Auction catalogues, auction catalogs from www.pacts.co.uk

537	WILLIAM WARD, ARA (1766-1826) AFTER GEORGE MORLAND (1763-1804) THE FIRST OF SEPTEMBER MORNING; THE FIRST OF SEPTEMBER EVENING a pair, mezzotints published by T Simpson, September 1 1796, 48 x 60.5cm (2) Estimate: 200-400	Trimmed to plate mark and with some old creasing and handling marks, long undisturbed in the present 19th c ebonised and giltwood cavetto frames	Nil
538	ROWLAND LANGMAID (1897-1956) THE LAWS OF THE NAVY PLATES I-IV etchings, all signed by the artist in pencil, 31.5 x 21.5cm, unframed (4) Estimate: 150-200	In fine condition	Nil
539	C & J GREENWOOD (FL EARLY 19TH CENTURY) GENERAL VIEW OF NOTTINGHAM a set of four, lithographs by C Moody coloured in a contemporary hand and mounted to form a panorama, published by Thomas Forman, Nottingham, c1840, 21.5 x 135cm Estimate: 150-250	Closely mounted tight to the image, in thick card window mount in ebonised frame of c1930 with on the reverse the trade label of W A Lewitt, Friar Lane, Nottingham. In very good condition	Nil	WD
540	EDWARD JULIUS DETMOLD, ARE (1883-1957) BANDITS IN THE DESERT etching, signed and dated in the plate 27, signed by the artist in pencil and inscribed Final Proof E.J.D. Imp, 21.5 x 41cm Estimate: 200-300	In good condition with wide margins, slipped slightly in the card window mount; in modern frame	Nil	200
541	ALAN MOORE (FL EARLY 20TH CENTURY) THE MEDWAY AT SHEERNESS; IN THE CLYDE a pair, etchings, both signed by the artist in pencil, 16.5 x 37.5cm (2) Estimate: 200-300	In fine condition in what are likely to be the original narrow ebonised frames with typewritten labels on the backboard	Nil
542	WILLIAM WARD, ARA (1766-1826) AFTER HENRY BERNARD CHALON (1770-1849) THUNDER AN OLD ENGLISH SETTER BRED BY PETER HALLIDAY ESQR AT CARLTON-LE-MORLAND IN LINCOLNSHIRE mezzotint, printed in colour, 42.5 x 53.5cm Provenance: With Frank T Sabin, London. Estimate: 400-600	In fine ready to hang condition. Cleaned and mounted to just within the plate mark; unexamined out of the frame, as supplied to the present owner by Sabin.	Nil	440
543	HENRY SYKES (1855-1921) ON THE KENNET CANAL AT WOOLHAMPTON BERKSHIRE signed, pencil and watercolour heightened with white, 35 x 52cm Estimate: 200-300		Nil	520
544	ELIZABETH STACEY BLAKE (EXH 1891-1939, D1950) GOOSE FAIR OLD MARKET SQUARE NOTTINGHAM; ST PETER'S CHURCH SIDE AND THE NEW POST OFFICE NOTTINGHAM; VIEW OF HOUNDS GATE NOTTINGHAM three, all signed and dated 25, 26 or 29, pencil and watercolour, various sizes to 30.5 x 37cm (3) Estimate: 200-300		Nil	300
545	ENGLISH SCHOOL, LATE 19TH CENTURY COPIES OF CELEBRATED OLD MASTER PORTRAITS six, pencil and watercolour heightened with white, the largest 17 x 12cm (6) Including Lady Diana Russell when a child by Paul van Somer, Charles the Bold by Rogier van de Weyden, the Head of a Young Man by Durer, Sir John Godsalve by Holbein and Anne of Austria by Rubens. Estimate: 200-300	All in good condition and undoubtedly by the same hand, insecurely mounted in non matching frames with thunderflies etc beneath the glass of some. Free from fading or foxing	Nil	300
546	MAURICE WILLIAM PARTRIDGE (1913-1973) PORTLEDGE WOODS DEVON signed, signed again and inscribed on the backboard, mixed media, 38.5 x 28.5cm Estimate: 200-300	In fine condition	Nil	200
