s, mostly identified;
ii) a box of material relating to Howitt's work for Oscar Deutsch's chain of Odeon Cinemas, including plans/contracts and/or photographs, etc of the Doncaster [1937; £60,000] and Cambridge [1938; £57,600] Odeons
iii) approximately 200 building contracts, mostly including plans, specifications and bills of quantities for new buildings and other works, 1930s-60s, arranged alphabetically in eleven boxes and catalogued, the clients including Barclays Bank, The Home Brewery Co, Martins Bank, the University of Nottingham, Messrs J D and W G Player, The Raleigh Cycle Co and James Shipstone & Sons,
iv) Twelve ledgers including 'Private Ledgers' and four Cash Books, 1929-63
v) Glass photographic negatives by Howitt, taken whilst touring Europe in the early 20th c, all quarter plate [c8 x 11cm], approximately 400, including views of buildings and street scenes in Florence, Rome and other Italian cities, Greece, Austria, Germany and the low countries
vi) Approximately 40 framed photographs of the official opening of Howitt's buildings, by the Prince of Wales [Exchange Buildings, Nottingham, May 1929] the Duke of Gloucester [Birmingham Municipal Bank, November 1933] and the Queen Mother [Oldham Civic Centre, March 1979], mainly large format silver prints, numerous emphera and press cuttings
£2000-3000
526. CECIL HOWITT & PARTNERS, ARCHITECTS
DESIGNS FOR JAMES SHIPSTONE & SONS' PROPOSED LICENSED PREMISES AT WILSTHORPE ROAD LONG EATON DERBYSHIRE AND OAKDALE ROAD CARLTON NOTTINGHAM AND THE HOME BREWERY CO'S NEW MONSON ARMS HOTEL LINCOLN
three, all drawn by A D M Hardy, signed and dated '59 or '60, 35 x 60cm and c, one unframed (3)£100-150
527. THOMAS CECIL HOWITT (1889-1968) ARCHITECT
PERSPECTIVE OF THE CARLTON PUBLIC HOUSE NOTTINGHAM
designed by F E Woolley (Howitt's senior assistant) and drawn by Cyril Arthur Farey (1888-1954), signed and dated 1953, pencil and watercolour heightened with white, 30 x 56.6cm£150-200
528. THOMAS CECIL HOWITT (1889-1968) ARCHITECT
PERSPECTIVE OF THE HOME BREWERY CO'S PROPOSED PUBLIC HOUSE THE ROLLESTON ARMS WATNALL NOTTINGHAM; INTERIOR OF THE ROLLESTON ARMS
a pair, drawn by Cyril Arthur Farey (1888-1954), both signed, dated 1940 and inscribed T Cecil Howitt FRIBA Architect, pencil and watercolour heightened with white, 30 (or 30.5) x 40.5cm (2)£200-300
529. WILCOCKSON & CUTTS (MID 20TH CENTURY) ARCHITECTS
PERSPECTIVES OF A PUBLIC HOUSE
two, drawn by Cyril A Farey & Adams (fl 1949-52), both signed, dated 1949 and inscribed Wilcockson & Cutts Architects, pencil and watercolour heightened with white, 27.5 x 56cm (or 56.5cm) (2)
£200-300
530. THOMAS CECIL HOWITT (1889-1968) ARCHITECT
PERSPECTIVE OF EDINBURGH SAVINGS BANK
drawn by Cyril Arthur Farey (1888-1954) signed, dated 1938 and inscribed T CECIL HOWITT F.R.I.B.A . CONSULTING ARCHITECT, pencil and crayon touched with white, 31 x 30cm£100-200
531. CECIL HOWITT AND PARTNERS, ARCHITECTS
PERSPECTIVE OF THE THREE COUNTIES HOTEL WITH QUADRIGA
designed by F E Woolley (Howitt's senior assistant) and drawn by Cyril Arthur Farey (1888-1954) graphite and crayon touched with bodycolour, 26 x 22.5cm; with a lithograph of [Howitt's] Staythorpe Power Station near Newark after a painting by A R Thomson RA, printed in colour (2)£100-200
532. CECIL HOWITT & PARTNERS, ARCHITECTS
TWO PERSPECTIVES OF UNIVERSITY COLLEGE NOTTINGHAM
drawn by A D M Harvey, signed and dated 1969 or 73, pencil and watercolour with bodycolour on coloured paper, 40 x 82cm, framed as a pair£100-200
533. THOMAS CECIL HOWITT (1889-1968) ARCHITECT
RECEPTION HALL OF THE EXCHANGE BUILDINGS NOTTINGHAM
drawn by Cyril Arthur Farey (1888-1954), signed by Howitt and dated 1924, also inscribed on the mount with a title and T Cecil Howitt FRIBA, DSO, Chevalier de la Legion d' Honneur Architecte Angleterre, pen, pencil, ink and watercolour, 51 x 74.cm
The inscription and curious title on the mount, "The Salle des Fetes Hotel de Ville Bucharest" was added (by Howitt's senior assistant, F E Woolley) shortly after the drawing was received from Farey, because Howitt had, through a well placed contact in the diplomatic service, been recommended to the Romanian authorities. It is not known whether, in fact, the drawing was ever sent to Romania. £1500-2500
534. THOMAS CECIL HOWITT (1889-1968) ARCHITECT
THE NEW EXCHANGE SCHEME NOTTINGHAM
drawn by Cyril Arthur Farey (1888-1954), signed and dated 1924, pencil and watercolour with bodycolour, 71 x 102cm
Exhibited: Exhibition of Modern British Architecture, 1927.£3000-4000
535. HAROLD WYLLIE, OBE, RSMA (1880-1975)
UNDER TOW
etching with drypoint, signed by the artist in pencil and numbered CXX, 21 x 27.5cm£100-200
536. CECIL CHARLES WINDSOR ALDIN, RBA (1870-1935)
[HUNTING SCENES]
a pair, offset lithographs, both signed by the artist in the margin in pencil, 37 x 71cm (2)£150-250
537. WILLIAM WARD, ARA (1766-1826) AFTER GEORGE MORLAND (1763-1804)
THE FIRST OF SEPTEMBER MORNING; THE FIRST OF SEPTEMBER EVENING
a pair, mezzotints published by T Simpson, September 1 1796, 48 x 60.5cm (2)£200-400
538. ROWLAND LANGMAID (1897-1956)
THE LAWS OF THE NAVY PLATES I-IV
etchings, all signed by the artist in pencil, 31.5 x 21.5cm, unframed (4)£150-200
539. C & J GREENWOOD (FL EARLY 19TH CENTURY)
GENERAL VIEW OF NOTTINGHAM
a set of four, lithographs by C Moody coloured in a contemporary hand and mounted to form a panorama, published by Thomas Forman, Nottingham, c1840, 21.5 x 135cm
£150-250
540. EDWARD JULIUS DETMOLD, ARE (1883-1957)
BANDITS IN THE DESERT
etching, signed and dated in the plate 27, signed by the artist in pencil and inscribed Final Proof E.J.D. Imp, 21.5 x 41cm£200-300
541. ALAN MOORE (FL EARLY 20TH CENTURY)
THE MEDWAY AT SHEERNESS; IN THE CLYDE
a pair, etchings, both signed by the artist in pencil, 16.5 x 37.5cm (2)£200-300
542. WILLIAM WARD, ARA (1766-1826) AFTER HENRY BERNARD CHALON (1770-1849)
THUNDER AN OLD ENGLISH SETTER BRED BY PETER HALLIDAY ESQR AT CARLTON-LE-MORLAND IN LINCOLNSHIRE
mezzotint, printed in colour, 42.5 x 53.5cm
Provenance: With Frank T Sabin, London.£400-600
543. HENRY SYKES (1855-1921)
ON THE KENNET CANAL AT WOOLHAMPTON BERKSHIRE
signed, pencil and watercolour heightened with white, 35 x 52cm£200-300
544. ELIZABETH STACEY BLAKE (EXH 1891-1939, D1950)
GOOSE FAIR OLD MARKET SQUARE NOTTINGHAM; ST PETER'S CHURCH SIDE AND THE NEW POST OFFICE NOTTINGHAM; VIEW OF HOUNDS GATE NOTTINGHAM
three, all signed and dated 25, 26 or 29, pencil and watercolour, various sizes to 30.5 x 37cm (3)£200-300
545. ENGLISH SCHOOL, LATE 19TH CENTURY
COPIES OF CELEBRATED OLD MASTER PORTRAITS
six, pencil and watercolour heightened with white, the largest 17 x 12cm (6)
Including Lady Diana Russell when a child by Paul van Somer, Charles the Bold by Rogier van de Weyden, the Head of a Young Man by Durer, Sir John Godsalve by Holbein and Anne of Austria by Rubens.£200-300
546. MAURICE WILLIAM PARTRIDGE (1913-1973)
PORTLEDGE WOODS DEVON
signed, signed again and inscribed on the backboard, mixed media, 38.5 x 28.5cm£200-300
547. MARIE INNES (1860)
SHELLWOOD FRAM NEAR NEWDIGATE SURREY; AN OLD FARMHOUSE
a pair, one signed and dated, pencil and watercolour with bodycolour and gum arabic, 31.5 x 49cm (2)£100-150
548. LOUISA, MARCHIONESS OF WATERFORD (1818-1891)
HULME ABBEY; MOTHER AND CHILD; A CHILD WITH A RED BANNER; FLOWERS IN VASE AND AMARYLLIS VITIATA
five, the first inscribed, pencil and watercolour, 14 x 9cm and c (5)
Provenance: with David Ker Fine Art, London.£300-500
549. DOUGLAS HOUZEN PINDER (1886-1949)
DARTMOOR
signed, pencil and watercolour with bodycolour, 37 x 52.5cm£200-300
550. GRAHAM SUTHERLAND, OM (1903-1980)
TREE FORM
signed and dated 1958, gouache over pencil, lightly squared, 26.5 x 20cm
Provenance: Elizabeth Organ (1934-2009) by whom acquired directly from the artist, a friend; thence by descent.
The artist Elizabeth Organ married the society portrait painter Bryan Organ(1935- ) and following their divorce restored, as her home and a gallery, the parsonage at Clyro, near Hay-on-Wye, Herefordshire. The house was occupied in the 19th century by the diarist, the Reverend Francis Kilvert.£4000-6000
551. LOUIS VAN STAATEN (1836-1909)
A DUTCH HARBOUR
signed, watercolour, 29 x 39cm£150-200
552. JOHN HULTBERG (1922-2005)
PROGRESSION
gouche, 24 x 73.5cm
Painted in 1959.
Provenance: with the Martha Jackson Gallery, New York and the Galerie du Dragon, Paris.£200-300
553. CHINESE SCHOOL, 19TH CENTURY
COURT SCENES; MEMBERS OF THE IMPERIAL HOUSEHOLD
two sets of album paintings, gouache on pith paper, in blue tape borders, 25 x 37cm and 32 x 22.5cm respectively, uniformly framed (24)£150-250
554. STANISLAUS SOUTTEN LONGLEY, RI, RBA (1894-1966)
A STARRY NIGHT
signed, gouache over pencil, 42 x 32cm
The present distinctly Art Deco design of the 1930s was executed at a time when Longley was designing posters for the London Underground. £700-900
555. STANISLAUS SOUTTEN LONGLEY, RI, RBA (1894-1966)
THE CAPTIVE FREED
signed, pencil and watercolour with bodycolour, 28 x 30cm
See footnote to the preceding lot.
£500-700
556. STANISLAUS SOUTTEN LONGLEY, RI, RBA (1894-1966)
THE MASQUERADE
signed, watercolour and bodycolour, over pen and pencil, 46 x 31cm
See footnote to the two preceding lots.£700-900
557. GIOVANNI BATTISTA FILOSA (1850-1935)
A GENTLE REBUKE
signed, pencil and watercolour with bodycolour, 66 x 49cm£300-500
558. JOHN GENDALL (1789-1865)
ST MARTIN'S CHURCH AND MOL'S COFFEE HOUSE EXETER
pencil and gouache, 38.5 x 58cm
The focus of the present drawing of the group of buildings in the northern corner of Exeter's historic Cathedral Close is the famous timber framed Mol's Coffee House of 1596, said to have been frequented by Drake, Raleigh and others. It was named after the proprietor, Thomas Mol and in the 19th century was occupied by the Exeter artist and drawing master, John Gendall. Of the church of St Martin, fragments of the original building on the site, consecrated in 1065 survive in the present largely 15th century structure.
Provenance: with Frank T Sabin, London.£700-900
559. ENGLISH SCHOOL
HUNTING SCENES
a set of six, all but one inscribed, coloured chalk and bodycolour on coloured paper, 26 x 33cm & c (6)£250-350
560. ALFRED H VICKERS (FL 1853-1907)
LANDSCAPE WITH FIGURES BY A POND
signed, pencil and watercolour heightened with white, 25.5 x 36.5cm; and a watercolour of a coastal landscape by W Mansfield (2)£150-250
561. WILLIAM PROBYN OF LONGHOPE (FL C1830)
CARICATURES SAID TO BE OF GENERAL DIGHTON OF NEWLAND, LORD SEAGRAVE AND TWO OTHER GENTLEMEN
four, pencil and watercolour with gum arabic, 24.5 x 16.5cm, maple frames (4)£250-350
562. BRITISH SCHOOL, 19TH CENTURY
DOUBLE PORTRAIT OF CHILDREN WITH A CAT
pastel, oval, 39 x 33cm, early 19th c giltwood and composition cavetto frame£200-300
563. ROBERT BARNES, ARWS (1840-1895)
INDUSTRY
signed with initials and dated '78, inscribed on the artist's label verso No 1 Study of Child Sewing Robert Barnes Bedford House... Redhill, pencil and watercolour with bodycolour, 44 x 34cm£1500-2000
564. HENRY JOHN SYLVESTER STANNARD, RBA (1870-1951)
THE LITTLE SHOPPER; BLACKBERRIERS RESTING
a pair, watercolour and bodycolour, 26 x 35.5cm (2)£1500-2000
565. THOMAS FRASER (1776-1823)
INDIAN LANDSCAPE WITH FIGURES AT A WATERFALL
signed, watercolour, 40.5 x 54cm
The amateur watercolourist Captain Thomas Fraser's drawings of India, especially its waterfalls were executed while he was serving with the Madras Engineers, from 1796 to 1819.£600-800
566. A PAOLETTI (19TH CENTURY)
MORNING ON THE NEAPOLITAN COAST; ITALIAN FISHERMEN PREPARING THEIR BOATS
a pair, both signed and dated 1879, gouache, 31.5 x 47.5cm (2)£200-300
567. CIRCLE OF ADRIAEN BROUWER (1605-1638)
A BRAWL IN A CELLAR; THE OPERATION
a pair, with inscription in a later hand verso Brouwer AB2375 (or2376), pen and brown ink and wash on laid paper, 18 x 25cm, unframed (2)
£100-150
568. DUTCH SCHOOL, 18TH CENTURY
THE RAISING OF LAZARUS
pen and brown ink and wash on laid paper with vase-shaped watermark, 22 x 16.5cm; three other Old Master drawings, The Virgin and Child with St Justina, The Deposition and a landscape with peasants; and a linocut by F C Herrick, all unframed (5)£100-150
569. VINCENZO D'ESPOSITO (1886-1949)
PORTRAIT OF A CALEDON CLASS CRUISER OF THE ROYAL NAVY
signed and inscribed MALTA, gouache, 44.5 x 68cm£100-200
570. AFTER SIR GODFREY KNELLER, 18TH CENTURY
PORTRAIT OF JOSEPH ADDISON (1672-1719)
bust length, pastel on coloured paper, 22 x 15cm£200-300
571. FRANK HENRY MASON, RI, RBA (1876-1965)
SHIPPING OFF SCARBOROUGH
signed, pencil and watercolour with bodycolour, 49.5 x 74cm£800-1200
572. CHINESE SCHOOL, 20TH CENTURY
PORTRAITS OF A QING DYNASTY OFFICIAL OF FIFTH RANK AND HIS WIFE
a pair, ink and gouache on silk, in woven silk borders, 148 x 86cm (2)£600-800
573. GEORGE JAMES KNOX (1810-1897)
COASTAL SCENE
signed, inscribed verso with the title Beach nr -elsee, dated 25.6.73 and numbered 771, watercolour heightened with white, 13.5 x 21.5cm, unframed£100-150
574. HENRY SCOTT TUKE, RA, RWS (1858-1929)
BLUE-JACKETS YARN
signed and dated 1905, watercolour heightened with white, 24.5 x 45.5cm
Recorded in the artist's Register under R407. The models were Harry Cleave and Bert White. It was sold for £42.
Provenance: with Anthony Mitchell, Nottingham, from whom bought by the present vendor, c1985 (£13,500).
Exhibited: Royal Society of Painters in Watercolours, Spring 1904.
The present watercolour is one of three mentioned in Tuke's diary entry for 6 Februry 1904: "took up three watercolours 'Blue-Jackets in a Country Inn', 'All the News of the Voyage' and 'A Lowestoft Boat' to RWS'. The two models, Bert White and Harry Cleave were apprentices at Falmouth Docks and were frequently in trouble for playing practical jokes, or pretending to be injured. They were frequently laid-off which allowed them to model for Tuke and they appear in many of his most important pictures painted between 1901 and 1904, including Ruby, Gold and Malachite (R374, 1901), The Run Home (R380, 1901-02), Noonday Heat (R382, 1902, exhibited at the RA the following year), The Stowaway (R396,1903) and The Three Companions (R484, 1905). We are grateful for the assistance of John Tonkin of Falmouth Art Gallery in the cataloguing of this watercolour.£3000-5000
575. H WHITE (MID 19TH CENTURY)
THE KENT FAMILY HOTEL MARGATE
signed, inscribed in gold and on the tablet below C S WOODRUFF WINE & SPIRIT MERCHANT GOOD STABLING & LOCK UP COACH HOUSES, pen, ink and wash, 36.5 x 27cm, maple frame
C S Woodruff of 1, Lower Marine Terrace, Margate appears in the Essex, Herts, Kent & Sussex Publican Directory for 1855.£200-300
576. ROBERT BRUCE WALLACE (FL 1867-1881)
MISS MARTHA FRY IN THE REVEREND DENISON'S GARDEN IN SUMMER
signed and dated 1868, pencil and watercolour heightened with white, 30 x 21cm
Provenance: With J S Maas & Co Ltd, London.£200-300
577. JOHN ERNEST AITKEN (1881-1957)
SEASCAPE ON THE COAST OF SCOTLAND
signed, watercolour, 32 x 48.5cm£200-300
578. LOUIS VIDAL (C1754-1807)
A GROUP OF ROSES AND OTHER FLOWERS
28 x 19cm£100-200
579. DAVID CONNER (20TH CENTURY)
STOWE HOUSE BUCKS; ROUSHAM COURT SUMMERHOUSE OXON
a pair, both signed and inscribed in pencil beneath the image, watercolour and coloured chalk, 54 x 76cm (2)
Painted in 1979.
Provenance: Shell Collection Sale, Sotheby's, 4 July 2002, part lot 138.£400-600
580. W J ROBERTS (19TH CENTURY)
A WELSH MOUNTAIN STREAM; AN OVERSHOT MILL IN NORTH WALES
a pair, both signed, 54 x 80cm (2)£400-600
581. BRITISH SCHOOL, 1883
WAITING FOR THE BOAT
indistinctly signed H L... and dated, 49 x 75cm£150-250
582. EDWARD PRICE (1800-C1885)
VIEW OF MATLOCK FROM THE BLACK ROCKS AT CROMFORD DERBYSHIRE
signed and dated 1879, board, 23 x 30.5cm£100-200
583. ALFRED HOLST TOURRIER (1836-1892)
A CAPTIVATING TALE
signed, 40.5 x 53.5cm£2000-3000
584. GUSTAVE JEAN JACQUET (1846-1909)
MADEMOISELLE
signed and dated 1876, 116 x 55cm£2000-3000
585. JAMES CALLOWHILL (1838-1917)
MOUNTAINOUS LANDSCAPE WITH CHILDREN PLAYING BY A STREAM
signed and dated 1889, 31.5 x 47cm£500-700
586. ARTHUR SPOONER (1873-1962)
NEWSTEAD ABBEY
signed, board, 31 x 39cm£200-300
587. JAMES EYRE (C1802-1838)
VIEW OF THE DOLPHIN INN AND QUEEN STREET DERBY
signed, 59.5 x 49.5cm£250-350
588. OLIVER CLARE (1853-1927)
STILL LIFE WITH QUINCES APPLES GRAPES GREENGAGES RASPBERRIES AND A PLUM ON A MOSSY BANK WITH IVY
signed, 36 x 46cm, unframed£800-1200
589. ACHILLE PETROCELLI (1861-1929)
A NEAPOLITAN BEAUTY; THE PIPE SMOKER; AN ELDERLY GENTLEMAN; AN ELDERLY LADY
a set of four, all signed, 34.5 x 26.5cm (4)£200-300
590. ROBERT GRINHALL, 1650
PORTRAIT OF A MAN
bust length in a black doublet with slashed sleeves and a lawn collar, in a feigned oval, signed Robert Grinhall fecit 1650, inscribed HENRY HASTYINGS DOMINUS DE LOUGHBORO' 1650, Humilitato Sublimior, Vi Veritatis virico victi and CASTELLII ASHBIAE-DE-LA-ZOUCH FORTISSIMUS DEFENSOR, 73 x 58.5cm
Provenance: Purchased at a sale believed to be at Donington Hall, Leicestershire, c1970 by the historian of Parliament, Peter W Hasler Esq and by whom sold to the present vendor's late husband, c1990.
The identification of the sitter as Henry Hastings, 1st Baron Loughborough (1609 or 10-1667) seems to be at odds with the subject's apparent youth, his plain clothes and, most compellingly, the fact that in 1650 Hastings was in exile in Holland. Alastair Laing has reasoned (private correspondence) that it is in fact a portrait of his nephew, Henry, Lord Hastings (16 January 1630-24 June 1649) the son of Ferdinando, Earl of Huntingdon. He was a young man of formidable intellect, whose much requited death (from smallpox) on the eve of his wedding was commemorated in no less than 98 elegies by Marvell, Donne and others in the Lachrymae Musarum, published in 1650. The death of the (then) only son of an aristocratic Midlands family must have occasioned considerable public mourning and could well have given rise to the commissioning of a picture, such as the present work (which is probably based on an ad vivum portrait) by an apparently hitherto unrecorded painter. Certainly, the signature and date appear authentic but the laudatory inscriptions alluding to the Royalist military hero are, whether by accident or design, of a slightly later period. £2000-3000
591. ENGLISH SCHOOL, 19TH/ 20TH CENTURY
AFFLUENCE AND INDIGENCE
panel, with inscription ...ROWN Higgle..N (on the shaft of the cart), 18 x 36cm£200-300
592. WILLIAM ROGER BENNER (1884-1964)
THE FISH QUAY LOWESTOFT
signed, signed again verso, board, 48 x 45cm£400-600
593. WILLIAM ANDERSON (1757-1837)
ON THE COAST OF HOLLAND
oak panel, 47 x 66cm£4000-6000
594. S MARESCA (FL LATE 19TH/EARLY 20TH CENTURY)
A DISCREET CONVERSATION
signed, 38 x 24.5cm£100-150
595. ATTRIBUTED TO CHARLES ROBERT LESLIE, RA (1794-1859)
HUDIBRAS IN THE STOCKS
artist's board, 23 x 28cm£150-200
596. ENGLISH NAIVE ARTIST, 19TH CENTURY
HEAD OF A FAVOURITE TABBY CAT
board, 13.5 x 12.5cm£200-300
597. CIRCLE OF JOHN CROME (1794-1842)
THE TIMBER WAGON
43.5 x 56.5cm£600-800
598. DAVID PAYNE (C1844-1891)
A WAYSIDE SPRING
signed, signed again and inscribed verso, 29 x 49.5cm£250-350
599. ALFRED MORRIS (19TH CENTURY)
SHEEP IN A LANDSCAPE
signed and dated 1862, board, 27.5 x 42.5cm£200-300
600. ENGLISH SCHOOL, 19TH CENTURY
FLORAL STILL LIFES
a pair, crystoleums, contemporary giltwood and composition frames, 58 x 50cm overall (2)£300-500
601. IGOR TALWINSKI (1907-1983)
THE RED RIBBON
signed, 54.5 x 44.5cm£250-350
602. WILLIAM HENRY DAVIS (C1786-C1865)
PORTRAIT OF THE GREYHOUND 'LEMON' IN AN EXTENSIVE LANDSCAPE
47 x 59.5cm
Provenance: with Arthur Ackermann & Son Ltd, London; Elizabeth Organ (1934-2009) (see footnote to lot 550). £3000-5000
603. DONALD H FLOYD (EXH 1914-1940)
EARLY AUTUMN TINTERN
signed, signed again and inscribed verso, 36 x 49cm£150-250
603A. FOLLOWER OF JEAN-HONORE FRAGONARD, 19TH CENTURY
A YOUNG LADY IN A FUR
52 x 42cm£200-300
604. FRANK CASSELL (FL LATE 19TH CENTURY)
TERRIERS FIGHTING IN A CELLAR
signed and dated 1889, 29.5 x 39.5cm£200-300
605. LAZZARO PASINI (1861-1949)
ITALIAN STREET VENDORS
a pair, both signed, 29 x 39.5cm (2)£1000-1500
606. W R HARDING (19TH CENTURY)
THE FISHING FLEET OFF THE COAST
signed, 43 x 79.5cm£300-400
607. S MARESCA (FL LATE 19TH/EARLY 20TH CENTURY)
AN IDLE MOMENT
signed, 35 x 25cm£250-350
608. WILLIAM FREDERICK HULK (1852-1906)
DAWN ON THE BROADS; EVENING IN THE FENS
a pair, both signed, mahogany panels, 14 x 19cm (2)£250-350
609. EDGAR LONGSTAFFE (1849-1912)
AUTUMN LEAVES
signed with monogram and dated 1892, 29 x 24cm£250-350
610. DAVID PAYNE (C1844-1891)
SWEET SUMMERTIME
signed, signed again, dated 1876, inscribed with the title and Painted on the Spot verso, 87 x 112cm£2500-3500
611. GIUSEPPE COSTANTINI (1843-1893)
WINDING WOOL BY THE HEARTH
signed and dated 187-, panel, 21 x 13.5cm£300-500
612. EDWARD ATKINSON HORNEL, ROI, ARSA (1864-1933)
SUMMERTIME
signed and dated 1915, 50 x 60cm£8000-12000
613. ALFREDO FLOREZ (FL EARLY 20TH CENTURY)
STUDY OF A NORTH AFRICAN MAN; A MAN IN A FEZ
a pair, both signed and dated 1916, panels, 26.5 x 14.5cm (2)£200-300
614. ARTHUR WARDLE, RI, RBS (1864-1949)
SETTERS ON A GROUSE MOOR
signed, 44 x 59cm£15000-20000
615. CLARENCE HENRY ROE (1850-1909)
LOCH ACHRAY
signed and dated 1879, signed and dated again and inscribed verso, 60 x 90cm£200-300
616. FRED UHLMAN (1901-1985)
THE BEACH
signed, board, 29.5 x 24cm
Provenance: with Roland, Browse & Delbanco, London.£400-600
617. JOSEPH HORLOR (1809-1887)
NEAR HARLECH
44 x 64cm£400-600
618. FOLLOWER OF CLAUDE-JOSEPH VERNET, LATE 18TH/EARLY 19TH CENTURY
MEDITERRANEAN COASTAL SCENE WITH FISHERMEN
70 x 96cm£1000-1500
619. AFTER SANDRO BOTTICELLI, 19TH CENTURY
MADONNA OF THE MAGNIFICAT
circular, 77cm diam, unframed
After the picture of c1485 in the Uffizi Gallery, Florence. £300-500
620. ENGLISH SCHOOL, C1840
A POLITICAL DEBATE
50 x 65cm
From the several pictorial clues in the composition it is evident that the group of men are chartists, supporters of the movement for political and social reform launched in 1838. One of them reads a copy of The Northern Star, the radical newspaper, which is also advertised on the back of a settle. On the walls are notices about a procession to be led by Fergus O'Conner (1796-1855) The Northern Star's publisher, to a meeting for the extension of the franchaise, the first of the chartist's six aims. The movement was particularly effective in the great industrial centres of the North, the likely origin of the unknown painter of the present picture. On the stretchers are pasted strips from an edition of The Nottingham Mercury [date excised, c1840]. £200-400
621. CONTINENTAL SCHOOL, 19TH CENTURY
RIVER LANDSCAPE WITH A DROVER AND OTHER FIGURES
crystoleum, oval, 31.5 x 39cm, contemporary moulded frame£200-300
622. THOMAS FINCHETT (19TH/20TH CENTURY)
SHEEP SHELTERING IN WINTER; A WINTER SUNSET
a pair, both signed, artists' board, 22 x 29.5cm (2)£400-600
623. MICHAEL DAVID BARNFATHER (1934-)
HOLIDAY COTTAGE FROM A SKETCH OF INGLEBOROUGH YORKSHIRE
signed, 44 x 90cm£800-1200
624. MICHAEL DAVID BARNFATHER (1934-)
AUTUMN NEAR TETBURY
signed and dated 1978, inscribed on the selvedge, 36 x 105cm£600-800
625. HERBERT SIDNEY PERCY (1863-1903)
SPRINGTIME
signed, 39.5 x 49.5cm£800-1200
626. ENGLISH SCHOOL, 19TH CENTURY
AN OLD MILL AT LLYN..... NEAR BARMOUTH WALES; ULLSWATER WESTMORLAND
a pair, both inscribed verso, 20 x 40cm (2)£200-300
627. GERMAN SCHOOL, 1867
A WOODLAND STREAM
indistinctly signed A J v Tr...yen(?) and dated, 98 x 142cm£500-700
628. OLIVER CLARE (1853-1927)