547	MARIE INNES (1860) SHELLWOOD FRAM NEAR NEWDIGATE SURREY; AN OLD FARMHOUSE a pair, one signed and dated, pencil and watercolour with bodycolour and gum arabic, 31.5 x 49cm (2) Estimate: 100-150	Both in fine condition in early 20th c frames	Nil
548	LOUISA, MARCHIONESS OF WATERFORD (1818-1891) HULME ABBEY; MOTHER AND CHILD; A CHILD WITH A RED BANNER; FLOWERS IN VASE AND AMARYLLIS VITIATA five, the first inscribed, pencil and watercolour, 14 x 9cm and c (5) Provenance: with David Ker Fine Art, London. Estimate: 300-500	In good condition, appropriately mounted in two styles of gilt or a pair of mahogany effect frames	Nil	300
549	DOUGLAS HOUZEN PINDER (1886-1949) DARTMOOR signed, pencil and watercolour with bodycolour, 37 x 52.5cm Estimate: 200-300	A highly characteristic example with mist coming down from the hills in fine unfaded condition	Nil
550	GRAHAM SUTHERLAND, OM (1903-1980) TREE FORM signed and dated 1958, gouache over pencil, lightly squared, 26.5 x 20cm Provenance: Elizabeth Organ (1934-2009) by whom acquired directly from the artist, a friend; thence by descent. The artist Elizabeth Organ married the society portrait painter Bryan Organ(1935- ) and following their divorce restored, as her home and a gallery, the parsonage at Clyro, near Hay-on-Wye, Herefordshire. The house was occupied in the 19th century by the diarist, the Reverend Francis Kilvert. Estimate: 4000-6000	In fine condition	Nil	4000
551	LOUIS VAN STAATEN (1836-1909) A DUTCH HARBOUR signed, watercolour, 29 x 39cm Estimate: 150-200	In fine condition, free from fading or foxing, in modern gilt frame	Nil	440
552	JOHN HULTBERG (1922-2005) PROGRESSION gouche, 24 x 73.5cm Painted in 1959. Provenance: with the Martha Jackson Gallery, New York and the Galerie du Dragon, Paris. Estimate: 200-300	In fine original condition, in contemporary c1960 hessian mounted frame with gallery labels verso of the Bainbridge Board support	Nil	260
553	CHINESE SCHOOL, 19TH CENTURY COURT SCENES; MEMBERS OF THE IMPERIAL HOUSEHOLD two sets of album paintings, gouache on pith paper, in blue tape borders, 25 x 37cm and 32 x 22.5cm respectively, uniformly framed (24) Estimate: 150-250	Several works with disintegration of the support/losses	Nil	700
554	STANISLAUS SOUTTEN LONGLEY, RI, RBA (1894-1966) A STARRY NIGHT signed, gouache over pencil, 42 x 32cm The present distinctly Art Deco design of the 1930s was executed at a time when Longley was designing posters for the London Underground. Estimate: 700-900	In fine condition, in good quality contemporary washline mount; in later giltwood and composition frame	Nil	1400
555	STANISLAUS SOUTTEN LONGLEY, RI, RBA (1894-1966) THE CAPTIVE FREED signed, pencil and watercolour with bodycolour, 28 x 30cm See footnote to the preceding lot. Estimate: 500-700	In fine condition with one or two light spots of foxing, undisturbed in the original good quality mount and contemporary 1930s giltwood and composition narrow frame with losses	Nil	460
556	STANISLAUS SOUTTEN LONGLEY, RI, RBA (1894-1966) THE MASQUERADE signed, watercolour and bodycolour, over pen and pencil, 46 x 31cm See footnote to the two preceding lots. Estimate: 700-900	In fine condition, in good quality slightly foxed window mount and contemporary 1930s giltwood and composition narrow frame (en suite with the preceding lot) with loss	Nil	680