STILL LIFE WITH PLUMS GREENGAGES AND A GOOSEBERRY ON A MOSSY BANK
signed and dated '96, 24.5 x 19cm£400-600
629. CHARLES LESLIE (C1835-1890)
MOONRISE OVER A MOUNTAIN LAKE
with signature, 49 x 39cm£250-350
630. CHARLES AUGUSTUS HENRY LUTYENS (1829-1915)
POULTRY BY A TREE
signed and dated 1910, 49.5 x 60cm£500-700
631. THE ROMAN EMPIRE
Gold Solidus Valens, RESTITVTOR REIPVBLICAE, good VF, but plugged at top of portrait
£80-100
632. THE LATE ROMAN EMPIRE
Theodosius, 379-395AD, Gold Solidus of Contantinople 4.4gm, r/VOT XX MVLTXXXH, EF but edge mount removed from top right£300-400
633. THE LATE ROMAN EMPIRE
Honorius, 393-423AD, Gold Solidus of Constantinople 4.5gm, r/VICTORI AAVGGG, almost EF, but with recent test mark in field to right of portrait£200-300
634. THE LATE ROMAN EMPIRE
Valentinian, 364-375AD, Gold Solidus of Antioch, 3.4gm, r/RESTITVTOR REIPVBLICAE, quite heavily clipped or filed and graffiti cross on obverse, mostly F£70-100
635. THE BYZANTINE EMPIRE
Heraclius Novus Constantinus, Constantine III, Gold Solidus, 4.4gm EF or better£200-250
636. THE BYZANTINE EMPIRE
Flavius Heraclius Augustus, Heraclius, 610-641, Gold Solidus, 4.5gm, three facing figures, good VF£180-220
637. THE BYZANTINE EMPIRE
Michael VII, 1071-1078, Gold full weight Solidus or Histamenon, 4.4gm, syphate with portraits of Christ and the emperor, VF or better£150-180
638. THE CELTIC WORLD
Trinovantes, Cunobeline, Gold Stater, 5.3gm, Van Arsdell 1925, VF£200-250
639. THE CELTIC WORLD
Corieltauvi (formerly thought to be called the Coritani), very base Gold Stater, 4.1gm, Domino type, F
£150-180
640. THE CELTIC WORLD
Chute Type, Gold Stater, 6.1gm, with stylised horse and much degraded portrait of Apollo, c60BC mostly F£150-180
641. THE ISLAMIC WORLD
Fatimid Dynasty, Gold Dinar, 4.2gm, Al-Mansur, VF, traces of edge mount£80-120
642. THE ISLAMIC WORLD
Gold Dinar, 3.5gm, crimped and clipped, F-VF£80-100
643. THE MEDIEVAL WORLD
England, Edward III, Quarter Noble, 1.9gm, Treaty Period, ex Easton Collection, VF£100-200
644. THE MEDIEVAL WORLD
England, Henry VIII, Angel first bust, 5.0gm, mm Portcullis, quite smooth in places and about F£150-200
645. THE MEDIEVAL WORLD
England, James I, Double Crown, 4.8gm, fifth bust, mm Tower, crimped heavily then flattened, nice clear portrait, mostly F£150-200
646. THE ROMAN REPUBLIC
Pompey the Great, Silver Denarius, r/Neptune, F£180-220
647. THE ROMAN REPUBLIC
Silver Denarii of, Nemia VF, Antestia F (2)£50-60
648. THE ROMAN EMPIRE
Tiberius, Silver Denarii, r/PONTIF MAXIM, the Tribute Penny, F-VF (2)£120-140
649. THE ROMAN EMPIRE
Claudius, Silver Denarius, r/SPQR PP OBC, F£350-400
650. THE ROMAN EMPIRE
Nero, Silver Quinarius of Caesarea r/Victory F-VF; Vespasian Silver Denarius r/VICTORIA AVGVSTI F (2)£60-80
651. THE ROMAN EMPIRE
Hadrian, Silver Denarii, r/PARTHICO; another PM TRP COS III; another COS III, all VF or better (3)£100-120
652. THE ROMAN EMPIRE
Silver denarii of Trajan r/SPQR OPTIMO PRINCIPI, another Vesta seated; Marcus Aurelius r/Concord; Faustina Senior r/HILARITAS; Commodus as Herakles r/HERCVL, ROMAN, AVG, F-VF (5)£150-200
653. THE ANCIENT GREEK WORLD
Syria, Silver Tetradrachm of Philip Philadelphos, 15.5gm, almost EF£200-300
654. THE ANCIENT GREEK WORLD
Thrace, Silver Tetradrachm of Lysimachus 323-281BC, 16.1gm, F-VF£100-150
655. THE ANCIENT GREEK WORLD
Macedon, Silver Tetradrachm of Amphopolis, 158-149BC, 16.7gm, Good-VF£150-200
656. THE ANCIENT GREEK WORLD
Paphus, Silver Tetradrachm of Ptolemy VI, 180-145BC, 14.2gm, almost EF£200-250
657. THE ANCIENT GREEK WORLD
Corinth, Silver Staters, 8.2gm and 8.3gm, with Pegasus reverse, both VF (2)£150-250
658. THE ANCIENT GREEK WORLD
Macedon, Silver Drachm of Alexander the Third (the Great), 4.2gm, almost EF£40-60
659. THE ANCIENT GREEK WORLD
Macedon, Silver Tetradrachm of Alexander the Third (the Great), 16.8gm, VF£100-150
660. THE ANCIENT GREEK WORLD
Macedon, Silver Stater of Archelaus, 413-399BC, 10.6gm, Apollo/APXE LAO, VF£100-150
661. THE ANCIENT GREEK WORLD
Syria, Silver Tetradrachm of Antiochus VIII, 121-96BC, 16.5gm, VF or better£150-180
662. THE ANCIENT GREEK WORLD
Thrace, Silver Tetradrachm of Lysimachus, 305-281BC, 16.7gm, good VF£150-200
663. THE MEDIEVAL WORLD
England, Silver Penny, Cnut (Canute), helmet type of London, +AEL PER D ON LVDEN, good VF£80-100
664. THE MEDIEVAL WORLD
England, Silver Penny, Cnut (Canute), quatrefoil type of London, LEOFWIN, VF£80-100
665. THE MEDIEVAL WORLD
England, Silver Penny Cnut (Canute) sceptre type of Stamford, VF£60-80
666. THE ANCIENT GREEK WORLD
Pamphylia, Aspendos Silver Stater, wrestlers, 11gm, good VF£80-100
667. THE ANCIENT ROMAN WORLD
Bronzes of Probus, Aurelian, Claudius II Gothicus, Constantine I, Constans, Constantine II, Constantius II and others F-VF (43)£70-120
668. THE ANCIENT ROMAN WORLD
Silver and Base of Nero, Diocletian, Gordian III, Philip I, Trajan Decius, Gallienus, Octacilia Severa, and others, mostly VF (13)£80-100
669. THE ANCIENT ROMAN WORLD
Silver Denarii of Antoninus Pius, Hadrian, Trajan, Severus Alexander and the Republic, mainly Fine (11)£100-150
670. THE ANCIENT ROMAN WORLD
Silver Denarii of Marcus Aurelius with reverses Provident, Clementia, Piety, Minerva, gF-VF+ (4)
£50-80
671. THE EASTERN WORLD
Parthia Drachm VF+ (2); Sassania Drachm; coins of India in silver and base including Kushani (14)£60-80
672. THE ANCIENT GREEK WORLD
Seleucid Empire, Silver Tetradrachm of Antiochus Hierax, 246-227BC, 16.9gm, F-VF£300-400
673. THE ANCIENT GREEK WORLD
Brutus, Proconsul and Imperator, or Thrace, Koson Gold Stater depicting three standing figures walking from right to left with eagle holding wreath to reverse, 8.6gm, good VF+£250-300
674. THE ANCIENT GREEK WORLD
Macedon, Alexander the Third (the Great), Silver Tetradrachm 16.4gm, obverse pitting Fine/good VF; Silver Obol F-VF (2)£80-100
675. THE ANCIENT GREEK WORLD
Egyptian Empire, Didrachm of Ptolemy VI Philometor, 6.6gm, mostly F£60-80
676. THE ANCIENT ROMAN WORLD
Silver Denarii, Republican; another of Augustus r/Gaius and Lucius Caesars good VF; another of Vespasian r/COS VII good VF; another of Domitian r/IMP XXII COSXVII CENSPPP VF, with others, some possibly concoctions (9)£200-250
677. THE ANCIENT GREEK WORLD
Tyre, Silver Tetradrachm 14.4gm, good VF£120-150
678. THE ANCIENT GREEK WORLD
Macedon, Alexander the Third (the Great), Gold Stater, 8.4gm, VF£250-300
679. THE ANCIENT GREEK WORLD
Macedon, Alexander the Third (the Great), Gold Stater, 8.5gm, F£250-300
680. THE ANCIENT WORLD
Byzantine Empire, Justinian, Gold Tremissis, r/VICTORIA AVG of Constantinople VF-EF£50-80
681. THE ANCIENT GREEK WORLD
Macedon, Silver Tetradrachm of Amphopolis, 16.4gm, VF-EF£180-200
682. THE ANCIENT GREEK WORLD
Macedon, Silver Tetradrachm of Amphopolis, 16.7gm, good VF-EF£180-200
683. GREAT BRITAIN
Milled, Bank of England Dollar 1804 dark but F, Double Florin 1887A almost EF; Ireland Bank token 10d EF (3)£80-100
684. THE ANCIENT WORLD
concoctions ancient and modern, including Denarius of Germanicus Caesar (11)£40-60
685. ANCIENT, JUDEAN, CELTIC AND MEDIEVAL
including coins of Judea (3); Silver 1d of Henry III and Edward; others various (11)£60-80
686. GREAT BRITAIN
Milled, Copper 1d 1854 F; Sixpence 1758 (2), 1787, 1897, 1900, 1909, mostly EF (7)£120-150
687. GREAT BRITAIN
Milled, Florins 1856 almost VF, 1885 EF+ (2)£80-120
688. GREAT BRITAIN
Milled, Shillings, 1708 weak in places good VF, 1711 Fine, 1758 VF, 1787 VF (4)£60-90
689. GREAT BRITAIN
Milled, Shilling 1887 good EF, Florin 1887 good EF, Halfcrown 1746 good VF, Double Florin 1889 EF+, Crowns 1890, 1898, 1900 (7)£100-160
690. VICTORIA CROWN 1888
probably dipped, but lustrous good EF and very rare thus£150-200
691. GREAT BRITAIN
Milled, Crowns 1662 ex-mount, 1696 vg, 1707E almost F, 1937 EF (4)£80-100
692. GEORGE IV CROWN 1819 LIX
EF, but lightly brushed £80-100
693. EDWARD VII CROWNS
impaired proofs, EF (2)£80-100
694. GREAT BRITAIN
Milled, Shilling, William and Mary, 1693, mostly F, minor retooling of milling; 4d 1838 (2)£80-120
695. GEORGE VI PROOF SET 1951
in blue card box of issue, box with faults, coins almost FDC£50-70
696. VICTORIA SOVEREIGN 1885S, 1890 and 1893
F-VF
£300-400
697. EDWARD VII-ELIZABETH II SOVEREIGN 1906, 1912 and 1963
VF-EF £300-400
698. EDWARD V AND GEORGE V HALF SOVEREIGN 1909 and 1912
VF £100-150
699. GEORGE III SOVEREIGN 1817
choice EF£700-900
700. UNITED STATES OF AMERICA FIVE DOLLARS 1912S
F£120-140
701. VICTORIA - GEORGE V SOVEREIGN
including shield rev., F-VF(10)
£1200-1400
702. UNITED STATES OF AMERICA TWENTY DOLLARS 1899S
F£500-600
703. GEORGE III-VI CROWN
some about F (7), Halfcrowns, Florins and other denominations, some VF, mainly cleaned, Marie Therese Thaler (10) (quantity)£150-250
704. ANNE GUINEA 1712
usual traces of edge mount or adjustment, almost VF£300-400
705. GEORGE III GUINEA 1792
some light brushing, good EF£500-600
706. GEORGE III GUINEA 1772
choice EF+£500-600
707. GEORGE III HALF GUINEA 1794
F£80-100
708. GEORGE I QUARTER GUINEA 1718
almost EF, Third Guinea 1800, F (2)£150-200
709. ELIZABETH II GOLD PROOF SOVEREIGN FOUR-COIN COLLECTION 2005
cased, 67.88g£1000-1500
710. ELIZABETH II GOLD PROOF SOVEREIGN FOUR-COIN COLLECTION 2003
cased, 67.88g
£1000-1500
711. ELIZABETH II GOLD PROOF SOVEREIGN FOUR-COIN COLLECTION 2007
cased, 67.88g
£1000-1500
712. ELIZABETH II GOLD PROOF SOVEREIGN FOUR-COIN COLLECTION 2006
cased, 67.88g
£1000-1500
713. ELIZABETH II GOLD PROOF BRITANNIA COLLECTION 2007
cased, 63g (4)
£1000-1500
714. ELIZABETH II GOLD PROOF BRITANNIA COLLECTION 2006
cased, 63g (4)
£1000-1500
715. ELIZABETH II GOLD PROOF BRITANNIA COLLECTION 2002
cased, 63g (4)£1000-1500
716. ELIZABETH II GOLD PROOF BRITANNIA COLLECTION 2005
cased, 63g (4)
£1000-1500
717. ELIZABETH II GOLD PROOF SOVEREIGN THREE-COIN COLLECTION 2005
cased, 27.94g£400-500
718. ELIZABETH II GOLD PROOF CROWN 2005
cased, 39.94g£600-700
719. ELIZABETH II GOLD PROOF CROWN 2005
cased, 39.94g
£600-700
720. ELIZABETH II GOLD PROOF CROWN 2004
cased, 39.94g£600-700
721. ELIZABETH II GOLD PROOF CROWN 2007
cased, 39.94g£600-700
722. ELIZABETH II GOLD PROOF CROWN 2006
cased, 39.94g£600-700
723. ELIZABETH II GOLD PROOF TWO POUNDS TWO-COIN SET 2006
cased, 31.94g
£500-600
724. ELIZABETH II GOLD PROOF TWO POUNDS 2005
cased, 15.98g
£220-280
725. ELIZABETH II GOLD PROOF TWO POUNDS 1997
cased, 15.98g£220-280
726. ELIZABETH II GOLD PROOF TWO POUNDS 2007
cased, 15.98g
£220-280
727. EDWARD VII SOVEREIGN 1904 AND FRANCE TWENTY FRANCS 1904
together cased as a 'set' issued by the Royal Mint to commemorate the 100th Anniversary of the Entente-Cordiale, both about F£200-250
728. FRANCE GOLD PROOF TWENTY EUROS 2004
cased, 17g£220-280
729. ELIZABETH II GOLD PROOF ONE POUND 2004 AND 2006
cased (2) 39.24g£600-700
730. GUERNSEY GOLD [24 CT] PROOF TWENTY FIVE POUNDS 1995
cased, 7.81g£120-140
731. ELIZABETH II GOLD PROOF CROWN TWO-COIN SET 2005
cased, 79.88g£1000-1500
732. VARIOUS COUNTRIES. GOLD [INC 24CT] PROOF/BU SMALLEST GOLD COINS IN THE WORLD COLLECTION 1995
cased (14)£280-320
733. UNITED KINGDOM AND ALLIES. ALLIED FORCES GOLD PROOF FOUR-COIN SET 2005
cased, 40.793g [inc 24ct: 7.89g]£650-700
734. ELIZABETH II GOLD PROOF SEVEN-COIN COLLECTION 2008
cased, 84.76g
£1200-1800
735. CHANNEL ISLANDS, GOLD PROOF CROWN THREE-COIN COLLECTION 2005
cased, 119.82g£1800-2500
736. ELIZABETH II GOLD PROOF THIRTEEN-COIN SET 2002
cased, 148.65g£2500-3000
737. ELIZABETH II SOVEREIGN 1965, 2005 AND 2006 AND ISLE OF MAN ONE TENTH ANGEL
EF-UNC£400-450
737A. ELIZABETH II GOLD PROOF THREE-COIN SET 1984
cased, 51.91g£800-1000
737B. ELIZABETH II GOLD PROOF THREE-COIN SET 1984
cased, 51.91g
£800-1000
737C. CANADA, ELIZABETH II BRILLIANT UNCIRCULATED SET 1697
10 cents-20 dollars, cased 18.4g [of gold]£250-350
738. EDWARD VII HALF SOVEREIGN 1902, 1907 AND 1910
about F £350-400
739. ELIZABETH II SOVEREIGN 2000, 2001, 2003 AND 2004
all BU £500-550
740. ELIZABETH II SILVER PROOF BRITANNIA FOUR-COIN COLLECTION 1997 AND 2001
both cased£200-300
741. ELIZABETH II SILVER PROOF FIFTY PENCE 1992, 1994 (4) AND 1998
£60-90
742. ELIZABETH II SILVER PROOF COMMEMORATIVE AND CURRENCY-ISSUE ONE POUND 1983, 1984, 1985 (X2), 1986 (X2), 1990, 1993 (PIEDFORT) 1994 (AND PIEDFORT), 1995 (AND PIEDFORT) 1996, 1998 AND GUERNSEY 1995
all cased £120-180
743. ELIZABETH II SILVER PROOF TWO POUNDS 1994 (2) 1995 (4) AND 1996 £80-120
744. ELIZABETH II SILVER PROOF COMMEMORATIVE AND CURRENCY-ISSUE TWO POUNDS 1995 (5, INCLUDING ONE PIEDFORT) 1997 AND 1998 £80-120
745. ELIZABETH II SILVER PROOF CROWNS 1996 (2), 2001 (2), 2004 (PIEDFORT), 2005 AND PROOF PIEDFORT FIFTY TWO-COIN SET 1994
£80-120
746. FRANCE SILVER PROOF PIEDFORT COMMEMORATIVE 100 FRANCS TWO- COIN SET 1987, SILVER PROOF 1 FRANC 1992 (3) AND NINE OTHERS, CROWN-SIZED
all cased (8 cases)£100-150
747. THE COMMONWEALTH ELIZABETH II GOLDEN JUBILEE COLLECTION
24 silver/silver gilt proof crowns 2002 or 03 cased
£150-200
748. UNITED STATES OF AMERICA DOLLAR VARIOUS DATES 1889-EARLY 20TH CENTURY (9); VARIOUS OTHERS MAINLY CROWN-SIZED SILVER AND UNITED KINGDOM FLORINS AND SHILLINGS
pre 1920 5 (shillings face) and 1920-46 (£5 5 shillings face), some F£200-300
749. ELIZABETH II BASE METAL PROOF SETS 1983 (X2)1984, 1988, 1989, 1992, 1994, 1995, 1996 (X3), 1997, 2003, 2004 AND 2002 (X2)
all cased£100-150
750. UNITED KINGDOM, COMMONWEALTH AND FOREIGN, 20TH CENTURY SILVER AND BASE METAL COINS
mainly commemorative crowns, Royal Mint Uncirculated Sets, 19th and early 20th century pennies and other British and foreign coins and replica classical coins in two ring binders; etc£200-300
751. UNITED STATES OF AMERICA DOLLAR 1990s AND CIRCA
BU (27)
£150-200
752. UNITED KINGDOM, COMMONWEALTH AND FOREIGN PROOF SILVER COMMEMORATIVE COINS, MAINLY CROWN-SIZED INCLUDING SINGAPORE TEN DOLLARS PIEDFORT 2001
all BU (approximately 130)£600-900
753. ELIZABETH II GOLD PROOF ONE POUND 2007
cased, 19.61g£300-350
754. AN INDIAN DAGGER, KHANJARLI
with watered blade in associated Mughal style rock crystal carved hilt, 37cm l, possibly 19th c£100-150
755. AN INDIAN DAGGER
the fullered blade possibly refashioned from a European weapon, the Mughal style black stone hilt of fish form carved with scales, 31cm l, 19th c
Provenance: acquired in Lucknow.£100-200
756. AN INDIAN DAGGER BLADE
twin fullered and curved sharply towards the point, inlaid in gold at the forte with an inscription in foliate border, 21cm l, 19th c£100-200
757. A MUGHAL SABRE, INDIA
the watered blade with palmette device and inscription, the gold inlaid foliate hilt with zoomorphic crutch shaped pommel in the form of a Zafar Takieh, blade 80cm l, c18th c £400-600
758. A MUGHAL DAGGER, KATAR
the finely chiselled blade with a twin-branching medial rib and lotus, the gold inlaid hilt with restrained foliate decoration in dotted borders, 38cm l, in associated maroon velvet covered sheath with gold inlaid shoe, c1800 (2)£300-400
759. AN INDIAN DAGGER, KARD
gold inlaid at the forte and along the hilt with foliage, pinned bone grips, 27.5cm l, 19th c, later sheath (2)£100-150
760. FIVE INDIAN BONE PENKNIVES
of similar faceted form with steel blade, the back of two inlaid with silver, two with carved inscription, 4.5-8.5cm l, 19th/early 20th c £100-200
762. AN 1822 PATTERN INFANTRY OFFICER'S LEVEE SWORD AND SCABBARD
the pipe- backed blade etched to both sides with the crowned laureate cipher of George IV, the hilt retaining practically all of the original gilding and with wire-bound fishskin covered grip, the metal scabbard with suspension rings, blade 80cm£200-300
763. A FRENCH INFANTRY OFFICER'S SABRE AND SCABBARD
with broad-fullered, etched and partly blued and gilt blade, hilt and chequered grip, the scabbard with suspension rings, blade 84cm£200-300
764. A FRENCH INFANTRY OFFICER'S SABRE AND SCABBARD
with broad-fullered, etched and partly blued and gilt blade, brass hilt and chequered grip, the scabbard with suspension rings, blade 80cm£200-300
765. A FRENCH CAVALRY OFFICER'S SABRE
with board-fullered, etched and partly blued and gilt blade signed at the forte P Knecht Solingen, with brass hilt and wire bound, leather-covered wood grip, steel scabbard with brass suspension rings, blade 82cm£200-300
766. A FRENCH SILVER-HILTED SMALLSWORD AND SCABBARD
the fullered, etched and partly blued and gilt blade inscribed VIVE NAPOLEON and on the reverse L'empereur de france, the shell guard applied with grenades, scroll border chased with still leaves, short globular quillon and conforming knuckle-guard, the pommel in the form of a helmet, wire-bound grip with silver-mounted black leather scabbard and leather sword belt, blade 76cm, bearing Paris marks for 1798-1809 (3)£1000-1500
767. TWO FRENCH CUIRASSIERS
with double fullered blade, brass four-bar hilt and wire bound leather covered wood grip, steel or black steel scabbard with suspension rings, blade 96cm£200-300
768. A 1796 PATTERN HEAVY CAVALRY TROOPER'S SWORD
the blade stamped on the back Osborn & Gunby, the steel hilt with wood grip, blade 88cm; a French cavalry tooper's sabre, with brass hilt (2)£200-300
769. AN 1803 PATTERN INFANTRY OFFICER'S SWORD AND SCABBARD
the etched blade with the crowned royal cipher and on the other side the royal arms and trophies, retaining traces of gilding, stamped on the back J Runkel Soningen, with gilt brass hilt and wire-bound leather-covered wood grip, the scabbard with two suspension rings, blade 82cm£150-250
770. A 1796 PATTERN LIGHT CAVALRY OFFICER'S SWORD AND SCABBARD
the etched blade with crowned royal cipher, initials WC and date 1797 and on the other side the motto DUCIT AMOR PATRIA, allegorical figure and cutler's signature H OSBORN, stamped on the back Osborn, the regulation steel hilt with faceted back-strap and original leather covered wood [wormed] grip, the iron scabbard with suspension rings, blade 82cm£200-300
771. A 1796 PATTERN LIGHT CAVALRY OFFICER'S SWORD AND SCABBARD
with plain blade, steel hilt with faceted back-strap and [later] leather-covered wood grip with steel wire, the steel scabbard with fixed suspension rings and engraved D Egg 132 Strand London, blade 79cm£150-250
772. TWO 1856 PATTERN NAVAL OFFICER'S DIRKS AND SCABBARDS
with etched blades, one with GvR cipher, royal arms and cutler's signature Gieves, brass- mounted leather scabbard, blade 45cm£100-150
773. A FRENCH 1831 PATTERN FOOT ARTILLERY SWORD AND SCABBARD
with brass hilt, stamped Arsenal TLABOT [Thiebaut] PARIS and other marks, brass- mounted leather scabbard, blade 48cm; a short sword and brass-mounted leather scabbard; a French bayonet and scabbard and a khukri (8)£100-150
774. AN ENGLISH TRANSITIONAL REVOLVER
the 14.5cm octagonal barrel engraved on the top flat in gothic script Improved Revolver, with nickel inset sight and engraved around the muzzle, having plain cylinder, engraved action, hammer, trigger-guard, back strip and butt cap with compartment, chequered walnut grips, 32cm l, c1850£200-300
775. A FRENCH FLINTLOCK BLUNDERBUSS
the brass barrel formed in three stages and tapering towards the muzzle, the steel backstrip stamped 62, the lock engraved four a tulle, in walnut full-stock with moulded detail, steel trigger-guard, ramrod pipe and side and butt plates, 69cm, 18th c£300-500
776. ,AN INDO-PERSIAN STEEL PRIMING FLASK
the almost 'V' shaped vessel stamped with bands of 'roe' and with spring-operated zoomorphic cap suspended from a wire loop, 12cm h, 19th c£200-300
777. A PART HALF-ARMOUR IN MILANESE STYLE
comprising a comb morion, the rounded two-piece skull rising to a tall comb and with rope edged brim (partly split), conforming breast plate with medial ridge and gauntlets with flared and pointed cuff, four metacarpal plates and a knuckle-plate (one lacking thumb defence) all decorated with strapwork and/or flower-filled vases and foliate scroll work, morion 37cm h, late 19th or early 20th c (4)
£250-350
778. A PAIR OF NOTTINGHAMSHIRE VICTORIAN OAK WALL BRACKETS CARVED BY RALPH TUDSBERY
in the form of a heron with outspread wings standing amidst bulrushes, a snake at its feet, the semi-circular shelf with ivy leaves, 44cm h; 35 x 18cm, stamped circular mark R TUDSBERY ARTIST EDWINSTOW NOTSH.
The Edwinstowe cabinet maker and carver Ralph Tudsbery's naturalistic herons and game bedeck the pair of walnut sideboards he supplied to the 3rd Earl Manvers for Thoresby Hall, Nottinghamshire in April 1872, and for which he charged £35 15/s. The heron, in particular was a popular subject for supports and seems first to have been used as a base by G J Morant, shown at the Great Exhibition in 1851.£200-300
779. A NOTTINGHAMSHIRE VICTORIAN OAK WALL BRACKET CARVED BY RALPH TUDSBERY
similar to the preceding lot, 51cm h, stamped circular mark R TUDSBERY ARTIST EDWINSTOW NOTSH.