557	GIOVANNI BATTISTA FILOSA (1850-1935) A GENTLE REBUKE signed, pencil and watercolour with bodycolour, 66 x 49cm Estimate: 300-500	Closed tear lower left corner which is not too noticeable. In otherwise very good condition in contemporary late 19th c giltwood and composition angled frame	Nil	550
558	JOHN GENDALL (1789-1865) ST MARTIN'S CHURCH AND MOL'S COFFEE HOUSE EXETER pencil and gouache, 38.5 x 58cm The focus of the present drawing of the group of buildings in the northern corner of Exeter's historic Cathedral Close is the famous timber framed Mol's Coffee House of 1596, said to have been frequented by Drake, Raleigh and others. It was named after the proprietor, Thomas Mol and in the 19th century was occupied by the Exeter artist and drawing master, John Gendall. Of the church of St Martin, fragments of the original building on the site, consecrated in 1065 survive in the present largely 15th century structure. Provenance: with Frank T Sabin, London. Estimate: 700-900	In fine condition, mounted and framed when with the Sabin Gallery, c1960	Nil	1900
559	ENGLISH SCHOOL HUNTING SCENES a set of six, all but one inscribed, coloured chalk and bodycolour on coloured paper, 26 x 33cm & c (6) Estimate: 250-350	Some uneven time stains, handling marks etc, in similar frames	Nil	460
560	ALFRED H VICKERS (FL 1853-1907) LANDSCAPE WITH FIGURES BY A POND signed, pencil and watercolour heightened with white, 25.5 x 36.5cm; and a watercolour of a coastal landscape by W Mansfield (2) Estimate: 150-250	Both in in good condition in dust stained mounts and somewhat damaged narrow gilt frames	Nil
561	WILLIAM PROBYN OF LONGHOPE (FL C1830) CARICATURES SAID TO BE OF GENERAL DIGHTON OF NEWLAND, LORD SEAGRAVE AND TWO OTHER GENTLEMEN four, pencil and watercolour with gum arabic, 24.5 x 16.5cm, maple frames (4) Estimate: 250-350	In very good condition, free from fading and attractively framed	Nil	300
562	BRITISH SCHOOL, 19TH CENTURY DOUBLE PORTRAIT OF CHILDREN WITH A CAT pastel, oval, 39 x 33cm, early 19th c giltwood and composition cavetto frame Estimate: 200-300	In satisfactory condition with minor abrasions, the frame with losses to the moulded decoration	Nil
563	ROBERT BARNES, ARWS (1840-1895) INDUSTRY signed with initials and dated '78, inscribed on the artist's label verso No 1 Study of Child Sewing Robert Barnes Bedford House... Redhill, pencil and watercolour with bodycolour, 44 x 34cm Estimate: 1500-2000	In fine condition, the pigments well preserved and free from fading	Nil
564	HENRY JOHN SYLVESTER STANNARD, RBA (1870-1951) THE LITTLE SHOPPER; BLACKBERRIERS RESTING a pair, watercolour and bodycolour, 26 x 35.5cm (2) Estimate: 1500-2000	Both in fine condition, undisturbed in early 20th c gilt mounts and frames with some chipping of the frames, old worm infestation in the backboards which has not penetrated the paper support. Attractive and highly typical examples	Nil
565	THOMAS FRASER (1776-1823) INDIAN LANDSCAPE WITH FIGURES AT A WATERFALL signed, watercolour, 40.5 x 54cm The amateur watercolourist Captain Thomas Fraser's drawings of India, especially its waterfalls were executed while he was serving with the Madras Engineers, from 1796 to 1819. Estimate: 600-800	In fine fresh condition	Nil	600
566	A PAOLETTI (19TH CENTURY) MORNING ON THE NEAPOLITAN COAST; ITALIAN FISHERMEN PREPARING THEIR BOATS a pair, both signed and dated 1879, gouache, 31.5 x 47.5cm (2) Estimate: 200-300	Both in fine original condition, undisturbed in the original mounts and in slightly later oak frames	Nil	480