See footnote to the preceding lot.£200-300
780. OTTOMAN TEXTILES. THREE CUSHION COVERS OF SILK AND METAL THREAD EMBROIDERY AND A VALANCE
the covers worked with central tugra in a circle of medallions and foliage on a red or green ground, two backed in light blue silk, 53 x 54; another Turkish embroidery, all 19th c (5)£100-150
781. TEN VICTORIAN COPPER GRADUATED MEASURES
of 'haystack' form, 4 gallons-half pint, various excise marks, 43cm h max£400-600
782. A VICTORIAN WALNUT WRITING BOX
with brass stringing, fitted interior with leather lined slope and Bramah lock, 40 x 24cm£100-150
783. FOLK ART. A VICTORIAN CARVED AND PAINTED WOOD, COMPOSITION AND FABRIC TABLEAU OF THE GARDEN OF EDEN
Adam and Eve standing beneath the Tree of Knowledge, a squirrel and birds in its branches and other animals in their midst, the paper covered and painted glazed case 42cm h£600-800
784. A FRENCH CONTEMPORARY NAPOLEONIC COTTON, VELVET AND SILK MINIATURE DOLL
with vellum boots, 11cm h, early 19th c£200-300
785. A PAIR OF CARVED WOOD FIGURES OF A MAN AND WOMAN, POSSIBLY PORTUGUESE COLONIAL
the man in a plumed coronet and knee length coat tied at the waist, his companion holding a (?) tablet and wearing a necklace, ornamental bodice with padded sleeves and ankle length dress gathered tightly at the waist, lead weighted plinth, 52cm h, 19th c£800-1200
786. AERONAUTICA. A SILVER-MOUNTED AND INLAID MAHOGANY INKSTAND
surmounted by a miniature laminated wood four-blade propeller and with a pair of contemporary capstan inkwells, 30.5cm w, silver inkwells Chester 1910£250-350
787. A VARNISHED WOOD AND PERFORATED METAL CANARY CAGE
with coffered lid, metal vents, sliding shutters and sliding ends, one with breakarched aperture, giltmetal handle, 6.5cm h excluding handle£100-150
788. AN EMBROIDERED MINIATURE PORTRAIT OF QUEEN ELIZABETH I
worked in light and dark blue and other coloured wool and silk in a variety of stitches and detailed with 'pearl' and glass spangles, oval, 13 x 9.5cm, contemporary papier mâché frame, 19th c£200-300
789. A FRENCH GILT BRONZE-MOUNTED MARBLE DESK SET
the pair of candlesticks and pen stand applied with hardstone insects, the similar figural inkstand in the form of a slave girl carrying in each hand a ring supporting a glass inkwell and cover, candlesticks 18.5cm h, c1870 (6)£300-400
790. A FRENCH MOULDED LEATHER PANEL OF THE CROWNING WITH THORNS BY JOSEPH-MICHEL DULUD
67 x 50cm, impressed DULUD Paris, wood frame, 19th c£200-300
791. A JOHANN MARESCH PAINTED TERRACOTTA TOBACCO JAR AND COVER
in the form of a man stoking a stove, on rectangular base, 17cm h, c1890£150-200
792. A FRENCH BRONZE-MOUNTED BELGIAN SLATE INKSTAND
with the seated figure of Galileo between inkwells formed as terrestrial and celestial globes, on cavetto base and paw feet, 28.5cm h, stamped CH. ...A PARIS, late 19th c£500-700
793. FREEMASONRY. AN INLAID MAHOGANY TEA CADDY
of hexagonal form, crossbanded in sycamore and inlaid with masonic emblems detailed in penwork, with brass handle and claw and ball feet, 14cm h excluding the handle£600-800
794. A VICTORIAN CAST-IRON STICK-STAND
of naturalistic inspiration, on shell base, 71cm h, applied brass PODR lozenge shaped mark£200-300
795. NOTTINGHAM. A VICTORIAN POLICE TRUNCHEON
of painted beech, emblazoned with the royal crown, V/I/R and COUNTY OF NOTTM 460, 47.5cm l £200-300
796. A VICTORIAN BLACK JAPANNED TEA TRAY
of barbed outline painted in polychrome and gold with a border of flowers and leaves, 81 x 61cm£100-200
797. A MARINER'S COMMEMORATIVE WOOLWORK PICTURE OR 'WOOLIE' OF HMS QUEEN MARY
beneath the royal cipher, ensign and banner IN MEMORY OF HMS Q MARY SUNK 1916 IN GREAT WAR/VICTOR READ all on a black ground, 35.5 x 35.5cm, c1916 £150-250
798. TREEN. A LIGNUM VITAE TURNED CUP AND COVER
the low domed covered with tiered finial, on knopped baluster stem and stepped foot, 34cm h, 18th or 19th c£400-600
799. A VICTORIAN COROMANDEL STATIONERY SET
the studded gilt brass mounts of strapwork set with porcelain medallions painted en grisaille with Putto on an etruscan red ground, comprising stationery box with fitted interior and coffered lid, locking letter trough and blotting book, box 22cm w, engraved on a brass tablet FIELD 67 Regent Strt (3)£300-400
800. ANTIQUITIES. A GREEK TRANSPORT AMPHORA , POSSIBLY ADRIATIC
Some marine encrustation, 84cm h, c third-second century BC, black painted wrought-iron stand£300-500
801. TWO SIMILAR SWISS POLYCHROME MAPLE CARVINGS OF A LADY AND AN OLD MAN AND HIS GRANDDAUGHTER
on chamfered bases, 18 & 19cm h, one marked in pencil on the underside 5097/15, c1900 £200-250
802. A VICTORIAN COPPER FISH KETTLE AND LID BY BENHAM AND FROUD
with pairs of substantial loop handles and zinc lifting-tray, 80cm l, maker's mark£150-200
803. A VICTORIAN COPPER PRESERVING PAN
with rolled rim and turned handles, 48cm w£100-150
804. SMOKING. A COLLECTION OF TOBACCO PIPES
including Meerschaum, briarwood and porcelain examples, some silver-mounted and four South American silver coloured metal mounted mate gourds, all late 19th/early 20th c (approx 60)£300-500
805. AN ENGLISH EARTHENWARE MILK CROCK
lettered in gilt PURE MILK beneath a wide sepia printed and colourfully painted border of trailing roses, 24cm h, late 19th c£1500-2000
806. TWO GEORGE III LINEN SAMPLERS WORKED BY LEICESTERSHIRE SISTERS
with figures of a shepherd, shepherdess and miller, animals, house, trees and verse, by Jane Ingram aged 8 years August the 27 1792 Sewstern and Catherine Ingram Sewstern 1781, 34 x 26.5cm and 40.5 x 31cm, both framed£700-900
807. A BRONZE INKWELL AND COVER
the urnular well applied with palmettes on three griffin supports and stepped base, the cover modelled with fighting stallions, 24.5cm h, 19th c£300-500
808. A SWISS CARVED WALNUT GROUP OF A FOX ATTACKED BY THREE HOUNDS
on rocky mound, the animals with glass inset eyes, 50cm h, late 19th c£4000-6000
809. A CONTINENTAL PAINTED WOOD DOG MARIONETTE
fully articulated with painted cloth neck, 38cm h, 19th c, later iron stand£2000-2500
810. AN UNUSUAL NORTH AMERICAN SILVER PLATED NOVELTY BELL OF MOSCOW CHAMPAGNE BUCKET
with swing handle, detachable rim and liner, 27cm h, by Simpson, Hall, Miller & Co, late 19th c£150-200
811. AN ENGLISH NEEDLEWORK PICTURE OF A MONARCH AND PAGE
with a deer, hound, insects, foliage and the sun in splendour, worked in silk and metal thread in a variety of stitches, on linen ground, 18 x 24cm, early 18th c, ebonised pearwood frame£100-150
812. A VICTORIAN ROSEWOOD AND DECOUPAGE WORKBOX
the lid with painted and varnished print of flowers, the interior fitted with a tray with several ivory-lidded compartments and a mother of pearl bobbin, the underside of the lid with gilt tooled morocco and quilted silk wallet, 37cm w
Provenance: Wynne-Finch family of Cefnamwlch and Voelas, North Wales.£100-150
813. A SET OF VICTORIAN IVORY-MOUNTED EBONY HIGHLAND BAGPIPES
with tartan bag; a French bamboo, nickel plated metal and wicker shooting stick, c1900 (2)
Provenance: Wynne-Finch family of Cefnamwlch and Voelas, North Wales.£100-150
814. A FRENCH ART NOUVEAU BRONZE BUST OF A YOUNG WOMAN CAST FROM A MODEL BY GEORGES CHARLES COUDRAY
the plinth inscribed Bakie, rich brown and greenish dark patina, 63cm h, foundry stamp CH.GAUTERI BRONZIER , c1900£2000-2500
815. A VIENNESE COLD PAINTED BRONZE ORIENTALIST GROUP OF A CONCUBINE AND TWO SERVANTS AFTER ANTON CHOTKA
24cm w, c1910£500-700
816. A BRONZE STATUETTE OF AN INDIAN WOMAN WITH A LAMP
natural/dark patina rubbed in places, ebonised wood plinth, 44.5 h overall, mid 20th c£200-300
817. A BRONZE STATUETTE OF REBECCA AT THE WELL
on oval parcel gilt plinth engraved with the title, rich dark brown patina rubbed/scratched slightly in places, 49cm h, c1870£600-800
818. PAUL-GABRIEL CAPELLARO (1862-AFTER 1909)
BUST OF ARSENNE HOUSSAYE (1815-1896)
on square socle, terracotta, 80c, h, inscribed ARSENE HOUSSAYE
The novelist and poet Arsene Houssaye (or Housset) arrived in Paris in 1832. A prolific writer and man of letters, he achieved fame with his satirical Histoire du quarante et unième fauteuil de l'Académie Francaise in 1855.£300-500
819. A RUSSIAN BRONZE STUDY OF A WOLF IN A TRAP CAST FROM A MODEL BY NIKOLAI IWANOWITSCH LIEBERICH
signed, foundery stamp C E WOEFFEL, rich mid brown patina rubbed in places, 15cm h, late 19th c£1000-1500
820. A BRONZE STATUETTE OF A GIRL HOLDING A RABBIT, PROBABLY GERMAN
uneven rich dark patina rubbed slightly in places, limestone plinth, 28cm h, early 20th c£200-300
821. AN ENGLISH BRASS AND CAST-IRON SERPENTINE FIRE GRATE, ATTRIBUTED TO THOMAS ELSLEY
in neo-classical style with vase shaped finials, pierced and engraved within beaded borders, the break-arched back with a swagged urn, 75cm h; 36 x 83, late 19th/early 20th c; a similar brass fire-front and one and a pair of Victorian burnished steel fire-irons (5)£1000-1500
822. A SET OF THREE EARLY VICTORIAN BURNISHED STEEL FIRE-IRONS
with bulbous knop, shovel 74cm l£150-200
823. A PAIR OF FRENCH PARCEL GILT BRONZE CANDLESTICKS
the sconce with everted rim and leafy drip-pan on baluster stem and three lion-headed scrolling foliate supports with triform base, 30cm h, 19th c£200-250
824. SEVEN PORCELAIN OWL NOVELTY OIL LAMPS
one English and probably Moore Brothers, another French, all with glass eyes AND perched on a rocky base, the first encrusted with flowers, largest 27cm h, impressed registration mark, painted scissors in underglaze blue, or unmarked, all 19th c£200-300
825. AN ENGLISH GILT BRASS AND CUT GLASS CANDELABRUM
with cone shaped finial, the drip-pans hung with prismatic cut beads and pendants on leaf wrapped scrolling branches, bulbous stem and conforming foot, 49cm h, 19th c£400-600
826. AN ARTS & CRAFTS MOVEMENT OXIDISED COPPER LANTERN
the cylindrical frame with wide brimmed and vented conical top, semi-opalescent pink glass cylindrical shade, 39cm h, early 20th c£500-700
827. AN F & C OSLER CUT GLASS AND GILT BRONZE OIL LAMP
the hemispherical fount on a 'gueridon' of three chiseled lion monopodiae and domed glass-mounted foot, 39cm h, stamped F & C OSLER, c1870£150-200
828. TWO WILLIAM IV BRASS COLZA OIL LAMPS
one with compressed reservoir and applied with acanthus leaves, the other of campana shape, on square base or ball feet, 36 & 34cm h£150-250
829. AN ENGLISH BRASS EARLY ELECTRIC HALL LANTERN
the cut glass urnular shade with glass pendant and mounted in a girdle applied with satyr masks and foliage suspended from four incurving 'organic' brackets and the knopped shaft, 77cm h, c1910£250-350
830. AN ETCHED RED GLASS DOCTOR'S SURGERY LANTERN
of pointed form, 33cm h, early 20th c£200-300
831. AN IVORY CHESS SET, ENGLISH OR FRENCH
of Staunton pattern, stained red or natural, kings 8cm h, c1860 (32)£200-300
832. AN ENGLISH IVORY CHESS SET
of Barleycorn type, stained red and natural, kings 9cm h, c1850; another, of bone, 19th c (64)£200-300
833. AN ENGLISH BONE CHESS SET
of Barleycorn type, with rooks as flagged turrets, stained red or natural, kings 13cm h, c1850; with a gilt tooled black and tan leather folding games board (33)£500-700
834. TWO HORBY 0 GAUGE CLOCKWORK TRAIN SETS
Passenger Sets 31 and 501, both including an 0-4-0 locomotive and tender and three or two coaches, boxed£80-120
835. A HOGE PRESSED STEEL FIRE CHIEF'S CAR
in scarlet over black, with clockwork motor, break and electric headlights, 39cm l, rubber tyres marked HOGE, c1932£100-150
836. AN EVER READY BATTERY OPERATED 00 GAUGE LONDON UNDERGROUND TRAIN SET
of scarlet painted aluminium, comprising locomotive and two coaches, track and controller, boxed, 1950s £50-100
836A. TOY SOLDIERS. A COLLECTION OF BRITAINS LIMITED HOLLOW CAST ALLOY FIGURES
mainly part sets including Household Cavalry and Highlanders, bandsmen, Officers of the General Staff, Pipers of the Scots Guards and several others, historical and foreign subjects, huntsmen, etc, some boxed, early 20th c (approximately 100)£250-350
837. A HORNBY 3 1/2 INCH GAUGE LIVE STEAM STEPHENSON'S ROCKET TRAIN SET
comprising coach, circle of track and pair of 'Y' points, all boxed (4 boxes)£80-120
838. A VICTORIAN INLAID WOOD NOAH'S ARK
with pitched roof, rows of windows and reeded pilasters, containing a quantity of unpainted wooden animals, ark 30cm h, c1900£100-200
839. A SET OF THREE VICTORIAN TOOLED DARK BLUE MOROCCO STATIONERY BOXES, ONE OTHER AND SEVEN SIMILAR BLOTTING-BOOKS
all but one lettered in gilt Voelas, boxes 15cm w£100-150
840. A MINIATURE BIRCH MODEL OF A WILLIAM AND MARY ESCRITOIRE
19cm h, early 20th c; a German porcelain yellow ground inkwell and cover and desk sander, painted with watteauesque scenes; a Japanese gilt porcelain model of a cat; two Canton painted enamel boxes and covers and a small quantity of ornamental items£100-150
841. A COLLECTION OF TOOLED LEATHER AND JAPANNED GILT AND OTHER WOOD PHOTOGRAPH FRAMES
including round, oval and two folding examples, various sizes up to 31 x 24cm, early 20th c (approx 30)£100-150
841A. AN INDIAN CARVED IVORY BOX AND COVER
the cover with a Sadhu in a forest, the underside with an ascetic before buildings in foliate borders, 11cm diam, 19th c£100-200
842. AN INLAID MAHOGANY MANTEL CLOCK
with enamel dial, arabic chapters and giltmetal hands, the break arched case with laCquered brass mounts and fluted pilasters, having French movement striking on a coiled wire gong, 28.5cm h excluding the handle, ivorine trade label of PERCY WEBSTER... 37 GREAT PORTLAND ST LONDON, early 20th c£100-150
843. SUNDIAL. AN ENGLISH TURNED IVORY AND BOXWOOD MAGNETIC POCKET DIAL
the engraved and varnished card hour plate with the figure of Time and a serpent, inscribed S Porter Fecit Feby 16 1824, brass gnomon, 5.5cm diam, the underside of the domed cover with part maker's engraved trade label
Samuel Porter, a sundial maker of Norfolk Place, Shacklewell, London, working 1823-24.£100-150
844. A PAIR OF VICTORIAN WALNUT STATIONERY RACKS, ANOTHER, A DESK TRAY, THREE BLOTTING BOOKS, A BOX OF VICTORIAN FACETED GLASS CHANDELIER DROPS AND FOUR JAPANESE LACQUER TRAYS
£100-150
845. A COLLECTION OF BOARD AND CARD GAMES
including a German conjuring set in fitted box with pictorial label and that of the retailer, Chas Morell 368 Oxford St London, c1900, John Jaques & Son Ltd's Rowley Bowley, Chad Valley's Magnetic Fish Pond, Spear's GOOSEY GOOSEY GANDER COMIC QUOITS and RING MY NOSE!, Parker Bros', PEG CHOW, others and various card games, late 19th/early 20th c (a quantity)£200-300
846. ETON COLLEGE. TWO STRAW BOATERS
the boats named in gilt or silver on ribbons BRITANNIA or ALEXANDRA, with metal badges and silk flowers, by New & Lingwood, Eton, labelled J C Wynne-Finch, c1900
Provenance: Col John Charles Wynne-finch, CBE, MC (1891-1982).£100-150
847. TWO PAIRS OF CHINESE ROCK CRYSTAL SILK COVERED WIRE AND GREENSTONE 'JEWEL TREES'
set in a rectangular trough, 21cm h, in contemporary packing cases labelled "Trees in Jade pots Purchased 1927 in Peking... J C W[ynne] F[inch]", another label inscribed "Finch Majestic Hotel, Shanghai", c1927£100-150
848. A VICTORIAN IVORY SILK AND LACE BODICE AND MISCELLANEOUS COSTUME
including fancy dress, 19th c- c1930£80-120
849. A DIAMANTE APPLIQUÉ
of long fringed form, c1920; various similar trimmings, mainly removed from garments, early 20th c£100-200
850. A PAGE'S COSTUME
comprising cotton vest, ivory silk breeches and two pairs of black breeches, stockings and kid shoes, buttons marked SWEARS & WELLS REGENT ST, late 19th/early 20th c; a small quantity of lace; a Shetland shawl; etc£100-150
851. TWO PARLOUR MAID'S BLUE COTTON OVERALLS
with collar, cuffs and two aprons, sizes D and F, by Bourne & Hollingsworth Oxford St London W1, in original box with invoice dated 1954 [£4.10s 2d] addressed MRS WYNNE FINCH VOELAS BETTWS Y COED NORTH WALES£100-150
852. A VICTORIAN CHILD'S CHRISTENING GOWN AND A QUANTITY OF VICTORIAN LACE BONNETS£100-150
853. TOY SOLDIERS. A SET OF FIFTEEN GEBRUDER HEINRICH CAST ALLOY FIGURES OF THE HOUSEHOLD CAVALRY
comprising standard bearer and fourteen troopers, in the original maroon paper covered wooden box with pictorial label and maker's trade mark, 12cm h overall, c1900£250-350
854. TOY SOLDIERS. A COLLECTION OF GERMAN CAST ALLOY FIGURES
including the Household Cavalry, hussars, footguards, bandsmen, a scarce group of polar figures and accessories, contemporary painted tinplate horse-drawn vehicles, including an ambulance and covered wagon and miscellaneous other items, soldiers mainly 5cm, maroon paper covered fitted card box with gilt paper label G F [monogram] and ZINNFIGUREN EXTRA FEINE, c1900 (80 approx)£300-500
855. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *294 x 432cm£100-150
856. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *340 x 432cm £100-150
857. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *214 x 432cm£100-150
858. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *210 x 400cm, the others 210 x 432cm£100-150
859. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *290 x 432cm£100-150
860. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *254 x 432cm£100-150
861. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, two *210 x 432, two 204 x 432cm£100-150
862. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, one *250 x 415cm, the others 250 x 430cm£100-150
863. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *300 x 432cm£100-150
864. FOUR DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *210 x 430cm£100-150
865. SIX DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, one *180 x 480cm, two 210 x 520cm, three 340 x 432cm£100-150
866. SIXTY EIGHT DAMASK NAPKINS
with the arms of Wynne impaling Hildyard, *73 x 83cm£100-150
867. THREE DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *226 x 424cm, 228 x 448 and 70 x 348£100-150
868. THREE DAMASK TABLE CLOTHS
with the arms of Wynne impaling Hildyard, *224 and 260 x 436cm and 264 x 368cm£100-150
869. FIVE DAMASK TABLECLOTHS
with the arms of Wynne impaling Hildyard, *262 x 368cm, 270 x 440cm, 300 x 432cm , 320 x 432cm and 350 x 416cm£100-150
870. SIX DAMASK TABLECLOTHS
two *260 x 420cm, the others 208 x 424cm, 222 x 440cm, 256 x 432cm and 340 x 424cm£100-150
871. AN IRISH ARTS & CRAFTS MOVEMENT DAMASK TABLECLOTH
*268 x 456cm£100-150
872. SIX DAMASK TABLECLOTHS
three *340 x 432cm, the others 210 x 488cm, 234 x 432cm and 376 x 440cm£100-150
873. FOUR DAMASK TABLECLOTHS
two *400 x 440cm, the others 360 and 410 x 460cm£100-150
874. A QUANTITY OF DAMASK NAPKINS
many in sets, various sizes (approx. 300)£100-150
875. A DAMASK BANQUETING CLOTH
*390 x 540cm£100-150
876. MISCELLANEOUS DAMASK TABLECLOTHS, NAPKINS AND OTHER LINENS£100-150
877. BED LINEN. TEN SHEETS
*300/350 x c400/650cm£100-150
878. MECCANO ACCESSORY OUTFIT 5A
red and green, boxed£40-60
879. MECCANO ACCESSORY OUTFIT 4A
red and green, boxed£40-60
880. MECCANO ACCESSORY OUTFIT 4A
red and green, boxed£40-60
881. MECCANO ACCESSORY OUTFIT 3A
red and green, boxed£40-60
882. MECCANO ACCESSORY OUTFIT 8A
red and green, boxed£40-60
883. MECCANO ACCESSORY OUTFIT 2A
red and green, boxed£40-60
884. MECCANO OUTFIT 3
nickel, boxed£40-60
885. MECCANO AEROPLANE CONSTRUCTOR OUTFIT 1
civil markings G-ELYU, boxed£100-200
886. MECCANO MOTOR CAR CONSTRUCTOR OUTFIT 1
red and blue, boxed
£200-300
887. MECCANO ACCESSORY OUTFIT 7A
red and green, boxed£200-300
888. MECCANO ACCESSORY OUTFIT 2A
red and green, boxed£40-60
889. MECCANO OUTFIT 1
red and green, boxed£40-60
890. MECCANO ACCESSORY OUTFIT OA
red and green, boxed£40-60
891. MECCANO ACCESSORY OUTFIT 1A
red and green, boxed£40-60
892. MECCANO ACCESSORY OUTFIT 2A
red and green, boxed£40-60
893. MECCANO ACCESSORY OUTFIT 6A
red and green boxed £50-80
894. MECCANO ACTION PACKS
including Container Truck, Mobile Rocket Launcher, Lunar Warrior and Cosmetic Raider, all boxed (10)£40-60
895. MECCANO ELEKTRIKIT AND MECCANO OUTFIT 2
blue, yellow and zinc, both boxed£30-50
896. MECCANO OUTFITS AND CLOCK KITS
blue and yellow and blue, yellow and zinc, with two Meccano plastic caterpillar trailer packs and two boxes of loose Meccano (17)£40-60
897. MECCANO LIGHTING SET M280
boxed£50-70
898. MECCANO ACCESSORY OUTFIT 9A
red and green, boxed£200-300
899. MECCANO OUTFIT 9
red and green, boxed£200-300
900. MECCANO OUTFIT 6
nickel, boxed£50-80
901. MECCANO OUTFIT 6A
nickel, boxed£50-80
902. MECCANO MOTORS
electric and clockwork, various, boxed (18)£50-100
903. MECCANO TINS
some duplication, condition variable (27)£50-80
904. MISCELLANEOUS MECCANO ACCESSORIES
including motors and a great variety of metal and other parts, retailers' banners, John Waddington Ltd circular jigsaw puzzle, Meccanoman's Newmag, Meccano Magazine, Constructor Quarterly and similar publications (quantity)
£180-250
905. MECCANO PARTS AND ACCESSORIES
including ships funnels, flywheels, tools and packaging, arranged in a glazed and green painted wood frame, 89 x 41cm£60-100
906. MECCANO WHEELS, GEARS AND TYRES
mainly black, red and blue, neatly arranged on looms in red and green painted timber three-drawer storage unit£100-200
907. MISCELLANEOUS MECCANO PARTS
including red and green and other items, in red and green painted timber two-drawer storage unit£100-200
908. MECCANO GEARS AND PARTS
mainly red and green, on looms or neatly arranged in a red and green painted wood nine- drawer storage unit£150-250
909. MISCELLANEOUS MECCANO PARTS AND ACCESSORIES
including red and green, neatly arranged in oak six-drawer storage unit£100-200
910. REFERENCE BOOK. LOVE (BERT) AND JIM GAMBLE
THE MECCANO SYSTEM AND THE SPECIAL PURPOSE MECCANO SETS 1901-1979
signed copy, oblong 4to, illustrated cloth, dust jacket, London 1985; and Christie's, South Kensington, Catalogue of the Sale of the Meccano Museum, 7 September 1989, with prices realised (2)£80-120
911. MECCANO INSTRUCTION MANUALS
1920s and later, poor to fair condition, some better (approximately 70)£100-150
912. A MECCANO MODEL 0-4-0 LOCOMOTIVE, TENDER AND GUARDS VAN
green, on a length of show track£100-150
913. A MECCANO MODEL 'STIRLING' LOCOMOTIVE, TENDER AND CARRIAGE
red and green, on a length of show track£80-120
914. A MECCANO MODEL TANK LOCOMOTIVE
red and green and two other Meccano model locomotives and tenders (5)£80-120
915. TWO MECCANO MODELS OF STEPHENSON'S ROCKET AND TENDER
red and green and yellow and zinc£50-100
916. A MECCANO MODEL OF A DOUBLE HORIZONTAL STEAM ENGINE
red and green£80-120
917. A MECCANO MODEL STEAM SHOVEL
red and green£40-60
918. A MECCANO MODEL BEAM ENGINE AND STATIONARY STEAM ENGINE
both red and green£50-80
919. A MECCANO MODEL TRACTION ENGINE
red and green£100-150
920. A MECCANO MODEL TRACTOR AND MUCK SPREADER AND A TIPPING LORRY
red and green and green and blue respectively£40-60
921. THREE MECCANO MODELS
red and green, comprising caterpillar tractor, digger and excavator£50-80
922. FIVE MECCANO MODELS
red and green, comprising a forklift truck, cement lorry, skip lorry, mobile crane and cement mixer£50-80
923. EIGHT MECCANO MODELS
various colours, comprising two bi-planes, a tri-plane, tricycle, army truck, tank and two vintage motor cars£50-80
924. TWELVE MECCANO MODELS
mainly red and green, all electric devices, mainly engines with crankshafts and similar and a 1930s English electric motor on Bakelite base, ESL trademark (13)£50-80
925. A COLLECTION OF MECCANO MODELS
including a lathe, red and green, two remote controlled vehicles and four various clocks£50-100
926. A VICTORIAN BRASS 3 INCH REFRACTING TELESCOPE
with rack (defective) focusing, several focusing tubes and lens cap, on folding tripod, optical tube 105cm l, in black painted fitted deal box with trade label of F ROBSON Mathematical Instrument Maker NEWCASTLE ON TYNE £300-500
927. AN R & J BECK MAHOGANY AND BRASS PATENT MIRROR STEREOSCOPE
the eyepieces marked R & J BECK ACHROMATIC STEREOSCOPE 31 CORNHILL LONDON, with frosted glass septum, rack focusing and red morocco leather covered handle on the underside inscribed PATENT MIRROR NUMBER 3331, in fitted mahogany case, c1865; with a quantity of stereo photographs, case 26.5cm w£100-200
928. MEDICAL. AN ALCOCKS CLARET GROUND EARTHENWARE PHARMACY JAR AND COVER
of partly fluted, tapered cylindrical shape with moulded leafy gilt loop handles and inscribed on an elaborate gilt banner HONEY, 32cm h, impressed ALCOCKS in a semi circle, c1850£400-600
929. MEDICAL. A WEDGWOOD CREAMWARE EYE BATH
on flared foot, 5.5cm h, impressed mark, early 19th c£150-200
930. A VICTORIAN BRONZE SEXTANT
with inset silver scale and vernier signed J COOMBES OPTICIAN & INSTRUMENT MAKER DEVONPORT 8147 and FELIX T ROCHE, RN, with sets of three and four filters, telescope, magnifier and shaped boxwood handle, 20cm radius, in fitted mahogany case with maker's trade label and Certificate of Examination of the National Physical Laboratory [Index Error: Nil] dated 1912£250-350
931. OPTICAL TOYS. TWENTY-NINE VICTORIAN MAHOGANY-MOUNTED MAGIC LANTERN SLIDES
all attractively painted, including twelve comical slipping slides (one double), 10 x 18cm£100-200
932. A LEICA 111f CAMERA
red dial, number 770558, with maker's Summarit f1.5 5cm lens and lens cap, a Leica meter in leather case and two Leica lens hoods, one boxed, with Leica Guide, second edition, 1959£200-300
933. FIVE CAMERA LENSES
comprising P Angenieux Retrofocus Type R1 f2.5 3.5cm (2), Nipon Kogaku Nikkor -PC f2 8.5cm, leather case, Canon Serenar f1.9 8.5cm, leather case and Canon f1.8 5cm, several lens hoods and a Nikon viewfinder (6)£100-150
934. A VICTORIAN BRASS CHONDROMETER
signed on the engraved scale-beam A APPS 433 STRAND LONDON, the slider inscribed lbs Imperl per Bushel, the bucket with hook in the swing handle, on turned stand with steel bearings, complete with wood roll-strike, 17cm h, in fitted mahogany case with printed instructions and trade label£100-150
935. A VIOLIN
labelled "fillius Luigi Fecit Italia Ano 1925",length of back 70cm; two violin bows (3)
£200-300
936. A VIOLONCELLO
fingerboard stamped H494, length of back 78cm, fitted wood case£6000-8000
937. A SILVER MOUNTED VIOLONCELLO BOW
with ebony frog, branded W.E.H. & S and (under the frog) L28, 70g
£1000-1500
938. A SILVER MOUNTED VIOLONCELLO BOW
with ebony frog, stamped ...RETZSCHNER£250-350
939. AN VIOLIN, POSSIBLY ITALIAN
the interior numbered in pencil 719, finger board stamped 8761, length of back 65cm; a violin bow (2)
Provenance: Frederick Mountney, lecturer in the Music Department of Nottingham University College, Conductor of the Nottingham Municipal Orchestra, The Nottingham Music Club String Orchestra and the Nottingham Sacred Harmonic Society. Mountney was one of the most important teachers of music in the Midlands in the pre and post war years. £1000-1500
940. A VIOLIN
labelled "Caspar da Salo in Brescia 1532", length of back 70cm, late 19th c; two violin bows, one branded "Penzel" and a good quality contemporary brass mounted oak violin case by W E Hill &Sons, marked on lock£200-300
941. A VICTORIAN OAK STICK BAROMETER
signed on the ivory scales DAVIS & SON Derby 9am Yesterday/9am To day, with twin verniers and mercury thermometer, in Elizabethan revival carved case, 99cm h
Provenance: Almost certainly supplied to either one of the Rothwell family or Sir Arthur Seale Haslam and thence by descent at Breadsall Priory, Derbyshire until sold at the sale of the contents, c1967, whence bought by the present vendors.£400-600
942. A VICTORIAN ROSEWOOD STICK BAROMETER
with arched top, engraved ivory scales with vernier signed JOHN DAVIS OPTICIAN DERBY, ivory knob and mercury thermometer, bun turned cistern cover, 91cm h£300-500
943. A FRENCH GILT BRASS AND TORTOISESHELL CLOCK
the gilt dial with milled centre and arabic chapters, the movement marked on the circular backplate C H PARIS and striking on a coiled wire gong, in arched case on bun feet, 23cm h, early 20th c£400-600
944. A BLACK FOREST EBONISED WALL HANGING CUCKOO CLOCK
the enamelled dial with pierced hands set in a painted wooden plate, the movement with wooden plates in architectural case, with pendulum and brass-sleeved weights, 37cm h, printed paper (fragmentary) trade label of JOH BAPTIST BE[H]A IN EISENBACH ..., c1870£100-150
945. A SPRING-DRIVEN WALL TIMEPIECE
signed on the George III brass chapter ring R Smith Loughborow, with (associated) black painted iron centre and steel hands and seconds hand, the German brass four-pillar movement by Winteshalter & Hofmeier with anchor escapement and tapered plates, with a wood rod pendulum, dial 23.5cm diam£200-300
946. A FRENCH LACQUERED BRASS CARTEL CLOCK AND MATCHING BAROMETER
the dials with enamel plaques and signed LAY 29 Pge Jouffroy PARIS, the mannerist style cast openwork case bearing the date '1539', 53cm h, c1900£1000-1500
947. AN OAK LONGCASE CLOCK
the 18th c brass 26.5cm dial signed on the chapter ring Brown Leverpool, with matted centre, single hand and cherub and crown spandrels, having thirty hour movement in George III 'primitive' oak case with flared pediment, turned pilasters, slender trunk with side mouldings to accommodate the pendulum-swing and full length door, on conforming base, 203cm h£500-800
948. A VICTORIAN OAK LONGCASE CLOCK
signed on the painted circular dial HALLAM & SON NOTTINGHAM, the eight-day movement in break-arched case with reeded mouldings and chamferred trunk with arched door above a panel, on tall base, 209cm h£300-500
949. A DATED GEORGE III LONGCASE CLOCK
signed on the break-arched and silvered regulator type dial G SWINDEN BRENTFORD, with minutes ring and subsidiary dials for the seconds and hours, the ivory moon sphere to the arch in lacquered brass bowl beneath an engraved horizontal ring [numbered 0-5-29.5] with indicator, the reverse of the dial plate engraved Geo Swinden Brentford Fecit Aged 18 Years 1797, the eight day, four-pillar movement chiming on eight bells and striking on a later wire gong, the iron rod pendulum with brass disc bob and having two substantial lead weights on pierced brass pulleys, in associated, later-carved, embellished and dark stained oak case with swan neck pediment, mask, inscription BEAUTIFUL BELLS, date '1693', a scene and allegorical figures, 244cm h, 1797, case 18th c and later
Ballie records clocks made by Francis Swinden ('& Son' from 1802) 1782-1805 and Henry son of Francis Swinden, apprenticed to John Brooks 1797 and w. probably with his father until 1808. A plausible explanation of the engraved inscription on the reverse of the dial, since there is apparently no record of a son named George, is that he may have died prematurely and that this fine clock was intended to commemorate him.£2000-4000
950. A GEORGE III JAPANNED LONGCASE CLOCK
the break-arched brass dial signed on a silvered tablet Thos Amyot Norwich, with subsidiary seconds dial, date aperture and matted centre, STRIKE/SILENT ring to the arch and with emblematical Season and dolphin spandrels, having eight-day, five-pillar movement, the case with stepped cornice, turned pilasters and break-arched door decorated with scenes, diaper and trailing foliage, 217cm h£1000-1500
951. A GEORGE II JAPANNED LONGCASE CLOCK-CASE
the hood with break-arched cornice, 'caddy' moulded pediment and turned pilasters, the moulded door with lentical, on (slightly reduced) base, decorated with birds, a vase of flowers and trailing foliage, 222cm h£400-600
952. A VICTORIAN OAK LONGCASE CLOCK
signed on the break-arched and painted dial Stevenson Nottingham, having pierced date sector and gilt brass hands, painted to the arch with Christ and the Woman of Samaria, the spandrels with young women emblematical of the Seasons, having thirty hour movement in crossbanded and line inlaid case with swan neck pediment and turned pillars, 217cm h £600-800
953. AN OAK LONGCASE CLOCK
signed on the break-arched and painted dial Deacon Barton, with pierced date sector and gilt brass hands, painted to the arch with a bird and flowers, the spandrels with tulips, having thirty hour movement in crossbanded and inlaid case with swan neck pediment and turned pillars, a lozenge to the 'niche' door, 221cm h, c1830£400-600
954. A LONGCASE CLOCK MOVEMENT AND DIAL
the 28cm brass dial plate signed on the (associated) silvered chapter ring Thom Bridg Londini fecit, with matted centre, square date aperture and pierced hand, having mask spandrels and 30 hour movement, 18th c£250-350
955. AN EDWARD VII OAK LONGCASE CLOCK
the foliate engraved gilt and silvered dial signed on a tablet to the arch J SMITH & SONS CLERKENWELL LONDON flanked by subsidiary WHITTINGTON CHIMES/WESTMINSTER CHIMES and CHIME/SILENT rings, the chapter ring with applied arabic numerals signed at six FRED LEE COVENTRY and with subsidiary seconds dial and blued steel pierced hands, the finely engineered and substantial movement chiming on tubular bells with short rod pendulum with lead cylindrical bob and three brass weights, the hood crested by swags and foliage and having dentil cornice, leafy corbels and side frets, the trunk enclosed by a bevelled glass inset door, festoons to the panelled base, 245cm h£2000-3000
956. A GEORGE III OAK LONGCASE CLOCK
the 25cm brass dial signed on the chapter ring Hen Baker Appleby, with matted centre, cherub-and-crown spandrels and pierced steel hand, the thirty hour movement with turned pillars and striking on a large bell, the case with stepped pediment and fruitwood veneered frieze with turned pillars, the trunk enclosed by a long crossbanded door, on plain base, 207cm h£500-700
957. A GEORGE II JAPANNED LONGCASE CLOCK
the break-arched brass dial signed on a silvered disc to the arch DEVEREUX BOWLY LONDON in a cartouche, having silvered chapter ring, subsidiary seconds dial, date aperture, ringed winding holes, matted centre and mask spandrels in engraved wheatear border, five-pillar eight-day movement, the case with stepped pediment, turned pilasters and panelled door decorated with oriental scenes and trailing foliage, 220cm h
Provenance: The Wynne-Finch family of Cefnamwlch and Voelas, North Wales£1200-1800
958. A GEORGE I OAK LONGCASE CLOCK
the engraved brass dial signed on the chapter ring Tho Gorsuch Salop, having matted centre with subsidiary seconds dial and date aperture, pierced steel hands, cherub-and- crown spandrels and eight day five-pillar movement, the crossbanded case with cavetto cornice, ogee pediment and turned pillars, the trunk enclosed by an ogee door flanked by pilasters, on plain base, 217cm h
Provenance: The Wynne-Finch family of Cefnamwlch and Voelas, North Wales.
Thomas Gorsuch, Clock and Watchmaker of Shrewsbury, w. 1683-1727. According to the Chirk Castle accounts of the Middleton family, on 6 February 1721, he was paid 5 shillings for mending a repeating watch for Lady Middleton. (see D J Elliott, Shropshire Clock and Watchmakers, 1979, pp 68-69).
£800-1200
959. A 2004 JAGUAR X-TYPE AWD ESTATE
3 litre petrol engine, automatic transmission, blue with beige leather interior, first registered 5 March 2004, registration number MW04 MMW, 6,518 miles, owner's and Audio Systems Handbooks and service history in green leather wallet
Supplied to the late owner by H A Fox of Nottingham on date of first registration (price paid: £30,581.92). £6000-7000
960. A DAMLIER SUPER V8 SALOON
3.6 litre, automatic transmission, silver with grey leather interior, piped in green, first registered 1 August 1997, registration number N£ MMW, 29,984 miles
Acquired by the late owner on 9 July 1998 from first registered keeper, Jaguar Cars Ltd.£4000-5000
961. Sold by direction of the executors of J L Parsons Esq
A 1931 NORTON CJ 348CC MOTORCYCLE
frame number 38723, engine number CJ 1479, bore 71mm/88mm with overhead camshaft, gearbox number 1095, fish-tail silencer, Lucas King of the Road headlamp with built-in ammeter, Smith's speedometer, leather covered saddle and pillion, tool bags and number plates, stove enamelled in black and painted in silver, lined in red and black, registration number GO 1784
The Norton factory records establish that the present machine was despatched on 15 April 1931 to the dealer Taylor Matterson of Balham, South London and was sold on 24 April to G Whaley Esq of 123 Bernerley Road, Clapham Common, SW11. Since the registration number GO was issued in London from March to May 1931 and that the dealers, Taylor Matterson were based in Balham, there is no doubt that the present, non-transferable, registration prefix GO 1784 is the original. The Norton CJ, in production to 1939, was the junior version of the 490cc model CS1.
This superbly restored motorcycle when purchased privately from a local source by the late owner in 1990 in a 'dilapidated' condition, was completely original. It had been kept for many years in dry storage. In 2000 it was the subject of a full scheme of restoration undertaken to a very high standard by specialists Sammy Miller Motorcycles in Hampshire. Since completion of the restoration it has been ridden only very infrequently and not at all in the last few years. Sold with valid SORN (expires 30 September 2010), Vintage Motor Cycle Club Limited's Certificate of Dating and a large file of correspondence and research by the late owner, full details of the restoration and photographs, invoices, valuation, photocopy of Norton Maintenance Instructions and other publications.
£4000-6000
962. A TEKKE ENSI TURKOMAN RUG
111 x 145cm£400-600
963. A SHIRVAN CAUCASIAN RUG
130 x 166cm£300-500
964. A VICTORIAN MAHOGANY AND CUBE PARQUETRY JEWEL BOX BY J B HESLOP OF NOTTINGHAM
the lid with ribbon border, fitted with a drawer to one end, 18cm h; 18 x 28cm, c1900£150-250
965. A VICTORIAN MAHOGANY AND AMBOYNA JEWEL CASKET BY J B HESLOP OF NOTTINGHAM
with gilt brass beading, the panelled lid inset with a chip carved horn oval panel, 14cm h; 17.5 x 22cm, c1900£150-250
966. A VICTORIAN IVORY-MOUNTED WALNUT AND MARQUETRY CLOCKCASE BY J B HESLOP OF NOTTINGHAM
with arched pediment and outset pillars, applied with three oval shell cameos, the door to the front and sides decorated with an urn and fan spandrels or flowers and grasses with gilt brass beading, on carved paw feet, the associated Victorian brass skeleton timepiece with fusee, 60cm h, c1900£600-800
967. A VICTORIAN MAHOGANY AND MARQUETRY FIRESCREEN BY J B HESLOP OF NOTTINGHAM
the central break arched panel with a neo classical urn and ribbon tied laurels, 74cm h, 56cm w, c1900£100-200
968. A VICTORIAN MAHOGANY AND MARQUETRY MUSIC CABINET BY J B HESLOP OF NOTTINGHAM
of pillar shape, the galleried top with upstand and lion monopodiae, fitted with two drawers above a door with embossed brass handles and decorated with swags and a neo classical urn, on brass castors, 128cm h; 43 x 58cm, c1900£200-300
969. A GEORGE III MAHOGANY TRIPOD TABLE
the dished circular top with 'birdcage' action on ring turned pillar, 69cm h, 68cm diam£200-300
970. TAXIDERMY. A VICTORIAN TABLEAU OF TWENTY-THREE BIRDS
including Lapwing, Kingfisher, Owls, Hummingbirds, Snipe, Ibis and Jays perched in the branches of a tree or on the ground before a painted 'dawn' background, the glazed mahogany case with ring turned pilasters, 132cm h; 30 x 101cm, printed trade label on the reverse of C YEOMAN TAXIDERMIST FURRIER AND SKIN DRESSER 96 HIGH STREET SOUTHAMPTON£500-700
971. A MIDDLE EASTERN PARQUETRY AND MOTHER OF PEARL INLAID TABLE
with octagonal top, the legs formed as arches, 62cm h, 52cm w, c1900£150-250
972. A VICTORIAN WALNUT SUTHERLAND TABLE
the 'butterfly' veneered oval top on baluster uprights and scrolling carved legs with pottery castors, 107cm w£200-300
973. A CHARLES II OYSTER VENEERED OLIVEWOOD AND ASH TABLE
the rectangular crossbanded top with holly or sycamore stringing, the drawer with brass drop handles on spiral turned olive ash legs with incurving flat stretcher and bun feet, 71cm h; 93 x 61cm£1500-2500
974. A VICTORIAN MAHOGANY POLE-SCREEN
the (associated) papier mâché banner painted and gilt with a scene in a cathedral and pierced with two gothic windows, on triform base and turned feet, 132cm h£150-250
975. A FLEMISH KINGWOOD CABINET-ON-STAND
with lidded cavetto top and a pair of geometric doors enclosing an architectural fitted interior with moulded drawers around an ebony and bone veneered and stepped recess flanked by gilt pillars, a drawer below, the stand with a further drawer, on spiral legs with flat incurving stretcher and bun feet, 138cm h; 88 x 46cm, 18th c, the stand later
Purchased by the present vendors at a small shop in Brixham, Devon in the early 1960s.£1000-1500
976. A SET OF TWELVE GEORGE IV MAHOGANY DINING CHAIRS
with reeded and line inlaid top rail and pierced backrail, on ring turned tapering forelegs, 84cm h£1500-2500
977. A GEORGE III MAHOGANY SERVING TABLE
with beaded frieze, on chamfered legs, 78cm h; 63 x 172cm£400-600
978. A MAHOGANY CARD TABLE
the rectangular fold-over top on chamfered legs, 71cm h; 36 x 72cm£200-300
979. AN EARLY VICTORIAN MAHOGANY DUMB WAITER
of three rectangular galleried tiers with mushroom finials, turned pillars and feet, 112cm h; 48 x 137cm, stamped T WILLSON 68 GREAT QUEEN STREET LONDON
Thomas Willson is recorded in the London directories as a 'furniture appraiser and broker' trading from 68 Great Queen Street between 1821 and 1829. The use of the stamp was apparently continued by his successors since it is found on (usually) mahogany furniture ranging in date from c1780- c1840.£600-900
980. AN EARLY VICTORIAN MAHOGANY DINING TABLE
the oblong top with ovolo lip and a leaf, on tapering turned legs with lotus knop and brass castors, 75cm h; 120 x 170cm£500-700
981. A GEORGE III MAHOGANY TEA TABLE
with a drawer in the frieze, on chamfered legs, 74cm h; 41 x 88cm£150-250
982. A MAHOGANY SIDE TABLE
with crossbanded top and drawer on square tapered legs and spade feet, 71cm h; 41 x 79cm£100-150
983. A REGENCY ROSEWOOD COUCH
the scrolling arm and volute end carved with flower roundels, on reeded tapering turned feet and castors, 87cm h; 69 x 210cm, early 19th c£1000-1500
984. A SATINWOOD AND MARQUETRY DISPLAY TABLE
the lid and sides with borders of trailing flowers, on square tapered legs with husk pendants, brass castors, 80cm h; 61 x 122cm, early 20th c£3000-4000
985. A MAHOGANY SERPENTINE TEA TABLE
the lip carved with flower paterae and on moulded legs, 74cm h; 44 x 90cm, 20th c
986. A VICTORIAN ROSEWOOD CARD TABLE
with baluster pillar and four scrolling legs, 75cm h; 46 x 92cm
987. A SET OF EIGHT MAHOGANY DINING CHAIRS
with leafy carved and interlaced scrolling splat, drop-in seat and cabriole forelegs with claw-and-ball feet, the set including a pair of elbow chairs, the arms terminating in eagles' heads, 96cm h, early 20th c
988. A GEORGE III MAHOGANY PEMBROKE TABLE
the rectangular top with shaped apron and fitted with a drawer, on moulded square legs, 70cm h, 89 x 71.5cm£200-300
989. A WALNUT DRESSING MIRROR
the plate in moulded frame with re-entrant upper corners, on crossbanded cavetto fronted base with three drawers, 64cm h; 44 x 20cm, 19th c£200-300
990. A GEORGE III MAHOGANY CHEST OF DRAWERS
the moulded top with re-entrant corners above a brushing slide and four graduated drawers with brass handles and keyplates, on bracket feet, 78cm h; 76 x 47cm£300-500
991. A SET OF SIX VICTORIAN ROSEWOOD DINING CHAIRS
the moulded 'balloon' back with carved rail, on lobed and inverted baluster forelegs, 87cm h; a similar chair (7)£400-600
992. TWO EDWARD VII PAINTED SATINWOOD SEMI-CIRCULAR TABLES
the crossbanded top with scenes of children in borders of festoons and trailing roses, the frieze with swags, on square tapered legs, 72cm h; 116 x 55cm£1500-2000
993. A CHINESE CARVED HARDWOOD URN-STAND
with marble inset top and pierced apron, on four zoomorphic legs with incurved stretchers, 46cm h, 43cm w, late 19th c£200-300
994. A GEORGE I WALNUT AND FEATHERBANDED BUREAU
the stepped and scalloped interior with drawers and a well above two short and two graduated drawers, on bracket feet, 94cm h; 49 x 90cm£400-600
995. A SET OF SIX VICTORIAN GOTHIC OAK DINING CHAIRS
with turned finials, fluted stiles and arcaded back, on tapered hexagonal forelegs, 97cm h£400-600
996. A GEORGE IV MAHOGANY BOW FRONTED CHEST OF DRAWERS
with ebony line inlaid, crossbanded top and fitted two short and three graduated drawers above the shaped apron, on splayed feet, 104cm h; 54 x 108cm£300-500
997. A VICTORIAN WALNUT DUET STOOL
with padded top and a drawer to either end, on curving 'X' shaped trestles with stretcher, 44cm h; 48 x 83cm£100-200
998. AN INTERESTING VICTORIAN GOTHIC OAK MIRROR
the design closely based on the South Door of the Parish church of St Mary the Virgin Nottingham, 84cm h, 76cm w
Provenance: Brough Maltby, Archdeacon of Nottingham, 1878-1894; thence by descent.
The historic Perpendicular church of St Mary, the largest medieval building in Nottingham, dates mainly from the early 15th c. £200-300
999. A VICTORIAN WALNUT AND MARQUETRY CABINET
crossbanded in tulipwood and line inlaid with flared frieze and ormolu-mounted pilasters of flowers and strapwork, enclosed by glazed doors, 106cm h; 112 x 32cm£300-500
1001. A GEORGE IV MAHOGANY DINING TABLE
the oblong top with leaf on eight ring-turned tapering legs with brass casters, 72cm h; 114 x 185cm£400-600
1002. A LATE VICTORIAN INLAID MAHOGANY REVOLVING BOOKSTAND
the top decorated in bone, harewood and penwork with grotesques and stringing, on pottery castors, 87cm h; 50 x 50cm £200-300
1003. A GEORGE IV MAHOGANY HALL CHAIR
with crisply carved scallop shell back and dished oval seat on ring turned forelegs, 84cm h£150-250
1004. A VENETIAN CARVED WALNUT TORCHERE
the serpentine top supported by a blackamoor holding a bunch of grapes, on three scrolling shell carved legs, 93cm h, printed depository label dated February '36, late 19th c£150-250
1005. A VICTORIAN WALNUT LOO TABLE
the richly figured, quarter veneered serpentine top with carved and stepped apron, on conforming baluster pillar and scrolling legs with pottery castors, 75cm h; 121 x 152cm, underside stencilled 6970£400-600
1006. A SET OF EIGHT MAHOGANY DINING CHAIRS
the shield shaped back with pierced splat carved with wheatears and husks and inlaid with paterae, on moulded square tapering forelegs, the set including a pair of elbow chairs, 95cm h, early 20th c£600-900
1007. A VICTORIAN IVORY-INLAID ROSEWOOD AND EBONISED MAHOGANY WRITING TABLE ATTRIBUTABLE TO COLLINSON & LOCK
the rectangular top and frieze with grotesques, cornucopiae and foliate scrolls, on eight fluted legs with inlaid stretchers and turned feet, the brass locks original, 76cm h; 99 x 55cm£1000-1500
1008. A VICTORIAN ROSEWOOD DUMB WAITER
with telescopic action, the trestles applied with diamonds and roundels, on leafy scrolling legs with later castors, 110cm h extended; 58 x 120cm
Provenance: (according to a fragmentary label) Sir J Savile Lumley, G.C.B.
Sir John Savile-Lumley [later Savile], 1st Baron Savile, of Rufford, Nottinghamshire (1818-1896).£500-800
1009. A FRENCH CARVED BEECH ARMCHAIR
in Louis XV style, the moulded back crested by a shell and terminating in volutes, upholstered in yellow brocade, 78cm h, late 19th/early 20th
£250-350
1010. A GEORGE II WALNUT BUREAU-CABINET
the stepped cornice above a pair of mirror-inset doors, the featherbanded bureau in matched veneers and with fitted interior and well above two short and two long drawers, on bun feet, 194cm h; 91 x 52cm£400-600
1011. A FRENCH WALNUT AND MARQUETRY 'LOUIS QUINZE' SERPENTINE TABLE
with gilt brass mounts, the top crossbanded in kingwood and with a central black ground group of flowers in rococo border, a drawer to the apron, the legs with chutes and sabots, 73cm h; 140 x 86cm, c1860
Provenance: Mrs Eliza Pryce, by whom acquired for Gunley Hall, Montgomeryshire, c1860; thence by descent.
£1200-1800
1012. A VICTORIAN GILTWOOD AND GILT COMPOSITION OVAL OVERMANTEL MIRROR
the plate in egg-and-dart carved slip and crested by festoons tied with a ribbon, the four sconces below on entwined branches, the leafy scrolling apron centred by a Venus shell, 138cm h, 98cm w
Provenance: Mrs Eliza Pryce, by whom acquired for Gunley Hall, Montgomeryshire, c1860; thence by descent. £400-600
1013. AN ENGLISH MAHOGANY SQUARE PIANO
signed on an enamelled oval trade label on the fretted satinwood nameboard New Patent G ASTOR & CO 79 CORNHILL London, instrument number 2163, compass of five and a half octaves, the action inscribed in ink in a contemporary hand Thos Challenor Chester, in line inlaid case on conforming stand with square tapered legs and brass castors, 85cm h; 58 x 162cm
Provenance: Formerly at Bryngwyn, Bwlch-y-Cibau, Montgomeryshire, the home of the Williams family, originally designed c1775 by the architect Robert Mylne.£300-400
1014. A JAPANESE EBONISED HARDWOOD AND LACQUER CABINET
of asymmetric design fitted with drawers and five pairs of doors or sliding doors, all decorated with gilt panels inlaid and carved in mother of pearl, horn and ivory with storks and other birds and bamboo or flowering plants, further inset with fretwork panels of bats, birds and foliage, the stand with conforming apron, 167cm h; 44 x 107cm, c1900 £400-600
1015. A VICTORIAN ROSEWOOD LIBRARY TABLE
the oblong top on octagonal trestles and leaf carved volute feet with brass castors, 72cm h; 69 x 135cm£500-600
1016. A VICTORIAN MAHOGANY BOOKCASE
in two sections with adjustable shelves enclosed by two pairs of doors flanked by carved corbels, 122cm h, 40 x 252cm£600-800
1017. A QUEEN ANNE OYSTER OLIVEWOOD AND HOLLY CHEST OF DRAWERS
veneered on deal and oak, the top with a central sexfoil and four large volutes interspersed with hearts, the fronts of the two short and three long drawers with similar motifs in crossbanded borders, the sides also oyster veneered and banded on bracket feet, 92cm h; 95 x 8cm, first quarter 18th c£5000-7000
1018. A GEORGE III MAHOGANY CHEST-ON-CHEST
with dentil-inlaid cornice and figured frieze above two short and three long drawers, the lower part fitted with three further drawers, on bracket feet, 192cm h; 50 x 112cm£600-800
1019. A FLEMISH IVORY-MOUNTED AND EBONISED CABINET-ON-STAND
of architectural form, fitted with an arrangement of drawers and doors inset with engraved ivory panels of the Christ child and scenes from the Old and New Testaments, sliding pillars revealing 'secret' drawers, the central arched interior with further drawers veneered in red stained shell, the sides with rosewood inlaid geometric patterns, the stand with a drawer to the frieze and on square tapered legs, 178cm h; 130 x 47cm, late 19th c
£1000-1500
1020. A WILLIAM IV BREAKFAST TABLE
the circular top on lotus turned pillar and quadruple moulded legs with brass castors, 72cm h, 131cm diam£250-350
1021. AN IRISH REGENCY BRASS-INLAID AND ORMOLU-MOUNTED ROSEWOOD WRITING TABLE BY HENRY EGGLESO & CO, DUBLIN
crossbanded in maple and inlaid with lozenges, the galleried superstructure on scrolling brackets and fitted with two drawers, the frieze with a secretaire, on conforming uprights with mirror inset back, inverted breakfront base and gilt ball feet, lock stamped EGGLESO & CO DUBLIN, 124cm h; 97 x 45cm
Provenance: anon sale, Sotheby's, Important English Furniture, 22 November 1991, lot 263 (as "George IV, c1820") whence bought by the present private vendor (£4,400).
£1500-2000
1022. A VICTORIAN WALNUT ARMCHAIR
the buttoned oval back in moulded frame crested by carved flowers and with volute arms, the legs with pendant-flowers, 105cm h£300-400
1023. A GEORGE III MAHOGANY BUREAU-BOOKCASE
with dentil cornice and blind fret frieze fitted with adjustable shelves enclosed by a pair of doors with octagon-pattern glazing bars, the bureau with fitted interior above four graduated drawers, on bracket feet, 217cm h; 114 x 60cm£800-1000
1024. A GEORGE III MAHOGANY BUREAU
the curl veneered flap enclosing a stepped and fitted interior with pigeon holes above four graduated drawers, on ogee feet, 109cm h; 97 x 55cm£250-350
1025. A GEORGE III OAK DRESSER
the rack with pierced frieze and fluted pilasters, the dresser with panelled sides and fitted three drawers above an arcaded apron, on turned forelegs, 194cm h; 48 x 191cm£400-600
1026. A GEORGE III JOINED OAK SETTLE
the moulded back with five raised-and-fielded panels before shaped arms, on square tapered forelegs with stretchers, 99cm h; 60 x 167cm£400-600
1027. AN OAK DRESSER, NORTH WALES
the boarded rack with moulded cavetto cornice and row of spice drawers, the base crossbanded in fruitwood, having moulded top and an arrangement of six drawers and square panelled doors, the sides also panelled, on bracket feet, 202cm h; 48 x 172cm, early 19th c£800-1200
1028. A JOINED OAK GATE-LEG TABLE
the oval top on bobbin turned action united by moulded stretchers, 71cm h; 92 x 116cm, early 18th c£100-200
1029. A GEORGE III ELM BENCH
on splayed legs of rectangular section united by stretchers, 48cm h; 25 x 171cm, early 19th c£250-350
1030. A GEORGE III FRUITWOOD ELBOW CHAIR
with pierced splats and shaped arms, the slip seat in later woolwork and on square moulded legs with stretchers, 98cm h£100-200
1031. A GEORGE III ELM READING CHAIR
with pierced splats and turned uprights, on chamfered legs, 76cm h
£150-250
1032. A JOINED OAK GATELEG TABLE
the oval top on bobbin turned legs united by moulded stretchers, 77cm h; 154 x 130cm, 19th c£200-300
1033. A CHARLES II OAK CHEST, POSSIBLY WELSH MARCHES
the three flowerhead and lozenge-carved panels to the front centred by a double flower, one with the initials R S divided by guilloche between nulled and chip carved borders, the sides with twin conforming panels beneath a frieze of chip carved 'S' motifs, on tall stiles, the interior with a till, boarded lid, 74cm h; 55 x 123cm
£600-800
1034. A GEORGE III JOINED OAK MULE CHEST
with three raised-and-fielded panels to the front, a drawer below, between plain stiles, boarded lid, 79cm h; 56 x 121cm£150-250
1035. A GEORGE III OAK DRESSER, SHROPSHIRE OR MID WALES
crossbanded in fruitwood and with moulded top, fitted three drawers, the brass handles probably original, having pierced apron, on cabriole legs, 82cm h; 169 x 52cm£1000-1500
1036. AN OAK JOINED STOOL
with channelled rails and turned legs united by stretchers, 43 x 26cm £100-200
1037. A GEORGE II OAK SIDE TABLE
the oversailing boarded top with ovolo lip on ring turned legs united by moulded stretchers and bulb feet, 72cm h; 56 x 80cm£100-200
1038. A GEORGE III OAK DRESSER
the rack with stepped cavetto cornice, pair of cusped shelves and doors, the lower part fitted three beaded drawers above two cupboards enclosed by arched doors, 222cm h; 47 x 229cm£600-900
1039. AN OAK PANEL-BACK ARMCHAIR
with carved break-arched top rail and chip carved stiles, having oversailing arms, boarded seat and conforming rail, on turned legs with stretchers, 111cm h, late 17th c£150-250
1040. A JOINED OAK CHEST
with triple panelled lid, the twin panelled front with carved roundels beneath lunettes, on channelled stiles, the interior with a till, 62cm h; 47 x 104cm, early 18th c£250-350
1041. AN ASH CORNER CHAIR
with spindle back and stretchers, rush seated, 86cm h, 19th c£100-150
1042. A WALNUT AND FRUITWOOD SIDE TABLE
the (associated) rectangular top with moulded lip above a drawer, on spiral turned legs united by stretchers, 71cm h; 53 x 84cm, early 18th c and later£300-400
1043. A GEORGE III OAK LOWBOY
with oversailing top, three moulded drawers and scrolling apron, on tapering turned legs and pad feet, 70cm h; 50 x 91.5cm£200-300
1044. A JOINED OAK CHEST
of three-panel construction with channelled frame, the front carved with lunettes and scrolling foliage, on stiles, 60cm h; 50 x 117cm, early 18th c£200-300
1045. A GEORGE III OAK DRESSER
the five cockbeaded drawers crossbanded in fruitwood and with brass furniture, the moulded apron with arched centre, on cabriole legs and pad feet, 79cm h; 54 x 216cm£800-1200
1046. AN OAK DINING TABLE IN RENAISSANCE STYLE
the substantial boarded top on coupled and fluted pillars with leaf carved base and 'H' stretchers, 71cm h; 86 x 247cm, mid 20th c£500-700
1047. AN OAK PANEL-BACK ARMCHAIR IN CHARLES I STYLE
with scrolling crest with ears, lozenge carved panel and baluster uprights with boarded seat, 113cm h, early 20th c£150-200
1048. A GEORGE III OAK LOWBOY
with oversailing top and scrolling apron, on square tapered legs, 73cm h; 49 x 80cm£200-250
1049. A JOINED OAK LIVERY CUPBOARD
of panelled construction, the channelled cornice with turned pendants and enclosed by doors flanking a central lunette, the lower part with a pair of further doors carved with thistles, on stiles, the sides also carved, 145cm h; 55 x 136cm, 18th c£300-500
1050. A GEORGE III JOINED OAK CUPBOARD
the moulded cornice above panelled doors, the lower part fitted with drawers and shelves enclosed by conforming doors, the sides panelled, 221cm h; 126 x 44cm£600-800
1051. A PAIR OF SCOTTISH SALTGLAZED STONEWARE RUSTIC PLANT HOLDERS
in the form of a gnarled tree trunk, 64cm h, c1900 £250-300